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Rumors on Nikon MLS.... A chance for us Canonians too?

Mt Spokane Photography said:
Canon Rumors said:
Adaptors aren't sexy or user friendly. I wouldn't buy any full frame mirrorless camera from Canon that required an adaptor to mount an EF lens. I detested it when I went through my Sony phase.

Absolutely, I'm not interested in purchasing a whole new series of lenses. I see no oversll size advantage from mirrorless, simply because FF lenses do not get smaller with a mirrorless camera.

Sure, you can use a 40mm pancake lens, but thats not what pro level cameras are about, we want fast and long lenses as well as wide zooms. Those lenses would only get longer and heavier with a adapter attached.

I understand that some want a small camera, but it is only as small as the lens, and high quality fast lenses are big.
Very fair and accurate points regarding lens sizes relative to speed. It can make a difference for wide-angle lenses with a concentric design which is the whole point of a shorter back-focus but will be minimal with telephotos just look at Sony G star lenses.
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Canon Stock Price Drops to More Than Two-Month Low After EU Threatens Huge Fine

Talys said:
I'm not counting, but I rarely see European tech, manufacturing, or automotive giants get hit fines of that scale. For example, I'm thinking Siemens, Nokia, or Mercedes-Benz -- as opposed to Microsoft or Google -- or Canon.

Maybe because you don't follow that news - it depends what news outlets you follow. Some well known names will hit the newslines, other less known ones won't.

Read one of the links I published before, "Antitrust: Commission fines banks € 1.49 billion for participating in cartels in the interest rate derivatives industry". Among the fined banks are Deutsche Bank, Société Générale, RBS.

Or this one: "The European Commission has found that MAN, Volvo/Renault, Daimler, Iveco, and DAF broke EU antitrust rules. These truck makers colluded for 14 years on truck pricing and on passing on the costs of compliance with stricter emission rules. The Commission has imposed a record fine of € 2 926 499 000." (http://europa.eu/rapid/press-release_IP-16-2582_en.htm, Daimler is the Mercedes-Benz parent company).

Siemens was fined for 400 millions euros in 2007 (http://europa.eu/rapid/press-release_IP-07-80_en.htm?locale=en).
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Canon 70D vs M5

andrei1989 said:
soo i just got the m5 today :D plus a small bonus in the form of the sigma 150-600 C :)))

unfortunately they didn't have the ef-efm adapter in stock in my city and also amazon says it will be in stock on the 19th so i will keep searching these days for it or order from amazon next week..plus an extra battery..

the weight difference is huge: 565g for the m5 with the 15-45 VS 1380g for the 70D with the 15-85 (not a really fair comparison..i know)

Don't know if buying on Ebay is an option, but I just bought one for about $80 a couple days ago. I would check there to see if any authentic Canon adapters are available for a better price.
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I just reviewed the Canon 5DSr - Canon's best sensor yet.

AlanF said:
Larsskv said:
AlanF said:
The 5DSR has similarly 25% more resolution than the 7DII.

AlanF, I'm not sure I understand what you mean by 25% more resolution. How do you measure it, and how does it translate to real world use or print sizes?

At the same distance to the chart with the 100-400mm II, the 5DSR resolves 2.5 lines/mm and the 7DII 2.0. It means that you get more detail, if it's there in the object. It probably means that you can upsize in PS by 25% in linear dimension relative to an image from the 7DII.

A little late reply. Thank you for clarifying, AlanF.
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What gear for Airtattoo air show?

Thanks for all replies. At the end, I purchased Sigma 150-600 C and got it yesterday. It was too late to do rental and I always wanted some lens going beyond 400mm. I tried some panning shots yesterday with my dog chasing frisbee. Yeah, combination of this lens with 6D AF, fast moving planes and panning will be a challenge.

