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Unreleased Canon Gear Has Appeared for Certification

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<p>Nokishita has posted a bunch of unreleased Canon gear that has appeared for certification. Below is Google translated and I have put what we think each product is.</p>
<ul>
<li><strong>PC2276 (EOS M20)</strong>
<ul>
<li>Mirror-less camera</li>
<li>Made in Japan</li>
<li>SKU: 2209C002AA, 2209C012AA, 2209C022AA, 2209C032AA, 2210C002AA, 2210C012AA, 2210C022AA, 2210C032AA, 2211C002AA, 2211C012AA, 2211C022AA, 2211C032AA</li>
<li>Wi-Fi · Bluetooth installed</li>
</ul>
</li>
<li><strong>PC 2335 (New G Series PowerShot or SX70 HS)</strong>
<ul>
<li>Digital camera</li>
<li>Made in Japan</li>
<li>SKU: 2208C001AA</li>
<li>Wi-Fi · Bluetooth installed</li>
</ul>
</li>
<li><strong>Interchangeable lens 1 (EF 85mm f/1.4L IS)</strong>
<ul>
<li>SKU: 2271C005AA</li>
<li>Made in Japan (Utsunomiya Factory)</li>
</ul>
</li>
<li><strong>Interchangeable lens 2 (<del>The EF-S 18-55 f/4-5.6 IS STM in Different Colors</del> This is 3 different lens<del>es</del>)</strong>
<ul>
<li>SKU: 2273C005AA, 2274C005AA, 2275C005AA</li>
<li>Made in Malaysia</li>
</ul>
</li>
<li><strong>Strobe (A new flash, we haven’t heard anything about)</strong>
<ul>
<li>SKU: 2398C003AA</li>
<li>Made in Japan (Oita)</li>
</ul>
</li>
</ul>
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3 Legged Thing Releases a Low Cost & Lightweight Universal L Bracket

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3 Legged Thing, the maker of some nice and affordable tripods has released a new universal Arca style L bracket that will fit most Canon DSLRs. I moved to a universal L bracket as I got tired of buying a new bracket with each camera I purchase. This universal bracket will be great for any DSLR that that isn’t equipped with an external battery grip or full size EOS-1D bodies.</p>
<p>The QR11-L is a well thought out design that makes changing orientation from portrait to landscape really quick. All of the ports on your camera should be easily available with the L bracket attached, be sure to check the compatibility information after the break.</p>
<p>The QR11-L will retail for £49.99/$49.99 and will begin shipping on August 1, 2017.</p>
<p><strong><a href="https://www.3leggedthing.com/affiliates/banner/list/?acc=42a0e188f5033bc65bf8d78622277c4e">Learn more about the 3 Legged Thing QR11-L Universal L Bracket</a></strong></p>
<p><!--more--></p>
<p><strong>A GUIDE TO COMPATIBILITY</strong></p>
<p>One of the most common questions we receive is about compatibility with cameras. This guide is designed to show you what you should expect. The QR11 fits most modern cameras, but may require some adjustment or compromise.</p>
<p><strong>Full compatibility.</strong></p>
<p>The following cameras support the QR11, and enable full access to battery and cable doors.</p>
<ul>
<li>CANON – 760D, 80D</li>
<li>NIKON – D3300, D3400, D5300, D5500, D5600, D500, D610, D700, D7000, D7100, D800, D810</li>
</ul>
<p><strong>Very compatible.</strong></p>
<p>The following cameras support the QR11, and with a small adjustment, enable access to battery, cable door, or both.</p>
<ul>
<li>CANON – 5D II, 5D III, 5D IV, 6D, 7D, 7D II, 700D, 750D</li>
<li>NIKON – D750</li>
</ul>
<p><strong>Partial compatibility.</strong></p>

