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Canon Calculators

In looking over a recent Canon financial report, I noticed that Calculators were important enough to be mentioned.

When was the last time you purchased a new calculator? I bought a TI graphing calculator for my son several years ago because his math class required it. None since. Between my old units, my computer, and my smart phone, I'm well fixed for calculators.

I'm not sure when I last saw a Canon Calculator for sale, so ... I checked Amazon and was surprised to see the varied assortment of calculators. Printing calculators are what I think of when I think of Canon units, and there are lots of them for sale, along with assorted parts and poor search results. (1,572 results returned).

https://www.amazon.com/s/ref=sr_qz_back?sf=qz&rh=i%3Aaps%2Ck%3Acanon+calculator&keywords=canon+calculator&unfiltered=1&ie=UTF8&qid=1496377166

41UyMSo131L._AC_US218_.jpg


When did you last buy a new calculator?

Head to Head: Sigma 135 ART vs Zeiss Milvus 2/135mm | Dustin

There's no doubt that these two lenses represent the best available to Canon shooters at the 135mm focal length. I spent some time comparing the Sigma 135mm f/1.8 ART head to head with the Zeiss Milvus APO Sonnar 135mm f/2...and here's what I found:

<iframe width="560" height="315" src="https://www.youtube.com/embed/_RnKTrJEcUQ" frameborder="0" allowfullscreen></iframe>

I never seem to be able to get the embedded videos to work, so if it doesn't here, you can use this link: http://bit.ly/MilvusvArt

Canon EF 16-35mm f/4 low light focus

Anyone else surprised that their 16-35 f/4 (on an EOS 6D) doesn't perform better at low light auto focus (that my iPhone 7 handled without difficulty)? More importantly, would a new 16-35mm f/2.8 done better on auto-focus?
(Subject was a party of about 20 around a fire pit with several tiki oil torches in the area- cropped to get it below 5 MB).
Thanks.

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Canon Inc. to Acquire Own Shares

HTML:
According to a press release from Canon, the company plans to acquire about 14 million of its own shares which will cost between $450-$500 million dollars.</p>
<p>The company is doing the stock acquisition with the “aim of improving capital efficiency and ensuring a flexible capital strategy that provides for such future transactions as share exchanges.”</p>
<p>Canon plans to acquire the 14 million shares between June 1, 2017 – July 14, 2017.</p>
<p>You can see the press release <a href="http://www.canon.com/ir/release/2017/p2017may31e.pdf">here</a>.</p>
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This will be asked a lot - which 135mm?

Hi Folks,

I'm sure that this question has and will be asked a lot... I'm in the market for a good portrait lens and I'm looking at the 135mm range, I'll be using this on 5Diii.

In the UK at the moment we have the Canon 135mm f2.0 selling at £859, and then there's the new Sigma Art 135 f1.8 at £1399, which is a reasonable difference, but certainly not a deciding factor.

Looking at the reviews around currently, the two lenses appear to be quite close in performance, with perhaps the Sigma having the edge.

Now, I currently have the Sigma Art 50mm f1.4, and I have a bit of a love/hate relationship with it. It does get used a lot, and when it nails it, the lens is stunning. It gets a lot of general use, but primarily it's used to take images of babies and small children. I do, however, find myself taking a lot more shots than I really should need to to ensure that focus is bang on.

This leaves me slightly concerned, and I'm currently leaning towards the Canon 135mm, and the price difference just being another advantage.

I'd love to hear your thoughts.

MusoD

Recent supreme court case may protect gray market electronics sales

*****Note, this is somewhat speculative because of the fact that the case did not directly have to do with this, but it seems to have implications related to gray market products.*****

https://www.nytimes.com/2017/05/30/business/supreme-court-patent-rights-lexmark.html?_r=0

Essentially it was ruled that Lexmark cannot stop a company from re-filling and re-selling their toner cartridges. But the article also states this...

But the court’s decision will have ramifications far beyond ink, particularly for the import and resale of products like smartphones and name-brand drugs.

The justices essentially ruled that once products are sold, buyers can do what they want with them unless other laws intervene. In theory, the decision will allow a retailer like Costco Wholesale, which filed a brief for the defendant in the case, to buy high-tech goods at the cheapest price it can find worldwide, bring them to the United States and resell them to customers.

