Zeiss Otus 1.4/85: The New World-Class Lens

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Jul 20, 2010
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<p>With  the  Otus  1.4/85  ZEISS  is  expanding  its  high-end  lens  family.  The  Otus  1.4/55,  an  SLR  standard  lens,  already  set  new  global  standards  in  what  is  means  to  achieve  perfection.  The  expectations  for  the  85-mm  focal  length  are  just  as  high.  This  new  member  of  the  Otus  family  is  an  outstanding  and  fast  all-around  lens  that  accepts  no  compromises.  ZEISS  will  present  this  new  world-class  lens  for  the  first  time  to  the  public  at  photokina  in  Cologne  from  September  16  to  21.</p>
The  Otus  1.4/85  offers  peerless  image  quality,  even  with  an  open  aperture.  As  a  short  telephoto  lens  with  an  85-millimeter  focal  length,  this  new  member  of  the  Otus  family  shows  its  strengths  especially  when  people  are  center  stage.  Thanks  to  the  longer  focal  length  of  this  lens,  photographers  can  keep  a  decent  distance  from  the  subject.  At  the  same  time,  the  lens  is  highly  versatile:  it  excels  in  general  studio  work,  as  well  as  for  fashion,  advertising,  product  and  architectural  photography.  Even  photographers  who  are  looking  for  a  powerful  companion  for  nature  photography  will  find  it  in  the  Otus  1.4/85  –  the  edges  of  the  picture  can  be  used  for  compositional  purposes  at  all  f-stops.  Photographers  who  had  a  chance  to  test  exclusively  this  new  flagship  from  Germany’s  leading  optics  specialist  were  enthusiastic.  Using  the  Otus  1.4/85  in  combination  with  a  full-frame  SLR  lets  a  photographer  master  all  shooting  situations  and  achieve  effects  that  until  now  have  only  been  known  from  the  medium-format  range:  unusually  high  contrast,  unusually  high  depth  of  field,  impressive  three-dimensional  effects  and  sensational  quality.</p>
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<p>Is  there  little  ambient  light?  That  is  no  problem  for  the  Otus  1.4/85.  When  the  light  fades,  ZEISS’s  newest  high-end  lens  ‘sees’  just  as  well  as  the  owl  species  from  which  this  lens  family  gets  its  name.  There  is  no  trace  of  correction  deficits,  which  are  typical  in  such  situations.</p>
<p>Just  like  its  older  ‘brother’,  the  Otus  1.4/55,  the  new  Otus  has  been  designed  to  meet  professional  photographers’  most  rigorous  demands.  Internal  focusing,  the  dial  window,  and  the  dials‘  clearly  recognizable  yellow  labeling,  familiar  from  professional  cine  lenses  like  ARRI/ZEISS  Master  Prime,  are  just  a  few  of  the  characteristics  of  the  Otus  1.4/85.  The  smooth  manual  focus  operation  with  the  large  angle  of  rotation  of  261  degrees  combined  with  the  easy-to-grip  focus  ring  enables  the  finest  variations  in  focusing.  The  freedom  to  focus  —  one  of  the  most  important  creative  elements  in  photography  —  has  literally  been  put  into  the  hands  of  the  photographer  as  an  artistic  tool.  Both  the  extra-fine  haptics  and  the  precision  of  the  focusing  mechanism  can  only  be  achieved  with  the  metal  design  of  the  Otus  range.  The  robust  all-metal  barrel  is  also  well  equipped  to  deal  with  the  rough  daily  work  of  a  professional  photographer,  ensuring  a  long  product  life.  And  for  all  photographers  who  in  addition  to  the  actual  optics  also  rely  on  screw-on  filters  in  their  work,  matching  T*  UV  and  POL  filters  with  a  diameter  of  86  millimeters  will  be  available  from  ZEISS  for  the  Otus  1.4/85.</p>
