Will the suggested 5d III specs satisfy your photograpy needs?

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A far as they go, the rumored specs look good. On the other hand, most of what I care about isn't addressed there.

My biggest need is better ISO performance for shooting wildlife in shaded or dawn/dusk situations. I'm not looking for "pretty good" noise at 12,800. Really great quality at 1600 would be more valuable. That will determine whether I buy this camera, and I probably will.

I also do 30 second exposures of the night sky with some frequency. If this camera gets rid of the many unnaturally reddish pixels or blotches I get in those shots, it would be really nice.

Sometimes I shoot sports, especially cycling. Really good autofocus on subjects moving toward the camera would be valuable. Extra points if it's available before the Amgen Tour of California in mid May.

The third big item for me (also not described in the rumored specs) is dynamic range. That white bird in the sun on a background of dark foliage could look a lot better with another stop or two of range. Or the cyclist in the sun with his face shaded by a helmet. Or the bride in white and groom in black, for you wedding photographers.

I really expect to want this camera, but I'll take a good look at tests and reviews before I place my order.
 
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randplaty said:
Wow, I had no idea people actually cared about megapixels. Probably all of the photographers who love megapixels switched to Canon and all who hated switched to Nikon and now the companies are flip flopping.

i think no one cared about MP until nikon released the d800...

We'll see what happens, I think the d800 may be trying to please too many people - the reaction I'm hearing varies from love it and can't wait to, I would love it if i shot nothing but lanscapes. And the reverse is now true with canon (that is if these specs are spot on). This camera will fill the needs and then some of the vast majority of weddings photogs - and I believe that was the bulk of the market for the 5D series. If it ends up being priced right (and available by/before summer), there will be thousands shot on the mkiii.

Side bar note, this camera is not for the hobbyist/enthusiast - what I mean by that is this - without real needs, and most likely, not a budget minded as a pro would be - the hoobyist/enthusiast will be the ones who jump ship to nikon. And the silly thing is, many of them have probably already jumped from nikon to canon. So, from a marketing perspective, why would you design a pro body to satisfy the so called needs of the finicky enthusiasts? Because they have no actual needs, just wants, they are the hardest to please and the most likely to have disposable $$$ - and therefore the most likely to jump ship. If canon ends up making this the 5D, and the only body in that series they release this year, then watch all those who jumped ship do it again next year...

2 things I am thinking may happen ---

many talk about the crop feature of the d800, and the high MP of that body allows for major cropping. Maybe, just maybe, that's where we'll see the new canon crop come in...picture this:

A 7DII/7Dx (or maybe even rename to a 6D:

body would be pro, canon needs a pro crop (enough of this only the 1D series is all thats pro, so it would be a good move to counter nikon who boasts a pro crop)
so picture a crop body, boasting lets say, 28-30MP? 1.6 crop and 28MP would kill any argument of the wildlife togs that need extra reach and crop. Throw in a decent AF, decent ISO and some other bells and whistles and you have an amazing $2000 pro crop body that even FF shooters may consider as a back up/special needs cam.

Do that and toss in a 40+MP full frame (which who knows, this we may see this year) and you put nikon in a real pickle (and who knows, maybe nikon has something in their pipeline that better suits the needs of wedding togs)...

All in all, I am glad nikon did this. If canon was the only real player, canon could just sit back. With nikon putting out cutting edge, it forces canon to work harder, and that benefits all of us!
 
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KeithR said:
Chuck Alaimo said:
i think no one cared about MP until nikon released the d800...
Nope.

Some of us have been intrigued about the prospects of real high MP counts ever since Canon broke the news of their 50mp and 120mp prototype sensors, long before the D800 emerged.

Absolutely. The 120mp APS-H was probably one of the most intriguing pieces of news I heard from Canon the last couple years. (Its obviously a bit impractical right now, as few lenses can resolve 220lp/mm even at their best aperture (which is often lower than necessary to achieve that anyway), but its still intriguing to know its possible, and that producing something more realistic, such as a 47mp FF sensor, is within the realm of practical.)
 
