Canon Moves Quickly Into Robotics [CR4]

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While the EOS Rebel T7 and EOS Rebel T100 may not have lit the ethusiast world afire, Canon robotics just might.</p>
<p>I spotted this guy while visiting customer service at Canon Canada today. The choice of using the EF 100-400mm f/4.5-5.6L IS as the legs was a solid one to allow for adjustable height.</p>
<p>After some Facebook discussion, I’m of the belief that the <a href="http://www.pntrac.com/t/TUJGRktHSkJGRk5HSklCRkpOSkVN?url=https%3A%2F%2Fwww.lensrentals.com%2F">fine folks at Lensrentals.com</a> are going to build a bigger one.</p>

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Northlight reviews the Laowa 25mm f2.8 2.5-5x Ultra Macro

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Keith over at Northlight Images just posted a <a href="http://www.northlight-images.co.uk/laowa-25mm-f2-8-macro-review">detailed review of the Laowa 25mm Ultra Macro</a> complete with some pretty fascinating sample images.</p>
<p>I’ve always found Keith’s reviews to be quite detailed and chock full of great sample images, and this one is no different.</p>
<p>Oh, and about the Laowa?</p>
<p>Keith has this to say;</p>
<blockquote><p>From an image quality point of view, there was little I could fault the lens with. It shows a slight bit of longitudinal chromatic aberration (purple/green tinges to OOF areas), but not excessive.  The 8 blade aperture gives better looking OOF highlights than the 6 bladed Canon MP-E65mm.</p>
<p>The only area that may concern some is the lack of stop down, meaning that it’s either a dark viewfinder at smaller apertures or you have to stop down manually before the shot. It’s no problem for my sorts of use.</p>
<p>The magnification setting is firm but I did notice that careless adjustment of the aperture could easily lead to a slight change in the magnification setting, and hence move the plane of focus. This was worse when the lens was pointing downwards <em>[do note though that this was a pre-production lens]</em></p>
<p>The build quality of the lens feels good and the sample I tested came in a soft neoprene bag.</p>
<p>Ultimately this is a lens you’ll want for fine detail, and it definitely delivers.</p></blockquote>
<p><a href="http://www.northlight-images.co.uk/laowa-25mm-f2-8-macro-review">Read the review here…</a></p>
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Article: Canon's 4000D and the Race to the Bottom

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<p>Fstoppers’s Wasim Ahmad posted an <a href="https://fstoppers.com/originals/canons-4000d-and-race-bottom-photographers-hearts-and-minds-226103">article</a> today on the 4000D, Canon’s new entry level of entry level cameras.</p>
<p>Needless to say, he’s pretty put out over Canon coming out with a brand new camera for under $400 dollars.</p>
<blockquote><p>Products like these show a fundamental misunderstanding of the camera market today. Instead of lowering the bar, why not raise it with higher quality hardware and software that can beat the smartphone and convince consumers that real cameras are worth it? It’s time to make an aspirational camera.</p></blockquote>
<p>I have problems personally with this article.   For starters, not every camera should be a inspirational camera in the industry and secondly, your inspiration should come from photography and not the camera itself.   Giving a youngster a unbreakable piece of plastic camera that they can toss around that doesn’t cost alot of money – isn’t a bad idea to fuel inspiration.  The article also tends to ignore the fact that not everyone can afford a Google Pixel 2 or a Apple XL with a high end computational camera, and a camera that costs around 1/3 of a top end phone fits in some people’s budget far better.</p>
<p>Don’t get me wrong, I’d never purchase a 4000D for myself, but I may consider it for my grandson when he gets a little older.  This or a M100 styled camera, he may have alot of fun with.  Inspiring his creativity I think is very important.</p>
<p>Thoughts? I’d love to hear them in the forum.</p>
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Canon U.S.A. Builds on Success of the “One Canon” Strategy

