6D Mark II only has 27 f/8 AF points for TWO lenses?

I knew it was the same as 80D which I owned for a short while. Why it is only those two combos on 80D and 6D2 is beyond me. The fact that the 200-400/2x works but 200-400 with internal and external 1.4s (which I actually find better) doesn't work. I never understood why these two combos were the only ones. I would like to know the number of 80D and 6D2 users that own the 200-400/2xTCIII though.....can you count them on one hand or two? (I was one of them for a few months).
Upvote 0

French lab rolls out curved 20 MP FF sensor

foo said:
You have to wonder how they do it... conventional fabs will be producing flat wafers. So do you produce a flat sensor and then somehow bend it to a perfect curve without breaking it? Or are we talking about a completely new setup to produce curved wafers? I'd think that mapping mostly rectangular sensors onto the surface of a sphere is going to result in some wasted area too, increasing the cost.

Still some years away from commercial applications in a DSLR I'd expect due to probably requiring new camera body, lenses etc

Here some methods that have been or are in development. Multiple companies have developed curved sensors, so its possible.

https://www.slashgear.com/curved-smartphone-camera-sensors-could-out-snap-your-dslr-30486935/

https://www.phonearena.com/news/Apple-patents-new-manufacturing-technique-for-a-curved-touch-sensor_id50208

https://www.phonearena.com/news/Sony-breaks-new-ground-with-camera-sensors-curved-like-the-human-eye_id57124
Upvote 0

Keep Calm and Kick-Start Creativity With New Collection of Exclusive Canon Printables

HTML:
<p><em>Instant-Inspiration Is Possible with Power to Browse and Print Content Straight From Your Printer Screen<sup>1</sup></em></p>
<p><b>MELVILLE, N.Y., July 20, 2017</b> – Aspiring to help families ignite their creative spirit, Canon U.S.A., Inc., a leader in digital imaging solutions, announced today a new collection of exclusive printables. Canon inkjet printer owners¹ have unlimited access to content², produced by creativity leaders such as Nickelodeon and Johanna Basford – while non-Canon owners have access to select sample activities. From 3D paper crafts and mazes to stress-relieving coloring pages and decorative wall art– users will be empowered to print and create on demand with Canon.</p>
<p>In partnership with Nickelodeon<sup>3</sup>, for a limited time, Canon Inkjet printer owners will have access to exclusive printable content and activities featuring popular characters from the network’s hit preschool series, <em>Blaze and the Monster Machines</em> and<em> Shimmer and Shine</em> such as 3D paper crafts and mazes<sup>3</sup>. In addition, users have the capability to unwind and unleash their creativity with the swipe of a finger with access to over 125 printable coloring pages. From enchanted forests and secret gardens, to geometric patterns and mandalas, partnering with leading illustrators and publishers, such as renowned artist Johanna Basford, Canon makes it easy to make time for creativity.</p>
<p><!--more--></p>
<p>“It’s so important in today’s busy world to stimulate the mind and feed the imagination” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “Canon’s partnership with Nickelodeon showcases our commitment to providing customers with unique printable content.”</p>
<p>In addition, users have the capability to unwind and unleash their creativity with the swipe of a finger with access to over 125 printable coloring pages. From enchanted forests and secret gardens, to geometric patterns and mandalas, partnering with leading illustrators and publishers, such as renowned artist Johanna Basford, Canon makes it easy to make time for creativity.</p>
<p>As part of the partnership with Nickelodeon, families can enjoy nearly 30 unique crafts, including 14 activities featuring <em>Blaze and the Monster Machines</em> and 15 for <em>Shimmer and Shine</em>. Canon inkjet printer owners¹ will have unlimited access to all content<sup>3</sup> created by Nickelodeon. Each piece of free downloadable content lives within the Canon PRINT App¹ and within the menu on the LCD screen of compatible printers¹.</p>
<p>“We are excited to team up with Canon to offer kids and families custom content featuring our beloved preschool properties, said Sharon Cohen, Executive Vice President, Partner Marketing. “Through this program, we’re extending Nickelodeon’s mission to make the world a more playful place one fun activity at time.”</p>
<p>For more information on Nickelodeon’s preschool content, please visit: shop.usa.canon.com/nickelodeon.</p>
<p>The Canon PRINT App is available for free through the Apple App Store and Google Play Store. For more information about the Canon PRINT App please go to: <a href="https://shop.usa.canon.com/shop/en/catalog/how-to-print-free-adult-coloring-pages" target="blank"><b>https://shop.usa.canon.com/shop/en/catalog/how-to-print-free-adult-coloring-pages</b></a></p>
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1DX Mark II vs 7D Mark II experience

tron said:
There was a case where I could not focus correctly on a bird (Great Reed Warbler). Lighting was not ideal (it was not front lit for sure).

