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My only criticism is that Sony claimed that there was no loss of dynamic range.The criticism was for the loss of dynamic range from the A9II to the A9III but with a substantial increase in price for the camera.
Granted that Canon sent the R6 III and RF 45 f/1.2 out together, I can only assume the cameras came with the correct setting.Assuming the photographer actually knows the lens has focus shift in the first place and is aware of the setting you have to change.
Some states have no sales tax at all.In which case B&H is paying the sales tax for you. The state is getting their money.
I guess the idea is it would be cheaper (than an f5.6), appealing to more customers. It would be an internal zoom so the balance would remain the same throughout the zoom range, and it would be better optimized for the 1.4x and 2.0x tele extenders. I mean still VERY similar to the 100-500 so I would agree, not enough to distinguish it but maybe they don't feel confident releasing a more expensive zoom.Where is this stated? I see this very recent article, but it doesn't specify the f-stop: https://www.canonrumors.com/predicting-what-canon-will-launch-in-2026/, nor does this one from November: https://www.canonrumors.com/whats-next-from-canon-8/.
This is the article prior to those, i.e. the thread we're posting in: https://www.canonrumors.com/evolved-canon-rf-300-600mm-f-4-5-6l-is-usm-on-the-horizon-2/, and it states f/4-f/5.6.
Conventionally:I guess by a lot of people's standards yeah, although it's a little bit semantics. Personally I wouldn't consider anything over 16mm FF ultra-wide, that's where I feel the use-case between focal lengths on each side becomes more defined. Maybe ultra-ultra-wide is more accurate if we're splitting hairs.
Where is this stated? I see this very recent article, but it doesn't specify the f-stop: https://www.canonrumors.com/predicting-what-canon-will-launch-in-2026/, nor does this one from November: https://www.canonrumors.com/whats-next-from-canon-8/.It's also apparently looking like an F/5.6 to F/6.3 lens now as per latest information...
instead of F/4, F/4-F/5.6, constant F/5.6.
I guess by a lot of people's standards yeah, although it's a little bit semantics. Personally I wouldn't consider anything over 16mm FF ultra-wide, that's where I feel the use-case between focal lengths on each side becomes more defined. Maybe ultra-ultra-wide is more accurate if we're splitting hairs.The RF 20mm f/1.4L VCM is a fast, ultrawide prime.
Thank you for showing me that you really only want to look for the mistakes, but not the meaning of an argumentation.
Please tell me your method, how to compare two RAW files with a minimum of PP correction, so that they are almost what one can call "SOOC".
Maybe I can learn from you...
But maybe you are just not willing to think about what I saw with my own eyes and tried to describe here with just a few words instead of a "white paper" 30 pages long, containing all constraints including my blood type![]()
I think they are reading way too much into the meaning of the numbers.
1 is top.
5 is midrange.
9 is the theoretical bottom, before we head into the double-digit APS-C camera range.
There are a bunch of numbers in between.
None of this tells us what specific features a camera will have, but we can go back to history for existing model names.
Not everyone pays sales tax in the USA.
There is also Payboo on B&H.
The RF 20mm f/1.4L VCM is a fast, ultrawide prime.The fact that Canon hasn't released a fast ultra-wide prime for their main lens ecosystem when they've had 7 years to do it is nuts to me.
Not just 7 years of RF but in the EF lifetime there was only the 14/2.8 (I and II) were the only ultra wide angle primes as far as I know. Not great coma quality though. The Samyang 14/2.8 is a much better option.The fact that Canon hasn't released a fast ultra-wide prime for their main lens ecosystem when they've had 7 years to do it is nuts to me.
I've seriously considered the move to Sony due to Canon's attitude towards rounding out their ecosystem & limiting third-party lenses, especially since gear like this is so helpful for the type of stuff I shoot.
That being said, the VCM primes are phenomenal from the perspective of a hybrid shooter. Extremely interested in this (and I hope they get a move on!)
Bokeh underwater isn't really a thing (unless for macro with coloured backgrounds and strobes) so low light is the only benefit I can see of f1.4.This could be the missing lens in the Canon setup for underwater photography. I'm very interested in knowing what the minimum focus distance is.
Let's be more realistic... of course you would get both!The 20/1.4 VCM is a great lens and I’d almost certainly buy a 14/1.4 or 14/1.8 VCM, should one come along. But personally, I’d take a TS-R 14 over the faster VCM prime, in a heartbeat.
Yet, we have different answers today.No, it shows the calculation from scratch using basic trigonometry and geometry. It's used all the time for such tasks, for coding etc etc.
Yeah, not sure I’d be interested in it at that point. I’d want it faster, if anything. Seems like way too much overlap with the 100-500 at that point - at least for me.It's also apparently looking like an F/5.6 to F/6.3 lens now as per latest information...
instead of F/4, F/4-F/5.6, constant F/5.6.
If you keep the screen size constant, a camera has to be taller to accommodate a back-corner EVF than if it had no EVF.An EVF doesn't require any "hump". I don't see bumps on Fuji compacts, for example. There's really no need today to replicate the SLR form in a compact camera.