Zeiss 15 vs Canon 14

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RGF

How you relate to the issue, is the issue.
Jul 13, 2012
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I have found limited reviews of this pair.

From what I have read the Canon falls off faster and to a greater degree in the edges/corners than does the Zeiss.

Has anyone compared this pair? Is my summary correct? Anything else to add?

Thanks
 
From the images I've seen, the Zeiss is head and shoulders better, and priced to match.

Of course, there are some with enough money to buy it as a hobby, but many of them are not expert reviewers.

I'm waiting on a Lens Rental Review, perhaps he did one and I missed it. Here is what Roger says.

http://www.lensrentals.com/rent/nikon/lenses/wide-angle/zeiss-zf.2-15mm-f2.8-for-nikon#

You can easily see the difference here: Its sharper center, mid frame, and ciorners.

http://www.the-digital-picture.com/Reviews/ISO-12233-Sample-Crops.aspx?Lens=794&Camera=453&Sample=0&FLI=0&API=0&LensComp=454&CameraComp=0&FLIComp=0&APIComp=0
 
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The link shows several things, but the big one is the distortion that the 14L2 displays. It's CA is a bit harsh too.

Whatever your choice, it's a lot of moolah. So - assuming you still want to play, you might consider the TS-E 17/4L. It can be used to provide coverage equivalent to 11.8 mm (in pano mode as a 52x24 frame) or about 12.3 mm (when you make up a 4-exposure 50x32 image and 12.8 mm when used to simulate a 48x36 MF frame.)

Beside the versatility of the tilt and shift, the lens also accepts a 1.4x tc and is difficult to distinguish from the 24/3.5L (except that the field curvature is different.)

Fwiw, this is exactly why I don't own a ZE 15/2.8... I use a tripod for landscapes and architecture.
 
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What is your intended output?

I know a world leading (in his field) pro photographer and his primary lens is the Sigma 12-24, he absolutely swears by it.

I have the 17 and it is without equal in the ultra wide stakes, even if the Zeiss is fractionally "sharper" the additional functionality of the TS-E make it a far more accomplished lens.
 
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privatebydesign said:
What is your intended output?

I know a world leading (in his field) pro photographer and his primary lens is the Sigma 12-24, he absolutely swears by it.

I have the 17 and it is without equal in the ultra wide stakes, even if the Zeiss is fractionally "sharper" the additional functionality of the TS-E make it a far more accomplished lens.

Prints, 16x24 (or a tad bit larger), slightly cropped, using a 5DM3.
 
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privatebydesign said:
What is your intended output?

I know a world leading (in his field) pro photographer and his primary lens is the Sigma 12-24, he absolutely swears by it.

I have the 17 and it is without equal in the ultra wide stakes, even if the Zeiss is fractionally "sharper" the additional functionality of the TS-E make it a far more accomplished lens.
I would get the TS-17 (Actually I do have it!)

As you said it has no equal. Period!
 
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i'd love a zeiss 15mm but decided to slum it with a samyang 14mm. It gets it done just fine, better(sharper) than my 16-35mmv2 was. The build seems okay, but Roger at lensrentals says internally it's not so great, but as he points out, one could buy new replacement for the cost of a typical repair to something like the canon 14mml.
 
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risc32 said:
i'd love a zeiss 15mm but decided to slum it with a samyang 14mm. It gets it done just fine, better(sharper) than my 16-35mmv2 was. The build seems okay, but Roger at lensrentals says internally it's not so great, but as he points out, one could buy new replacement for the cost of a typical repair to something like the canon 14mml.

Thanks - I must say I am not a fan of use and toss lenses. If they will not hold up, I'll tend to skip them
 
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