Fortunately after driving a few hundred meters I found a similar (if not the same :) ) bird and I was able to focus successfully. The funny thing was that the focusing conditions were harder (this time there were moving reed beds due to air) in that case but everything went OK. The shooting angle was different than the first case of course....

In both cases the gear was the same: 5DsR + 500 f/4 IS II.

I had great expectations for the 1DX2 and for the most part it has been delivering but I now comprehend that some flittering bird shots are only going to be in focus by luck. I thought (how dumb of me) that if focus point(s) were over a bird's head when shot that the head had to be in focus, assuming correct AFMA. I also didn't realize how much difference cross or double cross points make compared with single line. Factor in 400 X2, which just isn't up to 400 levels and well ...

And of course the better the lighting the better the focus performance. I smile when I hear/see these DR debates with illustrative shots that are so challenging that I'd just say, "what are you so stupid as to think that this situation would give you a good usable photo". Next thing we'll hear is that one should be able to shoot directly into the sun.

I'm learning that I still have to be skilled and creative to acquire challenging shots and fortunately am still thrilled with the amazing camera I have and what it's potentially going to do for me if I persist. :) The problem is behind the camera. ;)

Jack
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Canon Cinema EOS C500 Mark II Talk [CR2]

CarlMillerPhoto said:
Canon, just release the C100 mark III already. Take raw out of the C200 and there you go. Keep the current C100 body and just give us touch screen DPAF and internal 4k. TONS of people are actually asking for that. Nobody is asking for a C500 II.

So true. If you keep making cameras like the C300II where you have to continually lower the price by $5-6K, maybe you're not making the right cameras.
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Rhythm underfoot

notapro said:
...
I agree with you that cropping the OOF leg (it was indeed the leg of another band member) would help the shot. Some of it will remain at the right edge of the frame since I won't want to lose the view of the pedal
This sound exactly like the way I was thinking about the style of the crop. Don't cut away too much of that leg but use it as a frame/border. Maybe cut up to the point where the darker shadow begins.

I'll also have a look at cutting a little from the drummer's leg.
As I said I'd prefer to see the oof wires more than the in focus skin texture of the upper lower leg.

But of course this is just my opinion and it is your picture and your taste that counts ;)
Upvote 0

Macphun Makes Free Public Beta of Luminar for Windows Available

Oleg Macphun said:
MusoD said:
Does this mean that the cataloging feature is going to be a separate application, or built in to Luminar as has been previously suggested as it was listed as an feature to be added soon?
Cannot tell for sure yet, before it's official. We always wanted our users to know that we are committed to creating the catalogue in the future, so we will stick to that promise and will come up with the best solution!

Khalai said:
Don't get me wrong, UI is very nice (very Applish as I'm used to from my iPhone or iPad), processing speed is on good level as well. However that Beta is rather limited in options, compared to full-fledged version for Mac and I'm also deeply invested in Lightroom catalog and overal proficiency. I don't think I'm your primary target customer. Not big fan of presets and filters. I have a few of them, mainly old film stock emulation from VSCO or Mastinlabs, but I use them lightly and my main editing is simply color corrections and exposure tweaks.
I totally agree. It's important that users of each of two platforms get an equally good product, and there're also people who use both platforms and will seek compatibility between the apps. Luminar is going to be great at that!

I would like to see the cataloguing/library feature integrated into Luminar. I actually quite like the way MacOS Photos does it (except that it puts things into the their file structure), but with a bit more functionality, that would be great in Luminar.
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Why you should calibrate Canon EF Lenses

takesome1 said:
Jopa said:
AF is a critical factor in a photo, no matter how good is a subject, light and composition if the focus is not there, so it's kind of important.

Some of the finest, sharpest lenses made for Canon can not AF at all. Yet many people take wonderful pictures with them.