<p>Optically,  the  Otus  1.4/85  stands  out  for  its  high  image  quality,  even  with  an  open  aperture  —  as  is  true  for  the  entire  Otus  range.  Specifically,  that  means  a  neutral  bokeh  in  the  background,  highly  detailed  images  without  any  bothersome  optical  artifacts,  consistently  high  resolution  power  across  the  entire  image  field,  no  color  fringing  or  distortion,  and  an  extremely  high  image  contrast  all  the  way  into  the  edges.  The  imaging  performance  remains  entirely  consistent  for  all  shooting  distances.  High  apertures  can  be  used  even  for  close-ups  right  down  to  a  working  distance  of  0.65  meters.  This  freedom  offers  the  photographer  new  opportunities  to  compose  his  or  her  subjects,  without  having  to  waste  time  thinking  about  a  possible  loss  of  quality  This  is  one  of  the  reasons  why  the  photographers  who  tested  the  new  Otus  1.4/85  lens  exclusively  beforehand  returned  it  only  reluctantly.</p>
<p>“After  we  launched  the  Otus  1.4/55,  our  customers  immediately  understood  the  enormous  benefits  they  can  get  from  such  a  lens.  Photographers  are  in  the  position  to  take  full  advantage  of  their  high-end  full-frame  cameras  and  shoot  pictures  with  a  quality  and  look  that  they  were  previously  only  used  to  getting  from  expensive  medium-format  systems.  With  the  Otus  1.4/85  we  are  now  bringing  out  the  second  lens  with  this  promise,”  explains  Christophe  Casenave,  Product  Manager  with  ZEISS  Camera  Lenses.</p>
<p>A  view  inside  reveals  how  such  optical  quality  was  achieved.  It  is  an  optical-technical  feat  as  you  would  expect  only  from  ZEISS:  The  Otus  1.4/85  consists  of  eleven  lens  elements  in  nine  groups.  One  of  the  lens  elements  has  an  aspheric  optical  surface  and  six  are  made  of  special  glass.  The  optical  design  is  based  on  the  Planar.  Because  the  Otus  1.4/85  is  an  apochromatic  lens,  chromatic  diagonal  aberrations  (longitudinal  chromatic  aberrations)  are  corrected  with  the  help  of  lens  elements  made  of  special  glass  with  anomalous  partial  dispersion.  As  a  result,  there  is  practically  no  perceptible  color  fringing  on  contrast-rich  edges  both  in  front  of  and  behind  the  focal  plane.  Bright-dark  transitions  in  the  image,  and  in  particular  highlights,  are  rendered  free  of  color  artifacts.  Also,  the  variable  air  spaces  between  certain  lens  groups  (“floating  elements  design”)  create  a  consistently  high  imaging  performance  across  the  entire  focusing  range  from  0.8  m  to  infinity.</p>
<p>“Otus  lenses  show  a  consistently  high  quality  across  the  entire  focusing  range.  That  is  something  that  scientific  test  institutes  do  not  acknowledge  because  the  test  photos  are  made  from  just  one  distance.  But  professional  photographers  appreciate  this  feature  in  a  lens,  because  it  gives  them  more  flexibility  in  their  work,”  continues  Casenave.  And  it  is  precisely  these  photographers  who  can  now  use  this  outstanding  lens  as  a  tool  to  give  full  rein  to  their  creativity  and  make  excellent  images.</p>
<p>D4,  Otus  1.4/85,  f/1.6,  1/200  sec,  ISO  800