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Chuck Alaimo said:
randplaty said:
Wow, I had no idea people actually cared about megapixels. Probably all of the photographers who love megapixels switched to Canon and all who hated switched to Nikon and now the companies are flip flopping.
A 7DII/7Dx (or maybe even rename to a 6D:

body would be pro, canon needs a pro crop (enough of this only the 1D series is all thats pro, so it would be a good move to counter nikon who boasts a pro crop)
so picture a crop body, boasting lets say, 28-30MP? 1.6 crop and 28MP would kill any argument of the wildlife togs that need extra reach and crop. Throw in a decent AF, decent ISO and some other bells and whistles and you have an amazing $2000 pro crop body that even FF shooters may consider as a back up/special needs cam.

Do that and toss in a 40+MP full frame (which who knows, this we may see this year) and you put nikon in a real pickle (and who knows, maybe nikon has something in their pipeline that better suits the needs of wedding togs)...

All in all, I am glad nikon did this. If canon was the only real player, canon could just sit back. With nikon putting out cutting edge, it forces canon to work harder, and that benefits all of us!

This would satisfy my photography needs!!! And, 3000 I would pay for it! +1
 
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jrista said:
KeithR said:
Chuck Alaimo said:
i think no one cared about MP until nikon released the d800...
Nope.

Some of us have been intrigued about the prospects of real high MP counts ever since Canon broke the news of their 50mp and 120mp prototype sensors, long before the D800 emerged.

Absolutely. The 120mp APS-H was probably one of the most intriguing pieces of news I heard from Canon the last couple years. (Its obviously a bit impractical right now, as few lenses can resolve 220lp/mm even at their best aperture (which is often lower than necessary to achieve that anyway), but its still intriguing to know its possible, and that producing something more realistic, such as a 47mp FF sensor, is within the realm of practical.)

So megapixels are largely for the cropping ability? How many people out there do this? I would think that unless you're shooting at 400mm to 600mm consistently, which would not be the majority of photographers, you could always just get a longer lens.

I currently shoot sRAW and have taken less than 50 clicks using the full raw on the 5D Mark II as opposed to over 100k clicks using sRAW. I personally would much rather have DR and other features than mpix. Mpix is probably close to last on priority list.
 
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jrista said:
KeithR said:
Chuck Alaimo said:
i think no one cared about MP until nikon released the d800...
Nope.

Some of us have been intrigued about the prospects of real high MP counts ever since Canon broke the news of their 50mp and 120mp prototype sensors, long before the D800 emerged.

It does seem that if they were in full swing into releasing new leses, that there ought to be some underlying cause for this.

Absolutely. The 120mp APS-H was probably one of the most intriguing pieces of news I heard from Canon the last couple years. (Its obviously a bit impractical right now, as few lenses can resolve 220lp/mm even at their best aperture (which is often lower than necessary to achieve that anyway), but its still intriguing to know its possible, and that producing something more realistic, such as a 47mp FF sensor, is within the realm of practical.)
 
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randplaty said:
jrista said:
KeithR said:
Chuck Alaimo said:
i think no one cared about MP until nikon released the d800...
Nope.

Some of us have been intrigued about the prospects of real high MP counts ever since Canon broke the news of their 50mp and 120mp prototype sensors, long before the D800 emerged.

Absolutely. The 120mp APS-H was probably one of the most intriguing pieces of news I heard from Canon the last couple years. (Its obviously a bit impractical right now, as few lenses can resolve 220lp/mm even at their best aperture (which is often lower than necessary to achieve that anyway), but its still intriguing to know its possible, and that producing something more realistic, such as a 47mp FF sensor, is within the realm of practical.)

So megapixels are largely for the cropping ability? How many people out there do this? I would think that unless you're shooting at 400mm to 600mm consistently, which would not be the majority of photographers, you could always just get a longer lens.

I currently shoot sRAW and have taken less than 50 clicks using the full raw on the 5D Mark II as opposed to over 100k clicks using sRAW. I personally would much rather have DR and other features than mpix. Mpix is probably close to last on priority list.