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<p><strong>MELVILLE, N.Y., March 1, 2018</strong> – Canon U.S.A., Inc. a leader in digital imaging solutions, concluded its One Canon Event, held February 12-14 in Hollywood, Florida. The annual gathering of esteemed industry analysts and press commemorated the Company’s inclusive and inventive approaches to its diverse customers and the continued success of the One Canon business strategy. The exclusive event provided over 45 industry analysts and journalists the opportunity to engage with executive leaders, customers, and business partners, and hear about the Company’s strategic evolution to continue to help foster strong growth and performance drivers going forward.</p>
<p>Key executives updated guests on the impact the One Canon strategy is having on the company as a whole, while providing examples of successful One Canon collaborations positively affecting customers, partners, and the company’s dealer channel. Leaders from business units also gave guests an inside look into industry-leading products, service, and marketing programs that continue to differentiate Canon as a dynamic force in the print industry.</p>
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<p>One major highlight of the event was the announcement of the third generation imageRUNNER ADVANCE 2<sup>nd</sup> edition models, a refresh of the three-time BLI Line of the Year award-winning platform that will be available in spring 2018.</p>
<p>The launch features improvements that target three core needs of technology decision makers:</p>
<ul>
<li>Simplify – The power to streamline user workflows and ease the implementation and management of technology (Cloud-capabilities)</li>
</ul>
<ul>
<li>Control – The power to take command of costs, manage print usage and implement a secure solution (New levels of security)</li>
<li>Evolve – The power to expand capabilities and stay ahead of change (Continuous improvement)</li>
</ul>
<p>“This is our second year celebrating the One Canon strategy, a customer-first principle which represents our inclusive approach toward delivering integrated solutions offerings based on innovation, possibility and smart solutions,” said Toyotsugu Kuwamura, executive vice president and general manager, Business Imaging Solutions Group, Canon U.S.A., Inc. “By coming together across the Canon Family of companies and working side by side with our customers and channel partners, we continue to seek new and inventive ways to drive change in the industry.”</p>
<p>During the two-day event, guests not only attended executive presentations, but were given the opportunity to hear directly from Canon customers and partners during the event’s “Successful Solutions” session that gave unique insight into how the company continues to collaborate and focus on forward-thinking innovation.</p>
<p>Representatives from Mount Ida College, Pixelwerx, Southwestern Blueprint, and Arna Marketing enhanced the conversation by participating in on-stage interviews where they each had the opportunity to share their unique perspective on the Canon approach and how it helps advance their organizations. In addition, following the success of Canon’s dealer relations portion, which included dynamic interviews with key partners, the company again reiterated its commitment to establishing strong partnerships with independent dealers by inviting Ryan Jones from American Business Machines and his customer, Borden Newman from Editorial Renuevo to speak alongside BISG senior vice president and general manager, Mason Olds.</p>
<p>“Mount Ida College may be considered small compared to other institutions, but Canon has always made us feel that we are as important to them as anyone else would be,” said Jill Abrahams, vice president for Advancement at Mount Ida College. “We were thrilled to be asked to participate in this event, and look forward to continue working side-by-side with Canon on future initiatives.”</p>
<p>Abrahams was joined on stage by her colleague Jason Donati, Dean at Mount Ida College, who added, “Our alliance with Canon has enriched many of our student programs, with tangible items such as providing high quality cameras and printers, to participating in our business entrepreneur event, to supporting other key initiatives of our school. We were delighted to be able to present this unique relationship to the media through the One Canon Event.”</p>
<p>The event included a landmark announcement from Canon Solutions America on the advancement to its security offerings. Pete Kowalczuk, president of Canon Solutions America, detailed the far-reaching enhancements during a presentation that included Carlos Fernandes, CEO, Agile Cybersecurity Solutions, and Ajay Arora, CEO of Vera, the company’s new security partners. To learn more about those partnerships, visit <a href="https://csa.canon.com/online/portal/csa/csa/company/pressreleases" target="blank"><strong>here</strong></a>.</p>
<p>For more information on products and solutions launched at the event please visit the Canon <a href="https://www.usa.canon.com/internet/portal/us/home/about/newsroom/press-releases" target="blank"><strong>newsroom</strong></a>.</p>
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Canon Patent Application: APS-C zoom lenses for compact cameras

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<p><a href="https://www.canonnews.com/canon-patent-application-lenses-for-aps-c-compact-cameras">Canon news</a> discovered an APS-C zoom lens patent today, and noted this patent applies only for Canon’s powershot lineup.</p>
<p>This patent application includes three zoom lenses;</p>
<ul>
<li>18-85 2.8-7.6</li>
<li>18-105 2.5-7.3</li>
<li>15-105 1.8-6</li>
</ul>
<p>Canon News notes;</p>
<blockquote><p>These would have to be compact cameras because the image circle at the wide end is not 13.66mm meaning some image stretching is occurring at the wide end.  This happens occasionally in the powershot cameras.</p></blockquote>
<p>Also the backfocus of less than 4mm would be quite difficult for an EF-M lens.  However, there are several EF-M lenses (11-22, 18-150) that do approach this backfocus distance already.</p>
<p>Japan Patent Application 2018-31935</p>
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Canon Rumors is Off to Tanzania

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Starting tomorrow, March 2 at about 6:10PM, I’ll be off to Tanzania for a migration photo safari until March 14th. I’ll be heading there with some very experienced photo friends, so it should be a fantastic trip.</p>
<p>The quality of cell coverage may be lacking or erratic and as such I’ve decided to disconnect from the site while I’m away, I haven’t had an actual vacation from Canon Rumors in the over 10 years that the site has existed. I’m not sure I want to, but I’ll give it a go.</p>
<p><a href="https://www.canonnews.com/">Richard from Canon News</a> has been gracious enough to help keep the site content coming. He has free reign to post whatever he wants, so the site could take a bit of a turn while I’m off the grid, and I think that’ll work out just fine.</p>
<p>Be nice to Richard. As for the forum, our terrific forum administrators will keep doing what they do.</p>
<p>I’ll see you when I see you.</p>
<p>Oh, this is a gear site, so here’s the gear I’m bringing. Everyone has opinions of what to bring, but based on past experiences, this should do me just fine. I still may axe bringing one of the wide angle zooms.</p>
<p><strong>Cameras:</strong></p>
<ul>
<li>Canon EOS-1D X Mark II</li>
<li>Canon EOS-1D X Mark II</li>
<li>Canon EOS 6D Mark II</li>
<li>Leica Q</li>
<li>Leica Sofort</li>
</ul>
<p><strong>Lenses:</strong></p>
<ul>
<li>Canon EF 16-35mm f/4L IS</li>
<li>Canon EF 24-70mm f/4L IS</li>
<li>Canon EF 70-300mm f/4-5.6L IS</li>
<li>Canon EF 200-400mm f/4L IS 1.4x</li>
</ul>
<p><strong>Miscellaneous:</strong></p>
<ul>
<li>Leica Ultravid 8×42</li>
<li>Google Pixel 2 XL</li>
<li>Microsoft Surface Pro</li>
<li>Think Tank Photo Airport Accelerator</li>
</ul>
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Deal: Canon PIXMA Pro-100 Wireless Professional Photo Printer $69 (Reg $399)