<p>The following cameras support the QR11, but access to the cable and battery doors is impeded.</p>
<ul>
<li>CANON – 100D, 1300D, M3, M5</li>
<li>NIKON – 1V3, 1J5</li>
<li>SONY – A68, A77, A99, A99ii, A5000, A6000, A6300, A6500, A7, A7ii, A7r, A7s</li>
<li>FUJI – X100/S/T, X-E2/S, XT1, XT2, XT10</li>
<li>OLYMPUS – E-M1, E-M1 II, E-M10 II, E-M5 II, E-PL7, E-PL8, PEN-F</li>
<li>PENTAX – K-1, K-3 II, K-50, K-70, K-S2</li>
</ul>
<p><strong>3 Legged Thing QR11-L Universal L-Bracket</strong></p>
<p>The new QR11-LG Quick Release Plate comes with a 110mm base, side bracket with cable access and 1/4”-20 accessory mount, compatible with standard Arca Swiss® clamps and heads. Designed to make the switch from landscape to portrait quick and easy, and with a side mount for optional accessories, the QR11-LG takes L Bracket functionality into the 21st century.</p>
<p><strong>SO, WHAT’S IN THE KIT?</strong></p>
<ul>
<li>QR11-LG Quick Release L Bracket</li>
<li>Stagsden Stainless Steel camera screw</li>
<li>Retaining bolts (2.5mm hex) for horizontal axis security</li>
<li>Toolz – Multi Tool, hex key, coin key, key ring, carabiner and bottle opener</li>
<li>Tough drawstring bag</li>
<li>Elevated Street Credibility (not guaranteed)</li>
</ul>
<p><strong>FEATURES</strong></p>
<ul>
<li>Two piece L Bracket, that can be disassembled for when stowage space is limited</li>
<li>1/4″-20 side mount, for adding accessories (monitors, microphones etc)</li>
<li>Precision engineed plate profiles for secure connection to your tripod head</li>
<li>Base slot for strap attachment or Peak Design® Anchor connection</li>
</ul>
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Preorder: Canon EOS 5D Mark IV DSLR Camera with Canon Log

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You can now preorder the Canon EOS 5D Mark IV body with Canon log preinstalled at B&H Photo. The pricing of the body is $3599, whereas the <a href="https://bhpho.to/2plry5r">EOS 5D Mark IV is $3299</a> via B&H Photo and refurbished versions are <a href="https://bit.ly/2sxK76d">$2799 via the Canon Store</a>. To add Canon Log to the Canon EOS 5D Mark IV will be about $100 USD.</p>

<p>However, if you need Canon Log equipped EOS 5D Mark IV ASAP, this is probably the quickest way to get one.</p>
<p><strong><a href="https://bhpho.to/2sU3ibq">Canon EOS 5D Mark IV DSLR Camera with Canon Log $3599</a></strong></p>
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Macphun Makes Free Public Beta of Luminar for Windows Available