Portrait  of  mountain  runner  Rickey  Gates.  ©  David  Clifford</p>
<p>More  application  photos  in  high  resolution  can  be  found  in  our  <a  href="https://www.flickr.com/photos/carlzeisslenses/sets/72157645669891382/"  target="_blank">Otus  1.4/85  Flickr  album</a>.</p>
<p>The  ZEISS  Otus  1.4/85  comes  with  lens  hood,  user  manual,  test  certificate  and  lens  caps.</p>
<p>The  Otus  1.4/85  will  be  available  worldwide  with  the  F-mount  (ZF.2)  or  EF-mount  (ZE)  from  mid-September.  The  expected  recommended  retail  price  is  €3,360.50*  or  US$  4,490*  (excl.  VAT).</p>
<p><strong><a  href="http://blogs.zeiss.com/photo/en/?p=5234#more-5234"  target="_blank">Read  more  at  Zeiss</a></strong></p>
<p><strong><span  style="color:  #ff00ff;">c</span>r</strong></p>
<p>  </p>
 
Don't you just hate the moronic marketing blurb that goes with lenses these days? What a load of B/S!
Why can't they just say...hey! it's got amazing optitics, you REALLY need to try this puppy. It aint a real f1.4...but most f1.4 lenses aren't either. It's big and heavy and it's manual focus which makes it crap for sport and nature. But use it for available light portraiture and it's amazing. Don't use it in the studio under monoblocs...why use an f1.4 lens at f11? Seriously...get out there on the street with this and be amazed. Or go shoot some walls and boast on a forum how great it is. Or pop it on a shelf and admire the Carl Zeiss craftsmanship.

honestly? Nature? Studio? gimme break. Low light portraiture is what this lens is built for, nothing else. In that genre it will excel.
 
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"Don't you just hate the moronic marketing blurb that goes with lenses these days? What a load of B/S!"
Remember...It has more impact if you read it with a thick, authoritative German accent! LOL!

My only hope for such perfection is if Sigma comes in with an Art 85mm! LOL! (Although, I love my Canon 85mm f1.2L with all it's quirks it is something unique and magical). I apologize in advance for using the word Sigma and perfection in the same sentence. :P
I just bought a Sigma Art 50mm (well I actually bought two!) and after getting a real lemon with the wacky AF nonsense, I have a copy that just wow's me with its wide-open sharpness and with some minor adjustments on the lens dock it auto focuses quite well! I don't know if it approaches the Otus 50mm...but it is the most amazing 50mm that I have ever used....
I will love to read about this newest Otus though, and see what beauty it is capable of!!!
 
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GMCPhotographics said:
Don't you just hate the moronic marketing blurb that goes with lenses these days? What a load of B/S!
Oh yeah! What truth!
I stopped reading this press release (it really is???) after the second paragraph because I had the fear of a retinal detachment.
I went to the German Zeiss HP where the product description was a little bit more rational.
I looked at the pictures and said: Wow! Great pictures from great photographers. Even better because of great equipment.

Honestly I don't understand, why people who don't know enough of photography get paid for such... yeah, you got it... moronic marketing blurb!
 
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GMCPhotographics said:
Don't you just hate the moronic marketing blurb that goes with lenses these days? What a load of B/S!
Why can't they just say...hey! it's got amazing optitics, you REALLY need to try this puppy. It aint a real f1.4...but most f1.4 lenses aren't either. It's big and heavy and it's manual focus which makes it crap for sport and nature. But use it for available light portraiture and it's amazing. Don't use it in the studio under monoblocs...why use an f1.4 lens at f11? Seriously...get out there on the street with this and be amazed. Or go shoot some walls and boast on a forum how great it is. Or pop it on a shelf and admire the Carl Zeiss craftsmanship.

honestly? Nature? Studio? gimme break. Low light portraiture is what this lens is built for, nothing else. In that genre it will excel.

What exactly is it that makes you an expert for the use of this lens?
 
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so they now have the world's best 85 and world's best 55. time for a wide angle otus? I really need to try one of these out. The Nikon/Canon mass produced 85's are ok but if the 55 was any indication, this lens will make them both looks like toys.
 
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psolberg said:
so they now have the world's best 85 and world's best 55. time for a wide angle otus? I really need to try one of these out. The Nikon/Canon mass produced 85's are ok but if the 55 was any indication, this lens will make them both looks like toys.
I can't remember where I saw it, but supposedly they have said that a 35mm f/1.4 is the next Otus. I was hoping for a 24mm, but I'm sure it will be amazing.

Also, I'm I the only one wondering about 86mm filters...those aren't going to be cheap!
 
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mackguyver said:
psolberg said:
so they now have the world's best 85 and world's best 55. time for a wide angle otus? I really need to try one of these out. The Nikon/Canon mass produced 85's are ok but if the 55 was any indication, this lens will make them both looks like toys.
I can't remember where I saw it, but supposedly they have said that a 35mm f/1.4 is the next Otus. I was hoping for a 24mm, but I'm sure it will be amazing.