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<p>Adorama has a big discount, combined with a big mail-in rebate to make the top selling Canon PIXMA PRO-100 Wireless Professional Inkjet Photo Printer just $69 (Reg $399)</p>
<p>You must use the coupon code <b>HBWPPI99</b><b> </b>for an instant savings of $90, and <a href="https://www.adorama.com/Als.Mvc/nspc/Product/GetProductRebatePopupContent?sku=ICAPRO100">send in a mail-in rebate</a> for an additional $250 off. Also included in the deal for free is a pack of Canon Photo Paper Pro Luster (13 x 19″, 50 Sheets), which is a $45 value.</p>
<p class="fs16 OpenSans-600-normal upper product-highlights-header">PRODUCT HIGHLIGHTS</p>
<ul class="top-section-list" data-selenium="highlightList">
<li class="top-section-list-item">4800 x 2400 dpi</li>
<li class="top-section-list-item">Print 8 x 10″ in 51 Seconds</li>
<li class="top-section-list-item">Wi-Fi, Ethernet, AirPrint, PictBridge</li>
<li class="top-section-list-item">Print Sizes up to 13 x 19″</li>
<li class="top-section-list-item">8 Ink Cartridges Including 3 Monochrome</li>
<li class="top-section-list-item">CD, DVD, Blu-ray Printing</li>
<li class="top-section-list-item">Print Studio Pro for Photoshop, DPP</li>
</ul>
<p><a href="https://www.adorama.com/icapro100.html?kbid=64393"><strong>Canon PIXMA Pro-100 Wireless Professional Photo Printer $69</strong></a> (Reg $399)</p>
<p><em>B&H is currently showing “more on the way”, but you can still order now and wait a couple of extra days to receive your printer.</em></p>
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Why no APS-C "Holy Trinity"?

Full frame has their 16-35, 24-70, and 70-200 f/2.8 and f/4 lenses, but there are no equivalents for APS-C. The closest is the 17-55 f/2.8 from Canon and some third party manufacturers, but the wide end is only 27 mm equivalent, and those 3 mm make a significant difference. I think this is the only fixed aperture zoom from Canon for APS-C.

I realize the FF zooms are professional quality and expensive, and most pros don't shoot APS-C, but couldn't the APS-C focal length equivalents be made with decent IQ, but without making them bullet-proof like the L lenses to keep down costs, size, weight? And the smaller image circle requirement should also help keep down cost, size, and weight.

Sigma has their 18-35 f/1.8 and 50-100 f/1.8, but these have only a 2x zoom ratio, are heavy, have no IS, and the 18-35 doesn't go wide enough. APS-C may be a bit of a second thought for Canon, but other manufacturers seem to take crop more seriously, and even Canon have several crop prime lenses. Why no 10-22 f/2.8 (or f/4), 15-45 f/2.8 (or f/4), and 45-125 f/2.8 (or f/4)? The light-gathering and ability to blur on a crop f/2.8 would only be equivalent to f/4 on FF, but even f/4 versions would be preferable to the f/3.5 - f/5.6 zooms that we currently have for crop. I'm not asking for f/2.0 lenses, which are what would be necessary to get true equivalency to the FF f/2.8 lenses - those would be nice, but probably too big, heavy, and expensive.

Do these really not make business sense? I would think these zooms would be more popular than the 60mm and 35 mm EF-S macro lenses, and Canon thought there was a business case for these.

Is there some technical reason this can't be done practically? If Canon can make a 15-85 f/3.5 - 5.6, why not a 15-45 f/2.8? Or a 15-65 f/4 (24-105 FF equivalent)?

Review: Canon TS-E 90mm f/2.8L Tilt-Shift by TDP

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<p>The-Digital-Picture has completed their extensive review of the brand new Canon TS-E 90mm f/2.8L Tilt-Shift lens, and as we’ve seen across the web since the latest trip of tilt-shift lenses was announced, this lens is terrific.</p>
<p>In summary:</p>
<blockquote><p>If this lens and its special features are what you need (or you can make it work for your needs), it is a spectacular performer in a well-built package.</p>
<p>A tilt-shift lens can be as easy to use as any manual-focus prime lens. Or, it can be very complex. While simplicity is great, complexity can be a differentiator for your work and a barrier to entry for those wishing to compete. If a photographer has a lens with tilt-shift movements, they can raise the bar on their imagery.</p>
<p>Do you ever find yourself in a photographic rut? Or are you interested in taking your photography skills and imagery to the next step? A tilt-shift lens may be exactly what you need. When the focus plane can be tilted and perspective correction (or the opposite) can be applied, old subjects look new again. <a href="https://www.the-digital-picture.com/Reviews/Canon-TS-E-90mm-f-2.8L-Tilt-Shift-Macro-Lens.aspx">Read the full review</a></p></blockquote>
<p>I tried to get one for an upcoming Tanzania trip, but I was unable to through the CPS Canada program. So, I’ll be waiting a little while longer to try this impressive lens out.</p>
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Tokina Officially Announces the Opera 50mm f/1.4 FF