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<p><em>Macphun debuts its first-ever software for the PC, heralding a new era of cross-platform solutions for photographers</em></p>
<p><strong>San Diego, CA – July 13, 2017</strong> — Macphun, the California-based developer known for delivering award-winning products for Mac, today launched the free public beta of its award-winning photo editor Luminar for Windows. To download the beta, please visit <a href="http://macphun.evyy.net/c/260424/383515/3255">macphun.com/beta</a>.</p>
<p>Luminar is a powerful photo editor designed to tackle anyone’s photography needs, from correcting challenging image problems to artful stylizing. Users can choose between levels of image processing complexity based on their experience, and adapt the workspace controls to their skill level, moving up to more advanced modes as they learn. Luminar works in non-destructive fashion and aims to take “work” from photo editing “workflow” for photographers worldwide.</p>
<p>In April, only 5 months after its launch, Luminar for Mac won the prestigious TIPA award for Best Imaging Software 2017. This all-in-one photo editor is a cutting-edge solution for creating fascinating images without extra hassle. Luminar includes over 300 robust tools that make fixing, editing and perfecting a photo as easy as moving a slider.</p>
<p><!--more--></p>
<p><em>“We are thrilled to release our first PC product today and give photography enthusiasts around the world the first taste of our best-selling Mac product,” said Kevin La Rue, Vice-President at Macphun. “By test-driving Luminar for Windows, beta testers can help shape our software and make the final release a perfect fit for everyone,” concluded La Rue.</em></p>
<p>The public beta is free of charge and already matches some of the most important features of Luminar, such as the newest and most advanced tool developed by Macphun’s Research and Development Lab – the <strong>Accent AI</strong> <strong>Filter, </strong>powered by artificial intelligence technology<strong>. </strong>The filter allows anyone to create stunning images with a single slider, substituting for dozens of traditional controls like shadows, highlights, contrast, tone, saturation, exposure, details and many others.</p>
<p>Admittedly, several features from the Mac version of Luminar remain in development for the Windows platform, among them workspaces, plug-in integration, object removal, noise reduction, and more. As these are completed, the public beta will be updated regularly leading to a full cross-platform release late in 2017.</p>
<p><strong>Key features of the Luminar for Windows public beta:</strong></p>
<ul>
<li><strong>Adaptive user interface</strong> – Exactly matching the Mac version, the software adapts to the skill level and preferences of the photographer.</li>
<li><strong>One-click presets</strong> – Over 50 pre-defined styles for every photography style.</li>
<li><strong>Photo Editing Filters</strong> – Over 40 custom filters, each with built-in visual tips and a unique set of easy-to-use controls for correcting, enhancing and stylizing images.</li>
<li><strong>RAW file conversion</strong> – Support for the latest RAW file libraries.</li>
<li><strong>Non-destructive workflow</strong> – Edit without fear.</li>
<li><strong>Recommended System Requirements</strong> – Windows 10, Core i5 2.2 or better, 8GB RAM, 1GB GPU RAM, SSD with 20+GB free space.</li>
</ul>
<p><strong><a href="http://macphun.evyy.net/c/260424/383515/3255">Visit the Windows Luminar Beta Page</a></strong></p>
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AF setups you personally use.

Following on from an earlier thread of mine re camera setup new bodies give an overwhelming array of AF options. These are the kind of settings that change as your use does but I thought it might be interesting to see where people are with their personal customization and usage.

I have been a 1DS MkIII user for years and whilst it is a great camera one of the many areas where there have been huge changes is in AF and customization, I never even bothered with AFMA because it seemed to make no difference in results!

Now I have new cameras I am still working through my options as a generalist, indeed until I get a decent amount of use out of them it seems churlish to change off factory.

So currently I have the AF-ON button set to turn AF off, I find this much more intuitive and gives me no thumb strain than BBF.

I also have the front programable button to set switch between Servo and Single shot AF, and the first and second shot priority set to focus (out of focus shots have zero value to me).

So what have you set as your favorite settings so far?