The lens has programable custom functions - I configured one to be AF priority, dynamic OS and 30m-infinity focus limiter. That will hopefully help a bit.
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Sigma 135mm f/1.8 ART vs Zeiss Milvus 135mm f/2: Round 2 | Dustin

Cory said:
TWI by Dustin Abbott said:
I only have so much time to give, and frankly I don't really make much money from the time investment already. Testing multiple lenses means more time and effort...which I don't really have time to give.
Well, it's appreciated by many which is why I need to start buying stuff through your links.

That's a nice start :)
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Full Specifications for the Canon EOS Rebel SL2

Faranell said:
I'm also planning to upgrade from SL1 to SL2, mainly because of video features. I barely use it for photo, so I don't really mind the 9 AF point system.

However I see that it has a DIGIC 7 image processor, compared to the DIGIC 5 in the previous model. I know it means a solid 1 stop improvement in case of ISO performace while shooting JPEG. But does it also effect video shooting? I would love it even more if videos shot at ISO 1600 would look like ISO 800 on SL1, but I don't know if that would work.
The DIGIC processor is also responsible for video noise reduction. Then you should have a video improvement with high ISO.
How much better?
Maybe it will come to an entire ISO stop.
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Off Brand: Nikon Announces the AF-P NIKKOR 70-300mm f/4.5-5.6E ED VR

HTML:
<p><strong>MELVILLE, NY (July 11, 2017 at 12:01 A.M. EDT) –</strong> Today, Nikon announced the new AF-P NIKKOR 70-300mm f/4.5-5.6E ED VR, modernizing this popular zoom lens with a myriad of the latest Nikon technologies. The new lens features enhanced Vibration Reduction (VR) image stabilization capability and integrates a stepping motor for fast and quiet AF performance, making it Nikon’s first full-frame AF-P lens. This new NIKKOR lens is a versatile, compact telephoto option for intermediate FX and DX-format photographers looking to capture sports, wildlife, candids, travel and other subjects at long distances, all with stunning clarity.</p>
<p>“This latest lens reaffirms Nikon’s commitment to giving FX-format shooters of all levels the unparalleled quality of NIKKOR glass, with the benefits of our latest optical technologies,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc.</p>
<p><strong>Updated with the Latest NIKKOR Lens Technologies</strong>

Whether capturing a baseball game from the bleachers or the sights of a scenic vacation, the new AF-P NIKKOR 70-300mm f/4.5-5.6E ED VR is a versatile lens that helps users capture sharp images and video, even in challenging light. The new AF-P NIKKOR 70-300mm is lighter than its predecessor, despite packing new technologies that help those shooting photos and video achieve stellar results. Enhancements to the lens include:</p>

<ul>
<li><strong>Improved Vibration Reduction (VR) System:</strong> The new AF-P NIKKOR 70-300mm lens provides users with up to 4.5 stops* of VR stabilization, to help create sharp photos and smooth video, even in low light or while handheld. Users can choose from either Normal or Sport VR Modes for added stability when shooting from a non-stationary location.</li>
<li><strong>Lightweight with Stepping Motor Technology:</strong> This AF-P lens uses a stepping motor for fast and quiet autofocus, which reduces the sound of lens operation while recording HD or 4K UHD video. This new technology also contributes to the lens’ reduced weight, making it easy to carry on all-day excursions.</li>
<li><strong>Electronic Diaphragm:</strong> This lens takes advantage of the fast burst speed of Nikon DSLR cameras, as the Electronic Diaphragm not only provides smooth exposure transitions during video capture, but also helps maintain consistent exposure during high-speed shooting, such as when photographing sports.</li>
<li><strong>Get Close:</strong> The AF-P NIKKOR 70-300mm lens features a minimum focus distance of only 3.94 ft. (1.2 meters) and a reproduction ratio of 0.25x, letting users get even closer to capture the most extravagant details, even at 300mm.</li>
<li><strong>Lens Construction:</strong> The lens features dust and drip resistance, along with a metal lens mount for durability. It features a 9-blade diaphragm for a natural, circular bokeh. The lens also features an ED element to significantly reduce instances of chromatic aberration.</li>
</ul>
<p><strong>Price and Availability</strong>