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<strong>FEBRUARY 28, 2018</strong> – Kenko Tokina Co., Ltd. is proud to announce the new Tokina opera 50mm F1.4 FF , a premium Full Frame lens for high-end DSLR cameras.</p>
<p><strong>Overview

</strong>With the debut of opera 50mm F1.4 FF we are launching a new series of next generation premium full-frame lenses for high-end DSLR cameras called “opera” series.</p>
<p>Opera series is designed to perfectly match recent high-spec full-frame DSLR cameras, which keep requiring high quality optics to be used with. In addition to originally high-valued Tokina AT-X series, this new opera series is positioned as top premium series of full-frame size lenses and will be further expanded with other lenses of related specifications and performance.</p>
<p><!--more--></p>
<p>In modern society the word “opera” is commonly used to express general genres of stage art. In Italian it means work or work of art. As an omitted art genre definition opera comes from “opera musicale” that means a piece of music work. In Latin opera comes from “opus” and in contemporary language “magnum opus”, “opera magna” still has a meaning of “great literary, artistic or intellectual work”. We chose the name “opera” for a new premium full-frame DSLR lens series thinking of a lens that will help photographer in creating real “work of art”.</p>
<p><strong>About the product

</strong>The debuting premium full-frame lens for high-end DSLR cameras in opera series is 50mm F1.4 FF (FF – Full-Frame). Designed for full-frame format DSLR cameras, opera 50mm F1.4 FF adopts a ring-shaped ultrasonic motor for autofocus drive module. Weather sealing prevents from dust and moisture to come inside the lens body. For the first time in Tokina line up Nikon mount model incorporates an electric diaphragm mechanism. The direction of the focus ring rotation fits the genuine Nikon and Canon lens.</p>
<p><strong>Mounts:</strong> Nikon F, Canon EF

<strong>Sensor size:</strong> full frame format

<strong>Sales release:</strong> summer 2018A prototype of Tokina opera 50mm F1.4 FF will be displayed at CP+2018 Kenko Tokina booth location: Exhibition Hall(1F), booth # G-57</p>
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Canon, King in SLR Cameras, Makes Inroads Into Mirrorless

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It appears Canon will be shifting a lot of focus to the mirrorless segment in very near future, and claim the EOS M50 is a step in that direction according to a report from the Nikkei Asian Review.</p>
<blockquote><p>TOKYO — <a class="mwMoTrg" href="https://asia.nikkei.com/Company/05DZHY-E" target="_self">Canon</a> will shift more of its focus to mirrorless cameras, a change in strategy spurred by sharp growth in the market.</p>
<p>The company boasts a commanding share of the global single-lens reflex market but was reluctant to enter the mirrorless field over concerns about cannibalizing SLR sales.</p>
<p>Canon said Monday that it will release an entry-level mirrorless camera next month. The product is positioned as “a strategic model” for mirrorless cameras, according to Masahiro Sakata, president of Canon group member Canon Marketing Japan.</p>
<p>Canon hopes that the new product will attract demand from families, including mothers who enjoy taking pictures of their children.</p>
<p>A latecomer to the mirrorless market, Canon released its first model in 2012 under the EOS M brand. The company held 23% of the domestic market for these cameras in 2017, ranking second behind Olympus. It aims for the top spot with the new offering.</p>
<p>With mirrorless cameras rapidly gaining popularity and rivals like Sony breaking into SLRs, Canon decided it must “actively roll out products for a growth market even if there is some cannibalization,” Sakata said.</p>
<p>The Japanese market for interchangeable lens cameras recorded a 10.1% drop in sales for SLRs last year while mirrorless varieties soared 29.2%. Mirrorless cameras also account for half of the interchangeable lens market in Hong Kong, Taiwan and Singapore. <a href="https://asia.nikkei.com/Business/Companies/Canon-king-in-SLR-cameras-makes-inroads-into-mirrorless">Read the full article</a></p></blockquote>
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Canon ff mirrorless - where will it fit in the line up?

With the release of the new Sony a73, and the M50 from Canon, it looks like the mirrorless options are maturing to a point where they look to be just as strong an option as the dslr competition (more a evf or ovf than the other features difference now)

With that, where is Canon likely to put the ff mirrorless offering when it arrives? That is, are we expecting it at the same level as the latest Sony's, or is it more likely at the 6dmk2 level?

If the former, does Canon have any real path to doing that without leaving the 5dmk4 out in the cold?