Beyond 400mm f/5.6, "longer"...or for that matter faster...generally means "to the tune of an ungodly price". The 300/2.8 L, 400/4 DO, 500/5 L, 600/4 L, even the 200-400/4 L all cost WAY beyond what the average or even somewhat above average person can afford most of the time (barring winning the lottery, hefty inheritance, literally struck gold, etc...you know, those kinds of things that happen to ordinary people every day.) So sure, you could always get a longer lens...if the lens itself is within reach.

As for features, I'm in the camp that believes everything can be improved in a well-rounded way, rather than simply focusing on just one thing...such as just high ISO, or just more megapixels. We already have a 116lp/mm resolution 18mp APS-C sensor, and we know how well it performs with three-year old fabrication techniques and image processors. That is equivalent to a 47mp FF sensor, however a 47mp sensor released today that had exactly the same pixel pitch (density) as a three-year old 18mp APS-C sensor... It would have the benefit of three additional years of research into improving quantum efficiency, reducing read and thermal noise, improved manufacturing techniques that produce more effective microlensing, backlit rather than frontlit sensor fabrication, etc. etc.

Sure, I want better DR. I think we can get about two full stops of better DR, even on a 47mp FF sensor. I think we could have ISO 12800, possibly even ISO 25600 if you were willing to spend the money, along with a high 7-9fps frame rate, a decent AF system, AND better DR, all in one camera. Why? Well, the D800 performs pretty damn well on the DR and noise front for being a 36.3mp sensor, thanks to Sony Exmor technology which drastically lowers read noise (among other things). Because with an improved noise floor comes direct improvements in maximum ISO, by up to a stop. Improved quantum efficiency gained by say using a backlit sensor and/or improved microlensing would leave additional headroom, allowing for further gains on the maximum ISO front. I believe a 47mp full-frame sensor is possible because we already have numerous Canon cameras, from entry level to pro grade, using 18mp APS-C sensors that use the exact same pixel pitch, and (excluding low ISO read noise, which could be corrected at least by the Sony approach of embedding hyper parallelized ADC on-sensor) they perform extremely well.

I'd love to have ALL of that above right now, but I'd be happy to start with less than that and save myself some cache. Start with 32mp, maybe a stop improvement in DR, and one stop improvement to native high ISO (12800), coupled with a nice 61pt/21ct AF system, 100k RGB metering sensor, and I'll gladly spend $3500....in a heartbeat. I'd also gladly spend another $3500 three years down the road for that full 47mp, another extra stop in DR and maybe another extra stop of high ISO (and if thats not possible, well, we'll chalk it up to physical limitations, as that would most likely be why). I'd be quite comfortable with a 47mp, ISO 12800 (native), 61/21pt AF system that does at least 7fps for a LONG time. Even stuck with a 400mm lens, I'd at least have cropping power...and even the grand total of $7000 over three years is still half the $14000 price tag for a single, monstrous 600mm f/4 L series lens (something I wouldn't even consider myself fully qualified to use until I've had another several years of practice anyway.) (Do I think the price is too optimistic...maybe...but the D800 seems to be going for $3000, and its most of the way there already...so I don't think its unrealistic.)
 
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Coming from the 5DMark 11 & ready to upgrade I have a lot of interest in both the Nikon 800 and the Canon 1DX even though its a completely different beast. Like everyone I have heard the rumours of a 22 MP 5D Mark111 spec up but doubt it will do enough at that level to gain my interest. I will be watching but more keen for a quality 36 MP model. Bring it on Canon Nikon has made the challenge!
 
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jrista said:
Beyond 400mm f/5.6, "longer"...or for that matter faster...generally means "to the tune of an ungodly price". The 300/2.8 L, 400/4 DO, 500/5 L, 600/4 L, even the 200-400/4 L all cost WAY beyond what the average or even somewhat above average person can afford most of the time (barring winning the lottery, hefty inheritance, literally struck gold, etc...you know, those kinds of things that happen to ordinary people every day.) So sure, you could always get a longer lens...if the lens itself is within reach.