My bad. I meant focus in general, not AF. AF just makes life much easier :)
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Chicago during a bicycle ride

These are a few shots I took while on a bicycle ride recently (the tilt of the buildings in the first image has been left deliberately). In the final image, it could have been nice to have moved farther away from the building, but it was time for me to continue my ride back home. It was after 7 PM when I took that last shot, and I didn't have my lights (for the bicycle) with me.

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Adobe Achieves Record Revenue

Ladislav said:
Good. So the subscription model works. Now, it is a time to put some of that money to development -> quality, optimization and innovation! I think plenty LR users would agree.

It works for making money. It's not clear that "Adobe makes record revenue from captive audience" translates into anything but "Adobe realizes they have captive paying endless fees and can just sit tight, because people have made it clear they're not going anywhere".

With standalone software packages, companies have to improve it enough to convince you to upgrade if they want more revenue. With subscription, they just keep getting paid no matter what until people are pissed enough to switch. The latter is a lower bar to meet.

Next time I have just a few to process, I'll be trying the Luminar beta, because I'm getting ready to jump ship even though I have the standalone.
Upvote 0

Unreleased Canon Gear Has Appeared for Certification

YuengLinger said:
You're right--"failures" was the wrong word. I was trying to convey that Sony has a history of hits that it either abandons or lets get run over by other companies innovating. Their VAIO PC's are an example, though Sony wasn't a villain, just shortsighted for plunging deeply into a product line that couldn't survive PC's becoming a commodity rather than a special purchase followed by buying more accessories, etc.

A point and shoot? Sure. But to invest lots of money and faith into bodies, lenses, and flashes (?), I want a solid, dedicated company that has a long history of steady improvement of products, along with very reliable service. Canon is not perfect, but compared to competitors, in my opinion, definitely a solid company to "commit" to.

As for TV's, as Sony no longer makes their own panels, I don't see the point of paying a licensing fee on top of the usual cost to buy an LG, Samsung, Vizio, etc.

I did allude to that difference between a P&S and an ILC system when I was talking about TVs. And, while Sony doesn't make their own panels... basically no one else does either. You don't buy TVs from AUO, CMO, or the other panel manufacturers in China. You play the same lottery about which factory it came from with Samsung, and I believe LG as well. And there are qualitative differences that might induce you to pay more, which may or may not be important to you, but the XBR850E is not just the MU6300 with a surcharge.

That's all off-topic though. The bottom line is, in this arena, the only thing I'd get a Sony for is adapting old lenses, because I specifically do not trust them to maintain a stable camera system year after year. I have complete faith, on the other hand, that Canon will give me as much as anyone else to work with.
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PocketWizard Announces the MultiMAX II

HTML:
<p><strong><em>More timing features, same great reliability, all at a lower price.</em></strong></p>
<p>LPA Design, manufacturers of PocketWizard Photo Products, the global leader in reliable wireless control of cameras, flash lighting and light meters, announces the MultiMAX II and the return of unique timing features that only PocketWizard technology provides. Whether you are a sports, wildlife or wedding photographer, you will be happy to learn that the most powerfully-featured wireless radio on the planet, the PocketWizard MultiMAX, is back and fully compatible with all other PocketWizard radios.</p>
<p>Building on the legendary MultiMAX, the MultiMAX II takes its place as the most versatile, reliable and predictably compatible radio on the market. For the past 16 years, the MultiMAX has helped capture amazing images, many of which have landed on magazine covers throughout the world. MultiMAX Transceivers continue to be found in frequency crowded environments triggering arena flashes or remote cameras behind soccer goals, hockey nets, basketball nets, horse jumps, bull chutes, and the finish line of major International Track and Field events.</p>
<p><strong><a href="https://bhpho.to/2uw7hil">PocketWizard MultiMAX II Transceiver in stock at B&H Photo</a></strong></p>
<p><!--more--></p>
<p>After a brief hiatus, the MultiMAX II returns with new features including 20 ControlTL channels, Manual Power Control and an improved blue backlit LCD which provides better contrast for improved viewing in dimly lit studios or on-site locations. The key pad is brighter too, allowing photographers to easily change settings on the fly. Its 344 MHz frequency sets it apart from 2.4 GHz noise in crowded venues.</p>
<p>“The MultiMAX II continues to provide incredible features that professional photographers have come to rely on. It has a whole suite of built-in tools designed for the demanding sports shooter like Patterns, programmable delays, and a settable contact time. The MultiMAX II is also Custom ID ready. Photographers can create incredible depth of field or stroboscopic effects with Multi-pop, give rear curtain sync to any camera, and even synchronize multiple cameras together, states Patrick Clow, Technical Support and Customer Service Manager.</p>
<p>The MultiMAX II has a total of 52 channels: 32 Standard Channels and 20 ControlTL Channels. Photographers can creatively control groups of lights or cameras allowing them to work in crowded venues or with multiple flash set-ups. And now with Power Control, photographers can remotely adjust the manual power settings of ControlTL compatible radios and flashes in up to three zones with as many flashes in each group as you want.</p>
<p>“Professional photographers have clamored for years to bring back the MultiMAX. We listened and we responded by making a great radio even better and offering it at a lower price. The MultiMAX II Transceiver is and remains the only radio on the market that performs special PocketWizard features including Infinite Intervalometer, SpeedCycler and Ultra Long Range. It is the most reliable Transceiver on the market for capturing life’s most amazing moments, states Karen Marshall, CEO of LPA Design</p>
<p>The MultiMAX II will be available at retail and on line in the US and Canada starting July 17, 2017. The retail price will be $229.00 USD in the US and $309.00 CAD in Canada.</p>
<p><strong><a href="https://bhpho.to/2uw7hil">PocketWizard MultiMAX II Transceiver in stock at B&H Photo</a></strong></p>
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Sigma 150-600mm C Reviews

