What is your favorite lens/camera combo in your camerabag?

Dylan777 said:
martti said:
Looks like I am losing my religion.
The sony a6000 is on its way and with the adapter...who knows, I'll explore.
S___, why did Canon miss their chance?
Is there somebody out there who'd think that it would make sense to wait for the Canon version of the technically quite mature a6000?
All the EF lenses I have are compatible with the Sony with an adapter.
Allahu akbar.
I'll get me a Sony!

That's #1 mistake newbies made. Tiny mirrorless body with adapter + EF lenses ::)

You might as well sell all your EF and stick with their native.
A6000 with Canon lenses is indeed funny! What is the purpose of a6000? To save 1-5% in total equipment weight? (or size) ;D ;D ;D
 
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My only experience of a Sony camera was with the RX100II which I gave to my son for Christmas.
It is an impressive piece of engineering. The picture quality is 'good enough' and it is pocketable.
The user interface is not very easy as there are too many menus and buttons that can be configured and its logic (at least for me) is hard to figure out.

There will be a learning curve with the a6000 as well.
And in any case, it will be easy to sell if it turns out to be a disappointment.
 
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martti said:
My only experience of a Sony camera was with the RX100II which I gave to my son for Christmas.
It is an impressive piece of engineering. The picture quality is 'good enough' and it is pocketable.
The user interface is not very easy as there are too many menus and buttons that can be configured and its logic (at least for me) is hard to figure out.

There will be a learning curve with the a6000 as well.
And in any case, it will be easy to sell if it turns out to be a disappointment.

You better use a "speedbooster" for your EF lenses (not EF-S) instead of just an adapter.
:)
 
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ecka said:
anthonyd said:
60D + 24-70 f/2.8L II

It's a little heavy but lighter than carrying a FF and that monster of a lens around.

6D + 24-105L still beats it :)

Alright, I'll bite.

No, it does not! Unless you are talking about weight only (which I assume you checked somewhere) but I'm not interested in giving up my 24-70. Let me break down my argument in sections.

- Specs:
Sure, the 6D has better low light performance, better bokeh (given the _same_ lens) and a nicer viewfinder, just to name a few features. And these are differences that I can quote from having used the 6D next to the 60D, not from reviews. However, while we are at specs, the 6D has a lower max speed and a lower max flash sync speed than the 60D, and while the 1/250 of the 60D is not enough for a sunny day it does give you some more freedom than the 1/160 of the 6D (not a big deal, but something to mention).

Let's revisit the strengths of the 6D though (low light and bokeh). The combo you offer has a 4.0 lens, the combo I use has a 2.8 lens. This is a whole stop difference, which pretty much makes up for the 1.6 factor of the crop sensor in both light let in and bokeh. So while the 6D beats the 60D, the 6D+24-105 barely beats the 60D+24-70.
There is still the viewfinder of course, but whatever. I guess the 6D+24-105 is still better if you are doing low light landscapes with a closed down aperture for good DoF and high ISO to make up for the light, but who does that? I don't anyway and my post was about the equipment I carry.

- Return on investment:
I bought the 60D when I was on a much tighter budget, before the 6D came out, and long before I could afford the 6D anyway, since my walk-around lens was the Tamron 17-50/2.8. When the AF on that lens died, I decided to go the extra mile and buy a lens (24-70/2.8L II) that not only is far superior, but also enables me one day to switch to a FF body. At the time of purchase I spent $1800 for it (after rebates and whatnot). The combo you are suggesting is still about $700 higher (and that's if you buy gray market on ebay) and back then it was a good $1K higher.

- The limiting factor:
I view photography like sport car racing. If all you can drive is a Suburban, you don't need to move up from your Porsche to a Ferrari, you need to learn how to drive better. When you can fully control your Porsche and you miss some races because it can't deliver, then move up to the Ferrari. I guess I'm not the photographer you are, or don't do the type of photography you do (low light landscapes?) because I'm barely every limited by my camera. I've been limited by lack of sufficient control of external lights a lot, that's why my latest purchases have been speedlights, modifiers, remote triggers and lately a witstro 360. I've missed a lot of shots, and screwed up others, but I honestly can't think of a single shot that I missed because the 60D was not enough camera.

