Update; I ended up passing on it. I'm not really ready for such a lens now, I'm going to stick to my plan and probably get one when I 'retire' in about 8 years. By then maybe they'll have released the 200-400

DPReview just posted their "Hands-on Previews" for the SL1 and T5i (http://www.dpreview.com/); the big difference they found so far with the T5i vs the T4i is ...(wait for it)

You get a new mode dial! You'll be the envy of all DSLR users as you switch modes in luxury with its full 360 degree spin (in both directions!), wider spaced smoother clicks to switch modes with greater ease and the newly designed RAISED labels providing a more noticeable selection in low light situations.

...seriously that's what they said, it seems to have the same sensor and everything else (even the same Phase-Detect Hybrid CMOS) as the previous T4i (oh and a slightly better kit lens) but good luck to any retailers trying to sell this for $1000 when t4i kits are going for less then $800 (that goes for $800 SL1 retailers too).

Rebel updates have never been major but they at least had enough to peak an interest, I am really really really finding it hard to see any reason at all for the 700D/T5i. Unless they find better image or video quality during their official proper tests (which I seriously doubt) then I'm sorry but if you have a 700D/T5i ...you're an idiot... (like I said sorry).




The SL1/100D on the other hand at least seems interesting but it doesn't seem to have a better sensor, here are the differences found so far:

1. Canon says they just updated the "Phase-Detect Hybrid CMOS" to widen its range to cover a greater portion of the frame (up to 80% now). It seems to have the same basic sensor as the EOS M (which supposed also has native ISO up to 12,800) and 650D except for the wider "hybrid" range.

2. They also removed the dedicated WB, Drive, Picture Styles and AF mode buttons from its 4-way directional pad on the back (I don't see the point of this other then to screw users) and combined the Quick Menu and OK Selection button (that actually sounds like a good idea).

3. They also reduced the AF points to non cross-type except for the center one at f/2.8 or faster (like the T3i).

The SL1/100D is a step-back in features from the Rebel T1i but its low weight and size almost balance it out, although it seems to be an EOS M with a mirror, a grip, added weight and size...

Specs on canon Aussie site plus youtube vid at

Canon EOS 100D and EOS 700D - First Look

ragmanjin said:

Reuters ≥ physics.

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???

Aww so cute. ;D

Here's more recent (by 2 weeks), this was Ilford HP5+ 400 film, all shot near the finish line of the 2013 LA Marathon. Just got the film & scans back tonight.

I have the 70-200 f/2.8L IS "I" and I love it. It is versatile, sharp, impresses civilians, and so on. I also have the 85 1.8, which is rather discrete or even nondescript. It takes great portrait shots, and because of the wider aperture, comes in quite handy indoors for available-light portraiture. I owned the 85 before the 70-200, but I would buy one anyway just for that extra 1 1/3 stops that will help me get some shots that would be otherwise unavailable to me. Fringing and other aberrations are easily fixed, usually automatically, in current versions of most modern editing software.

Drizzt321 said:

grahamclarkphoto said:

To see who some of the photographers were and what their work looked like, check this out

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FTFY, your link was b0rked.

I'd love to do something like this event, but I feel my work right now would need a lot of effort to organize and come up with a quality portfolio of work, and figure out what I want it to say about me and what I shoot.

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sorry about that! fixed the URL: http://www.grahamclarkphoto.com/photoalliance-portfolio-review-2013/

Graham

Canon has little presence in professional video market. Video cameras are big ticket items and have lot of prestige. Could help home video recorders.

EF 16-35 f/2.8 L II or wait for 14-24mm

Thanks a lot, it was the country region settings .

I've had the 5D Mark III for about 6 months and have shot over 11000 pictures with it so far. It is a great camera for practically anything and is great in the lower-light environments that I shoot in, coupled with appropriate lenses, of course. I highly recommend it.

