Exploring the History of Innovation: The Canon EOS 6 Series
- By HeavyPiper
- EOS R
- 17 Replies
Agreed, I was so dissapointed after my purchase.6D2 was kind of a low point for Canon
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Agreed, I was so dissapointed after my purchase.6D2 was kind of a low point for Canon
Tried to glean this information from the (48mm/1.28) patent - in the description it seems to indicate an aspherical lens (as the first element behind the aperture mechanism). We'll know in 16 hours.Even the EF 50 1.2 when compared to the RF 1.2 makes it seem like a piece of doodoo so this new mirrorless budget 1.2 is a big deal. Anyone know if it will have aspherical elements?
It was true initially - that third party makers brought generally cheap, low-quality lenses to the EF mount. But Sigma brought some really nice lenses to the party a little later on, with the ART series. And their 150-600 lens was really never met head-on by Canon. Nikon has/had something of that range and price, but Canon didn't counter it, basically ceding the lower-cost birding market to Sigma (and Tamron). Now, we DO have reasonably-priced super-telephoto zooms like the 200-800 (which I have sitting about 20 feet from me, having just bought one).EF mount was never open, it was reverse engineered by the likes of Sigma and Tamron. It's a much simpler protocol than RF.
And back then the third party manufacturers only made low quality and cheap lenses that often could not focus properly. So they were not really a threat for Canon. Today Sigma and Tamron make amazing quality lenses and Chinese manufacturers getting better and better.
I think Sony might be in the situation soon to be able to sell only camera bodies and professional Sony lenses to people will lots of $$$. Everyone else will just use Sigma, Tamron or Chinese lenses.
The non-L lenses do not really have competitive prices but the L-lenses do.Pay attention to prices!
Some lenses, I don't know why, can cost much more than sold by conventional stores. The RF 50mm f/1,8 costs Euro 402 at Panamoz! Twice as much as what you'd pay to conventional online seller. Usually, you can save a lot on the more expensive items, not so on basic ones.
Panamoz never had good prices on lenses, not sure why.Pay attention to prices!
Some lenses, I don't know why, can cost much more than sold by conventional stores. The RF 50mm f/1,8 costs Euro 402 at Panamoz! Twice as much as what you'd pay to conventional online seller. Usually, you can save a lot on the more expensive items, not so on basic ones.
A portrait no, but a beautiful landscape I look to see that the corners are sharp it matters to meWhen i see an amazing portrait or a beautiful landscape photo, i never think that: oh, the corners should have been sharper
When i see an amazing portrait or a beautiful landscape photo, i never think that: oh, the corners should have been sharper
When i see an amazing portrait or a beautiful landscape photo, i never think that: oh, the corners should have been sharperSometimes absolute sharpness makes a photo boring...
Sometimes absolute sharpness makes a photo boring...They say “on par with the EF 50/1.2”. It may be a disappointment for many.
I’d be probably happy with it. Light weight is more important than sharpness to me.
I thought R mount was a technical move because that's what Canon touted when they released the R mount.
Canon's EF mount was open. Why does the RF mount have to be closed? It makes no sense.
I got the R5 Mark II and 99.9% love it, but the R3 is just a great feeling and handling camera. It’s one of the cameras that when you use it, it’s fun because everything is right where it needs to be.Some people still prefer the R3. I tried it at a Canon even and there’s something to the integrated vertical grip. Feels much better than a smaller camera with an ad on grip. And the R3 is much lighter than the R1
Nice work!
Just one thing: both the R6 and R6 Mark II have the same EVF and rear LCD, there was no improvement AFAIK.
The EOS RP has magnesium in its contruction as well, which is a nice touch for the lower price point.
Thanks, I do the same with yours.Thank you for sharing your opinion with us. I'm sure we all appreciate it.
I thought R mount was a technical move because that's what Canon touted when they released the R mount.Why did you think it was a technical move? It's the exact same mount just with a shorter distance between the lens and the sensor. And there are quite some advantages to it, especially for wider lenses. The RF 16 2.8 is one example of it. But also the RF 28-70 f/2.8, RF 14-35 f/4 etc. You don't see it with telephoto though. But it doesn't mean it can be any better than other ML mounts.
I don't understand the cries about the "closed" mount. For me, there are way more options in the RF mount than the Sony FE mount. Besides the FE mount is limited to 15 fps. So it depends on what a person prefers. Some will find better options in one mount, some in another. But it is definitely not about the numbers. A lot of options for the FE are just variations on the same focal length etc.
Yes, youtubers complain about it because there's not much more to say. And people just repeat them without thinking about it.
You have no choice. So there's no point in saying whether you need them or not.I am enjoying my Canon lenses, thank you. No need for 15 different 85mm 1.8 variants.
I agree, the lens could/ should be put on a diet or keep the weight and extend the focal length. A brand new design should be able to achieve a lighter lens. The current one weighs ≈ 700gr. It would be great if Canon could drop it to 560 ≈ 590 gr. That would be a 15-20% reduction, but probably a 630gr version (10%) is more realistic.The main reason is that the 24-105 f/4L is based on the 20-years-old design and I'm sure they can do better now.
I don't say that the 24-105mm f/4 can be half the size or something. Just that I'm sure that they can make it noticeably smaller and lighter. For me, it is my main lens on a travel and every 100g counts.
I've been already using it. Still prefer smaller file size of 20 or 24 Mpix sensorOf course you can use C-RAW. Image quality is good.
You're just guessing though. Even the tech guys from Canon don't know what exactly does it do. My opinion is similar to yours – it helps the Digic X. And as you said, there used to be dual Digic in some cameras. This is probably something similar but the camera doesn't need double the speed so the accelerator is just a little brother.The DIGIC accelerator takes the heavy lifting from the main processor. It is what deals with processing the crazy amount of data that come from speed and resolution. The DIGIC processor is left to deal with rendering and whatnot.
It also deals with autofocus, the "learning" and the cross-type R1 stuff as well as exposure. Features like shooting video and stills at the same time, and offloading them to separate memory cards.
Think of the DIGIC Accelerator as a powerful GPU taking some of the processing duties from the CPU.
Dual DIGIC processors in some cameras used to be a thing. The difference here is the accelerator has specific duties, it's not just two processors working in parallel.
That is definitely not the only reason. Compare the 28-70 f/2.8 to the 24-70 f/2.8. The size and weight difference is huge and there's no way that those 4mm makes the lens almost double the weight.The 28-70 f/2.8 is smaller because of 28mm. My problem with the 24-105L is the price. It's way too expensive for what it is. The Nikon 24-120 F4 is almost 50% cheaper in UK.
I really think that the readout speed is gonna be similar to the R6 mark 2.Ahh sweet, thanks for the correction. I've never used an R52. I wonder why that was in my head. It won't be now.
If the R63 readout is as fast as the R52, that's still a good thing.