- The bottom line:
I shot those three over the holidays. Can you tell that they are done with a four year old underspeced camera?
 

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anthonyd said:
ecka said:
anthonyd said:
60D + 24-70 f/2.8L II

It's a little heavy but lighter than carrying a FF and that monster of a lens around.

6D + 24-105L still beats it :)

Alright, I'll bite.

No, it does not! Unless you are talking about weight only (which I assume you checked somewhere) but I'm not interested in giving up my 24-70. Let me break down my argument in sections.

- Specs:
Sure, the 6D has better low light performance, better bokeh (given the _same_ lens) and a nicer viewfinder, just to name a few features. And these are differences that I can quote from having used the 6D next to the 60D, not from reviews. However, while we are at specs, the 6D has a lower max speed and a lower max flash sync speed than the 60D, and while the 1/250 of the 60D is not enough for a sunny day it does give you some more freedom than the 1/160 of the 6D (not a big deal, but something to mention).

Let's revisit the strengths of the 6D though (low light and bokeh). The combo you offer has a 4.0 lens, the combo I use has a 2.8 lens. This is a whole stop difference, which pretty much makes up for the 1.6 factor of the crop sensor in both light let in and bokeh. So while the 6D beats the 60D, the 6D+24-105 barely beats the 60D+24-70.
There is still the viewfinder of course, but whatever. I guess the 6D+24-105 is still better if you are doing low light landscapes with a closed down aperture for good DoF and high ISO to make up for the light, but who does that? I don't anyway and my post was about the equipment I carry.

- Return on investment:
I bought the 60D when I was on a much tighter budget, before the 6D came out, and long before I could afford the 6D anyway, since my walk-around lens was the Tamron 17-50/2.8. When the AF on that lens died, I decided to go the extra mile and buy a lens (24-70/2.8L II) that not only is far superior, but also enables me one day to switch to a FF body. At the time of purchase I spent $1800 for it (after rebates and whatnot). The combo you are suggesting is still about $700 higher (and that's if you buy gray market on ebay) and back then it was a good $1K higher.

- The limiting factor:
I view photography like sport car racing. If all you can drive is a Suburban, you don't need to move up from your Porsche to a Ferrari, you need to learn how to drive better. When you can fully control your Porsche and you miss some races because it can't deliver, then move up to the Ferrari. I guess I'm not the photographer you are, or don't do the type of photography you do (low light landscapes?) because I'm barely every limited by my camera. I've been limited by lack of sufficient control of external lights a lot, that's why my latest purchases have been speedlights, modifiers, remote triggers and lately a witstro 360. I've missed a lot of shots, and screwed up others, but I honestly can't think of a single shot that I missed because the 60D was not enough camera.

- The bottom line:
I shot those three over the holidays. Can you tell that they are done with a four year old underspeced camera?

Yes, we may have different expectations for the gear we use, nothing wrong with that. I don't really worry about that 1/160sec flash sync (it's just a weird number and it's not even there when the flash isn't mounted) and the max shutter speed. When I had my 7D, the only 1/8000 pictures I took are the ones I tried if it actually works. For me, too much light isn't the problem :) and (if something) there is ISO 50 nowadays (not sure if 60D got that one).
It doesn't really matter if I can tell the difference looking at these beautiful images you took. That's a common misconception, the image itself is not enough data to judge the tool, I can't know the actual distances, sizes or proportions used in a 2D composition, not to mention cropping. Gear matters mostly when you are shooting the picture and which set gives you more potential for the money. With 6D+24-105L it is possible to reproduce pretty much any image you can shoot with a 60D+24-70L'II, but not vice versa. 24-70L'II on crop isn't as wide, f/2.8 translates into f/4.5 not f/4 (not a big difference, but still, for the price and fair comparison 24-105L at f/4.5 is just as good or even better optically) and then there is weight, filter size, no IS, diffraction and stuff (I'm not sure and correct me if I'm wrong, but 6D+24-105L at f/11 may give you better contrast than 60D+24-70L'II at f/8).
Looking at the current prices I see that 6D+24-105L combo goes for $2400 new at B&H (or $2100 after rebate) and the 24-70L'II alone costs $2000 (or $1850 after rebate). $250 (the difference) for the body? :) Finally, there is Sigma 18-35/1.8 Art ($800 new), which IMHO makes a lot more sense for a crop camera.
However, the most important thing is the joy of using whatever toy you've got and the experience you learn with it.
 