The ruling on international sales is significant, legal experts said, because companies often sell their products abroad at lower prices on the condition that they will not be imported into the United States.

Nikon Announces Three New Wide-Angle Nikkor Lenses

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<em>Nikon Announces Three New Wide-Angle Nikkor Lenses</em></p>
<ul>
<li><em>AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR – Compact Ultra-Wide-Angle Perspective DX-format Zoom Lens</em></li>
<li><em>AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED -Circular Fisheye Zoom for the Ultimate in Versatility and a Unique Perspective</em></li>
<li><em>AF-S NIKKOR 28mm f/1.4E ED – Outstanding Definition and High Resolution Wide-Angle Prime Lens</em></li>
</ul>
<p><strong>MELVILLE, NY (May 31, 2017 at 12:01 A.M. EDT) — </strong>Today, Nikon announced three exciting new wide-angle NIKKOR lenses to give a diverse array of users brilliant image quality and maximum versatility whether shooting vast landscapes, architecture, interiors, events and many other wide-angle applications. The new ultra-wide zoom and lightweight DX-format AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR is an excellent value for budding shutterbugs and novice shooters looking to explore a wide-angle point of view, while the new AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED is an FX-format circular fisheye zoom lens for photographers and content creators who desire a truly unique perspective. Lastly, the new AF-S NIKKOR 28mm f/1.4E ED is a superior prime lens that provides professional and advanced photographers the ultimate in wide-angle image quality. Both the AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED and AF-S NIKKOR 28mm f/1.4E ED are the latest additions to the Gold Ring Series of NIKKOR lenses, a mark identifying Nikon’s premium lens offerings.</p>