The Nikon AF-P NIKKOR 70-300mm f/4.5-5.6E ED VR lens will have a suggested retail price (SRP) of $699.95<span class="green">**</span>, and availability will be announced at a later date. For more information on this new NIKKOR lens as well as the latest Nikon products, please visit www.nikonusa.com.</p>
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Canon EOS 6D Mark II Poll Results

Sporgon said:
scyrene said:
Aglet said:
scyrene said:
Aglet said:
As I've said before, I liked every aspect of Canon's cameras and systems except for one main thing:
THE IMAGE QUALITY.

And yet I don't see rafts of quality images where you can tell which brand was used. Superb images of wildlife, or whatever field you choose, which are *clearly* not-Canon. Why is that? Are most people blind? Or are you convicing yourself of a reality that doesn't exist?

if you go back and read the 2nd sentence below the one you quoted....

Easier to PP non-Canon files, you mean? It may be a fair point - I've not processed any non-Canon raw images, so I can't comment. I will say, however, that I rarely hit insurmountable problems in processing Canon files. But I actually enjoy post processing, I understand some do not and would want to minimise the time spent doing it.

You wouldn't want files from the Sony then. It took me much more work to get the subtle punch in my images from that camera. But malleability of the shadows - yes, different league, but I don't need or want it particularly.

I'm in the "don't want to PP more than I have to" camp. ABC files allow me to do quick global edits for the result I want.
I appreciate the art of talented PP work like those who are also good golfers....
But I don't want to spend my time doing either! :)

I know what you mean about that "subtle punch" part... local contrast?.. can look a bit weaker at times when so much dynamic range gets compressed.
I can get back enough of that quite easily with a simple and slight local contrast enhancement that takes a few seconds.

FWIW, sometimes I now shoot Fuji because I can get OOC jpg looking just how I want with no PP required...
If a minor exposure tweak is required... can do that in camera and have it re-process the raw file to another jpg. Rarely needed with excellent WYSIWYG EVF tho...
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WANDRD is now in the duffel business

slclick said:
Either she's 4'10" or it's HUUUUUUGE. No thanks

The real problem I have with that picture is the obvious fudge... that bag had to be filled with crumpled newspaper because you don't see any veins bulging and pouring sweat from that tiny girls neck and arms. I just lugged something very similar in size but military issue, full... UW housing, 5D3, 5D4, 11-24, 35 II, 24-70 and 70-200 II, 2 Leicas and 2 crons plus all the plugs, cards, film, iPad and tripod. My back was hammered after 8 hour flight.
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Off Brand: Leica Announces the TL2 Mirrorless Camera

