Canon Gets 300mm Creative
please make compact rf 300 f2, 8 with integrated tc1, 4...i much prefer it to rf 100-300 f2.8
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I'm in the boat. I rented a R8 in May and found it fun to use. I'm older and finding my R5 is getting heavy.I´m struggeling whether to wait for R8 ii or to buy an R8 now with good discount.
I'm looking forward to your trillium photos.I obtained one of the first ones shipped to Canada and have finally found my dream lens for nightscapes as well as nature landscapes. I have zero complaints, even at high magnification on my 32 inch hi-res monitor. I'm so in love with this lens, I'd love to keep it on my night table beside the bed, but my wife would think I've lost my senses. This afternoon, I plan to capture some beautiful, spring forest-floor Trillium patches.
I'm pretty sure I recall people having issues with ultra-capacity cards in a previous update? I don't remember exactly what the solution was, but I want to say Canon issued some comments on it?Am I the first to report firmware 1.30 issue? After 1.30 upgrade, my Delkin 2TB CF-B card can't be read, and can't be formatted either. Tried low-level format, but it wouldn't work either.
I'm a photographer who is not interested in using a mirrorless, full-frame camera for video. I'd like to purchase a photographers only camera. Canon could make the R3M2 for that purpose. Without video capabilities the camera might cost less and not succumb to overheating issues.
In the EU, the EF 24-70/4L launched at €1459 (and as I mentioned, $1499 in the US). See this DPR post about the announcement. The price dropped here, too, after a couple of years.Thanks for the "data" - in Germany it was 980 € so I remembered as a more or less cheap lens and it was sold often below 800 €. (with taxes)
The RF 20-50 is 1500€ in Germany.

Thank youAccording to B&H it's compabile: https://www.bhphotovideo.com/c/product/1970925-REG/canon_br_e2_bluetooth_remote.html/compatibility
No, I tried it yesterday with my original R6 without issues or warnings.Will we need the latest R1/R5 II firmware for this new lens?
Great to hear from you, Ed!Hi Alan. I've been inactive for quite a while. I saw the same thing when I got my 5D MK II. I had a V60 SD card to go with the Fast Main card. I just used one card most of the time.
The R5II showed me how much I desire ES+flash, so any new bodies I want to purchase need to support that. This likely means that my R8 won't get upgraded by the rumoured R8II, but I don't mind thatIf the R6 V has the same readout speed as the R6III (13-13.5 ms), that would support X-sync of around 1/60 s - 1/80 s. I guess Canon decided that was too slow.
You can put an EF 1.4x TC behind the TS-E 24mm, and you'll have a 34mm f/5 tilt-shift lens. The IQ remains excellent. Note that the presence of the TC will not be recorded in the EXIF data.As an owner of all their tilt shift lenses, I gotta say that Canon NEEDS a 35mm tilt shift lens so badly.
It’s always a bit surprising to me how much criticism the Canon EOS R5 Mark II receives. These cameras are remarkable feats of engineering, and every design is a compromise. There’s only so much capability you can fit into an R5-sized body before something has to give. As a general-purpose, “one camera does everything well” tool, the R5 II is outstanding. Having recently upgraded from the Canon EOS 5D (purchased when it first came out), I’ve been very pleased with mine.
That said, I’m not the target customer for an R5 III.
If Canon follows the same path as before, the R5 III will likely be a Pareto refinement, slightly better in every spec, but fundamentally the same kind of camera. And for many users, that’s exactly right. But for some of us, the R5 II is already overbuilt in areas we don’t need (30 fps, advanced video), while still not fully optimized for what we care about most.
Personally, I’d trade some of that versatility for a more specialized tool.
The camera I would buy tomorrow (and which Canon might be able to introduce soon) would look similar to the R5, but with a different set of priorities. In particular:
To make that work within a similar form factor, I would happily trade:
- a meaningful jump in resolution (80+ MP)
- a higher-end EVF closer to the Canon EOS R1
In other words, a stills-first camera designed for maximum detail, tonality, and rendering. Something aimed at landscape, fine art, studio, real estate, and large-format print work. Photography where ultimate image quality matters more than speed or hybrid capability.
- reduced burst rate (10–12 fps is more than enough)
- most or all video features
Canon currently has speed-first bodies (R1/R3) and highly capable generalists (R5 II), but no dedicated image-quality-first camera. This would fill that gap.
Call it an R5S, an R4, or something else entirely. I suspect there’s a meaningful audience for a body that prioritizes image quality over versatility.
The R5 II is an outstanding generalist, and I’m sure the R5 III will be even better. I just think there’s room alongside it for a true image quality specialist.