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85mm f/1.2L II or 85mm f/1.4L IS?

From what I think I have read, we may have a choice between two different 85mm L models in the near future. Or, maybe the soon to be announced 85mm f/1.4L IS won't be an L at all, but a lens that sort of bridges the gap between the 85 f/1.8 and the 85 f/1.2L II in the same way the 50 f/1.4 does for that focal length.

Is there really room for two 85mm L lenses?

The reason I ask is I think I have also read that this new 85 will not replace the 85mm f/1.2L II in the lineup.

We'll know soon enough, but I am left wondering what you fine folks think.

Will there be two 85mm L lenses?

Canon UK Teaser: Dip Your Toe Into Summer

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<p>Canon UK appears to have started a teaser campaign of some sort for the summer of 2017. I think it’s safe to say that this is isn’t a teaser for a new product, so don’t get too excited.</p>
<p>Going by the countdown timer, we’ll see what they’re up to next Wednesday.</p>
<p><strong>From Canon UK:</strong></p>
<p><em>CANON IS BRINGING YOU AN EXCITING SUMMER AND WE WANT YOU TO BE THE FIRST TO HEAR ABOUT IT!</em></p>
<p>While we don’t want to give too much away just yet, we can tell you that we’ve partnered with some amazing storytellers to inspire and help you get the most out of your summer 2017.</p>
<p>We’ll also be giving away a truly spectacular prize just for sharing your stories with the world. It’s going to be a great summer, so look out for more from us and get ready to live for the story.</p>
<p>(Hint: When the clock hits zero, head over to the <a href="http://www.canon.co.uk/">Canon website</a> to be the first to know everything!)</p>
<p><em>Thanks TJ</em></p>
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EF24-70 F2.8L MKII soft edges?

I've had my EF24-70 F2.8L MKII lens for about 2 1/2 years now and I've never been convinced it's a stunning as reviews suggest it is. It's permanently fitted to my EOS 6D and having been into photography for 25years + I like to think I know the technique side of thing at least (but happy to stand corrected)

I've had some very sharp images from it but now and again I'll get some such as the example below that just look soft at the edges. Performance seems to be inconsistent but I can't nail it down to any particular settings ie certain focal lengths, F stop etc.

I'll admit that at fullscreen on my 24" monitor photos such as the example below look fine; it's only at say over 50% and particularly at 100% that the softness really shows. I'd just like to gauge if there is something wrong with the lens, my technique or if I'm just expecting too much? I've had some shots taken with the humble EOS100D (SL1) + 18-135 lens that have seemed sharper although admittedly although I've not done any scientific tests on identical scenes and the sensor has a smaller pixel count so at 100% appears smaller on screen that shots from the 6D.

I should add that I've sent sample shots to both my (well respected) camera dealer & to Canon who both felt it was OK and last year the lens was checked by Canon for sharpness/alignment when it went in to have filter thread replaced after a knock. It was passed as OK and indeed I've had some lovely sharp images from it since.

So on to the sample images & selected crops. It was taken in woods around midday on a cloudy day at focal length of 55mm @ F16, shutter speed of 2 secs, ISO 100. Lee landscape polariser fitter & camera was tripod mounted with cable release used. There was a light breeze hence movement in the foliage but no where near enough to move the trees. I focused on the left of the two nearest trees which was about 3m + way. Possible a little near than needed (hyperfocal distance should be 6.36m) but at F16, the area of softness (shaded red) was nowhere near infinity and appears softer than other areas even further away?

Picture was shot in RAW & converted to JPG to post here but no other processing carried out.

Original image is the untouched image straight from the camera but had to convert to jpg & reduce quality to 8 (High) in Photoshop to reduce filesize in order to post here. If anyone wants to see the original RAW file I can post it on Flickr/Dropbox etc for download.

Photo 1 full image shows the whole photo with sections shown in crops highlighted to show positioning.

Red section 100% shows a 100% crop that I feel is too soft.

Blue section 100% shows a 100% crop of an area at around the same distance that appears sharp(er) to me.

At the end of the day I have little choice in what to do - either sell it or keep it; it's no longer under warranty and Canon say it's fine. I'm tempted to go for the new 24-105 F4l MKII to see what the difference if any is although I know in theory at least that my lens should be superior.

I suppose it does what I want it to do for most of the time, just that for the cost I expected outstanding results at all times. So thoughts greatly appreciated please - does it seem ok/within parameters (as Canon would say) or am I just expecting too much? Or is it my technique?

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Mirrorless on the Move?