A7 III surfaces

https://petapixel.com/2018/02/26/sony-a7-iii-feature-filled-24mp-4k-full-frame-mirrorless-1999/

If the spec sheet complainers and value proposition folks don't have a field day comparing this to the 6D2, I would be stunned. Regardless of Canon's long-standing advantages with ergonomics, lens selection, sealing, quality, etc., one cannot deny Sony is offering a ton over the 6D2 here for $1999:

10 fps with mechanical shutter -- no forcing you to go to e-shutter for high fps like the A9
Sony sensor hotness (will it get the same +2.5 stop base ISO DR advantage as the A7R3?)
IBIS
Dual slots
4K w/o any crop
Eye AF

I'm not saying it's a better camera than the 6D2 -- we have no idea how well this thing works. But the delta in spec sheets is growing, and at some point, one might think that would drive conversions to the Sony fold.

Also, we are due for a Nikon D620 or D760, are we not? It, too, may stir the pot at this price point.

- A

Optimizing AF with the Canon 85mm 1.4L IS?

I've been using Canon's newest 85mm for about six weeks now. I started out with it on my 5D III and was getting consistently great results, but, for the most part, I was using one-shot, single-point for subjects not moving much. My AFMA value on the 5D III is -3.

Then I started trying the lens with faster moving subjects, working my way up to kids running straight towards the lens, and this is where I started noting more missed focusing. Having watched Dustin Abbott's excellent AF review of the lens again, and just yesterday rereading the AF discussion by Bryan at TDP, I understand my experience is very close to theirs.

What surprises me though is the lower keeper rate on my 5D IV. Other lenses, such as the very quick focusing 24-70mm f/2.8L II and the 100-400mm f/4.5-5.6L IS II work BETTER on the Mark IV, as expected. In fact, though I rarely attempted "action" with my (now sold) 85mm f/1.2L II, its AF was MUCH better on the Mark IV.

Another difference between the lens on the two bodies is the AFMA value. Not only are the absolute values different, but it seems on the 5D IV my values tend to "float" a bit. What I mean is sometimes -10 is right, other times -8 or even -7. I haven't seen this on other fast lenses, such as the 135mm f/2L or the 35mm f/1.4L II. Anybody familiar with shooting at f/1.4 knows that even a little bit front or back misses exquisitely sharp eyes, something I value highly in my portraits.

So that's my experience, and I'm hoping others who own this or other fast primes in the focal length range can share any insights or suggestions regarding best AF practices with such lenses. Brainstorming the different performance on 5D III vs IV is also hoped for here!

Thanks!

Canon Announces the EOS Rebel 4000D, The Cheapest DSLR Ever? Will Come to North America as the EOS R

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<strong>London, UK, 26th February 2018</strong> – Canon Europe today unveils the launch of the EOS 2000D and EOS 4000D, Canon’s latest entry-level DSLR cameras. With a wide range of practical and easy to use features, these new cameras cater to the storytelling needs of individuals taking their first steps into interchangeable lens photography and those wanting to create superbly detailed DSLR quality pictures and cinematic Full HD movies with ease.</p>
<p>The newest additions to Canon’s entry-level DSLR range, the <a class="formatlink" title="EOS 2000D" href="https://www.canon-europe.com/cameras/eos-2000d/" target="_self">EOS 2000D</a> and <a class="formatlink" title="EOS 4000D" href="https://www.canon-europe.com/cameras/eos-4000d/" target="_self">EOS 4000D</a> have been designed for people who seek out new experiences and want to share their adventures seamlessly to social media. The cameras’ powerful combination of APS-C sensor technology, DIGIC 4+ image processor, seamless Wi-Fi connectivity and straightforward in-camera feature guides enable stories to be captured and shared with highly detailed photos and Full HD movies.</p>
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<p>With the EOS 2000D featuring a new 24.1 Megapixel APS-C sensor, and the EOS 4000D using an 18 Megapixel APS-C sensor, each camera allows for compelling storytelling with superb control over depth of field for beautifully blurred image backgrounds. Shooting rich, atmospheric photos during night-time adventures is also made possible with both models capable of low light shooting up to ISO 6400, expandable to ISO 12800.</p>
<p>The DIGIC 4+ image processor, used in both models, powers Canon’s Scene Intelligent Auto mode, enabling simple point and shoot photography with superb image results, as it automatically optimises every shot. The fast and responsive DIGIC 4+ image processor enables the Full HD video capabilities in both models, breathing cinematic life into captured memories.</p>
<p>In addition to a rear mounted LCD screen (7.5 cm on the EOS 2000D and 6.8 cm on the EOS 4000D), both cameras feature a centrally mounted optical viewfinder, providing a distinctly authentic photography experience and allowing stories to be told just as they were experienced with the naked eye. Decisive moments in unfolding stories can be captured with responsive and precise nine point auto focus and continuous shooting at 3.0 frames per second.</p>
<p>Both cameras are Wi-Fi enabled for seamless smartphone connectivity via the Canon Camera Connect app (iOS and Android), enabling adventurers to rapidly shoot and share their content on social media whilst on the move. New images can be conveniently backed up to Canon’s cloud storage service, irista, via a Wi-Fi connection, ensuring stories and memories shared are never lost.</p>
<p>These processes are made even easier for the EOS 2000D with the inclusion of Near Field Communication (NFC), which can establish a Wi-Fi connection to a smartphone by simply tapping the device on the camera (available on compatible Android devices).</p>
<p>Both models include simple in-camera feature guides, perfect for those looking to improve their storytelling potential as they upgrade from a smartphone. Both cameras include six image settings outside of basic auto modes and a variety of creative filters, enabling experimentation with manual control and the artistic freedom to tell dynamic and vibrant stories. Those embarking on their first DSLR adventure will also benefit from the Canon Photo Companion app, which provides the necessary tips on getting the best out of the cameras.</p>
<p>The EOS 2000D and EOS 4000D’s excellent battery life delivers approximately 500 pictures, or one hour 30 minutes and one hour 15 minutes of HD video respectively, allowing for peace of mind during extended outdoor adventures and the freedom to explore.</p>
<p>Both DSLR models are compatible with over 80 Canon EF and EF-S lenses and range of accessories, giving beginners the greatest choice of systems as they grow and develop their photography skills. The new cameras will be sold as a body only option or with a selection of lens kit options, including an 18-55mm f/3.5-5.6 IS II lens.</p>
<p>Canon’s latest entry-level DSLR cameras offer a fantastic gateway to the joys of interchangeable lens photography. The Canon EOS 2000D and Canon EOS 4000D provide an easy and reliable shooting experience that enable users to capture detailed images and sharp Full HD video. As people step-up from their smartphone and expand their creativity, Canon’s new DSLR cameras will intuitively capture superbly detailed professional-looking images, time after time.</p>
<p>The Canon EOS 2000D is available to pre-order from Canon’s online store from 26<sup>th</sup>February 2018.</p>
<p>For more information, please visit: <strong><a class="formatlink" title="EOS 2000D" href="https://www.canon-europe.com/cameras/eos-2000d/" target="article-null">Canon EOS 2000D</a></strong> and <strong><a class="formatlink" title="EOS 4000D" href="https://www.canon-europe.com/cameras/eos-4000d/" target="article-null">Canon EOS 4000D</a></strong></p>
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Sigma Announces the 70mm f/2.8 DG MACRO Art Series Lens Development