As for features, I'm in the camp that believes everything can be improved in a well-rounded way, rather than simply focusing on just one thing...such as just high ISO, or just more megapixels. We already have a 116lp/mm resolution 18mp APS-C sensor, and we know how well it performs with three-year old fabrication techniques and image processors. That is equivalent to a 47mp FF sensor, however a 47mp sensor released today that had exactly the same pixel pitch (density) as a three-year old 18mp APS-C sensor... It would have the benefit of three additional years of research into improving quantum efficiency, reducing read and thermal noise, improved manufacturing techniques that produce more effective microlensing, backlit rather than frontlit sensor fabrication, etc. etc.

Sure, I want better DR. I think we can get about two full stops of better DR, even on a 47mp FF sensor. I think we could have ISO 12800, possibly even ISO 25600 if you were willing to spend the money, along with a high 7-9fps frame rate, a decent AF system, AND better DR, all in one camera. Why? Well, the D800 performs pretty damn well on the DR and noise front for being a 36.3mp sensor, thanks to Sony Exmor technology which drastically lowers read noise (among other things). Because with an improved noise floor comes direct improvements in maximum ISO, by up to a stop. Improved quantum efficiency gained by say using a backlit sensor and/or improved microlensing would leave additional headroom, allowing for further gains on the maximum ISO front. I believe a 47mp full-frame sensor is possible because we already have numerous Canon cameras, from entry level to pro grade, using 18mp APS-C sensors that use the exact same pixel pitch, and (excluding low ISO read noise, which could be corrected at least by the Sony approach of embedding hyper parallelized ADC on-sensor) they perform extremely well.

I'd love to have ALL of that above right now, but I'd be happy to start with less than that and save myself some cache. Start with 32mp, maybe a stop improvement in DR, and one stop improvement to native high ISO (12800), coupled with a nice 61pt/21ct AF system, 100k RGB metering sensor, and I'll gladly spend $3500....in a heartbeat. I'd also gladly spend another $3500 three years down the road for that full 47mp, another extra stop in DR and maybe another extra stop of high ISO (and if thats not possible, well, we'll chalk it up to physical limitations, as that would most likely be why). I'd be quite comfortable with a 47mp, ISO 12800 (native), 61/21pt AF system that does at least 7fps for a LONG time. Even stuck with a 400mm lens, I'd at least have cropping power...and even the grand total of $7000 over three years is still half the $14000 price tag for a single, monstrous 600mm f/4 L series lens (something I wouldn't even consider myself fully qualified to use until I've had another several years of practice anyway.) (Do I think the price is too optimistic...maybe...but the D800 seems to be going for $3000, and its most of the way there already...so I don't think its unrealistic.)

Hmmm, so you do shoot with a 400mm lens. That's the biggest difference I suppose. I shoot with a 200mm lens max and that's because we shoot different subjects. I understand you think we can have a well rounded camera that gives you all of the features, but if you couldn't, which features would you sacrifice first? Which would be most important to you?
 
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jrista said:
randplaty said:
jrista said:
KeithR said:
Chuck Alaimo said:
i think no one cared about MP until nikon released the d800...
Nope.

Some of us have been intrigued about the prospects of real high MP counts ever since Canon broke the news of their 50mp and 120mp prototype sensors, long before the D800 emerged.

Absolutely. The 120mp APS-H was probably one of the most intriguing pieces of news I heard from Canon the last couple years. (Its obviously a bit impractical right now, as few lenses can resolve 220lp/mm even at their best aperture (which is often lower than necessary to achieve that anyway), but its still intriguing to know its possible, and that producing something more realistic, such as a 47mp FF sensor, is within the realm of practical.)

So megapixels are largely for the cropping ability? How many people out there do this? I would think that unless you're shooting at 400mm to 600mm consistently, which would not be the majority of photographers, you could always just get a longer lens.