I got my Sigma 150-600 C and used it quite extensively over the weekend:

  • Colchester Zoo - mostly static images of animals in enclosures photographed through poor glass
  • Airtattoo airshow - flying jets and historic planes - anything between 1/125s to 1/2500s
  • Seal trip in Norflok - taking pictures of Common Seals on beach and in the sea from small boat which was moving a lot in waves - 1/2000s to 1/4000s

Before I went on trip, I used USB dock to do some basic AF improvements based on FoCal testing and configured custom functions to:
  • C1 - AF speed priority and Dynamic OS
  • C2 - AF speed priority, Dynamic OS and Focus limiter for 30m to infinity

I shot whole airshow with C2 and used C1 and C2 during Seal trip. I used 6D with AI Servo and sequence mode - center AF point only. I took almost 4k pictures during those three days so I didn't have time to go through most of them but here are few points I noticed.

Main positives:
  • Sharpness and overall image quality is significantly better then I expected at the long end and I have absolutely no complains about the sharpness in bellow 400mm
  • Even with limited AF capability of my camera I had really high success rate in getting good AF - especially C2 mode helped A LOT

Main negatives:
  • Optical stabilization - initially, I was so disappointed that I thought my copy may be faulty but when I thought about my other lenses, it may be just about half stop worse then my Canon 70-300 L. It is exaggerated by long focal length. In short, keeper rate drops a lot when I get bellow 1/320s. That was especially problem on airshow where I wanted to do panning at speeds down to 1/125s.

Other small positives:
  • Lens doesn't look cheap at all. It is well build and comes with nice case.

Other small negatives:
  • Very weird experience I had in the zoo: I had my camera on PeakDesign strap with lens attached and on multiple occasions mirror lock somehow accidentally turned on - it was last selected item in my custom action list. I assume I just somehow accidentally switched it on. It didn't happen again when I started using strap supplied with the lens and attached to tripod collar. I don't want to think about what would happen if last thing used in my menus was format card ...
  • There were few showers during Airshow and since this lens is not weather sealed it had to go to the bag and there were plenty of photographers who at that time probably regretted that they didn't invest to Sport version.
  • Zoom ring - the amount of rotation from 150mm to 600mm is very long and it is difficult and inconvenient to track a something while zooming from one end to another.
  • Switches on lens are very easy to move and sometimes got to some middle position where you are not sure which mode is turned on.
  • Sealing again - I expect this lens to be full of dust quite soon. I actually had one particle in the lens when it arrived but it doesn't affect picture quality.

It may not look like that from the list of positives and negatives, but I'm very impressed with the lens. I initially thought that I may be returning the lens if I don't like it but it now looks very unlikely. I will probably communicate with retailer about optical stabilization and try to figure out if ti is in spec but overall I like the lens. I hope it will perform even better with newer camera bodies because I'm going to update my 6D to at least Mk.II.

