Best Cameras for Video Under $1000
- By Bob Howland
- Reviews
- 7 Replies
The R50V with Sigma APS-C zooms are superb. The Sigma primes are better if you're short of light.
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I actually spit my coffee up when I read "simply because it is too ugly". Unreal to me that someone would consider Canon cameras ugly and not buy a Canon because of the way it looks. Then again, there are people out there who still buy Pentax.I'm looking for it too! I had never considered a Canon before (simply because it is too ugly) but I am now after the 45mm f1.2 coming out, but I do hope a beautiful compact body to be released sooner before I'm going with a R8 - the smallest canon FF body so far I could find.
Hey, buddy. When I switched to the R, I sold all my EF lenses. For me, that was a huge mistake. In that collection was the EF 35mm f/1.4L II. Some of my most beloved photos were taken with it. There was just something special about that lens. I wish I had it back. I'd buy another if I could.I really love my EF 35mm f/1.4L II. Yesterday I almost purchased a new one as backup, believing that it is inherently better and more special than the new RF/VCM version.
Then I started rewatching and rereading reviews made in 2015 when the EF II came out. The new and old share equal image quality, except regarding two aspects. The reviews were done by "my" trusted reviewers from back then (Dustin Abbott, Chris Frost, Gordon Lang, photozone.de.) The biggest shared complaint was the $2000 USD price tag in 2015!
Where the new RF/VCM version falls a bit short: 1) Severe distortion, and 2) CA when wide open and near MFD. The distortion of the RF/VCM model, as we know, has digital corrections baked in, so for practical purposes, it is not as big a deal as some new reviewers rant about.
I asked myself, do I really want to layout $1600 USD (as an "insurance policy") on a lens first released in 2015? (How long will Canon service this lens? With care and luck, won't my current EF II last many more years?)
The decision isn't a complete "no-brainer" for me, as the main reason I dumped the version I of the EF 35mm f/1.4 was purple fringing.
I believe I'm not the only photographer who associates lens choice with judgment and skill as a photographer. For me, camera lenses involve an emotional connection. We replace all kinds of appliances, vehicles, and tools in our age of extreme planned-obsolescence, but we aren't using many such purchase to express ourselves creatively.
The idea of dumbing down a 35mm L prime grates on me. I'd be sad to replace my current EF 35mm f/1.4L II treasure with the new version. And I doubt that Canon is going to have two-tiers in their L series for this lens.
But I'm not so freaked out that I'm going to spend money that may never get used. I don't believe I will be "crippled" as a photographer if I had "to settle" for the new VCM version. On the other hand, I fret over the trend of downgrading aspects of optical quality.
Also, I try to understand Canon's perspective, and I think I should be grateful that they are doing as well as they are in the age of smartphones and digital manipulation.
From what I've read lately in the CR forums, hard-nosed pragmatism drives the majority of purchase decisions, but some photographers are concerned about where the industry is headed with engineering.
Invoice: Fee for consultation $6000 ($10/mm rate). I recommend the 1200mm next at same rate.I agree!
But I'm still waiting for the "Consultation Fee" invoice...
I think you missed the rather LARGE point that eventually you wouldn't be able to afford anything made in China, unless you are a rather wealthy American. And that is assuming that trade relations normalize in the meantime, too. Demographic collapse in China is baked in--hence why the CCP feels a need to invade Taiwan as even losing a war is preferable to losing power. All of the collapse can then be blamed on the war and the West.I mean yes we all want Japanese camera companies to survive. But ultimately we also want the best product possible. So who cares if in 20 years the state of art mirrorless body is a Laowa one ? At the end it's still a tool and you take the best one you can afford for your needs. So more competition is better for the consumer to both bring lower price and force improving products.
I guess it will stay again just a rumor. It became so silent about it so don’t think any wildlife lense again.Unfortunately there doesn't seem to be any update so far. @Canon Rumors may have something in the works, but I haven't seen anything else on the internet. I bumped this thread to see if we could get that wheel spinning a bit lol. But who knows, maybe this one died down again. I certainly hope not!
In any case I'm at least rather happy with my 70-200Z + 2x for now, though I am hopeful for a 300-600 eventually. Some recent butterflies:
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Pretty much all their full-frame cameras since the A9 II can do it. At this point, I find it hard to understand why Canon isn’t featuring that in their cameras, I hoped the R6 III would change that, but it didn’t.
Pretty much all their full-frame cameras since the A9 II can do it. At this point, I find it hard to understand why Canon isn’t featuring that in their cameras, I hoped the R6 III would change that, but it didn’t.14 bit RAW with electronic shutter is nice.
Thanks, ThomasTH! I wish I could say I planned the slight blur of the wings, but I thought my shutter speed was just on the edge of freezing motion. Oh well, I was on the wrong side of that edge.Really cool photos, I especially like the third. The motion in the wings and the expression of the mallard are great.
Saw a distant raptor 80-100m away so pointed the R5ii with the RF 200-800mm + 1.4xTC at 1120mm. It works pretty well and I was able to identify it as a Buteo buteo, the European Buzzard, only 400px x 500px in the image. For amusement at 1120mm, a portrait of a House Sparrow at 5m away (cropped).
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