HTML:
<p>Based on the Leica TL-System, which has been continuously advanced in terms of speed, ease of handling and flexibility since its market launch, the new Leica TL2 embraces all the perfected features and leads the innovative camera concept into a new generation with additional innovations and new design aspects. The particular hallmark of the Leica TL2 is the unusual design of its compact body. Each camera body is precisely machined from a single block of aluminium in the Leica factory. The use of premium materials and their engineering in an elaborate manufacturing process are unique in the history of camera construction and lend the Leica TL2 an unmistakeable look, feel and solidity.</p>
<p><strong>Brilliant still pictures and video footage</strong></p>
<p>The Leica TL2 is equipped with a newly developed, 24-megapixel CMOS sensor in APS-C format that, in combination with an equally new, Maestro II series high-performance image processor, guarantees outstanding picture quality with impressive dynamic range, excellent contrast and colour rendition, exceptional sharpness and finest resolution of details. However, the Leica TL2 impresses not only with its still picture performance, but also with its video capabilities. The camera’s various video recording modes, such as 4K (3840 x 2160p at 30 frames per second), full HD (1920 x 1080p at 60 frames per second), HD (1280 x 720p at 60 frames per second or slow motion [SLOMO] captured at 120 frames per second), leave absolutely nothing to be desired.</p>
<p><strong>Fast and almost silent</strong></p>
<p>One of the highlights of the Leica TL2 is its enormously improved AF speed and precision. For instance, the camera focuses sharply on subjects in around only 165 milliseconds (CIPA standard; Leica standard zoom lens at its wide-angle setting), and thus focuses up to three times faster than the previous model. The new Leica Maestro II series image processor not only plays a significant role in its faster autofocus, but also to the considerably shorter start-up time. Another new development is an electronically controlled shutter that enables silent exposures at shutter speeds up to 1/40,000 s and an increase in the continuous shooting rate from 7 to a maximum of 20 frames per second.</p>
<p><strong>Connectivity with and without a cable</strong></p>
<p>Thanks to the integrated Wi-Fi module of the Leica TL2 and the function for setting up a mobile hotspot, pictures and video can be conveniently transferred by wireless to smartphones, tablets and desktop PCs from anywhere and then, for example, be shared by email, on Facebook, Instagram or other social media. Data can also be transferred lightning fast by cable with the camera’s integrated HDMI and USB 3.0 ports. The USB port also enables recharging of the Leica TL2 without a battery charger – for example from a laptop computer or an external power bank.</p>
<p>With the TL App available for both iOS and Android devices, smartphones or tablets are transformed into electronic viewfinders and offer remote control of various exposure-relevant parameters such as the shutter speed and aperture. The TL App also makes it much easier to capture photos and video from unusual angles, with a self-timer or with longer shutter speeds.</p>
<p><strong>Modern, intuitive and versatile</strong></p>
<p>By grouping menu items according to related functions, the menu of the Leica TL2 is now more clearly and logically structured and makes camera handling easier and even more intuitive than before. With the MyCamera menu, the user interface can be further personalised to meet the photographer’s preferences or particular needs. This means that the photographer always has fast access to all frequently used features and presets. Thanks to significantly increased reactivity and up to eight times faster response when using the touchscreen, camera handling is now even more efficient and intuitive. At the heart of this is a bright and clearly laid-out 3.7″ LCD touchscreen display that enables both composition and reliable and convenient assessment of subjects before and after exposure. The only other controls are four ergonomically positioned haptic control elements that are intuitive in their operation. This ensures that camera users can concentrate fully on composing their pictures – without any unnecessary distractions.</p>
<p><strong>The best in its class</strong></p>
<p>The comprehensive portfolio of lenses in the Leica TL-System offers an ideal range of focal lengths for all situations and types of photography. The system currently comprises six lenses – three prime lenses and three zooms – that meet the needs of every photographic situation. The two fast prime lenses, the Leica Summicron-TL 23 mm f/2 ASPH. and the Summilux-TL 35 mm f/1.4 ASPH., are classic focal lengths for reportage photography, and the APO-Macro-Elmarit-TL 60 mm f/2.8 ASPH. complements them ideally as a lens for finely detailed close-up photography. The three compact zoom lenses, the Leica Super-Vario-Elmar-TL 11–23 mm f/3.5–4.5 ASPH., Vario-Elmar-TL 18–56 mm f/3.5–5.6 ASPH. and APO-Vario-Elmar-TL 55–135 mm f/3.5–4.5 ASPH., cover an entire range of focal lengths equivalent to 17 to 200 mm (equiv. in 35 mm format) and deliver exposures with rich contrast from corner to corner of each frame.</p>
<p>All Leica TL-Lenses impress with exceptional imaging performance at all distances from closest focusing distance to infinity and deliver pictures with the inimitable ‘Leica look’ and unique bokeh. Developed by optical design specialists in Wetzlar (Germany), they offer the exceptional imaging performance for which Leica lenses are famed. The combination of optical and precision engineering expertise and the use of finest materials in their construction ensures their constant quality and reliability in use.</p>
<p><strong>Sustainability guaranteed by cross-system compatibility</strong></p>