I currently shoot sRAW and have taken less than 50 clicks using the full raw on the 5D Mark II as opposed to over 100k clicks using sRAW. I personally would much rather have DR and other features than mpix. Mpix is probably close to last on priority list.

Beyond 400mm f/5.6, "longer"...or for that matter faster...generally means "to the tune of an ungodly price". The 300/2.8 L, 400/4 DO, 500/5 L, 600/4 L, even the 200-400/4 L all cost WAY beyond what the average or even somewhat above average person can afford most of the time (barring winning the lottery, hefty inheritance, literally struck gold, etc...you know, those kinds of things that happen to ordinary people every day.) So sure, you could always get a longer lens...if the lens itself is within reach.

As for features, I'm in the camp that believes everything can be improved in a well-rounded way, rather than simply focusing on just one thing...such as just high ISO, or just more megapixels. We already have a 116lp/mm resolution 18mp APS-C sensor, and we know how well it performs with three-year old fabrication techniques and image processors. That is equivalent to a 47mp FF sensor, however a 47mp sensor released today that had exactly the same pixel pitch (density) as a three-year old 18mp APS-C sensor... It would have the benefit of three additional years of research into improving quantum efficiency, reducing read and thermal noise, improved manufacturing techniques that produce more effective microlensing, backlit rather than frontlit sensor fabrication, etc. etc.

Sure, I want better DR. I think we can get about two full stops of better DR, even on a 47mp FF sensor. I think we could have ISO 12800, possibly even ISO 25600 if you were willing to spend the money, along with a high 7-9fps frame rate, a decent AF system, AND better DR, all in one camera. Why? Well, the D800 performs pretty damn well on the DR and noise front for being a 36.3mp sensor, thanks to Sony Exmor technology which drastically lowers read noise (among other things). Because with an improved noise floor comes direct improvements in maximum ISO, by up to a stop. Improved quantum efficiency gained by say using a backlit sensor and/or improved microlensing would leave additional headroom, allowing for further gains on the maximum ISO front. I believe a 47mp full-frame sensor is possible because we already have numerous Canon cameras, from entry level to pro grade, using 18mp APS-C sensors that use the exact same pixel pitch, and (excluding low ISO read noise, which could be corrected at least by the Sony approach of embedding hyper parallelized ADC on-sensor) they perform extremely well.

I'd love to have ALL of that above right now, but I'd be happy to start with less than that and save myself some cache. Start with 32mp, maybe a stop improvement in DR, and one stop improvement to native high ISO (12800), coupled with a nice 61pt/21ct AF system, 100k RGB metering sensor, and I'll gladly spend $3500....in a heartbeat. I'd also gladly spend another $3500 three years down the road for that full 47mp, another extra stop in DR and maybe another extra stop of high ISO (and if thats not possible, well, we'll chalk it up to physical limitations, as that would most likely be why). I'd be quite comfortable with a 47mp, ISO 12800 (native), 61/21pt AF system that does at least 7fps for a LONG time. Even stuck with a 400mm lens, I'd at least have cropping power...and even the grand total of $7000 over three years is still half the $14000 price tag for a single, monstrous 600mm f/4 L series lens (something I wouldn't even consider myself fully qualified to use until I've had another several years of practice anyway.) (Do I think the price is too optimistic...maybe...but the D800 seems to be going for $3000, and its most of the way there already...so I don't think its unrealistic.)

If a 47MP FF had the same IQ as the 18MP APS-C I would be a sad panda (yes i will not only change brand of camera but species too ;D )
 
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I have the 5D mark II, and I don't think the mark III will provide anything significant for my needs. It's probably a nice all-around camera, but no features I really need as a landscape photographer.

Had it been higher resolution or significantly higher DR at base ISO (yet to see!) I would have been interested.

I'll wait and see if Canon will do any high resolution camera. The lack of D800E response have actually made me interested in digital medium format. With second hand digital back it is less expensive than one may think, still a lot more expensive than 35mm DSLRs though.