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<p>“Nikon continues to push the limits of optical excellence, while making new perspectives more attainable than ever before with our latest wide-angle NIKKOR offerings,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc. “Whether a photographer is a novice learning the art of landscapes, an enthusiastic video creator or a working professional shooter, Nikon now makes the wide-angle perspective achievable for everyone.”</p>
<p><!--more--></p>
<p><strong>The AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR – Ultra-Wide Zoom Lens That’s Compact and Portable</strong></p>
<p>The new NIKKOR 10-20mm is an ultra-wide-angle DX-format zoom lens that opens new perspectives and possibilities for those new to photography, and is ideal for shooting travel and scenery, real estate, large group portraits or vlogging. This new lens combines superior image quality and an attainable price to give consumers wide-angle versatility with a lens that’s remarkably compact and lightweight.</p>
<p>Like all NIKKOR lenses, the new AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR provides advanced optical technologies for stellar image quality in any light, whether shooting a sun-drenched coastal vista, tight spaces or the night sky. The lens features the equivalent of 3.5 stops<sup class="green">1</sup> of Vibration Reduction (VR) performance, to help capture sharp images while handheld or in challenging light. Additionally, it utilizes Nikon’s Pulse Motor technology for super-fast and whisper quiet AF operation- which is especially useful when recording video. The optical formula contains three aspherical elements for excellent image quality with minimal distortion even at the widest focal length.</p>
<p>This is a versatile lens that not only excels at shooting expansive horizons, but also offers a remarkably close working distance that’s useful for images or showing up-close details when making product-related videos or how-to content. To get closer to capture small objects with big details, the lens has a close minimum focusing distance of only 8.6 inches (0.22 meters), bringing small objects to life in glorious size.</p>
<p><strong>AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED – Circular Fisheye for Photographers and Content Creators</strong></p>
<p>Nikon’s first fisheye zoom gives photographers and filmmakers an FX-format lens with the look and feel of a circular fisheye and the versatility of a full-frame fisheye, all in one lens. The new lens design provides a creative circular 180-degree vertical / horizontal angle of view on full frame cameras, and zooms to a non-circular fisheye view (180-degree diagonal angle of view) on the long end of the focal range. The lens can also be used on DX-format cameras for a distinctive point-of-view and extreme wide-angle applications. When looking to push creative boundaries, the intriguing perspective from a fisheye lens should be considered to provide a distinct look to your photos and videos, such as a dramatic emphasis on a subject or an extremely wide interior point of view.</p>
<p>The AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED is also the latest in Nikon’s Gold Ring Series of premier lenses and features a next-generation design for high-resolution Nikon DSLR cameras. Made for advanced photographers and creators, this durable lens is constructed of lightweight magnesium alloy, and employs internal focusing (IF) to retain its compact size, even while focusing. It is also Nikon’s latest lens to use an electromagnetic diaphragm for consistent exposure during high speed shooting, or smooth exposure control while capturing video.</p>
<p>The optical formula of the Fisheye NIKKOR 8-15mm consists of three ED elements to reduce chromatic aberration, while two aspherical lens elements minimize coma even at the widest aperture, and enable a more compact lens size. Additionally, the front lens element is coated with Nikon’s non-stick Fluorine coat to help resist dirt, fingerprints and smudges, while Nikon’s exclusive Nano Crystal Coat helps reduce ghost and flare.</p>
<p><strong>AF-S NIKKOR 28mm f/1.4E ED – The Latest in The Gold Ring Series of f/1.4 Primes in the NIKKOR Line</strong></p>
<p>The new AF-S NIKKOR 28mm f/1.4E ED is Gold Ring glass that provides maximum versatility for outstanding definition and sharpness regardless of shooting scenario. With a fast f/1.4 maximum aperture and nine blade rounded diaphragm, it affords a shallow depth of field with gorgeous bokeh and stellar low light performance, making it a great choice for shooting low light landscapes, interiors and events.</p>
<p>The superbly balanced and solid body is composed of lightweight magnesium alloy, and features dust and water drop resistant sealing to withstand the elements, combined with a fluorine coating to resist dirt and smudges. The optical construction of the lens is engineered for the best possible wide-angle image quality. It consists of 14 elements in 11 groups, with three aspherical elements that virtually eliminate coma, aberration and distortion, with two ED glass elements that minimize chromatic aberration. The lens also uses Nikon’s Nano Crystal coat to reduce instances of ghosting and flare.</p>
<p>The new AF-S NIKKOR 28mm f/1.4E ED is a welcome addition to Nikon’s stable of impressive f/1.4 primes that give professional photographers and creators the highest levels of image quality and performance, which also include; The AF-S 24mm f/1.4G ED, AF-S NIKKOR 35mm f/1.4G, AF-S NIKKOR 58mm f/1.4G, AF-S NIKKOR 85mm f/1.4G and AF-S NIKKOR 105mm f/1.4E ED.</p>
<p><strong>Price and Availability</strong></p>
<p>The Nikon AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED will be available immediately for a suggested retail price (SRP)<span class="green">*</span> of $1249.95. The AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR and AF-S NIKKOR 28mm f/1.4E ED will be available in late June for a suggested retail price (SRP)*, $309.95 and $1999.95, respectively. For more information on these NIKKOR lenses as well as the latest Nikon products, please visit <a href="http://www.nikonusa.com/">www.nikonusa.com</a>.</p>
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Following the steps of the leader...

Nikon announces

Nikon 8-15mm F3.5-4.5E ED fisheye zoom
https://www.dpreview.com/news/6789294946/full-frame-nikon-8-15mm-f3-5-4-5e-ed-fisheye-zoom-now-available

AF-P 10-20mm F4.5-5.6G VR
https://www.dpreview.com/news/6953738760/nikon-announces-budget-friendly-af-p-10-20mm-f4-5-5-6g-vr-lens-for-dx-bodies

[Hope this will bring down Canon EF-S 10-18mm f/4.5-5.6 IS STM further to my reach :) ]

Sigma 500mm f4 Sport review by DXOMark

Dxo has posted review of Sigma 500 f4 basically nearly on par with Canon's own 500mm f4 II IS.
https://www.dxomark.com/Reviews/Sigma-500mm-f-4-DG-OS-USM-S-Canon-lens-review-Super-sharp-shooter

