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Not that Canon cares about individual buyers, but still I hear someone at HQ saying, “Mwaaaahaaaahaaaa, our plan continues to succeed!”
As I’ve stated before, the 7-series historically has been the least frequently updated.
7D – 20097DII – 2014R7 – 2022
The line moved downmarket with the R7. The concept of a ‘flagship APS-C’ isn’t really relevant. Lens sales are very profitable for Canon, they likely want high-end users to buy FF bodies and lenses.
I hadn't though of that. I use the M-fn button in the "C" function, so I can toggle thru my custom presets. Thanks.you can do this with the M-Fn button by programming one custom function with pre-capture and the other without.
I love how some people think the crop factor magically increases focal length without affecting anything else, and other people think a speed booster magically makes a lens faster without affecting anything else.It results in a very bright 140mm f/1.4 lens as it's a focal length reducer![]()
It results in a very bright 140mm f/1.4 lens as it's a focal length reducerI would like the option to killl warnimgs on the R5 Mark II. I photograph a pair of coyotes at night using a 200mm F/2 lens and the unsuported but very functional 0.71x EF to RF adapter. It resuts in a very bright 200mm f/1.4 APC lens. But I get a warning message every time the camera wakes up from sleep. It is so annoying. I know it isn't officially supported. You've told me thousands of times Canon. Just let me shut your warnings up!
All you have to do is not half press the shutter button when you don't want it active.I want to be able to program a button to toggle pre shooting off and on. Otherwise, I'm good.
you can do this with the M-Fn button by programming one custom function with pre-capture and the other without.I want to be able to program a button to toggle pre shooting off and on. Otherwise, I'm good.
You can do: Assign precapture to the custom function of your preference and use the M-Fn button to activate.The only thing I am really hoping for is pre-capture assignable to a button.


Added with Firmware v1.2.0. See Custom high-speed continuous shooting at:195fps??? I've never seen that option on my R3. 30fps is the max setting. Did you get yours turbocharged?
Agreed. IBIS and dual card slots are non-factors for me, plus they seem like pretty obvious ways to maintain market segmentation with the R6. I'm guessing Canon would like to keep encouraging people that actually need the redundancy of dual cards to keep buying the R6. A joystick is definitely top of the list of upgrades I'd love to see come to the R8 line.The R8, albeit not being a great all-around camera, is the closest thing you'll get to a perfectly small, compact ff and very capable camera for occasions you need or wish to pack light. Just a few tweaks would turn it into a perfect camera for such events. It seems like a lot of people are posting "just change this one thing and baaam... perfect". This "one thing" is very different for everybody. For me, the one thing would be a joystick. First day preorder improvement.
195fps??? I've never seen that option on my R3. 30fps is the max setting. Did you get yours turbocharged?From a photo standpoint, I would still like to see Canon bring the burst mode over from the R3 to the R1, perhaps with a bit more useful implementation. But it’s kind of perplexing that the R3 can shoot at 195fps with a slower sensor and processor, while the R1 is capped at 40fps. Some of the firearms events I photograph could certainly benefit from additional frames when we are trying catch massive gunpowder plumes exiting a barrel or capturing bullets in midair. I’m actually considering renting a Sony A9III just for these events.
On the video side, Canon made some odd choices over the past few releases. Allowing users to have False Color as an exposure tool is my personal preference. It has been great to see the R1/R5II/R6II and now the R6III ship with it. However, Canon won’t let you use LOG View Assist at the same time on the older models. The R6III, C50, C400, C70, C80 each allow for view assist to be enabled and then you can still toggle false color on/off to check exposure. This is how you film! You check it quickly and turn it off!! It’s a really strange limitation and was something I was sure they would have fixed by now. The only workaround is using an external monitor with a built-in LUT. Obviously, many of us are expecting this firmware to introduce open gate to the R1/R5II because the sensor and processor speeds should, in theory, be very capable of handling. I’m not holding my breath right now. I don’t believe Canon will bring over anything major to either camera this late in their lifecycle…but fingers crossed!