Why I didn't buy Sport version instead? Because based on a lot of reviews I watched and read, Sigma shot themselves to the foot by releasing these two lenses together with almost no difference on the paper. Moreover most reviewers agree on the main points where C version is faster lens (transitions to slower aperture later in the zoom range), with better sharpness and faster AF, lighter, better hand holdable and cheaper. Sport has benefit only in build and weather sealing. If Sigma made Sport version 4-5.6 with 400mm still at 5.0, I wouldn't probably even watch/read reviews for C and went straight to Sport. Making more noticeable difference between those models should be possible considering that they don't share optical design and dimensions.

Or even better, Sigma should had add weather sealing to C version, raise cost by $200 and scrap Sport version completely.
Upvote 0

100mm square Breakthrough 10 stop filter.

Ladislav said:
I don't think anyone except Breakthrough can answer that question because first wave of those filters wasn't shipped yet. I also don't except that Breakthrough would tell you anything different than: everything is awesome, no light leaks at all. You will need to wait a month or two for the real hands-on answer.

Thanks I was surprised to find it in stock on the Breakthough website, I may be one of the first to post a hands on review.
Upvote 0

Canon EOS M20 Coming at the End of August [CR3]

rrcphoto said:
sorry, the entire theory that primes can be used in leu of zooms is silly and argumentative.

Fine, but that's not my theory. It's not even close. I was rebutting the idea that the only use for and benefit of primes is to achieve shallow DoF.

If you want to fabricate a position on someone else's behalf then argue against it...that's about as silly and argumentative as it gets. Well done. ::)


rrcphoto said:
Stating "They can be smaller and lighter than zooms covering their FL." is obviously not the case, because you simply can't cover their FL with one prime. You're the one that stated it. put up or...

"A prime can be lighter than a zoom covering its focal length," is not the same as, "A set of primes covering the focal range of a zoom can be lighter than that zoom." I stated the former, which was abundantly clear from both the words and the examples, but you somehow interpreted it as the latter.

First, you egregiously missed the context of the word 'light' (also abundantly clear), now this. I hope this is merely an ESL / language barrier issue. If not, please try to 'put up' some better reading comprehension.


rrcphoto said:
and I thought we were talking about the M's here. Not canon's L zooms. Internal zoom endurance engineering and focusing and IS creates complexity.

We were talking about lenses in general, if you want to factor out endurance engineering, compare the EF 75-300 (about as cheaply-built as you can get, the 'silver ring for a luxury touch' notwithstanding) to a prime in its range like the 85/1.8 or 100/2 – the prime is smaller and lighter (albeit not cheaper).


rrcphoto said:
neuroanatomist said:
Sensors are easy to clean. If you're afraid of doing so, you'd best stick with a G-series or S-series P&S.

oh good grief.. now who's being silly and argumentative. and who wants to clean a sensor in the field? what an idiotic comment as a response.

Who said anything about 'in the field'? Oh, wait...you did. You seem to enjoy fabricating strawman positions for others, then knocking them down. For example, you stated, "one of the nice things about my clip filters for the M that I like is that the sensor is no longer full time exposed to the elements." Should I, then, assume you habitually walk around without a lens or body cap on your M-series camera, so that your sensor is 'full time exposed to the elements', then try and convince you that it's really idiotic to leave your sensor exposed all the time? No, I shouldn't. But it seems like a silly and argumentative tactic that's right up your alley.

One key advantage of an ILC is the 'I', as in 'interchangeable'. If you change lenses anywhere but a clean room, laminar flow HEPA hood, or some other certified dust-free environment, you're going to get some dust on your sensor, eventually. FWIW, I change lenses on my M2 about as often as on my 1D X, yet the FF sensor seems to collect dust faster. Of course, given the consequences of a smaller sensor in terms of ISO noise and framing-based DoF, I'm also less likely to stop the M2 down to the point where the dust is noticeable.


rrcphoto said:
seems you took silly and argumentative to extremes here.

As I stated, manufacturing a position for someone else that bears no resemblance to what they actually stated, then proceeding to argue against that fabricated position, is the pinnacle of silly, argumentative behavior...and something you've done...twice, now. The prize is clearly yours, friend.


rrcphoto said:
So perhaps you should take a chill pill and try again as well.