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I may have to alter my preference.
Despite the icky buttons, I really enjoy shooting with my Fuji XT1 and even my older XE1 rangefinder-esque bodies.
Mirrorless is becoming my go-to more often when I don't need 36MP of AA-less Bayer.
 
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I will bite, too.
For lightweight, one-camera, one-lens travel and hiking, I have had a great experience with the Canon 60D and EF-S 15-85mm f/3.5-5.6. This is my "haven't been on this trail before, no idea what I will find, bring an all-around light kit" scouting camera. With 59" tripod and head, this is a 5 pound kit.

I also have the Canon 6D, and I shoot primes with it, and generally carry it with multiple primes, or have scouted the area and know exactly what I will need and bring just one lens. My landscape bag has 21mm, 35mm, and I am playing with some old back-of-the-closet lenses on adapters. No question that the files are 2 stops better noise-wise than the 60D. I wish there were a great 24-120mm zoom (the equivalent of the 15-85) that would be a one-lens solution, but that is probably too much to expect. I waver about getting one of the 24-105s, either Canon or Sigma.
 
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Depends... but mostly I enjoy my EOS M 22mm combo (35mm equiv.) Sharpness wise i'd put it up against any full frame and 35mm lens combo. 35 2.0 IS, etc.

i leave my nicer stuff at home. any time i need my camera to perform flawlessly i bring out the slr (6d) it just goes. The EOS M does require a bit of fiddling. constantly turning on and off on and off, changing focus modes, going through menus. but the size and weight helps make up for most of that =p
 
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Dear Friends.
Sorry, I do not have Favorite Lens / Camera, Just have the Most Functions/ Purpose Lenses/ Cameras , what ever situation that I need to Capture, In my hands, When I travel.
Happy New Year 2015 to your family and you.
Surapon
 

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My favourite one body/one lens combo is 6D paired with EF35mm IS.
Very well balanced, pleasure to use, F2+IS+ 6D's ISO capabilities makes it also really nice in low light.
35mm is also my favourite FL and I use it a lot. Very versatile.
 
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surapon said:
Dear Friends.
Sorry, I do not have Favorite Lens / Camera, Just have the Most Functions/ Purpose Lenses/ Cameras , what ever situation that I need to Capture, In my hands, When I travel.
Happy New Year 2015 to your family and you.
Surapon

Man, that looks like a heavy bag. And one to be very careful with, too. :)
I have posted this elsewhere, but I think it bears repeating since I am pretty adamant in my disagreement with the conventional wisdom on the Sigma 24-105 Art lens. Many here have lambasted it as overly heavy, overly large, and not much better than the Canon EF 24-105, and therefore not truly an "Art" lens in the manor of the 35mm or 50mm 1.4 Art lens. But, either I got a really good copy of this lens, or it is better than what most people think. I'd love to walk around with 9 lens in my bag, but my vacations include 2 impatient teenagers who already walk faster than I do, and stopping to change lenses would push them over the edge and ruin the vacay. So, I use the 24-105 for most of my on the fly stuff, and am generally quite pleased. I've got 5 L lenses, but only get those out when I'm messing around by myself. Here's three pics. The first, the top of a 22 story building shot from 3 blocks away and cropped about 80%. Looks sharp to me! And, then, two pics of the same building, one at 24, the other at 105. Again, I can't imagine them looking much sharper, even with my big whites.
 

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