How about an RF mount combo digital sensor/film body? That's one no one has asked for...

scottsworld said:

I am in limbo waiting for a "new" M system camera to come out. The current are a bit long in the tooth (except M50).
I can't afford to buy a new one next year just because the 'aggressive price and features' makes the next Mxx? way better than the M50 I bought this month.
Same goes for rumoured updated M-lenses. There are some good EOFY sales on now, so I was considering buying a lense at least.

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My two requirements for a new M were "Hot shoe", "No EVF" and "Eye AF". But I now have an RP to use for macro with flash, so the requirements are now just "Eye AF" and "No EVF". I hope the Mxxx version is good enough and cheap enough so I don't have to pay a lot after selling the M50.

I'm still hoping for a revamped original M, that one was built like a tank.

Thats normal and its worse for big lenses. If you look at the back of your lens where the lock pin fits, its a oval and not perfectly round. Its done that way to handle tolerances, and depending on how the two parts match up, there may be some play. Don't worry, its normal.

You can save 15% at Lensrentals.com right now by using the coupon code SUMMERHEAT at checkout. To qualify for the discount, your rental order must arrive to you by June 28, 2019.
Check out what Lensrentals.com has to offer.

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ashmadux said:

I like tony a lot, but i basically cant watch his show anymore. its turned into pessimist photoher channel. He speaks much truth...but sometimes we want to hear actual good things.

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maybe the industry is slow as shizzle. we barely get big technology breakthroughs but they still charge a lot for cameras. cellphones are evolving by the second especially on the photoside and it isnt all about sensors. its about software ans sensors and options/features.

Great shot, Glenn.

bhf3737 said:

In orange menu C.FnIII (Operation/Others) Page.7 "Release shutter without lens" and set it to [ON].

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Thanks a lot!

alexmatthewfilm said:

Possibly, but it's very unlikely. Especially considering it's 720p. Not a lot of people use the 120fps from the R, but it is a high bitrate and actually looks decent upscaled to 1080p. If they did every update it with AF I would probably use it more.

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Exactly, I like the quality of images it produce even in 720P 120 fps that is totally usable to upscale in 1080P. I just wish that they update AF in that mode

so far, there has been no evidence that ef-rf adapter affects image quality of adapted EF lenses used on R-series cameras. not a slight sign of vignetting levels being affected by the adaptor.

Planning a trip. Will be trekking in Northern Scotland and trying to limit weight on my back. I know I could carry a point and shoot but then I come home and don't like what I see on my screen. So, I usually resign myself to bringing the 5D4 and some glass. On past treks, I've limited what I carry and often missed my 100-400 when coming across birds and other critters. This time, I am really thinking I'll carry the Canon RP with the RF 24-105. But, will prob also bring the 100-400 with the EF-RF adapter.

Now, the next dilemma is "stability." I usually don't carry a tripod, again because of weight. Been able to make due with high ISO, leaning on trees, placing camera on a rock, etc. But then I had an idea. I have RRS "Pocket" pod / head (TFA-01 Ultra with BH-25 Pro). I took the RP with adapter and 100-400, put it on the tripod and head using the lens foot, and tried it. Remarkably stable!

Think I am going to use this kit. RRS specs are, in my experience, conservative. I know this is not a replacement for my more substantial tripod and ballhead but some support is always better than no support

Thanks for the thoughtful review. Interesting about the dust problems.

Pape said:

circle of confusion is then aperture or magnification?

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The acceptable circle of confusion for a particular use case is determined by the magnification involved in that use case that occurs between the image projected by the lens onto the imaging plane and the final display size viewed from the final viewing distance by a person with an assumed acuity of vision.

That is, the circle of confusion is an expression of how large a blur circle projected onto the imaging plane (sensor or film) can be and still be perceived as a single point by a viewer of the final image after enlargement to the display size when viewed from the intended viewing distance.

The diameter of the blur circle is defined as a linear measurement on the imaging plane, but how large that linear measurement may be (and thus the maximum acceptable size of the blur circle projected onto the imaging plane that we define as the circle of confusion) is determined by the corresponding angular size of such a blur circle when enlarged in the final display size and viewed by a person with a defined visual acuity at the final viewing distance that will still allow that blur circle to be perceived by that viewer as a point.

Beautiful shots. Well done, Pape.

People missed the point of the story. Camera market is a tiny byplay in Sony business. What they really are trying to do is strengthen their lead in image sensor business.They don't care of Canon or Nikon at all, they just want them to use Sony sensors. Their real threat is here:
https://www.dpreview.com/news/91435...ony-reach-1-in-the-global-image-sensor-market
I'm not even sure if they are really interested in taking over diminishing traditional camera business, they would have already bought Sigma or Tamron to create lens repertoire that would be as pervasive as CaNikon's.

