Still no 5d3 stock?
Several best. Buys have them. Local dealers too. just avoid the big photo stores.
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ferdi said:The Sigma 30mm f/1.4 EX DC HSM is not an option here, because the OP has a 5D and the Sigma is for APS-C cameras.
squarebox said:the 50mm 1.4 uses an outdated USM mechanism, though fast, isn't as fast as the new version. I think that has been the only complaint (if any) that could be said about the 1.4. It's a great lens btw, I have it as well.
Canon Rumors said:<strong>Public Service Announcement
</strong>Please don’t start pressing hard your top LCD covers. <em>Thanks David </em>
idratherplaytennis said:Quick related, semi-related question about this focus disable and the metering settings. I'm still learning, and used to a 20D, but I'm getting more serious into this but had a quick question. I normally would shoot full manual on my 20D and I had to control everything, the exposure, shutter, iso and all that- like you all probably know, and I made the jump to the 5D3 and have been doing what reading and learning I can however one thing I'm in the dark about or just not getting is the metering part.
Why would I want to leave metering on during the 1/2 shutter depression? From my understanding, metering is the camera sensing how much light is coming in, balancing the scene if you have auto iso enabled and if you focus, recompose, but in doing so, if you re-meter the central area of the image (or does the metering just work for the whole image...?) isn't there the chance to throw off what you wanted the prime focus to be?
Hopefully someone can help me out here, I'm pretty confused and not even sure I stated my question correctly ><. Just trying to understand this whole Auto ISO (when enabled), metering, AF and AE buttons on the back of the 5D3 and all of that to better take advantage of the camera. If someone has a question for clarification of what I mean, I'll try and respond as soon as I can. Until then- dinnerThanks for any help you can provide!
Joes Dad said:I see a number of shooters (like me) planning to continue usage of my 1DIV right along side my on order 1DX. I will continue to attach the 1DIV to the 300 or 500 and have the 1DX permanently attached to the 70-200.
Heavyweight67 said:As has already been posted, if you want it buy it...(if you can afford it).
You state that you have had the 60D for three weeks, which is about the time the 5Diii was released (22/04/12), maybe you should question why you didn't buy it then, you state you love the 5Diii, but you haven't been using it...are you sure it's not gear envy?
The 5Diii is a great camera, but for what and how much you shoot I think the 60D will fill your needs.
I use a 7D as well as a 5Diii, high ISO noise on the 7D can sometimes be annoying, but if technique is correct (exposure) with some PP in LR/PS/DPP etc the noise can be dealt with.
ScottyP said:Why yield the ground to Nikon? Or Sony? Or Panasonic, etc.... There is a market for crop body because of the free reach. Who is confident enough that NEW photographers love the Canon brand SO much more than Nikon or SONY that we will forego any desire for a decent crop-body camera? That we will instead buy telephoto lenses wwe would not need otherwise which cost 7 thousand or more?neuroanatomist said:dlleno said:I haven't seen the confirmation yet or any commitment from Canon that 1.3 is really dead, and I doubt Canon will abandon the high end sports body.
They didn't. 12 fps and top-notch AF - the 1D X is the high-end sports body. Sports shooting rarely demands the longest lenses - the 300/2.8 and 400/2.8 are sufficient for almost all sports even on FF, else there are f/4 lenses at 500mm and 600mm.
The people who are really affected by the loss of the 1.3x crop are the bird/wildlife shooters, where you can pretty much never have a long enough lens.
Ok Scott. I am attaching a JPG of the original RAW file as shot and a JPG of the Lightroom edit (no Photoshop). Mind you, the edit isn't going to suit everyone's taste but it does show you how far you can go.scottkinfw said:It would be nice to see the pics without any pp to see exactly how much you can push in photoshop.
LetTheRightLensIn said:Mooose said:mrmarks said:If there is a new firmware for the 5D3, or a new version of DPP, there is absolutely no need to have a recall. Such software updates can be downloaded and installed easily by the user. I tend to think that this "delay" is due to something else than a new firmware or software.
Unless, of course, they are finding there's no way to update firmware on the camera.
I hope Canon was not fool enough to put a firmware update count limitation like they did with the 7D. Shooting themselves in the foot.
D.Sim said:epsiloneri said:<snip>
I was just saying that "I am not a troll" is not a very convincing argument, surely you must agree with that.
Pretty sure almost everyone would agree with that.
neuroanatomist said:Since I use back-button AF, it's common for the point not to be recorded in my shots, as you point out.
Waiting on Godot said:While we're on the topic, what are some other highly useful tweaks and tips that are assumed knowledge? I think we'll be surprised to see how many people were otherwise unaware.
Dianoda said:I expect most of us are already well aware of this, but if you aren't, try setting the AF-on button to AF-start and decoupling AF-start from the shutter half press (switch the half-press from AF + metering start to just metering start) - this arrangement is one of the major advantages of the mid and high-end bodies over the Rebels and gives you a great deal more control over AF in use.
neuroanatomist said:To be clearerthe original 270EX cannot be a slave as it cannot be controlled wirelessly (that feature was new to the MkII). Also, the relatively new 320EX can be a slave, as can any of the 5-series flashes.
Neuro, thank you!neuroanatomist said:No issues there. My test results below (click for details) show that you don't see an increase in optical vignetting until you stack two F-Pro filters on a 24-105mm.Jamesy said:Does anyone have issues with vignetting on a 24-105 with an B+W 77mm MRC UV 010 F-Pro?
It's really hard to get an EF lens to vignette on an APS-C camera...scrappydog said:I forgot to mention that these shots were taken with a 60D, which has a crop sensor. A FF camera may have vignetting not evident in my shots.
I don't find the gap to be an issue - I've never had a lens cap knocked off because of it. Sorry I didn't mention the gap previously, didn't think it was an issue. The gap I see is less than 1mm, maybe 0.75mm - and in fact, when I look it seems there's a small gap with the F-pro mount, too (not quite as wide). Here's what I mean (77mm filters and a Canon 77mm Ultrasonic cap):Jamesy said:...the Canon OEM Ultrasonic lens cap fits but there there is a 1mm gap between the filter and the lens cap.
Have any of you had any issues with caps falling off of XS-Pro filters in the past?
LetTheRightLensIn said:Perhaps the lens now being pushed back from mid April to July has something to do with it. Maybe it means just forget the Pro Kit or maybe it means it'll be mid-July at the earliest before you hear word about it again.