Lenses: (all Canon except one Sigma, noted): 70-200mm f/2.8L (non IS version), 200mm f/2.8L, 135mm f/2L, Sigma 85mm f/1.4, 50mm f/1.4, 28mm f/1.8. Note that my higher quality lenses are 85mm and longer since that's what I shoot mostly. The 50 and 28 are not "L" but are fine for when I need them not so frequently.

Hi,

I'm currently volunteering for a local, community-oriented conservation NGO in southern Belize, C.A. The organization is funded on a project basis and has very limited funding for buying "fancy" camera equipment such as a DSLR. Do you guys think there is any chance that Canon would be interesting in donating a basic, lets say 650D with 24/2.8 and a macro, to our organization or are we better of trying to contact resellers directly? The camera will be used by our rangers to take pictures of plants they find the the nature reserve they manage and by our volunteer botanist.

Sent it in for repair, along with my 7D to get them calibrated. Hopefully it won't cost too much, and my lens will come back at peak performance.

grahamclarkphoto said:

pierceography said:

In theory, it's a good idea. But like the other posters have mentioned, it's an uphill battle. In my experience (Application Developer), creating the content management side is easy. Creating the content and building a subscriber/user, that's an entirely separate -- and exponentially more difficult -- endeavor.

Some questions:

* How would you entice professional photographers to review equipment on your site? To start, I imagine this site would have low traffic and small user base, so for a professional photographer to take time away from their job, you'd likely have to pay them.
* How would you manage the content? Would it be a free for all, or would you have an administrator?
* What would be your source of revenue? Ads are great, but given the saturation of market (I mean, you're posting this idea through a competitor) I can't imagine you would recoup your investment (time, capital, etc) very quickly.

Frankly, this idea kind of sounds like facebook for photographers. Which, again, isn't a bad idea... but having built these sorts of tools in the past, I can guarantee getting it off the ground would be more challenging than you think.

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Hey Pierce,

Thanks for your thoughts! You're right, the primary factor in getting an idea like this off the ground would be finding the professional photographers to write reviews. I have access to this, so the secondary factor which comes up as you mentioned is of course SEO.

I don't believe revenue would be a requirement here, at least at first. Perhaps referral links to cameras on B&H or something could be one source, which wouldn't be banner-based (ldeal). What do you think?

Graham

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If you already have professional photographers willing to do reviews on your (theoretical) site, then you already have small piece in place. In regards to SEO, I would have the photographers write reviews that would exclusively live on your site. Then the photographers could link to your site in their blogs/websites. This would provide a valuable SEO boost. In this context, link backs (depending on the source) can be more valuable than content.

But I'm still skeptical about the overall "business plan" aspect of it. If the site becomes as popular as you envision it, revenue would be a side effect of popularity. It's hard to have a popular website with a large user base and high SEO ranking and not be able to pull in revenue. Sure you can say you're not interested in making money off it, but that will immediately put you at a disadvantage to your competition.

Would it be a useful site? Sure, but useful doesn't always (and frankly rarely) translates into successful. Take this forum for instance. It has almost all the content you're looking to build your site around -- professional reviews/photos from all forms of photographers, featured stories/articles, and just about every opinion you could ask for. Granted, it's lacking in organization, but I wouldn't see myself gravitating towards another site with less content and better organization. Most of us have developed skills for sifting through loosely organized data, and unfortunately have an attention span reflective of that. So your primary challenge will be two fold: attracting users to your site, and convincing them to stay.

And don't get me wrong, I'm not trying to be negative here... just realistic. I've spent hundreds of hours of my own time writing my site from scratch with a hoard of useful features that no other site on the Internet offers. And to date, the only regular visitors I get are my wife, my mother, and myself. But I knew that going in. I wanted a web application where I could quickly access all (and by all I mean 32,000 and counting) photos I've taken and organize/view/manage them from anywhere. It works great, and more importantly I had fun building it. But I never had an expectation that it would become wildly popular and be the next facebook for photographers. I just enjoy writing software.

But that being said, I look forward to seeing what you can put together.

markwilliams279 said:

You can use a SD card recovery software to recover the lost or deleted photos from your SD card. Try to download an efficient SD card recovery software from internet.