Note I made no comment on how fast mirrorless was moving or whether that was good or bad! Likely the debate of dSLR vs. Mirrorless will continue for quite a while. Yet, I found some interesting 'facts' in the CIPA data for the 1st quarter of 2017. DSLR shipments declined globally (-8.3%) for 1Q17 (vs. 1Q16) while mirrorless shipments increased significantly but from a lower base (+45%). This was consistent across essentially all major markets - Japan, Asia, Europe, & Americas. The most dramatic major market increase was in the Americas where mirrorless shipments were up 78% year-on-year. ('Other' was up 88% but that is a very small slice of the overall picture.)

In Japan mirrorless now is getting close to 1:1 with dSLR - roughly 45% of all shipments are mirrorless. In the Americas the ratio is closer to 1:3.3. DSLR's clearly still dominate in the Americas, however, that ratio used to be 1:6 not long ago so the increased penetration of mirrorless even in the US seems evident. Globally now 36% of shipments are mirrorless

Phase One Announces the World’s First 100MP Achromatic Digital Back

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<em>Phenomenal Clarity in Black and White Photography</em></p>
<p><strong>COPENHAGEN, May 10, 2017</strong> – Phase One today announced the world’s first 101-megapixel achromatic digital back — the IQ3 100MP Achromatic, featuring a new CMOS sensor design and state-of-the-art focus on classic black and white photography. With a top ISO of 51,200, it stands out as the most light sensitive medium format digital back available today, and its unmatched resolution offers photographers a new way to explore and express their visions without compromise.</p>
<p><em>“A black and white picture has the ability to transport the viewer into a different time and place. It essentially creates the illusion of a timeless experience …a simple black and white portrait can sum up all aspects of photography for me.” –Mark Seliger, Portrait Photographer</em></p>
<p>The IQ3 100MP Achromatic’s 101-megapixel sensor is produced without a Bayer color filter, allowing all available light to be captured unaltered and unobstructed. With no color information to be interpreted, the sensor is free to focus solely on capturing the highest level of detail, nuance and luminance.</p>
<p><!--more--></p>
<p>“The IQ3 100MP Achromatic enables photographers to capture a timeless expression,” said Stefan Sandor, Vice President Marketing and Product Management. “The detail, tonality and image quality must be experienced first-hand, as seeing is not only believing, but truly inspirational.”</p>
<p>Produced without an Infrared (IR) cut-off filter, the IQ3 100MP Achromatic can capture light outside the visible spectrum, benefitting artistic and infrared applications. These powerful imaging abilities open new opportunities for a multitude of photographic disciplines, from fine art, landscape, portrait, and architecture to scientific applications.</p>
<p>The new achromatic CMOS sensor provides instant Live View feedback, and the sensor’s ability to see IR light allows the Live View to display light that is normally invisible to the naked eye. Capturing in purely black and white means that even at high ISO, the details produced have an analog-like smoothness, similar to film grains on a black and white film. The absence of color makes it possible to stretch the images to the extreme and at the same time retain the pure black and white image quality demanded by the world’s best photographers.</p>
<p>The IQ3 100MP Achromatic Digital Back also provides an Electronic Shutter, long exposure of up to 60 minutes, HDMI output, WiFi capabilities, full IQ3 XF Camera System integration, and compatibility with other camera bodies, as is standard with all IQ3 Digital Backs.</p>
<h3>Availability and Pricing:</h3>
<p>The IQ3 100MP Achromatic Digital Back is available for order now through Phase One Partners:<a href="http://%20www.phaseone.com/partners" target="article-null"> www.phaseone.com/partners</a> Contact your local Phase One Partner to arrange a demo.</p>
<p>The IQ3 100MP Achromatic is available for purchase now in a limited number. Shipping will begin in early August.</p>
<p>The Manufacturer Suggested Retail Price for the IQ3 100MP Achromatic digital back is 49,990 USD.</p>
<p>All Phase One XF IQ3 Camera Systems are supplied with a free lens of choice from the Schneider Kreuznach Blue Ring prime lens range, valued up to 6,990 USD.</p>
<p>Manufacturer Suggested Retail Price for the XF IQ3 100MP Achromatic, including XF Camera body and free lens choice is 54,990 USD.</p>
<p>Schneider Kreuznach Blue Ring lenses are available now through Phase One Partners: <a href="http://www.phaseone.com/partners" target="article-null">www.phaseone.com/partners </a></p>
<p>For more details, please go to: <a href="http://www.phaseone.com/" target="article-null">www.phaseone.com</a> or book a demo on: <a href="http://www.phaseone.com/demo" target="article-null">www.phaseone.com/demo</a></p>
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Stock Notice: Sigma 100-400mm f/5-6.3 OS Contemporary at B&H Photo

