Two Never Before Seen Lenses Coming from Canon This Year
Is it Real? I am hoping for brighter RF-S zooom to replace my 18-45 but i guess not yet.RF-S 19-42 5.6-7.1
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Is it Real? I am hoping for brighter RF-S zooom to replace my 18-45 but i guess not yet.RF-S 19-42 5.6-7.1
tree frog
Indeed. Same with DoF – for example, with an f/1.2 lens on FF you can achieve shallower DoF than you can on APS-C (for the same framing), and while you can stop the lens down to f/2 on FF, you cannot use an f/0.75 lens on APS-C (at least, not easily).That's what I meant by "FF gives you more flexibility".
Short of adding light to the scene, your options are a larger sensor or a faster lens. Both are valid approaches, and both enable you to capture more light. Depending on the focal range you need, a smaller sensor may not be cheaper or lighter with a crop sensor. Once you get longer than about 300mm, there is zero benefit of a smaller image circle for lens design. That's why there aren't 'crop lenses' in supertelephoto focal lengths, and that's why long lenses from Oly/OM that are for use on their m4/3 2x crop cameras are the same size, weight and as similar lenses for FF bodies (which Oly/OM doesn't make).But if you lack light, a larger sensor will not necessarily save your shooting session, you simply need more light. That's why for shooting in the forest I'd rather invest in faster glass (also cheaper and lighter thanks to crop) than switch to FF hoping it will solve my problem.
I suppose that depends on the car....a big white that costs as much as a car.
Indeed. Whether that matters depends on the situation. There's not really a meaningful difference in noise levels between ISO 200 and ISO 500, for example. However, IMO there is a meaningful difference in noise levels between ISO 12800 and ISO 32000.yes 1.3 EV exactly physically...
If it's a good picture, why would I cry about that? There are technical and budgetary differences between full frame and APS-C systems. you seem to be approaching this from a rather emotional standpoint.yes, FF wins hands down in low light at weddings, take a little bird in the sun photographed with an R7 with a quality lens and FF owners cry, do you want to argue any further? : )
Yes, as I said it's possibly due to my inexperience with this lens. I had the opportunity to shoot the same bird on the same branch with both kits. The 100-500 was slightly sharper, had better micro-contrast and color rendition. It's not night and day but it was noticeable.I have had the the R7, R5, R5ii and RF 100-500 and RF 200-800mm since they first came out, and have taken 100s of 1000s of bird photos with the permutations, and I think I know their quirks and how to get around them. When it comes to IQ, the RF 100-500mm on the R7 and the RF 200-800mm on the R5ii are close to the same. I frequently take the R5ii/200-800 bird photographing with my wife who uses the R7/200-800, and our images are of identical quality. So, your experience may either be due to a bad copy of the 200-800mm or your lack of experience with it. The 200-800mm is not at its best at 800mm, but it is compensated by the better AA-filter on the R5/R5ii.
In this context, dynamic range is really a surrogate for image noise.
Perhaps you usually shoot in 'proper lighting' (by which I think you mean lots of it). I shoot in the light I have, and it's often not very bright, either due to the fast shutter speeds needed for flying birds, or because I need to stop motion at indoor events.
I shoot a lot of birds in flight, and that requires a fast shutter. You mention your preference for the R7 and the 100-500L combo, and for my birding shots with that relatively slow lens, my most commonly used ISOs are at or over 12800.
View attachment 229751
Personally, I would not shoot with an APS-C camera at those high ISOs. YMMV.
The story for me is similar for indoor events – I am usually shooting those with the 24-105/2.8 and 100-300/2.8, and almost all my shots are at ISO 6400 or higher. Here are the ISOs from my 100-300/2.8 shots, for example.
View attachment 229755
If 'proper light' means, for example, in the ISO 100-1600 range, then for me that's a small minority of my images in some use cases.
And once again, the point is not about one sensor size being 'better' than another, but to be aware of the capabilities and limitations so an informed choice can be made based on an individual's needs.
That's what I meant by "FF gives you more flexibility". With FF I could start shooting a bit earlier and stop later, I could jump to 12800 if the situation requires it. If you mostly shoot low light, by all means, FF will give you better results overall. But if you lack light, a larger sensor will not necessarily save your shooting session, you simply need more light. That's why for shooting in the forest I'd rather invest in faster glass (also cheaper and lighter thanks to crop) than switch to FF hoping it will solve my problem.I shoot in the light I have, and it's often not very bright, either due to the fast shutter speeds needed for flying birds, or because I need to stop motion at indoor events.
Have you ever used a Metabones or Meike speedbooster with EF lenses and your R7? I own both and use them (mostly the Metabones) with Canon 70-200 lenses and Sigma 100-400 and 150-600 lenses. They work best with the 150-600 but are more useful to me with the 100-400. I shoot motocross motorcycles (sometimes in flight) and the 71-284 f/3.5-4.5, that the 100-400 becomes, is perfect. The 100-300 would probably work just as well without the Speedbooster but I'm not spending that kind of money for one.I have had the the R7, R5, R5ii and RF 100-500 and RF 200-800mm since they first came out, and have taken 100s of 1000s of bird photos with the permutations, and I think I know their quirks and how to get around them. When it comes to IQ, the RF 100-500mm on the R7 and the RF 200-800mm on the R5ii are close to the same. I frequently take the R5ii/200-800 bird photographing with my wife who uses the R7/200-800, and our images are of identical quality. So, your experience may either be due to a bad copy of the 200-800mm or your lack of experience with it. The 200-800mm is not at its best at 800mm, but it is compensated by the better AA-filter on the R5/R5ii.
I agree, or even 150-600 f4.5-8 if the weight would be the same.Actually i would love a 100-600 but only if the optical quality stays the same or better and it will be still F5.6/6.3 at 400mm and 7.1 at 500mm.
Actually i would love a 100-600 but only if the optical quality stays the same or better and it will be still F5.6/6.3 at 400mm and 7.1 at 500mm.Wonder what improvements are possible though? 80-500? 100-600 4.5-8? 0.5x macro? Reduction in size to 1kg?
Wonder what improvements are possible though? 80-500? 100-600 4.5-8? 0.5x macro? Reduction in size to 1kg?It sure would be nice if Canon would update the RF 100-500 f/4.5-7.1 being that it came out in September 2020. And big disappointment about the R7 Mark II, but the good news is I'm not out $2000-ish bucks!! If it has the same setbacks at the 7D MII, then it won't be released until the end of 2027.