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His post was in June 2012! You are not likely to help him now.

When I try to transfer video recorded on my 5D Mark III directly to iOS (by dragging to the 'videos' section in iTunes), I get a message when I sync with my iPad that the video was not transferred because it is not in a compatible format.

I usually fix this by opening the video in QuickTime Player 7 and then exporting, being sure to save the audio format as AAC (instead of uncompressed PCM which is the default format from the camera). However, I'd love to be able to skip this step.

Is there a way to have the camera encode the audio in AAC format (or some other iOS compatible audio format) so that I can go straight from the memory card to the iPad? If not, is there some simple and convenient way to do this in software on the computer that doesn't require me to re-encode each video file?

Badger said:

Had my old Nikon sautéed to give me that creamy bokeh!

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ROFL! Good one ;D

My copy worked very good on the 5d2; still very good on the 1d4 and the 5d3.
Tried before the redringed 17-40 and the 16-35II, both had horrible soft corners, the 17-40 also heavy chromatic abberations....

There are often several rebate periods each year. Here are some historical/current rebates, to give you an idea of the trend:

http://www.the-digital-picture.com/Canon-Lenses/Canon-Lens-Rebates.aspx
http://www.the-digital-picture.com/News/Default.aspx?Cat=Canon-Camera-and-Lens-Rebates

If you look at a site like canonpricewatch.com, and click on a lens, you can see the price history and rebates, for example:

J.R. said:

Hi Rienz ... the replies under the post were hilarious.

However, if I may point out that this was posted yesterday as well ...

http://www.canonrumors.com/forum/index.php?topic=13631.0

This here, becomes a duplicate thread.

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Sorry did not know it already existed ... thanks for pointing it out.
Moderators, can I delete this thread or you will you merge it with the earlier post?
Thanks & regards

As i do not have a STM body but the Shorty McFourty, i'm not totally happy with the STM thingy, at least not for stills.
The main problem is MF, there is a delay and it just does not feel right, the worst thing is to change from MFD to infinity: the STM is too compared to any lens where i can manually pull the focus.

I hope that this STM stuff doesn't grow too much, because it's not the best thing for still photographers, and any decent videographer uses anyway a followfocus and prefers therefore full MF lenses.

So, please keep USM in the high grade lenses and STM in the consumer stuff (=

sturdiva said:

Here is a great article on the lifespan of speedlights: http://strobist.blogspot.com/2013/02/will-your-flash-last-forever.html

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What a complete load of misinformed rubbish. This is to be completely ignored. My 580EXII's must be up over a few hundred thousand pops. My year old Einsteins DO have an odometer...they're up around 40,000 and they're probably barely run in. My Profoto monos definitely are in the several hundreds of thousands on original flash-tubes. Capacitors and boards are more likely failure points. Even so, flash gear of any description is famously reliable.

-PW

I use the Sony- case. And the short strap is wound around my hand.
Although the camera never slipped of my hand its a safe feeling
and the camera haa much more protection.
And closed it avoids the cam getting dusty.

I'm going back to film because of my photo 101 class and I am using this as an excuse to add a new film camera to my collection. I'm looking at cameras that existed during the 1970s or older. I have one camera from the 1980s, 1990s, and 2000s. I'll wait 10 more years to get a camera from 2010s D:

Anyways, any one here have any experience using a film rangefinder other than a Leica? Something like a Canonent QL17 or the cult classic Yashica 35mm Electro GSN. I want to use one to get a feel of what a rangefinder has to offer. Another reason why I'm looking for a rangefinder is to have a small, unobtrusive film camera that I can put in my messenger bag. I like the idea of using a rangefinder as my camera of choice because 1. I don't have a risk of getting any real expensive equipment stolen 2. My friends won't think I'm a weirdo carrying a HUGE DSLR (or SLR)

Please, let me know if you have any opinions or if you want to side with my girlfriend and say I have too much camera gear.

-She will not get off my back for having a Point and Shoot under our pillows -.- YOU NEVER KNOW!