Eisi sagt: „Über 30 Grad Mitte Juni, das ist echt zum Kotzen!” by Helmut Gloor, auf Flickr
I'm Walking by Helmut Gloor, auf Flickr150/2 = 75I can't see this happening if they want to compete against the 50-150 f2.0 from Sony which is way less expensive.
Well, I doubt I'll make in time for this year's blossoms, but my wife and I are creating a list for next spring."Thanks! Thats only one state away!" - I really appreciate your dedication (really!!!)!
I can't see this happening if they want to compete against the 50-150 f2.0 from Sony which is way less expensive.It would cost at least as much as the 100-300 f/2.8 but probably 10-15% more
I can't see this happening if they want to compete against the 50-150 f2.0 from Sony which is way less expensive.A 70-200/2 would likely be around $10K, not really a threat at all.
Exactly like one can do with the 100-300/2.8.
It would cost at least as much as the 100-300 f/2.8 but probably 10-15% more70-200 f2.0 would already be incredible.
If it accept extender (which I think it would not) it would be insane because it would compete against the 100-300 f2.8 which is very very expensive.
The only thing I can say with any certainty is what is likely to cause me to pull out my credit card and spend my money. Think of my wishes as a form of marketing input to Canon.I want world peace. I give that an equal chance. Maybe a bit better.
And, I would add that the Nikon F2 was a much better camera than the Leicaflex SL & SL2. I owned all 3. The important Leicaflex advantage was the selective exposure measuring. And much better built R lenses.Yes, just like Sony the Germans couldn’t keep up with slr developmentsIn this modern age the Leica SL mount is competitive, but the M rangefinder cameras are serious money for what they are. I know that the rangefinder mechanism is complicated and hand assembled, but even the new film Leicas are about £5300 in the UK. Now when you consider that a state of the art hand assembled Nikon F2 Photomic was about £390 (433*)in 1978, so that’s equivalent to £2434 now (using current VAT rates for both dates*), it puts into perspective just how much the Leicas are.
I want world peace. I give that an equal chance. Maybe a bit better.I want a longer sibling to the 20-50 f/4 L IS Z, with the same design philosophy and at the same price, perhaps 35-85 f/2.8 L IS Z or 60-150 f/2.8 L IS Z.
Yes, just like Sony the Germans couldn’t keep up with slr developmentsI still own a Voigtländer Avus (named after a German racetrack).
Never used it (film plates!), but I truly like the way it was built.
Decades later came Topcon, Yashica, Nikon, Minolta, Pentax, Canon etc...
After so many years of market domination, the German companies simply forgot to innovate and paid a hefty price.
Leica are left, but cater to a very limited number of users and collectors.
I still own a Voigtländer Avus (named after a German racetrack).I had a secondhand Voigtlander Bessa folding 120 camera when I was a schoolboy. The German cameras cost a fortune then. The bellows on the folding cameras were dodgy, but 6x9 contact prints were fun, and I could afford to develop and fix using home made chemicals.
He did say 70-200 f/1.4 (or f/2) The front element would have to be the same size as a 400 f/2.8. I want a longer sibling to the 20-50 f/4 L IS Z, with the same design philosophy and at the same price, perhaps 35-85 f/2.8 L IS Z or 60-150 f/2.8 L IS Z.What about the 200mm f/1.8L?![]()
I had a secondhand Voigtlander Bessa folding 120 camera when I was a schoolboy. The German cameras cost a fortune then. The bellows on the folding cameras were dodgy, but 6x9 contact prints were fun, and I could afford to develop and fix using home made chemicals.Indeed, that’s why it’s retailing at £499 instead of £4999 !
Indeed, that’s why it’s retailing at £499 instead of £4999 !As presumably many know, it's designed and made in Japan by Cosina who have just licensed the Voigtlander name and they simply use it and associated names like Nokton for branding. It no longer has any German connection.
The Voigtländer website clearly says that focus AND aperture are indeed manual.I just checked, and the lens aperture has ten blades, so I’m sure it is manual. Auto aperture lenses have a smaller number of blades due to them having to snap open and closed in an instant, and the more blades there are the greater the friction and wear.
I’ve not used any of the Voigtlander RF lenses yet, but my understanding is that despite the contacts and communication with the camera body the aperture is fully manual, as the design is from a rangefinder lens ( where apertures are always manual) as opposed to slr lenses. Personally this doesn’t worry me at all, in fact I like it, because it does away with any focus shift issues, gives correct dof, as well as giving the correct live histogram all the time. Ultimately my migration to mirrorless will be because of the smaller size, ability to have much smaller lenses ( m mount adapted if necessary) but importantly the live histogram makes optimising exposure in challenging conditions whilst on the hoof a real benefit.Are you sure this lens has a manual diaphragm? I believe it rather behaves like Zeiss' Classic series, manual focus but electronically controlled aperture.
A 70-200/2 would likely be around $10K, not really a threat at all.A 70-200 f2.0 compatible with teleconverter would be a threat to the 100-300 F2.8 so I assume the it will not be compatible with teleconverter.
Exactly like one can do with the 100-300/2.8.Imagine stacking a 1.4x for outdoor sport + a 2x birds a single lens 3/4 differents use case
As if they didn't want to sell it!This sounds interesting but demo photos are dull and monotonous.