You may want consider the glass house in which you live, before casting stones like 'idiotic comment' and 'take a chill pill'. But the fault may be as much mine, for responding to you. Heinlein's advice probably applies here...don't try to teach a pig to sing, it frustrates you and annoys the pig. In that spirit, you can go on grunting...I'm out.
Upvote 0

Sigma 150-600mm customization

JoSto said:
AlanF said:
I don't understand the pixel size of the barcode image. Do you mean that 8 pixels of the barcode = 1 pixel of the original image?


No. Im sorry I dind'tmade that clear. For the comparison I viewed the picture in my 4k Monitor. 1 Pix from the Camera = 8 Pix on my 4k Monitor. If you look at the Barcode-pic in full res you can see the Pixel-Grid.

I have to add that the Barcode is not exact straight up but a little bit tilted, so full pixel sharpness is physically not possible. Im sure Canons big whites are better but valure for price is incredible.

It would be simpler to post a straight crop from the picture where 1 px = 1 px of the original rather than an upresolved image.
Upvote 0

Nikon D820/D850 prepares for landing

MintChocs said:
Aglet said:
Rumor has it... Nikon's working on a new mirrorless system.

here's hoping it's FF, IBIS, and short register distance sold with an adapter to use most legacy F-mount.

their little "1" system was impressive and small but too expensive for the tradeoffs
It would be amusing if they announced an EF mount to F mount adaptor at the same time! Hell I might even go to the dark side. :o
there are only TWO Canon lenses I'd want to bother with: TS 17 and TS 24.
Upvote 0

AF setups you personally use.

Larsskv said:
I'm on my phone, so addressing your questions in full is a little cumbersome. Long story short, your concerns can easily be addressed by changing the camera set up in the menu.

With regard to your question about focusing on a subject and keeping focus on it if it or the camera moves, this functionality is found in the cameras with "ITR" focusing modes (the camera uses color information to support focusing). This focusing mode is found in the 1DX, 1DXII, 5Ds+r, 5DIV and 7DII. I don't think the 5DIII has it.

Personally I find the joystick very useful. My cameras are set up to activate the joystick functionality by half pressing the shutter button. Pressing the joystick down, only makes the focusing point return to the center. It's main functionality is to switch between the focusing points (side to side).

Thanks for the suggestions. 5D IV's AF seems definitely being advanced in comparison to 5D III's one. Those things tend to be subtle, so I will give it 1-2 hours in the store and will play with both 6D II and 5D IV and try to get some feeling from using both. 6D II should not be that far away from our recent 70D.
Upvote 0

Canon EOS 7D Mark III Coming First Half of 2018 [CR2]

Keith_Reeder said:
YuengLinger said:
Give us a clean high-ISO, high-DR cropped for action/wildlife, one that extracts the very best from L quality lenses, and I'll buy.
That's the 7D Mk II...

+1!

I have several pictures taken with the 7DII at ISO 6400 that look very good, both in sharpness and color, and with acceptable noise levels. It doesn't match the 1DX, but that is asking for too much.
Upvote 0

5DSr successor

chrysoberyl said:
Zeidora said:
- Tilt screen? no thanks. It adds bulk, and adds stuff that can break. If you need some alternate view points, you can use your smart phone via wireless, or third party device.

If there are no cell towers around, can a smart phone or pad be used? It sounds a bit fiddly, but then I could also have a wildflower encyclopedia with me on my hikes, so I am warming to the idea.

Using a smartphone is nice when you have time - pairing doesn't always works or is fast-, and when you can prop your camera. You can have an articulating screen that also locks down against the body via a latch and that'd be best of both worlds.

As for a cell tower, you use the phone's wifi to connect to the camera, mine looses cell connectivity when it pairs so a tower wouldn't help
Upvote 0

Canon Speedlite 600EX-RT II Coming Soon [CR2]

webdevguy said:
Never mind. Weird. I think the problem were the 2 new sets of batteries. I tried another set and it's fine. I think it was the batteries. Whew!

If it requires a set of batteries that are super fresh, don't discount that there is a problem, and then miss your return window. I have a battery tester that tests at various loads to see how good my batteries actually are. Even the lower voltage Eneloop batteries drive a flash very well, so your batteries would need to be pretty weak to get that error.
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