Conclusion (from DxoMark)
Big, heavy, and expensive, a 500mm f/4 super telephoto is truly the preserve of the professional or extremely serious wildlife and sports photographer who requires plenty of reach, a fast aperture, and super-sharp results. As such, there are only a few such lenses available, but Sigma’s third-party 500mm f/4 gives photographers an alternative to Canon’s own-brand option.
The Sigma 500mm f/4 comes equipped with the advanced features the pros demand to enhance performance, including a focus limiter, focus recall buttons, image stabilizer, large lens hood and tripod collar for mounting to a monopod and quickly switching between vertical and horizontal shooting positions.
In terms of image quality, the Sigma 500mm f/4 is excellent, delivering high levels of uniform resolution on all the professional full-frame EOS 5DS R, 1D X Mark II, and 5D Mark IV DSLRs, with no geometric distortion nor problematic chromatic aberration to worry about. There’s some vignetting at the maximum f/4 aperture, but at around –1EV, this isn’t overly concerning and corner shading is virtually eliminated from f/5.6.
Head-to-head against the Canon EF 500 f/4L IS II USM, the Sigma 500mm f/4’s image quality compares very favorably. The Canon lens is fractionally sharper on the 5DS R, but the Sigma offers a modest improvement in resolution on the 1D X Mark II and 5D Mark IV. To be fair, there’s very little to separate them in real-world terms on any of these DSLRs, however, making the Sigma 500mm f/4 a great value option.

DPAF's Underlying Tech the Villain? (When all else ruled out)

[Since starting this thread I've learned that I was conflating DPAF as a focus system with the tech which makes it possible, that is, a dual-photodiode CMOS. Since my IQ problems involve images taken through the viewfinder, "DPAF" is not involved, though the dual-photodiode CMOS might be. Thanks to posters here, especially Neuro, for helping sort out the confusion, and CPS for further clarifying and being open-minded about issues with the newer CMOS tech deployed in the 5DIV, 80D, 7DII and others.]

With both the 80D and 5DIV, I've been noticing some IQ problems that seem to have no explanation. With shutter speeds in the 250-500 range being the ones most commonly effected. If camera shake, exposure issues, UV filters are ruled out as issues, with ISO at 400 or below...

Anybody else who shoots with a DPAF camera noticing shots that just miss being sharp, but can point to no known reason?

If so, any suspicion that signal processing or other DPAF issues could be involved?

I'm referring to problems with photos taken through the viewfinder, NOT LiveView.

For birds: 500 f/4L II or ?

I'm an amateur bird photographer, and since it's my 40th birthday this year my wife has agreed that I should splurge on a new lens (or other gear). I have a 70D body that I usually pair with a 400 f/5.6L. In low light, sometimes I use a 70-200 f/4L with a 1.4x extender to take advantage of the image stabilization.

My current frustrations are the lack of IS on the 400mm and the relatively noisy output from 70D at ISO 800 and up. I'm contemplating the 500mm f/4 L IS II, which is my dream lens, but also seems like an insanely expensive and specialized purchase for an amateur.

Instead of dropping $9k on the 500/4 II, I'm thinking of a couple alternatives:

1) 5Dm4 body, and perhaps the 100-400 II.

The 5Dm4 (or 5Dm3) would give me much better low-light performance, plus f/8 autofocus. Trading my 400/5.6 in for the new 100-400 would give me IS, though it's probably a wash on the optics at 400mm. Plus I'd get improved performance with my other lenses, not just at 500mm.

2) 1st gen 500 f/4L IS

These still seem to go for $5k+ and are a lot heavier. IS isn't nearly as good. Optics should still be very good, though.

3) Upgraded camera body plus Sigma 150-600 zoom

I've seen a lot of people raving about these lenses, and the extra reach + IS would get a lot of shots I currently miss.

On the other hand, I don't think there's anything like the sharpness and creamy background from a big white lens. If I buy the 500/4 II, I won't be upgrading my 70D this year, but the extra ~5 stops total would open up a lot more options.

Any thoughts (or alternate suggestions) for people who've used these combinations?

Canon EF-S 10-18 STM WORKS! at 10 mm on Fuill Frame Sony A7R

I connected EF-S 10-18 STM to my Sony A7R using Ommite EF-NEX adapter expecting to use maybe the 18 mm range without too much vignetting. To my surprise, there is no significant vignetting at 10 mm !!

I got excited and hooked up the 10-18 on my Canon 5D III using a 13 mm extension tube to cheat the EF mount but got huge circular vignetting. If anyone knows how to get good results on 5D III, please share.