Tugela said:

CIPA sales numbers over the last few months suggest that Ricoh is engaging in wishful thinking.

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Why would you limit your analysis to a few months? Would you project net worth by looking at it the day you get paid and the day before that?

I'm looking forward to the RF 70-200mm - f/2.8

Here is what I think about this lens: The best 24-105mm lens ever. Definitely. I used Canon EF 24-105mm f4 L IS USM, Sigma 24-105mm f4 OS, Nikon 24-120mm f4 VR and Sony 24-105mm f4G OSS. This RF lens is the best overall. Optically it is very balanced and I can use it at f4 without even thinking on EOS R. Only above 90-95mm at f4 you'll see some decrease in corners and vignetting at 24mm at f4, and that's all. CA is very low, it is always sharp in the middle section and it is really good from 24mm to 90mm at f4 from corner to corner, it is short, handles perfectly well and the control ring is a God-given I wish it had close-focus like EF 24-70mm f4L IS USM (which I'll sell tomorrow) but you can't have it all I guess
Canon has a winner. Definitely. Now it's time to give new buyers a reasonably priced 24-105mm f3.5-5.6 IS.
Edit: I see a lot of vignetting between 24 and 35mm at f4 in RAW (uncorrected). Compared to my Sony 24-70mm f2.8GM this is very visible (GM lens is probably the best 24-70mm anyway and it is more than 2 times more expensive than Canon). After I edit RAW file and with some sharpening, you will still have good corners. And remember this is at f4.

Preorders are now live for the recently announced Tamron SP 35mm F/1.4 Di USD, a lens claimed to be the “finest” in Tamron’s history and it will retail for $899 USD.
Key Features


high-resolution image quality
Appealing background bokeh
Fast F/1.4 aperture and high-speed
Lens Mount: Canon EOS
Fixed Focal Length: 35mm Lens
Lens Format: Full Frame
Maximum Aperture: f/1.4
Lens Type: Wide Angle SLR Lens


Preorder: Tamron SP 35mm F/1.4 Di USD $899

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David the street guy said:

"Mirrors and copulation are abominable, for they they both multiply the number of men."
Jorge Luis Borges

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Sounds like a miserable guy to me. I find copulation to be a wonderful thing.

Xeens are cinema lenses. They're made by Rokinon, but are a little higher quality.

andrei1989 said:

the 24-240 should come out soon as well

the RP with the new 24-240 should be a complete combo and not cost more than 2000-2200$

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The RP body is A$1751 (USD 1,222) on sale here in Australia now (no lenses no adapter). If you’re guessing USD above, that’s a massive A$2890+

any predictions of a xc-20?

My 2006 Mac Pro is still a good machine. It still sits under my desk, and I crank it up from time to time and use some of its features while I do something else with my iMac, and then finish audio editing and such on the iMac, though I'd be OK with doing more on the Pro, but I just don't need to. The only problem with it is that it won't run recent versions of the OS, and therefore won't run latest versions of some software. And, OK, I admit that on the most intensive uses it suffers in terms of speed. I used to edit video and then send it to Compressor and go to bed. Now it is more like I head to the fridge for a snack and/or I take a bathroom break.

My iMac is a 5K model from 2014, pretty well maxed out. I don't feel a need to replace it any time soon. It wasn't cheap, but splurging a bit then has paid off for me in its longevity. I was looking at getting a trash can Mac Pro even then, and realized, especially given the monitor situation, that this was a much better fit for me. The iMac Pro starts at $5,000, and is more computer than I'm ever likely to need. That doesn't say I won't ever get one some day. The new Mac Pro is a lot more serious machine. If you need one, you likely know who you are and will budget accordingly. It looks like they took the cheese grater theme and ran with it.

SeanW said:

I've had my 7D MK2 since April this year and it has developed an "Err 06 Sensor Cleaning Could Not Be Performed" error. I have sent it back to Canon to be looked at, but was wondering if anyone else has come across this?

Been gone for three weeks now and I've gone back to the 500D! I know it is not the gear but how you use it, but I miss my 7D

Thanks

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I know its been 2 years since post. but my 7D II started getting this error. I am prepping to send back for exam via CPS program. I have beat a lot of photographs out of my 7d II (A lot of Sports) already had shutter replaced. With the 7D being put to rest what should I switch too. or Limp along unti something new arrives?