Sigma 14mm f/1.8 DG HSM Art Sharpness Tests from Lensrentals.com

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Roger at Lensrentals.com has put the brand new Sigma 14mm f/1.8 DG HSM Art through OLAF testing and compared it to various lenses of the same focal length, most notably the Canon EF 14mm f/2.8L II.</p>
<p><strong>From Roger:</strong></p>
<blockquote><p>Let’s face it, there hasn’t been an impressive 14mm prime for SLRs for a while, and I haven’t heard the natives banging on the castle doors demanding one. But for some people this is going to be a really fun lens. I consider it reasonably priced for what it is; a unique and excellent lens that hasn’t been made before. I shot real-estate for a brief moment in time, and I would have killed for this lens then. And I like playing with ultra-wide images in general, so I’m kind of excited about it. It won’t be a huge fraction of my images, but it will be a tool I didn’t really have before.</p>
<p>A lot of people will never shoot 14mm and will never notice this lens exists. But for those who do, the <a href="https://www.lensrentals.com/search?q=Sigma+14mm+f%2F1.8+Art">Sigma 14mm f/1.8 Art Lens</a> is probably going to be a fascinating lens indeed. <a href="https://www.lensrentals.com/blog/2017/07/sharpness-tests-of-the-sigma-14mm-f1-8-dg-hsm-art/">Read the full review</a></p></blockquote>
<p>It shouldn’t come as a surprise that the Sigma 14mm f/1.8 DG HSM Art is better than the much older Canon EF 14mm f/2.8L II as far as optical performance goes.</p>
<p>Sigma 14mm f/1.8 DG HSM Art: <strong><a href="https://bhpho.to/2rkYCub">B&H Photo</a></strong> | <strong><a href="https://mpex.com/sigma-14mm-f1-8-dg-hsm-art-lens-canon.html?acc=3">MPEX</a></strong> | <a href="http://www.awin1.com/cread.php?awinaffid=292297&awinmid=6241&p=https%3A%2F%2Fwww.parkcameras.com%2Fp%2FG242324C%2Fcanon-lenses-ef-mount%2Fsigma%2F14mm-f18-dg-hsm-art-ultra-wide-angle-canon-fit-lens">Park Cameras</a> (UK)</p>
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Sigma 135mm f/1.8 ART vs Zeiss Milvus 135mm f/2: Round 2 | Dustin

After I did my review of the Sigma 135mm f/1.8 ART (http://bit.ly/ART135DA) I got feedback from a number of end users who felt that the copy I tested wasn't representative of the potential performance of the lens. I brought in a second copy of the 135 ART and put it back up against the Zeiss Milvus 135mm f/2 (which I own). This video shows what I discovered:

http://bit.ly/ARTvMILVUS2

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Off Brand: Nikon Announces the AF-P NIKKOR 70-300mm f/4.5-5.6E ED VR

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<p><strong>MELVILLE, NY (July 11, 2017 at 12:01 A.M. EDT) –</strong> Today, Nikon announced the new AF-P NIKKOR 70-300mm f/4.5-5.6E ED VR, modernizing this popular zoom lens with a myriad of the latest Nikon technologies. The new lens features enhanced Vibration Reduction (VR) image stabilization capability and integrates a stepping motor for fast and quiet AF performance, making it Nikon’s first full-frame AF-P lens. This new NIKKOR lens is a versatile, compact telephoto option for intermediate FX and DX-format photographers looking to capture sports, wildlife, candids, travel and other subjects at long distances, all with stunning clarity.</p>
<p>“This latest lens reaffirms Nikon’s commitment to giving FX-format shooters of all levels the unparalleled quality of NIKKOR glass, with the benefits of our latest optical technologies,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc.</p>
<p><strong>Updated with the Latest NIKKOR Lens Technologies</strong>

Whether capturing a baseball game from the bleachers or the sights of a scenic vacation, the new AF-P NIKKOR 70-300mm f/4.5-5.6E ED VR is a versatile lens that helps users capture sharp images and video, even in challenging light. The new AF-P NIKKOR 70-300mm is lighter than its predecessor, despite packing new technologies that help those shooting photos and video achieve stellar results. Enhancements to the lens include:</p>