At 10 mm on A7R:

DSC04299 by drjlo1, on Flickr

EOS 6D Mark II & EOS Rebel SL2 to be Announced at the Same Time [CR2]

HTML:
<p>We’re told that the Canon EOS 6D Mark II and the EOS Rebel SL2 will be announced on the same date in July. We’re still trying to get the exact date of the announcement.</p>
<p>We’re not sure if we’re going to see the <a href="http://www.canonrumors.com/canon-ef-85mm-f1-4l-is-usm-on-the-way-cr3/">EF 85mm f/1.4L IS</a> at the same time, but we do think that’s still slated for a July/August announcement.</p>
<p>As far as specifications for the EOS 6D Mark II, we’re still trying to get the good stuff that most of you care about.</p>
<p><strong>Canon EOS 6D Mark II Known Specifications</strong> (We’ll update this list as we get more information)</p>
<ul>
<li>Wi-Fi</li>
<li>Bluetooth</li>
<li>Vari-Angle LCD</li>
<li>A slightly taller and deeper body over the current EOS 6D.</li>
<li><strong>New battery grip BG-E20</strong></li>
<li>Announcement in July, Shipping in August</li>
</ul>
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Contest: 5DayDeal Complete Video Creators Bundle $10,000 Giveaway

HTML:
<p><strong>From 5DayDeal</strong></p>
<p>In just a few days we’re launching the all-new, 2017 Complete Video Creators Bundle, but while you wait… be sure to enter the 2017 5DayDeal Giveaway!</p>
<p><strong><a href="https://5daydeal.com/ref/canonrumors">Enter for your chance to win!</a></strong></p>
<p>We know that being a cinematographer, videographer, or photographer is expensive, so what better way to save a few bucks than to win a prize! We’ve got great stuff to give away, like training resources, software subscriptions, a Canon camera and laptop/camera bags, PLUS a 13″ Macbook Pro and a DJI drone!</p>
<p>As we put the finishing touches on our upcoming, and totally awesome, bundle, we thought we would get everyone in the money-saving mood by giving away a bunch of prizes. <strong><a href="https://5daydeal.com/ref/canonrumors">Learn more</a></strong>!</p>
<p> </p>
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Second camera option

Hey everyone. Have been using a 5D3 for the last 5 years. Typically would use the EOS M + 11-22 as a back up especially when hiking. Would like to consider a more advanced second body so that one is mounted with a wide angle and the other with a telephoto zoom. Mostly do natural light portrait, travel landscape and kids events (stage dancing, etc). Any suggestions? 5DsR, 5d4 or wait for the upcoming 6D2? Appreciate your thoughts.

Future 7D Mark III

Hey Gang,
I know we are in the middle of the 6D Mark II and SL2 reported News releases.

But Question... I know the 7D Mark II was released September 15, 2014 and it will be 3 years this year. and that Camera makers are always racing to release the next DSLR with the hottest features. With the Nikon D500 and now the SOny A9. What guesses would you want on a 7D Mark III wish list?
Wi-FI? Removal of Anti alsis filter? TWO High speed CF or SQD cards? faster Shutter? Faster SD cards? Any other software features. I dont think we need 4K.. Is it time for a action Beast?

More About the EOS 6D Mark II Shows Up for Certification

HTML:
Below are some recent products that have appeared at a certification body. Below we have the EOS 6D Mark II and the EOS Rebel SL2, both of which are expected to be announced this July.</p>
<p><strong>EOS 6D Mark II Specifications Below:</strong></p>
<ul>
<li>Wi-Fi</li>
<li>Bluetooth</li>
<li>Vari-Angle LCD</li>
<li>A slightly taller and deeper body over the current EOS 6D.</li>
<li>Announcement in July, Shipping in August</li>
</ul>
<p><!--more--></p>
<p><strong>Certification Specs</strong> (Google Translated)</p>
<ul>
<li><strong><a href="http://www.nokiS___a-camera.com/2016/12/20161227.html" target="_blank" rel="noopener noreferrer">DS126631</a> (6D Mark II)</strong>
<ul>
<li>Digital single-lens reflex camera</li>
<li>made in Japan</li>
<li>SKU: 1897C003AA, 1897C010AA, 1897C015AA, 1897C022AA</li>
<li>Wi-Fi · Bluetooth installed</li>
<li>Reverse back and open 180 degrees Back LCD</li>
<li>Size: W 144.0 mm x H 111.8 mm x D 75.5 mm</li>
</ul>
</li>
<li><strong><a href="http://www.nokiS___a-camera.com/2016/12/20161227.html" target="_blank" rel="noopener noreferrer">DS126671</a> (EOS Rebel SL2) </strong>
<ul>
<li>Digital single-lens reflex camera</li>
<li>Made in Taiwan</li>
<li>SKU: 2250C001AA, 2250C002AA, 2250C011AA, 2253C001AA, 2256C001AA</li>
<li>Wi-Fi · Bluetooth installed</li>
</ul>
</li>
</ul>
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Stock Notice: Sony A9 Body at B&H Photo

