Recommendation for a starter Canon camera system please.

My recommendation would be the EOS RP with 24-105 f/4-7.1 IS STM lens and accessory kit:

Yes, this would be a perfect starter kit IMO. If interest grows later on, any leftover $ can be put toward another lens (or perhaps an upgrade to the L version).
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Will the Canon EOS R5s come with a pixel shift like feature? [CR2]

After nearly 20 years of gripped and then integrated 1 series, plus another 20 plus years of just gripped bodies, I am firmly in the R3 style camp :)
I've come from the smaller Olympus system before switching to the R5, so I had come to love smaller cameras & lenses.
If they had come out with more lenses and bodies with state of the art (albeit small) sensors etc, and stayed in business, then I might still be with it.
But they didn't, and so I switched. The RF lenses & R5 sensor & AF produce magnificent photos, so I'll accept bigger gear for better images.
When the R3 comes out, I'll give it a good look in hands (hopefully my local store will have one to show).
It may be a good while longer before the R5s comes out to compare it to. When they're both available I'll choose whichever best suits me at the time - you never know?
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Gear for my dream trip

Excellent suggestions above, it has been many years since my wife and I went to Tanzania and Rwanda, before I started using dSLRs. Like your planned trip, our time on safari was in a private Land Rover, just my wife and I and our driver (the safari portion of our trip was about a week, we also spent a week on Zanzibar for diving and a week in Rwanda as well, with a wonderful trip to see mountain gorillas). I brought a 4 MP superzoom P&S, FF equivalent of 38-380mm.

I won't recapitulate the excellent advice above, but in the large NPs mentioned by Grant I found the longer end of the focal range to be important for most of the wildlife in the larger parks like Serengeti.

View attachment 197531 View attachment 197533

However, if you venture into the Ngorongoro Crater you may find that the animals are quite comfortable around tourists and approach very closely.

View attachment 197534

Enjoy your trip!
Were those taken with the superzoom P/S neuro ?
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Canon Masterclass Releases the Full Canon Cinema Lineup 

This was an interesting course, specifically designed for newbies to the R5. Well presented and a lot crammed in so while I didnt learn anything new, it is recommended. Canon will (and should) offer this free to new owners of the system. One thing I wish Canon would do is add a red line all the way around the screen when recording video. The red recording button gets lost in all the data, some of which can be turned off I know but its still leading to 'no recording errors'. Anyone else have this on their Wishlist?
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Canon RF 2x Extender - anyone used one?

My biggest issue is that it sometimes overshot focus (blowing the image out). Then good luck getting it to refocus on anything since you can't recompose on the object (plane/bird in sky example).

However, those misses weren't so bad after dealing with it for a bit. And I would not trade it for anything else atm (that I can afford).
Yes, that also happened to me a few times when there was little contrast in the scene, e.g. a grey seagull against cloudy sky.
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Canon will introduce new tilt-shift lenses with a high-megapixel camera [CR2]

You seem to be the one with defects. What I’ve said is correct. And yes, I had a year of optics when I took physics.
Taking a class doesn’t automatically confer understanding, and clearly didn’t in your case. Nor does participating in a forum confer civility, which you clearly lack. Since I have no desire to engage further with your rudeness, I’m out. Enjoy your bubble of ignorance.
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Patent: Using image sensor shift to reduce the need for an AA filter

Excerpt from patent's page 9:

"...when calculating the phase difference for focus detection, the influence of its spatial aliasing cannot be ignored, and in some cases, the obtained result of the focus detection may be largely erroneous. Therefore, conventionally, it is common to arrange the optical low-pass filter so that the response in the high frequency region higher than the Nyquist frequency is reduced..."

That is: the aliasing also causes problems to phase autofocus accuracy. So, contrary to some misconceptions, an AA filter is not an obstacle for the AF operation, but a "conventional" requisite to improve its actual performance. A bit of homogeneous blur doesn't mistake the AF system, which is even more fooled by the false detail. AA-free sensors are aliasing machines (nature shots have no less aliasing than its architecture counterparts: simply, our brain accepts as "sharpness" the part of random false detail).
Thanks! - This is the first time I've ever heard of the AA filter helping anything beyond moire reduction. I've always thought post processing (in camera or later) could replace an AA filter, but this may be the very reason that the AA filter is really needed, since AF needs to be done live and is crucial (to me) for sharp photos.
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Jolly Ollie Advent Calendar, 2020

Hi John.
So sorry for your loss, we have these friends for such a short time anyway, to lose him so early is tragic. The good thing is time leaves us with the happy memories and softens the pain.

Best wishes, Graham.
Thanks, Graham.

Yes, our pets are with us for a short time, relative to our own time. The memories were so wonderful, and I'm happy for all the fun & love Ollie had while he was here, and the same for us.