<p>Thanks to the L-Bayonet mount shared by the Leica TL and SL cameras, SL-Lenses can also be used without an adapter on the Leica TL2. With this, Leica once again carries forward its fundamental principles of cross-system compatibility and sustainability, which is now also reflected in a uniform product designation. Dedicated adapters are available for using Leica M and R lenses on TL-Cameras – the Leica M-Adapter is available in a choice of black or silver finish.</p>
<p><strong>New design in two colour options</strong></p>
<p>The Leica TL2 will be offered in a choice of two different colours from the start. The design of both the silver and black versions of the camera has been slightly revised in comparison with its predecessor. In addition to chamfered edges the body also features redesigned control elements that have been modified not only in visual style, but also provide a new haptic experience.</p>
<p>Functional camera accessories, such as high-quality protectors in Nappa leather, which can stay on the camera when changing the battery, and colour-coordinated carrying straps in stone-grey, black, red, yellow and cemento, are ideal complements to the TL system portfolio.</p>

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This is everything that's wrong with photogaphic kickstarters

I'm a regular on Kickstarter. It's a very clever move by a company. You get your sales upfront and get a lot of advertising. You also buy add ons. Your financial risk on a new product is much lower. Your backers are paying your R&D costs. I bought a Petzval lens and I quite like it. I've a number of Peak Design bags. I've never been happy afterwards with Peak Design bags. They are too expensive and some of them not comfortable. I was very tempted by the Meyers Optik Trioplan. I thought the price too high. I bought a second hand Trioplan. The lens is fine , the adapter Fotodiox is not so good. The results however are good. Not a very sharp lens but I love the bubble bokeh. I looked at this lens. I couldn't see the point of it. It's a clever piece of selling. It's a pity you can't comment unless you invest. You could warn people it's not a great investment. It's quite common in Kickstarter for jackets etc to sold at way higher prices than you would in a shop. What surprises me is the lack of really innovative inventions. They are almost all me too products. There are some good photo books I've backed down through the years.
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The Nikon D7500

littleB said:
neuroanatomist said:
Oh, wait...only one card slot. Canon might not be doomed.
Canon is really a Schrödinger's cat.
It is both in state of doomed and not doomed simultaneously. The perceived state depends on how you look at it.

Schrödinger's doom. All insecure ABC users perceive Canon as doomed, while many happy Canon users seems to lack such perception.

Or maybe it's Heisenberg's principle of doom - Canon is doomed, but can't tell exactly why and if the can tell, then Canon is suddenly not doomed at all :D
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You Wanted it, and Canon Is Delivering. The PC-E2 is Coming This Week

Kit Lens Jockey said:
the photo on Canon's website of how you can wrap it around your camera

Exactly, it's something for people used to the noble tradition and art of origami.

As myself, I guess I will forget how to properly fold and wrap it around my camera quite soon, and after some Donald Duck attempts, I will get an ugly blob from which the camera would slip out easily.

More or less like some foldable light shapers, and other items, which I never learn how to fold and put everything into the box properly.

Jokes aside, it could be a simple option to protect your camera when you need nothing more, even if the price looks at Canon levels. But in the heat of 6DII and SL2 release, it was simply too funny to mock it....
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Lee Filters Actively Working on EF 11-24mm f4L Solution

I got a set of 150mm filters (Lee), works pretty good. No crazy stuff like letter-sized filters, very convenient to handle / replace / adjust / use with other lenses. The 11-24 works fine in between 12-13mm, heavy vignetting @ f/4, but improves around f/8. I rarely shoot anything wider 14mm, so I guess it's ok for now. Lighthouse time!



P.S. really can't see anything via 15 stopper during bright day light. 10 stopper works fine via LV, but not during twilight.
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