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<strong><em>The First Macro Lens in the Sigma Global Vision Art Line</em></strong></p>
<p>Stunning resolution and clarity for a breathtaking visual experience—a razor-sharp macro lens joins the Art line</p>
<p>1. Design prioritizing optical performance</p>
<p>2. Focus-by-wire system for comfortable and precise focusing</p>
<p>3. Compatible with Sony E-mount cameras with full-size sensors</p>
<p>4. Compatible with Canon Lens Aberration Correction</p>
<p>5. Compatible with SIGMA ELECTRONIC FLASH MACRO EM-140 DG (adapter required)</p>
<p>6. Compatible with SIGMA TELE CONVERTERS (Not available for Sony E-mount lens) Launch: TBD Accessory: Case, Hood (LH708-01) Available AF mounts: SIGMA, Canon, Sony E-mount Note: Appearance and specifications are subject to change without notice.</p>
<p>The long-awaited first macro lens in the Art line In recent years, macro lenses in the standard range have tended to employ inner focusing with the goal of maximizing autofocus speed. In contrast, the new SIGMA 70mm F2.8 DG MACRO | Art lens is designed to prioritize optical performance, fulfilling the demanding image quality requirements that define the Art line. In the standard to mid-telephoto range, it delivers stunning resolution and incredible clarity that greatly exceed expectations for a macro lens. The coreless DC motor further enhances image quality, while an optimized algorithm helps offer extremely smooth autofocus performance for a weightier, high-performance lens. Photography enthusiasts will recall a certain legendary, razor-sharp macro lens—the SIGMA MACRO 70mm F2.8 EX DG—and be glad to learn it is available in a new form, updated with outstanding Art line quality.</p>
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<p><strong>Key features</strong>