We've decided to enclose our backyard with a 6 ft high black chainlink fence that our (hopefully) future new kitties can't climb, so they can safely enjoy our trees and each other and chase the birds I like to photograph. We'll still take them for walks in the country, or on a leash if along streets.
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Patent: Ultra-wide zoom lenses for the RF mount, including an RF 9-24mm f/4

I'll accept.

Here is shot of the entrance to a university. The building is very close to the entrance gates. This first shot was taken at 26mm, so you could imagine what it would look like at 50mm.
View attachment 196612


The building would totally overwhelm the arch.

Instead, I wanted the arch to frame the building, so I employed a Laowa 9mm 5.6 lens on a Sony a7rIII fullframe camera.

View attachment 196613Definitely some distortion present, but I wouldn't call it "ridiculous projection".

Here is the image after a little cleanup and cropping that I ended up using.

View attachment 196611
So for me, a 9mm has a place in my kit especially if Canon can produce one with much better edge sharpness.
Very nice!
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Canon to add to their Cinema EOS lineup with three new monster cameras [CR3]

Bottom Right of your screen you can choose the bitrate quality. By default it is lowest quality but you can change it. It started low quality on my computer too. But I change it to 4K quality and it looked awesome. ;-)
Thanks.
That looks absolutely incredible and this is coming from an R5 owner.
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Problems with AF on birds @ R5

The same is reported to occur even with the the Sony A1 https://www.fredmiranda.com/forum/topic/1699402
It is indeed true that DSLRs are programmed to focus on the nearest object whereas mirrorless can get stuck on backgrounds, and there are many complaints about it. So, in these situations, use a DSLR if it troubles you. I have what is probably the best medium weight DSLR gear for AF - Nikon D850 and D500 with the 500mm PF - but I'll take out my R5/100-500mm on just about every occasion because overall I'll get more keepers. I don't have many problems using the R5 to shoot small birds against busy backgrounds, and that is what I do most.
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R5 'Exposure Simulation' behavior with and without hotshoe trigger.

I do what I’ve always done. C1 with Exp. Sim off. Take a test shot of my ambient looking at the EV scale. Usually takes one or two shots. Turn on flash and that’s it.

For sure, In my case I use a similar method to you and had no trouble achieving the correct exposure and balance between flash and ambient. My interest was on the (potential) affect on AF performance in a partially backlit, white room. The subject becomes quite dark because the camera is adjusting the live view image to be darker (because of the white and backlighting etc.). The camera also did not brighten the image to achieve focus like it usually would which was strange. It would be nice to be able turn exposure simulation on with a hotshoe trigger attached to the camera (in specific situations)... but it doesn’t look like you can

Edit: Just read in another thread on this same topic that it is possible to set the DOF preview button to momentarily show the ambient exposure (even with trigger on the hotshoe)
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Here is the Canon EOS R3

I agree and now that it's unfolding it is obvious that Canon has had a plan all along and what we are seeing is pretty much according to their plan. They do not function oblivious to what's going on and they refrain from knee-jerk reactions knowing that it's the long haul that matters. Perhaps their plan is not perfect but it is well thought out.

Jack
It’s canons version of a can of whoop a$$
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Who is missing a smaller SPOT-AF-Point on The R5?

I still have a 5DSR so I did the measurements directly. Here are shots from DPP4 of the size of the central focussing square, using the 100-400mm II on the R5 and 5DSR to photo a TV test card a few minutes ago. It's the same size on the R5 (or slightly larger) and the 5DSR with either point focus or central square. It's quite possible the square in DPP just shows where the focus is and not the size of the focus area.

View attachment 197402
Sadly DPP does not show the real size of the focal point. That's why you can sometimes see the focus not being aligned with the focal point marker. I pretty much gave up on using the function in DPP for this reason (Disclaimer: maybe later updates have since improved on this last issue).
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Canon will announce more lenses at one time than ever before in the 2nd half of 2021 [CR2]

I still own an EOS M6 plus three EF-M / EF-S lenses.
I would like to switch to a set of two full frame bodies (my current R and a R6) but I can't sell my EOS M6 plus EF-M 11-22mm because sometimes I need a wideangle.


I don't need a heavy RF 15-35 F/2.8 L and I don't want to buy an EF 16-35mm F/4 IS L.

Please Canon, give me a
  • RF 14-35mm f/4L IS USM or
  • RF 18-45mm f/4-5.6 IS STM or
  • anything in the range RF 17-30mm F/4 or slower, L or not, USM or STM,
and you'll have a happy customer.
The biggest issue is the IS and focal range. I just really don’t need IS in a lens if Ibis is in the camera. It’s not as good as is but it is very good.

These E Mount lenses are very competitive size wise and with cost on the Tamron end. It would be a dream to have a 28-70 non is like the sigma and Tamron, e Mount. I honestly don’t need the 24-35 in the 24-70 if I am also using the 16-35.
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