It’s Canon EOS R6 Mark III Week With a Fresh Teaser
- By riker
- EOS Bodies
- 215 Replies
Great, now a quality non-L 28/1.8 or 1.4 pls.
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What do you expect for a $400 Canon lens?No weather sealing for 45 1.2 ?
I don't want it tack sharp in the corners. this is (hopefully) going to be a character lens. i want field curvature, i want smearing, i want isolation (wide open and at large apertures) This is for placing subjects in the general central area and not the corners. that's what i want. we've had enough of the clinical robot g master era where everything is perfectly sharp everywhere. time to get back to the roots of art.I still use my EF 50mm f/1.2 quite frequently for stills, but for video with external mike the RF 45mm f/1.2 STM would be a nicely silent upgrade. Wide open, I would not expect this lens to be tack sharp in the corners, but hopefully it performs optically a tad better than the old EF 50mm f/1.4 USM, that was quite soft wide open.
And yet, there are cameras and lenses which are, for instance IP 53 certified, like OMs or Leica's IP 54.Did your 6D Mark II ever leak? (Though, again, I made the exception for build quality which includes weather resistance. And NO camera which can not be submerged in water is weather sealed. Too many talk about how "this camera has weather sealing and that camera does not have weather sealing." Unless it's an open truss telescope, all lenses have weather resistance to one degree or another, and all camera's with light boxes also have environmental barriers between the inside of the camera and the outside of the camera.)
I'm not the one that claims the R6 was a love letter. That was another user. Maybe include that in a reply to that user's comment?
In many cases the 6-Series cameras have already replaced 5-Series cameras for certain photographers. Many 5D Mark II and 5D Mark III users decided they didn't need 30+ MP and went with the 6D Mark II instead. Many more 5-Series DSLR shooters went with the R6 when the price of the R5 came in over $4K + tax in the U.S.
My understanding was that Canon has always had a clear split FF v Crop (EF v EF-S and RF v RF-S)I was a little tempted to put the R8 in there as well, as at least with the R6 Mark II and now III it really does feel like the lineup has shifted upscale. But I think the RP and also the R8 if anyone would be the spiritual successor of the entry-level rebels in EF-S land, while the R6 would be like the "super rebel" that sat about (think 77D, etc) - i still think there's a seperation there.
Nothing is simple reallyOnce the R6 Mark III gets here in the next couple of days, the R6 III will be in there, and I'll certainly think of adding the R8 as well, and talking more about if this is a fork in thinking from Canon - like the XXD series went on after the 50D when the line split to the 60D and the 7D.
You're welcome!I'll certainly give it some thought! Thanks!
Body wise yes Canon is def on top, and dont forget the OG R5/R6, which while not perfect represent insane value Sony can't match. I cant think of a better $3K body than the R5. RF lens system is serviceable but def a big step behind IMO.Hard to believe that was about 8 years ago now. And Sony continued their hit streak with several more great cameras in this middle tier ($2k-$4k USD) until about 2022. I think the A7RV was probably the last time Sony responded with a spec "win" over Canon in the segment. Something changed around 2022 and Sony focused on the high end A1 II and A9 III cameras while letting the mid tier languish. Canon has methodically improved each of these models and I would argue, beat Sony with the R5C, R5 II, R6 II, C50, and tonight they will be announcing the R6 III. It is safe to say that Canon is sitting comfortably on top in 2025.
If they could make a EF 85mm f1.2 and a EF 50mm f1.0....then I think the flange was fine.
He is tagged in the same post, in case you missed it, so he got the notification as well, but you were the one referring to build quality.I'm not the one that claims the R6 was a love letter. That was another user. Maybe include that in a reply to that user's comment?
If they could make a EF 85mm f1.2 and a EF 50mm f1.0....then I think the flange was fine.That too but how do you think the old EF would have worked with 22mm flange? No way they could have kept the EF mount.
Couldn't remember exactly but doesn't make any difference to what i said.The RF mount flange distance is 20mm, not 22mm.
Shouldn't the Gallery headline say Mark III Gallery?That's it, no more stuff.Full gallery is up on the site
I'm not saying it would be the best lens possible for these use cases. Of course prime lenses would be better individually but a 16-35 F2.0 could provide different use case in a single package and that could be enough for me.
There is rumor that Sony is working on a ultra wide f2.0 zoom, so we will see but that would complete their f2.0 trinity.
And I'm sure that if Sony release one trinity of f2.0 zoom Canon will have no other choice than release one too.
The 6D Mark II is made out of polycarbonate resin with a few parts of magnesium alloy, with its weather sealing relying on tightly assembled plastics - it's mostly a plastic camera (I had it, I upgraded to the R6). Plastic on top, plastic at the bottom, plastic on the sides, plastic doors.
I don't buy the "love letter" story though, sorry. The R6 was released at almost 1000€ more than the 6D Mark II, here. The camera went upmarket and we paid for it.
To be honest, I've been imagining the R6s in the future will take the place the 5D DSLRs had in the market, with the R5s going to an upper level, above €5000, closer to the concept of the Sony A1. Clearly that's not happening now, but I'd say it may happen within a generation or two.
The RF mount flange distance is 20mm, not 22mm.That too but how do you think the old EF would have worked with 22mm flange? No way they could have kept the EF mount.
The reason Canon wanted to utilise a new mount (R) had nothing to do with the EF's mechanical layout. It was purely the fact that Canon wanted to introduce more data options between it's camera and lenses and that required a new contact harness and communication design.
Thank you. I thought I'd read a rumor concerning compatibility issues at one time. I'd like to upgrade to the R6 Mark III, so was hoping somebody who uses Flashpoint would chime in. Nothing against Canon flashes, I just want to use moonlights.Thanks again.
That leads me to an interesting question: Will Canon keep its R3 line alive? I always had the impression that the R3 was more a sort of test bed (involving customers) for the R1 still under development. The Mk I version of the R3 was introduced now about four years ago, and obviously there are not much rumors about a Mk II coming... In fact, I personally don't see much space left between the R5 and the R1 lines now in the market.Also, introduction of R6 III kills off the R3 line pretty much IMO. On paper, the R6 III is an upgraded R3 apart from the chasis.
Wow, I can't keep up with that. Do you still use them all? I currently have shrunk my digital gear to 2 cameras, an R7 and R5 II, and 7 film cameras, some of which are now 60-70 years old and still working... I sometimes load them with a roll of film and have fun.I now have 19 cameras. Though, 14 of them are film, and every one of them has had rolls go through them. I have a lot of lego... my vices!