<ul>
<li><strong>Improved Vibration Reduction (VR) System:</strong> The new AF-P NIKKOR 70-300mm lens provides users with up to 4.5 stops* of VR stabilization, to help create sharp photos and smooth video, even in low light or while handheld. Users can choose from either Normal or Sport VR Modes for added stability when shooting from a non-stationary location.</li>
<li><strong>Lightweight with Stepping Motor Technology:</strong> This AF-P lens uses a stepping motor for fast and quiet autofocus, which reduces the sound of lens operation while recording HD or 4K UHD video. This new technology also contributes to the lens’ reduced weight, making it easy to carry on all-day excursions.</li>
<li><strong>Electronic Diaphragm:</strong> This lens takes advantage of the fast burst speed of Nikon DSLR cameras, as the Electronic Diaphragm not only provides smooth exposure transitions during video capture, but also helps maintain consistent exposure during high-speed shooting, such as when photographing sports.</li>
<li><strong>Get Close:</strong> The AF-P NIKKOR 70-300mm lens features a minimum focus distance of only 3.94 ft. (1.2 meters) and a reproduction ratio of 0.25x, letting users get even closer to capture the most extravagant details, even at 300mm.</li>
<li><strong>Lens Construction:</strong> The lens features dust and drip resistance, along with a metal lens mount for durability. It features a 9-blade diaphragm for a natural, circular bokeh. The lens also features an ED element to significantly reduce instances of chromatic aberration.</li>
</ul>
<p><strong>Price and Availability</strong>

The Nikon AF-P NIKKOR 70-300mm f/4.5-5.6E ED VR lens will have a suggested retail price (SRP) of $699.95<span class="green">**</span>, and availability will be announced at a later date. For more information on this new NIKKOR lens as well as the latest Nikon products, please visit www.nikonusa.com.</p>
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Canon 70D vs M5

I currently have a 70D but i am almost set to get the M5 in the very near future. I know the upgrade is not significant and i'll actually lose a somewhat useful feature: setting the max shutter speed for auto ISO, but reducing the weight of my kit from the 70D+15-85 to an M5+15-45 is, IMO, a huge advantage (other lenses would remain the same, like the 55-250 STM+adapter of course) for hiking and generally being able to have the camera anywhere with me.

Although i haven't seen a good comparison between the 2 cameras (it's only compared with the 80D) i have seen a side by side feature list with advantages and disadvantages of each system and one advantage of the 70D over the M5 was weather sealing.

Now...my first DSLR was a Canon 1000D (rebel XS) which was absolutely not marketed as being weather sealed. I was once caught in a pouring rain with the camera in a basic shoulder bag and when i took it out it was wet...not swimming in water in the bag but very much wet that i used a few paper towels to get the camera dry again...had no problem whatsoever and continued using it.

The 70D has never been in such a situation but i got caught with it in the occasional rain..nothing serious though...

My main question here: would an M5 have problems in situations like described above? My belief is that it would be completely fine with a few water drops now and then..

Also another point is that i can still get a good value for my 70D+18-55 (i'm not parting with the 15-85!) so i could end up not spending that much for the M5..

Any other opinions on the 2 cameras? please share :)