**Most issue with cameras locking up and overheating seem to come from the memory cards. CFExpress Type B cards are finicky, should ideally be formatted inside each camera they are used in, can generate a lot of heat at idle, and aren’t created equal within the same brand or even the same product line. I have a couple cards that only lock up my R5II consistently, but work flawlessly in the C400 or R6III. I suppose that’s why Canon has a recommended list.
From a photo standpoint, I would still like to see Canon bring the burst mode over from the R3 to the R1, perhaps with a bit more useful implementation. But it’s kind of perplexing that the R3 can shoot at 195fps with a slower sensor and processor, while the R1 is capped at 40fps. Some of the firearms events I photograph could certainly benefit from additional frames when we are trying catch massive gunpowder plumes exiting a barrel or capturing bullets in midair. I’m actually considering renting a Sony A9III just for these events.
On the video side, Canon made some odd choices over the past few releases. Allowing users to have False Color as an exposure tool is my personal preference. It has been great to see the R1/R5II/R6II and now the R6III ship with it. However, Canon won’t let you use LOG View Assist at the same time on the older models. The R6III, C50, C400, C70, C80 each allow for view assist to be enabled and then you can still toggle false color on/off to check exposure. This is how you film! You check it quickly and turn it off!! It’s a really strange limitation and was something I was sure they would have fixed by now. The only workaround is using an external monitor with a built-in LUT. Obviously, many of us are expecting this firmware to introduce open gate to the R1/R5II because the sensor and processor speeds should, in theory, be very capable of handling. I’m not holding my breath right now. I don’t believe Canon will bring over anything major to either camera this late in their lifecycle…but fingers crossed!
**Most issue with cameras locking up and overheating seem to come from the memory cards. CFExpress Type B cards are finicky, should ideally be formatted inside each camera they are used in, can generate a lot of heat at idle, and aren’t created equal within the same brand or even the same product line. I have a couple cards that only lock up my R5II consistently, but work flawlessly in the C400 or R6III. I suppose that’s why Canon has a recommended list.
I'm hoping that the R8 II can get the joystick.I know that the body would have to be a little bit bigger, but if they are making a mkII there will have to be some improvements![]()
There’s no free lunch. 70-200/2.8 on APS-C is equivalent to 112-320mm on FF in terms of field of view, yes. Assuming you’re reach-limited at 200mm, it’s not like you’re going to move further away so DoF will be very slightly shallower on APS-C. But you’re also losing 1.3-stops of light collection, and that translates to more noise. For example, a shot at f/2.8, ISO 1600 on APS-C will have about the same noise as f/2.8, ISO 4000 on FF.I need a more advanced APS-C body, that can take a vertical grip, and the 1.6 crop factor so my 70-200 2.8 becomes a 112-320. Purchasing a 100-300 2.8, even used, is not an option.
Focus isn't the point - it should be in focus whatever the crop factor - it's the number of pixels on the subject. A 20 Mpx APS-C sensor will give you 1.6x1.6 times the number of pixels than does a 20 Mpx FF sensor. And, that can make a perceptible difference if you are reach limited.The 70-200 doesn't become a 112-320, the 1.6x crop factor just provides the equivalent focal length if you had used a 112-320mm lens, if you're still too far away from your subject at 200mm it won't be anymore in focus with a 1.6x crop factor.
The 70-200 doesn't become a 112-320, the 1.6x crop factor just provides the equivalent focal length if you had used a 112-320mm lens, if you're still too far away from your subject at 200mm it won't be anymore in focus with a 1.6x crop factor.In a way I agree they want us to buy FF bodies, but that isn't reality for many of us or what we're looking for. A robust APS-C body is highly desired to use as a backup and for special gigs. A FF body isn't what I need, I already own 2. I need a more advanced APS-C body, that can take a vertical grip, and the 1.6 crop factor so my 70-200 2.8 becomes a 112-320. Purchasing a 100-300 2.8, even used, is not an option. I strongly believe many pros, and semi-pros, would purchase an R7 MII as soon as it was available. I say this because of all the talk and videos I've seen on how hungry the public is for this R7 MII.
Oh, by far their data is.With respect, I strongly believe that Canon’s market research data is more quantitative, more accurate and more relevant than ‘all the talk and videos’ you’ve seen.