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Eddie said:gmrza said:The problem I see with a proposition like that is that Canon's logistics, marketing and supply chain is geared around volumes. I would suspect that Canon would have difficulty trying on Leica's business model - the organisational change would be too much. I don't think Canon would be able to make a profit on small production runs, even if it is for an ultra-premium product. The issues probably run through their entire business, not least of which is their brand, which does not have the same cachet as Leica.
Aren't the 5d and 1d and the "L" lenses ultra-premium?
Daniel Flather said:ashmadux said:battery is only good for 250 shots. (<---- wtf? )
It is a small battery, what do you expect?
unfocused said:Great insights as usual distant.star.
Your comments fit very nicely into something I read a year or so ago about computer users. The conventional wisdom is to divide the world into persons who are comfortable with computer technology and those who are not. But this particular study found a huge variation among those who use computers. In fact, they found about five or six distinct categories of users.
I don't remember all the details, but I remember that many of us aging baby-boomers fell into a category that relied very heavily on "anchored" computers. We like our programs and like working on computers doing things like Photoshop, Dreamweaver, Lightroom, Word, Excel, etc. Many younger users fell into a category that used computers a lot in their daily life, but mostly for communicating and social purposes. They like mobile phones, tablets, etc., and consider them just a tool or a means to an end. They consider it a waste of time to sit down at a desktop and spend hours working on a project and they actually have less knowledge about actual computer programs than many people older than they are.
I think that is one of the main differences between the mirrorless generation and the traditional DSLR users. (And, if you look at Canon's marketing videos for the new M camera, it's pretty clear it ain't aimed at my generation.)
So, what's my point? Hell if I know. I guess just that I agree things are changing and frankly, about all I care about is getting another generation or two of DSLR's out of Canon before they go the way of film cameras.
scoobert said:i have 1000 to spend.
i dont shoot anything special, many landscapes, and photos of my dogs.
BozillaNZ said:Suggesting 35L for every full frame shooter who can afford it.
I got rid of 17-40, 24-105 and almost got rid of 50 1.4 after acquiring a 35L. It's currently my only wide angle. It's that good.
After shooting with L primes, those f4 zooms will never be enough. To get good sharpness you have to stop down at least 1 stop, and f5.6 is not acceptable in low light.
The next target is 24L II, damn the L lust!
BozillaNZ said:爱死小白兔 (I know it's long, but that's how they call it...)
ai s xiao bai too
I would go with 70-200 f2.8L non IS and a 1.4 tcJotho said:Planning for a motorbike travel through Vietnam in September I am going through lens options. I've done this and similar travel before but not since I became a more enthusiastic photographer. I will sell some of what I capture together with articles and hopefully some of them on their on merit but most will be for my own use. I moved to 5d MkIII a couple of months ago from 60D so I've lost some reach on what I have today. Except for the old stuff I have a 24-105L that I will bring and I might bring my 35L. I today realized that i have about 1500 USD to spend on extra equipment (apart from stuff I already planned to get like remote trigger, extra batteries etc) which means I started looking at a new zoom. So referring to the subject line, would anyone have any recommendations at which one to get between the 70-300L or the 70-200 f/4 L with 1.4 converter? I am looking at sceneries from mountain jungle where I would need some reach and candid street pictures in villages where people are not used to foreigners taking pictures. Thanks in advance for any input.
Yep these are great I have 2 that way when te light changes you can program the offline one and quickly swap them overAdamJ said:I paid about $20 new for mine on ebay. It does everything it's supposed to, including the option to set the number of shots at 'unlimited' (some impose a limit of 400 or something). Why pay more?
Thanks you have been very helpfulwickidwombat said:Its a service fix on the lenses not the body apparentlybcpro said:We have the the xrite i1 display pro, which one is correct for the canon bodies? Also while I'm here do you know if the issues with noise using the mkiii and ef 200mm f2.0 L have been resolved via a firmware, or some update?wickidwombat said:yep you just need the xrite profile software that add the calibrated profile into lightroom i quite like the xrite stuff I got a color munki for the monitor and its nice and easy to use too the same xrite colour checker swatch that comes with the monitor calibration devices is in the passport but it also has a nice whitebalance swatch that you can use to add a consistant warmth or cool down all the shots too. it makes life sooo much easier when trying to get consisency across 3 or 4 bodiesbcpro said:Thanks for the insite, as we already have xrite for our monitor, I'm sure it will work with the camera control as well.wickidwombat said:the auto white balances are different, the presets are very close though if you want the shots too look exactly the same i suggest an xrite colour checker passport to control your colour balance between cameras
Shawn L said:Thanks, JR.
Regarding #3, what "Camera Calibration" are you using in LightRoom? Haven't played too much with it for the 1DX, but for my old T1I, I found some of the presets better for certain types of images than for others. I often ended up with "Camera Faithful," but sometimes "Landscape" got the color balance more to my liking.
Your mileage may, of course, vary =)
Shawn L.