Off Brand: Leica Announces the TL2 Mirrorless Camera

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<p>Based on the Leica TL-System, which has been continuously advanced in terms of speed, ease of handling and flexibility since its market launch, the new Leica TL2 embraces all the perfected features and leads the innovative camera concept into a new generation with additional innovations and new design aspects. The particular hallmark of the Leica TL2 is the unusual design of its compact body. Each camera body is precisely machined from a single block of aluminium in the Leica factory. The use of premium materials and their engineering in an elaborate manufacturing process are unique in the history of camera construction and lend the Leica TL2 an unmistakeable look, feel and solidity.</p>
<p><strong>Brilliant still pictures and video footage</strong></p>
<p>The Leica TL2 is equipped with a newly developed, 24-megapixel CMOS sensor in APS-C format that, in combination with an equally new, Maestro II series high-performance image processor, guarantees outstanding picture quality with impressive dynamic range, excellent contrast and colour rendition, exceptional sharpness and finest resolution of details. However, the Leica TL2 impresses not only with its still picture performance, but also with its video capabilities. The camera’s various video recording modes, such as 4K (3840 x 2160p at 30 frames per second), full HD (1920 x 1080p at 60 frames per second), HD (1280 x 720p at 60 frames per second or slow motion [SLOMO] captured at 120 frames per second), leave absolutely nothing to be desired.</p>
<p><strong>Fast and almost silent</strong></p>
<p>One of the highlights of the Leica TL2 is its enormously improved AF speed and precision. For instance, the camera focuses sharply on subjects in around only 165 milliseconds (CIPA standard; Leica standard zoom lens at its wide-angle setting), and thus focuses up to three times faster than the previous model. The new Leica Maestro II series image processor not only plays a significant role in its faster autofocus, but also to the considerably shorter start-up time. Another new development is an electronically controlled shutter that enables silent exposures at shutter speeds up to 1/40,000 s and an increase in the continuous shooting rate from 7 to a maximum of 20 frames per second.</p>
<p><strong>Connectivity with and without a cable</strong></p>
<p>Thanks to the integrated Wi-Fi module of the Leica TL2 and the function for setting up a mobile hotspot, pictures and video can be conveniently transferred by wireless to smartphones, tablets and desktop PCs from anywhere and then, for example, be shared by email, on Facebook, Instagram or other social media. Data can also be transferred lightning fast by cable with the camera’s integrated HDMI and USB 3.0 ports. The USB port also enables recharging of the Leica TL2 without a battery charger – for example from a laptop computer or an external power bank.</p>
<p>With the TL App available for both iOS and Android devices, smartphones or tablets are transformed into electronic viewfinders and offer remote control of various exposure-relevant parameters such as the shutter speed and aperture. The TL App also makes it much easier to capture photos and video from unusual angles, with a self-timer or with longer shutter speeds.</p>
<p><strong>Modern, intuitive and versatile</strong></p>
<p>By grouping menu items according to related functions, the menu of the Leica TL2 is now more clearly and logically structured and makes camera handling easier and even more intuitive than before. With the MyCamera menu, the user interface can be further personalised to meet the photographer’s preferences or particular needs. This means that the photographer always has fast access to all frequently used features and presets. Thanks to significantly increased reactivity and up to eight times faster response when using the touchscreen, camera handling is now even more efficient and intuitive. At the heart of this is a bright and clearly laid-out 3.7″ LCD touchscreen display that enables both composition and reliable and convenient assessment of subjects before and after exposure. The only other controls are four ergonomically positioned haptic control elements that are intuitive in their operation. This ensures that camera users can concentrate fully on composing their pictures – without any unnecessary distractions.</p>
<p><strong>The best in its class</strong></p>
<p>The comprehensive portfolio of lenses in the Leica TL-System offers an ideal range of focal lengths for all situations and types of photography. The system currently comprises six lenses – three prime lenses and three zooms – that meet the needs of every photographic situation. The two fast prime lenses, the Leica Summicron-TL 23 mm f/2 ASPH. and the Summilux-TL 35 mm f/1.4 ASPH., are classic focal lengths for reportage photography, and the APO-Macro-Elmarit-TL 60 mm f/2.8 ASPH. complements them ideally as a lens for finely detailed close-up photography. The three compact zoom lenses, the Leica Super-Vario-Elmar-TL 11–23 mm f/3.5–4.5 ASPH., Vario-Elmar-TL 18–56 mm f/3.5–5.6 ASPH. and APO-Vario-Elmar-TL 55–135 mm f/3.5–4.5 ASPH., cover an entire range of focal lengths equivalent to 17 to 200 mm (equiv. in 35 mm format) and deliver exposures with rich contrast from corner to corner of each frame.</p>
<p>All Leica TL-Lenses impress with exceptional imaging performance at all distances from closest focusing distance to infinity and deliver pictures with the inimitable ‘Leica look’ and unique bokeh. Developed by optical design specialists in Wetzlar (Germany), they offer the exceptional imaging performance for which Leica lenses are famed. The combination of optical and precision engineering expertise and the use of finest materials in their construction ensures their constant quality and reliability in use.</p>
<p><strong>Sustainability guaranteed by cross-system compatibility</strong></p>

