Please help! (Canon 50D SLR)
- Canon General
- 2 Replies
I sold my 50d body only for about $600 CAD back in March of this year.
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lonebear said:Just want to add one point. A petal shaped hood requires the cutback portion of the hood to be aligned with the corners of the frame. If the hood is not clicked onto its designed position you may see your hood in your picture.
Obaidey said:I am new to "proper SLR" photography and would be grateful if you excuse my ignorance
I am in the process of complementing my "future" 5d3 with 3 lenses
This dealer is offering to sell me 2 of each lens I want at a reasonable price, try them, then return the one I don't like
Is that usual?
Is it too good to be true?
Hearing stories of Forum members, having to repeatedly exchange a lens they bought until finding a good sharp one, I am worried that I could end up buying a dud, probably without realising
During our face to face discussion, I told (FotoSklep) Polish dealer at downtown Warsaw (Poland) about my intention to buy 3 Canon L lenses. I live in south London (UK) and frequently travel to Poland
He tried to convince me that quality control at Canon would not allow a dud L-lens, and that the difference, if any, would be negligible.
He offered to sell me 2 lenses each (6 in total), allow me to compare, then return the ones that I do not like. He would also accept to refund me on all 6 if so I wished.
His lenses seem to be genuinely sealed Canon stuff
His prices are currently comparable (+/- 1% or 2%) to other local Polish Canon dealers, which are roughly equivalent to the cheapest I could get from a respectable "UK" internet dealer
I have no idea how to properly test lenses, or who could do that for me, and at what cost. Suppose this was sorted somehow, do you think I shall take up his offer?
p.s.:
I will pay by credit card, which offers some protection I suppose. He says that his canon lenses warranty is valid in UK
Marsu42 said:I think most people around here couldn't care less about the 650d
BozillaNZ said:For my 24-105 hood, I actually took time to sand the exterior using sand paper, and spray painted it using matte black paint for some 10 layers. Looks better than original because it matches the camera body's matte style. Oh yeah! Gotta do this for all my hoods!
Synomis192 said:Chris Geiger said:I use a Zoom recorder. I also have audio from two camera's. You don't have to switch audio when you switch video. They are separate tracks. You can continue to use audio from one camera and video from another camera or the Zoom.
Where would you place the zoom? I've seen some zooms h4n that were stationary and on a tripod that was faced towards the dj's speakers.
CJRodgers said:Thanks guys, some good advice here.
BP, how long could i run off a typical car battery before it was flat? Also how would I power the LED panels, have you seen any that provide battery packs, or would this be a case of getting a car battery again.
I think builders work lights is a good idea, plus theyre cheap enough to buy. Is the colour temperature of these ok and is the light soft enough or should i make a diffuser for it?
Cheers guys,
Fleetie said:I enjoyed all the photos too.
I LOVE hi-fi, me!
It was my money-drain before photography.
I noticed the pair of Spendor speakers; I used to have SP1 speakers before I got burgled and some **** stole them.
Those ones look kinda like the size of SP1s, but with only 2 drivers like SP2s.
Now I use Dynaudio Audience 52SE, which are smaller and have less bass, but awesome mid and treble.
I'd use electrostatics if I had a bigger room.
Once I've finished buying photo gear (heh, yeah... ), I wanna go back and put more dosh into the hi-fi and get a nice valve amp. Used to have QUAD IIs when I was 18-21 but sold them as I was a poor student. TDP has reworked the QUAD II into a new version, or I might just think about getting one of his own EAR amps.
But I still have at least 3 lenses to buy! Extender 2x, 85Lf/1.2, 24-70LII.
A few specs from the Canon Camera Museumcrasher8 said:How much better is the EOS 3 over the Elan 7?
Marsu42 said:pete vella said:i does seem like a rework of the 18mp sensor about a 1 stop improvement high iso. looks like canon did good with this one cant wait to see the 70d.
Canon marketing owns you![]()
Albi86 said:BTW, ISO 3200 on a crop is way too much for the actual technology. Give me a fully usable ISO 1600 and I'm happy.
unfocused said:Another area I find intriguing is Fuji's experiments with hybrid digital/organic sensors. Early claims are that a hybrid APS-C sensor could outperform a conventional full frame sensor.
The conclusions are pretty surprising: “The hard truth is that any interpolation engine is going to have trouble with pixels that are spread out, not aligned, and unevenly spaced.” and “So my conclusion is, sorry to say, that the Fuji X-Pro1 X-Trans sensor doesn’t deliver the Fuji promise of outperforming similarly sized sensors. In fact, it underperforms similar DX sensored cameras – with the official SILKPIX raw developer, the underperformance is too slight to be noticeable under normal circumstances, but is still there if you look closely”.
Looks like it's the time for oddball sensors. Or for me to write about them anyway. I've just finished updating PhotoRaw for the Fuji X-Pro1, and I thought it was worthwhile to document the journey, and what it means for the X-Pro1's X-Trans sensor. Specifically, whether it will deliver on the claims that Fuji has made for it.
BTW, the new version of PhotoRaw will be out early next week, assuming there are no glitches on Apple's side.
This is my personal view-point. It's based on spending a lot of time writing code, and more time pixel peeping X-Pro1 images than any sane person ought to do, but it's still just my personal view.
If you happen to live anywhere a lab where people develop software for decoding raw images hang out, you've probably been hearing a whole lot of swearing and cursing recently. You've probably also been hearing a lot of jokes with punchlines about "there's a reason why Fuji is a four letter word starting with f". Here's why:
.....