1. Design prioritizing optical performance In order to realize top-level performance at every shooting distance, the lens features an extending, floating, two-group focus mechanism. This configuration minimizes aberration to produce optimal results at any focus distance. To minimize axial chromatic aberration, the optical system incorporates two FLD glass elements, two SLD glass elements, and one element with a high rate of anomalous partial dispersion and a high index of refraction. In addition, two aspherical lens elements help increase resolution at close shooting distances. This optical system makes possible a razor-sharp in-focus area contrasted with a bokeh area free of color streaking.</p>
<p>2. Focus-by-wire system for comfortable and precise focusing The focus-by-wire system eliminates the direct mechanical connection between the focus ring and the focus drive system. Controlled by SIGMA’s latest algorithm, a newly developed coreless DC motor adjusts focus with optimal speed and low noise. Full-time manual focus is available even during autofocus, allowing the photographer to make minute focus adjustments simply by turning the focus ring. In addition, the focus ring’s large angle of rotation helps the photographer achieve the extremely precise focusing required for effective macro photography.</p>
<p>3. Compatible with full-frame Sony E-mount cameras The version of this lens compatible with Sony E-mount mirrorless cameras contains the same optical system as for SLRs. SIGMA MOUNT CONVERTER MC-11 is not required, as the lens performs the same functions as the converter, including in-camera image stabilization and in-camera lens aberration correction. In addition, the lens is compatible with Sony’s Continuous AF, which is not addressed by MOUNT CONVERTER MC-11. SIGMA plans to offer over time Sony E-mount versions of every full-frame prime lens currently available in the Art line, from 14mm to 135mm.</p>
<p>Note: This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.</p>
<p>4. Compatible with Canon Lens Aberration Correction The Canon mount lens is compatible with the Canon Lens Aberration Correction function.* Matching the optical characteristics of the lens, this function performs in-camera corrections of peripheral illumination, chromatic aberrations, distortion, and more, further enhancing image quality. *Function not available on all Canon cameras. Further, available corrections may vary by Canon camera model.</p>
<p>5. Compatible with ELECTRONIC FLASH MACRO EM-140 DG (adapter required) Exclusively for SIGMA 70mm F2.8 DG MACRO | Art, the 65mm MACRO FLASH ADAPTER makes the lens compatible with ELECTRONIC FLASH MACRO EM-140 DG (both accessories sold separately). Thanks to the 72mm filter thread, a 72mm MACRO FLASH ADAPTER can also be added so as to accommodate 72mm macro flash products and accessories, including macro flashes other than EM-140 DG as well as ring lights.</p>
<p>6. Compatible with SIGMA TELE CONVERTERS The lens is compatible with SIGMA TELE CONVERTERS (sold separately) designed for the company’s new lens lines. SIGMA TELE CONVERTER TC-1401 allows the lens to be used as a 98mm F4 mid-telephoto macro with autofocus functionality,* while SIGMA TELE CONVERTER TC-2001 allows the lens to be used as a 140mm F5.6 mid-telephoto macro with manual focus.

*Autofocus available at 0.5m to infinity.

*Not available for Sony E-mount lens</p>
<p>Other features</p>
<ul>
<li>Mount with dust- and splash-proof design*

*SIGMA mount lens does not include sealing, since sealing is present on compatible SIGMA cameras.</li>
<li>Rounded diaphragm</li>
<li>Fast AF with full-time manual override*

* The operation of full-time MF may vary based on mount type.</li>
<li>Compatible with SIGMA MOUNT CONVERTER MC-11*

*SIGMA and Canon mount lenses</li>
<li>Available SIGMA USB DOCK makes customization and flexible adjustment possible*

*Not available for Sony E-mount lens</li>
<li>Available Mount Conversion Service</li>
<li>Brass bayonet mount</li>
<li>Evaluation with SIGMA’s own MTF measuring system: A1</li>
<li>“Made in Japan” with outstanding craftsmanship</li>
</ul>
<p>For more information about the SIGMA GLOBAL VISION lineup of fine products, please visit the official SIGMA global website: SIGMA GLOBAL VISION: http://www.sigma-global.com</p>
<p><strong>Specifications</strong>

All figures calculated for SIGMA</p>
<p>Lens Construction: 13 elements in 10 groups | Angle of view (35mm): 34.3° | Number of diaphragm blades: 9 (rounded diaphragm) | Minimum aperture: F22 | Minimum focusing distance: 25.8cm/10.2in. | Maximum magnification ratio: 1:1 | Filter size: ø 49mm| Dimensions (diameter x length): ø70.8mm x 105.8mm/2.8in. x 4.2in. | Weight: 515g/18.2oz.</p>
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Sigma Announces the 105mm f/1.4 DG HSM Art Series Lens Development

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<strong><em>The Bokeh Master with Longest Focal Length Among Sigma Wide-Aperture F1.4 Art Lenses</em></strong></p>
<p>Introducing the “bokeh master”—featuring incredible resolution and designed for full-frame sensors, this is the longest focal length of the Art line’s F1.4 lenses</p>
<p>1. Optical system delivering unsurpassed F1.4 performance</p>
<p>2. Exceptional peripheral brightness</p>
<p>3. Professional specifications</p>
<p>4. Ease-of-use specifications</p>
<p>5. Compatible with full-frame Sony E-mount cameras</p>
<p>6. Compatible with Canon Lens Aberration Correction Launch: TBD Accessory: Case, Cover Hood (LH1113-01), tripod socket (TS-111), protective cover (PT-21) Available AF mounts: SIGMA, Nikon, Canon, and Sony E-mount Note: Appearance and specifications are subject to change without notice.</p>
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<p>Leading the way in F1.4 brightness

Since introducing its first SIGMA Global Vision F1.4 lens in 2012, the 35mm F1.4 DG HSM | Art, SIGMA has been adding wide-aperture F1.4 options to the lineup. Now, with the introduction of the new 105mm F1.4 DG HSM | Art, SIGMA offers a total of nine lenses with F1.4 brightness, including six for full-frame cameras and three for APS-C cameras. SIGMA has designed all of these lenses to offer minimal optical aberration and deliver incredible resolution and stunning contrast. Boasting the longest focal length of the F1.4 Art line lenses, the new lens combines outstanding resolution with a beautiful bokeh effect. Designed with great care to ensure that both the in-focus and out-of-focus areas of the photograph are equally satisfying to the eye, this lens is truly a “bokeh master.” The SIGMA 105mm F1.4 DG HSM | Art has earned its place as the flagship of the F1.4 Art line lenses, prioritizing image quality above all to fulfill the promise of the line, delivering truly amazing optical performance.</p>
<p><strong>Key features</strong></p>
<p>1. Optical system delivering unsurpassed F1.4 performance