<p>Thanks to the L-Bayonet mount shared by the Leica TL and SL cameras, SL-Lenses can also be used without an adapter on the Leica TL2. With this, Leica once again carries forward its fundamental principles of cross-system compatibility and sustainability, which is now also reflected in a uniform product designation. Dedicated adapters are available for using Leica M and R lenses on TL-Cameras – the Leica M-Adapter is available in a choice of black or silver finish.</p>
<p><strong>New design in two colour options</strong></p>
<p>The Leica TL2 will be offered in a choice of two different colours from the start. The design of both the silver and black versions of the camera has been slightly revised in comparison with its predecessor. In addition to chamfered edges the body also features redesigned control elements that have been modified not only in visual style, but also provide a new haptic experience.</p>
<p>Functional camera accessories, such as high-quality protectors in Nappa leather, which can stay on the camera when changing the battery, and colour-coordinated carrying straps in stone-grey, black, red, yellow and cemento, are ideal complements to the TL system portfolio.</p>

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What in camera options are honored by third party softwar

So I know I can get close to an unmolested or pre processed RAW file from my camera, but going through the menus of a new model there are a lot of options available so I wondered who used which ones and if any post processing programs honor any of those options specifically for RAW files. I have no interest in how any of these settings impact jpeg files.

For instance I know HTP has been shown to write to the RAW information and 'limits' the ISO range because of the way it works. Basically it underexposes by one stop and lifts that exposed by one stop to protect the highlights.

But we now have:-
1: Auto Light Optimizer.
2: Long Exposure Noise Reduction.
3: High ISO speed noise reduction.
4: Highlight Tone Priority.
5: Lens aberration correction:
A: Peripheral illumination correction.
B: Chromatic aberration correction
C: Distortion correction.
D: Diffraction correction.

Does anybody shooting RAW and not using a DPP workflow use only of these settings?

What gear for Airtattoo air show?

I'm going to Airtattoo air show next weekend: http://www.airtattoo.com/
It is my first air show ever so I have no idea what gear I should use. There will be both static and flying display.

I have 6D. The longest lens I have is 70-300 L IS. I expect that it will not be long enough for flying display. For static display I can go pretty wide - 16-35 L IS or 17 and 24 TS-E lenses. Is that too wide? Is 24-70 enough?

What would you recommend for flying display? I initially wanted to rent Sigma 150-600 Sport but it was already gone (I haven't found Contemporary option for rental in UK) - there is F1 Silverstone Grand Prix same weekend so most rental options are already gone.

I'm currently considering one of these options:
  • Rent Canon 100-400 L IS Mk.II but I'm not sure if that is really that much benefit over 70-300 L IS.
  • Rent 80D or 7D Mk.II and use it with 70-300 L IS while using 24-70 or 70-200 on 6D
  • Buy Sigma 150-600 OS Contemporary - I don't like the weight of Sport model and I have mixed experience with my Tamron 24-70 lens

There is in theory option to buy Canon 100-400 L IS Mk.II - I considered so many times to buy it and sell my 70-300 but I always turned that down. I like my 70-300 and its compact size for my more common photo trips (landscape, architecture, cities) and I feel that in case where I want something longer (mostly Zoos and sometimes birds in garden), 400mm is not enough anyway.

It is of course questionable how well will last minute rental work. Mentioned options are still available. I will also have to rent for at least 4 days because I can't collect it on Friday and return on Monday.

What is the actual time between the pre-flash and the exposure flash?

Odd question...

I found an insect. I believe it's a soldier bug. Whenever I attempted to take a picture of it, it would anticipate the flash and jump up before the exposure would happen. I'd have a picture of an empty leaf. It happened a couple dozen times.

Thinking the E-TTL pre-flash might be tipping him off, I moved the flash to manual and was able to photograph him. Put it back on E-TTL, and he'd hop up, just over where I'd framed him, and land right back down on the leaf. I photographed a couple dozen other species that day as well, and a few more dozen in days past, and none of them exhibited this behavior.