But say if Canon won't make a high resolution camera in the coming three year period, I may just be better off halting my Canon system investment, sell off some of it I already have and get a medium format tech camera for my landscape work. "Switching" to Nikon does not seem as a good idea, since I'm a tilt-shift lens user. Nikon's lenses are not too impressive. Canon has the TS-E 24mm II. I'd like to see an upgrade of the 45 and 90 mm real soon though.
 
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randplaty said:
Hmmm, so you do shoot with a 400mm lens. That's the biggest difference I suppose. I shoot with a 200mm lens max and that's because we shoot different subjects. I understand you think we can have a well rounded camera that gives you all of the features, but if you couldn't, which features would you sacrifice first? Which would be most important to you?

Tough question, as it depends on what I may be shooting. I guess most of the time I shoot birds and wildlife, so I'd pick ISO, AF/Frame Rate, and MP (in that order). DR isn't really all that critical, as at higher ISO you're limited in terms of DR anyway, and read noise doesn't eat away at it like it does at lower ISO. I would be willing to forgo megapixels in favor of better (lower noise) higher ISO performance and better AF and frame rate capabilities, as those are really critical for shooting action (of any kind really, not just wildlife/birds.)

I still love to shoot landscapes though. When it comes to landscapes, hands down DR and MP. I could really care less about ISO higher than 800 when it comes to landscapes, so long as I have the maximum amount of DR possible, and as many megapixels as I can get. My goal with landscape photography is to shoot bright, brilliant nature scapes (land, sky, water, and astrophotography), and print monstrously huge. Think foot by foot print dimensions that fill expansive walls with stunning scenery.

It were being completely honest here, I'd obviously take two cameras for all that. I'd happily stick with my 7D (or, if one is released that improves read noise/ISO...a 7D II) for as long as I can. I could probably use a better AF system (the 1D X's is certainly drool worthy!), but at its price point, its really hard to beat the 7D in any way, and 19 cross-type AF points and 8fps shooting is so far quite adequate for panning birds in flight, even at lower ISO. Depending on what the big megapixel Canon camera that has been rumored for end of year is, and how much it costs, I may hold out for that as a landscape camera. If it really is 40mp+, has better noise characteristics, and true 14-stop DR @ ISO 100, I'll buy one in a heartbeat (so long as it doesn't land with a $7000 price tag, and isn't dedicated to HDSLR/Cinema video features.) Otherwise, I've already saved up most of the money for a 5D III (the higher price tag has caught me off guard a bit, but I think the 7D will tide me over till the end of the year at least, as landscape has slid to second place behind bird photography as my passion.)

(Wicketwombat's comment about 7D IQ is rather naive, and if you look at any 7D photos on 1x.com, 500px.com, Flickr, DeviantArt, etc. you'll see how stellar the IQ of a 7D really is...for landscapes or birds and wildlife. Its three years old at this point, and lacks the low read noise a Sony Exmor sensor has...however INCLUDING low read noise, a 47mp FF sensor would be a true thing of beauty! From both a low-level hardware specifications standpoint and actual real-world performance, the 7D is an excellent camera that offers great IQ at ISO 200-1600, and acceptable IQ everywhere else...its reputation otherwise us rather underserved, and primarily fueled by 100% crop nit-picking and severe misunderstandings about the physics of light, diffraction, and how they affect IQ for such a high-resolution sensor. Shoot a photo at f/5.6 or greater on any lens, and lens resolution drops below sensor resolution...no matter what you do, everything will look soft at a pixel level from that point on...despite the fact that you are still getting more or as much detail than any lower resolution sensor.)
 
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wickidwombat said:
but thats my point the sensor tech needs to improve to address the issues that cause the APS-C sensor to be inferior to the full frame and APS-H sensors. just taking the same tech and making it bigger would be horrible.

Oh, certainly...I wasn't advocating that. I was using it as a basis from a resolution standpoint, at 116lp/mm, you would need a 47mp sensor to have the same pixel pitch. I would most certainly expect such a sensor to be "modern" in every sense of the word, pushing the envelope wherever possible...to enlarge three year old tech would be unacceptable.
 
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