Also, I'm I the only one wondering about 86mm filters...those aren't going to be cheap!

I'm also a fan of 24 vs 35 but I get it why they'd go for 35. A 24 would probably run WAY upwards of 5K.
 
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Maximilian said:
GMCPhotographics said:
Don't you just hate the moronic marketing blurb that goes with lenses these days? What a load of B/S!
Oh yeah! What truth!
I stopped reading this press release (it really is???) after the second paragraph because I had the fear of a retinal detachment.
I went to the German Zeiss HP where the product description was a little bit more rational.
I looked at the pictures and said: Wow! Great pictures from great photographers. Even better because of great equipment.

Honestly I don't understand, why people who don't know enough of photography get paid for such... yeah, you got it... moronic marketing blurb!

IMHO this is what sells Leica's - the quality of the 'image' is more important than the image quality ;)
 
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I'm sure these are wonder optics that live up to their billing, regardless of how overblown some of the verbiage is in the marketing slicks.

But for my money, I think I would pour my $ into a medium format system for portraits before I considered the Otus lenses. I could do a lot more with, say, a Pentax 645Z and a couple of lenses, than by adding the Otus lenses to my lineup.

Just my take on them.

Doesn't mean I won't lust after this 85mm...
 
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AcutancePhotography said:
Canon Rumors said:
The expected recommended retail price is €3,360.50* or US$ 4,490* (excl. VAT

erk!

$4500 for an 85mm? Uff da

I am sure it is a nice lens, but is it that much nicer?
It's the law of diminishing returns. Look at the best of anything - audio equipment, supercars, watches, etc., and at some point, it becomes EXTREMELY expensive to make ever smaller improvements.

The original Bugatti Veyron is a nice example. I read/saw somewhere that it only takes 250-300 BHP to get to 200mph and the other 800+ BHP to get those last 53 MPH. Needless to say those extra HP are very expensive.

It's also not a big leap to compare Canon's pricing disparities with fast primes. The 50 and 85 f/1.2 lenses are certainly better than their f/1.4 & 1.8 counterparts, but are they $1150 and $1680 better? Some would say yes, others not.

As for the timeless AF vs. no AF, it's all about what you shoot. My TS-E lenses are manual AF, but for architecture shots using a tripod, mirror lock-up, remote release, and LiveView 100% of the time it's no big deal. For my 300mm lens, I would die without AF.
 
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mackguyver said:
I read/saw somewhere that it only takes 250-300 BHP to get to 200mph and the other 800+ BHP to get those last 53 MPH. Needless to say those extra HP are very expensive.

That doesn't sound right. Even if you assume that all of the 300 BHP is consumed by aerodynamic drags, such that it scales with the cube of speed, then you only need ~600 BHP, so another 300BHP, to reach 253 MPH. In reality it will be less than that since some portion of that original 300 BHP is being consumed by factors that scaled linearly. It could be that you need whatever size engine they put into it to reach maximum speed in a reasonable amount of time though.
 
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raptor3x said:
mackguyver said:
I read/saw somewhere that it only takes 250-300 BHP to get to 200mph and the other 800+ BHP to get those last 53 MPH. Needless to say those extra HP are very expensive.

That doesn't sound right. Even if you assume that all of the 300 BHP is consumed by aerodynamic drags, such that it scales with the cube of speed, then you only need ~600 BHP, so another 300BHP, to reach 253 MPH. In reality it will be less than that since some portion of that original 300 BHP is being consumed by factors that scaled linearly. It could be that you need whatever size engine they put into it to reach maximum speed in a reasonable amount of time though.
My memory is a bit fuzzy - I think it was on Top Gear, but remember that it's not linear because of drag. I'll see if I can find the actual numbers...

EDIT: Found it in James May's first Veyron test video on Top Gear. He says, "To reach 155MPH, it takes a mere 270HP...but to go the next 100MPH to reach 253MPH, it takes another 730HP."
 
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