HTML:
The brand new Sony A9 “professional” mirrorless camera is now in stock at B&H Photo.</p>
<p class="fs16 OpenSans-600-normal upper product-highlights-header">PRODUCT HIGHLIGHTS</p>
<ul class="top-section-list" data-selenium="highlightList">
<li class="top-section-list-item">24.2MP Full-Frame Stacked CMOS Sensor</li>
<li class="top-section-list-item">BIONZ X Image Processor & Front-End LSI</li>
<li class="top-section-list-item">693-Point AF System & 20 fps Shooting</li>
<li class="top-section-list-item">Blackout-Free Quad-VGA 3.7m-Dot OLED EVF</li>
<li class="top-section-list-item">Internal UHD 4K Video Recording</li>
<li class="top-section-list-item">5-Axis SteadyShot INSIDE Stabilization</li>
<li class="top-section-list-item">3.0″ 1.44m-Dot Tilting Touchscreen LCD</li>
<li class="top-section-list-item">ISO 204,800, Silent Electronic Shutter</li>
<li class="top-section-list-item">Built-In Wi-Fi/Bluetooth, Dual SD Slots</li>
<li class="top-section-list-item">Integrated LAN and PC Sync Terminals</li>
</ul>
<p><a href="https://bhpho.to/2qkeSv7"><strong>Sony Alpha a9 Mirrorless Digital Camera in stock at B&H Photo</strong></a></p>
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Canon EOS SL2 Announcement Coming in July, Shipping Later [CR3]

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We <a href="http://www.canonrumors.com/canon-eos-rebel-sl2-coming-in-september-cr2/">posted a few days ago</a> that the Canon EOS Rebel SL2 would be coming in September, which looks to be when we can expect large shipments of the camera body to hit store shelves.</p>
<p>We’re now told the announcement for the EOS Rebel SL2 will actually come in July, though we don’t know if that will be alongside the EOS 6D Mark II, or a different date.</p>
<p>Shipping we’re told will take place in late August or early September.</p>
<p><em>More to come…</em></p>
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Canon EOS 77D Video Tutorials from Canon USA

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<h3><strong>Canon EOS 77D: Introducing the EOS 77D</strong>

<iframe src="https://www.youtube.com/embed/pLun-j976ck" width="728" height="403" frameborder="0" allowfullscreen="allowfullscreen"></iframe></h3>
<h3></h3>
<h3><strong>Canon EOS 77D: The Power of 45-Point AF Area Control</strong>

<iframe src="https://www.youtube.com/embed/2z5kMFUtI6g" width="728" height="409" frameborder="0" allowfullscreen="allowfullscreen"></iframe></h3>
<h3></h3>
<h3><strong>Canon EOS 77D: Fine Control with Video Recording</strong>

<iframe src="https://www.youtube.com/embed/d4ChskgcHDA" width="728" height="409" frameborder="0" allowfullscreen="allowfullscreen"></iframe></h3>
<h3></h3>
<h3><strong>Canon EOS 77D: HD Video</strong>

<iframe src="https://www.youtube.com/embed/0QiPbOxIb_Y" width="728" height="409" frameborder="0" allowfullscreen="allowfullscreen"></iframe></h3>
<h3></h3>
<h3><strong>Canon EOS 77D: Built In Wi-Fi®</strong>

<iframe src="https://www.youtube.com/embed/DvceDvK3NEo" width="728" height="409" frameborder="0" allowfullscreen="allowfullscreen"></iframe></h3>
<h3></h3>
<h3><strong>Canon EOS 77D: The Wi-Fi® Connection Process</strong>

<iframe src="https://www.youtube.com/embed/p6BeobJr-gc" width="728" height="409" frameborder="0" allowfullscreen="allowfullscreen"></iframe></h3>
<h3></h3>
<h3><strong>Connecting Wi-Fi® Without Bluetooth</strong>

<iframe src="https://www.youtube.com/embed/oaz63t928So" width="728" height="409" frameborder="0" allowfullscreen="allowfullscreen"></iframe></h3>
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