In order to combine outstanding wide-aperture, mid-telephoto performance with F1.4 brightness at maximum aperture, this lens incorporates 17 optical elements in 12 groups—an uncommonly large number of elements for a prime lens. By including three FLD glass elements, two SLD glass elements, and one aspherical lens element, the optical system minimizes axial chromatic aberration to deliver extremely high resolution along with ample peripheral light volume. The area in focus is extremely sharp, while the area out of focus features a beautiful bokeh effect with highly natural colors, making this lens a powerful choice for portrait photography. The optical system also minimizes sagittal coma flare, making this lens excellent for capturing starry skies.</p>
<p>2. Exceptional peripheral brightness

The most effective method of ensuring ample light is to maximize the diameter of the first element of the optical system. With its large filter diameter of 105mm, the SIGMA 105mm F1.4 DG HSM | Art delivers a significantly greater volume of peripheral light than other lenses in its class. Minimizing vignetting while offering a beautiful bokeh effect, this lens is ideal for portrait photography.</p>
<p>3. Professional specifications

Like SIGMA’s Sports line lenses, the 105mm F1.4 DG HSM | Art features a highly effective dust- and splash-proof structure with special sealing at the mount connection*, manual focus ring, cover connection, and other areas, allowing photographers to work in all types of weather. In addition, the front of the lens is protected by a water- and oil-repellent coating that makes cleaning easy. The high-speed, high-accuracy autofocus helps photographers react in an instant to get those special shots.

*SIGMA mount lens does not include sealing, since sealing is present on compatible SIGMA cameras.</p>
<p>4. Ease-of-use specifications

Instead of conventional ABS plastic, the exclusive lens hood features CFRP (carbon fiber reinforced plastic), a light but strong material used in the interior and exterior fittings of aircraft, among many other applications. The removable Arca-Swiss tripod socket is compatible with Arca-Swiss platforms and clamps, and its exclusive protective cover makes the lens easier to carry and use when shooting hand-held.</p>
<p>5. Compatible with full-frame Sony E-mount cameras The Sony E-mount version of this lens is compatible with Sony mirrorless cameras and contains the same optical system as the versions for other mounts. SIGMA MOUNT CONVERTER MC-11 is not required, as the lens performs the same functions as the converter, including in-camera image stabilization and in-camera lens aberration correction. In addition, the lens is compatible with Sony’s Continuous AF, which is not available via MOUNT CONVERTER MC-11. SIGMA plans eventually to offer Sony E-mount versions of every full-frame prime lens currently available in the Art line, from 14mm to 135mm.

Note: This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.</p>
<p>6. Compatible with Canon Lens Aberration Correction

The Canon mount version of this lens is compatible with the Canon Lens Aberration Correction function.* Matching the optical characteristics of the lens, this function performs in-camera corrections of peripheral illumination, chromatic aberrations, distortion, and more, to further enhance image quality.

*Function not available on all Canon cameras. Available corrections may vary depending on the Canon camera model.</p>
<p>Other features</p>
<ul>
<li>Rounded diaphragm</li>
<li>Fast AF with full-time manual override*

*The operation of full-time MF may vary based on mount type.</li>
<li>Compatible with SIGMA Mount Converter MC-11 Note: SIGMA and Canon mount lens</li>
<li>Available SIGMA USB DOCK makes customization and flexible adjustment possible* *Not available for Sony E-mount lens</li>
<li>Available Mount Conversion Service</li>
<li>Brass bayonet mount</li>
<li>Evaluation with SIGMA’s own MTF measuring system: A1</li>
<li>“Made in Japan” with outstanding craftsmanship</li>
</ul>
<p>For more information about the SIGMA GLOBAL VISION lineup of fine products, please visit the official SIGMA global website: SIGMA GLOBAL VISION: http://www.sigma-global.com</p>
<p>Specifications All figures calculated for SIGMA</p>
<p>Lens Construction: 17 elements in 12 groups | Angle of view (35mm): 23.3° | Number of diaphragm blades: 9 (rounded diaphragm) | Minimum aperture: F16 | Minimum focusing distance: 100cm/39.4in. | Maximum magnification ratio: 1:8.3 | Filter size: ø105mm | Dimensions (diameter x length): ø115.9mm x 131.5mm/4.6in. x 5.2in. | Weight: 1645g/58.0oz.</p>
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Serpent

I did a bodyscaping and body projection shoot on Monday. I am not sure exactly what I can post here so all I have is this. Are boobies allowed? If it is in an abstract context? Canon's 24-70 f/2.8L II is cementing it's place in my heart.

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M50 Eye tracking Preview Video - let's discuss

Looks VERY usable if this video is any indicator.

https://www.youtube.com/watch?v=VUTdR758XfU

The beginning of better things to come.

For portrait shooters, nailing the eyes is everything or the image is fail. As great as my 5d3 is, I miss exact (closest) eye focus almost 30% of the time. It's frustrating anytime a great shot has the wrong eye in focus.

I dont care about Canon vs. sony xxx, i care about what is viable now/soon as a canon shooter. And if this helps get my eyes, im sold.

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