I'm curious where I might find what the time in picoseconds/milliseconds/etc. is between the little pre-flashes used for calculating exposure versus the actual exposure flash. A pretty extensive Google search turned up nothing. I'd like to be able to calculate what this bug's reaction time would be.

Thanks for any help. -tig

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Uncle Rog looks into the high resolution future

(wasn't sure what forum to tuck this in)

Roger Cicala, on absurdly demanding optical testing and how today's glass might fare on 150 MP bodies someday:

https://www.lensrentals.com/blog/2017/07/experiments-for-ultra-high-resolution-camera-sensors/

"First, let me emphasize again that if we had a 150-megapixel camera and shot today’s lenses on it, the images would have more detail than that same lens on your current 36-megapixel camera. How much more? It’s hard to say. But remember you have to roughly quadruple megapixels to double resolution. If you’re shooting a 36-megapixel camera, then a 150-megapixel camera would about double your potential resolution. You’d notice the difference, especially if you crop the hell out of an image or print billboards or something.

This test is looking at it from the other perspective; If you had this camera and wanted to see the finest detail possible, which lens would let you do that? Well, it’s borderline, but there are at least a few that seem reasonable choices. None of them do it at f/1.4 or even f/2, and none do it in the corners, but there are some that do it."


As always from Roger, a good read. Give it a look?

- A

Canon Stock Price Drops to More Than Two-Month Low After EU Threatens Huge Fine

HTML:
<em>Canon fined for not including 4K on the EOS 6D Mark II? </sarcasm></em></p>
<p><strong>From Reuters:</strong></p>
<blockquote><p>Canon Inc’s stock fell to its lowest levels in more than two months on Friday after EU regulators said they may fine it up to 10 percent of annual revenue for jumping the gun in its acquisition of Toshiba Corp’s medical unit.</p>
<p>The EU Commission said it had reached a preliminary view that Canon breached rules by using a so-called “warehousing” two-step transaction structure involving an interim buyer to buy the company prior to obtaining relevant approvals.</p>

<p>Ten percent of Canon’s annual revenue would be roughly equivalent to $2.9 billion.</p>
<p>The $6 billion deal, completed late last year, raised eyebrows at the time due to the unorthodox method which allowed Toshiba, which was struggling for cash after an accounting scandal, to book proceeds in time for the financial year-end in March.</p>
<p>Rival bidder Fujifilm Holdings Corp  had criticized it as a “mockery of the law”.  <a href="http://www.reuters.com/article/us-eu-antitrust-canon-idUSKBN19S09J">Read the full story</a></p></blockquote>
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5D Mark 4 battery drain and meter timeout?

Hi to all, quick question for the collective on here, got my 5D4 out the bag this afternoon after firing off a few shots early in the morning with two fresh batteries installed in the grip only to find it was red HOT and both batteries fully discharged, it would seem checking the images a shot was fired and I'm guessing the meter continued to run until it was flat after I zipped up the bag, I tested the theory quickly in that the meter does run on after the one min timeout that is pre set in the standby menu and the 8 sec meter timer menu when the shutter or back button focus is half pressed, I don't recall if the Mk3 timer runs the whole time the shutter or BBF buttons is half pressed past the timeout or if it shuts off and waits for you to release the button first, my Mk3 is boxed up ready to sell so can't test it to see if it does the same, however I have never known any Canon body be red hot after being left in the bag with a button or two perhaps squashed against the bag liner? I would hope that Canon see such an oversight as a possible error, I.e why would the meter run for so long past the timeouts in an error state like this? Or am I just being slack by not turning it fully off, but then it's easy to just throw the camera back in the bag or under a coat and forget to turn it fully off each time, I also wonder if it could get hot enough to present a fire hazard? Makes you wonder....given mine was TOAST!

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