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<p>The Sigma 100-400mm f/5-6.3 OS Contemporary, the second of the four recently announced lenses from Sigma will be available tomorrow from B&H Photo. If you preorder today, you’re likely to get one from the first batch tomorrow.</p>
<p class="fs16 OpenSans-600-normal upper product-highlights-header">PRODUCT HIGHLIGHTS</p>
<ul class="top-section-list" data-selenium="highlightList">
<li class="top-section-list-item">EF-Mount Lens/Full-Frame Format</li>
<li class="top-section-list-item">Aperture Range: f/5 to f/22</li>
<li class="top-section-list-item">Four SLD Glass Elements</li>
<li class="top-section-list-item">Super Multi-Layer Coating</li>
<li class="top-section-list-item">Hyper Sonic AF Motor, Manual Override</li>
<li class="top-section-list-item">Optical Stabilizer</li>
<li class="top-section-list-item">Rounded 9-Blade Diaphragm</li>
<li class="top-section-list-item">TSC Material, Brass Bayonet Mount</li>
<li class="top-section-list-item">Compatible with Sigma USB Dock</li>
</ul>
<p><strong><a href="https://bhpho.to/2qZrGXx">Sigma 100-400mm f/5-6.3 OS Contemporary $799</a></strong></p>
<p><em>*Update: The lens is now in stock at B&H Photo</em></p>
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Tamron Will Announce a New 24-70mm f/2.8 Di VC USD G2 Lens This Year

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<p><a href="https://photorumors.com/2017/05/09/tamron-to-announce-a-new-24-70mm-f2-8-di-vc-usd-g2-lens-later-this-year/">According to reports</a>, Tamron will introduce a new 24-70mm f/2.8 Di VC USD G2 later this year. The new version will be a replacement for the current 24-70mm f/2.8 Di VC which was announced back in 2012.</p>
<p>As pointed out by Photo Rumors, this is a logical next step as Tamron updated the 70-200 f/2.8 VC to a new version early in 2017.</p>
<p>Sigma recently <a href="http://www.canonrumors.com/sigma-announces-the-24-70mm-f2-8-dg-os-hsm/">announced a 24-70mm f/2.8 OS Art series lens</a> that we still can’t order, so Tamron likely has to follow suit.</p>
<p>Some folks are still clamouring for Canon to release a new 24-70 f/2.8L with IS.</p>
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Eos 5D Mk IV--End of ETTR?

I'm finding even +1/3 is blowing more highlights than I like.

Sort of found some confirmation on Art Morris's site where he finds images are exposed correctly even though he isn't pushing the histogram up to the right side as on previous models. I'm also still getting used to this.

(He also claims that the 5D IV has better IQ than the 1DX II!!!):

"As compared to the EOS-1D X Mark II, Canon’s blazingly fast flagship body, the 5D IV offers lighter weight and lower cost. Not to mention far superior image quality...

The high ISO performance of the 5D IV at least rivals that of the vaunted high ISO king, the EOS-1D X Mark II. Control of fixed pattern noise with the 5D Mark IV is outstanding."

http://www.birdsasart-blog.com/2016/10/12/why-i-love-my-5d-mark-iv-the-beyond-incredible-imaging-sensor-and-so-much-more/

Otherwise, not finding much info about metering, exposure tips for the 5D IV. Thoughts and/or links would be appreciated!

Firmware: Canon EOS M5 v1.0.1

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Canon has released new firmware for the recently released Canon EOS M5 mirrorless camera.</p>
<p>Firmware Version 1.0.1 incorporates the following fixes:</p>
<ol>
<li>Corrects a phenomenon in which, when the playback grid is set to “6×4”, and a vertical image is displayed, or a horizontal image is rotated to be displayed vertically, the grid does not display correctly.</li>
<li>In languages other than Japanese, the phrase “no. of shots” has been corrected to “value” in the “Time-lapse movie settings > Interval/Shots” setting screen.</li>
</ol>
<p>Firmware Version 1.0.1 is for cameras with firmware up to Version 1.0.0.

If the camera’s firmware is already Version 1.0.1, it is not necessary to update the firmware.</p>
<p><strong><a href="http://www.canon.co.uk/support/consumer_products/products/cameras/digital_slr/eos-m5.aspx?type=firmware">Download firmware v1.0.1 for the Canon EOS M5</a></strong></p>
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Canon EOS 6D Mark II Announcement Coming in July [CR2]

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We’re told that the Canon EOS 6D Mark II will be announced in July of this year, though the exact date is unknown at the time of writing this. The EOS 6D Mark II will also start shipping relatively soon after the announcement, so it’s safe to say you should have your hands on the new camera some time in August, 2017.</p>
<p>Specifications have been extremely hard to come by, and anything out there currently is either made up or just logical features we can expect in the coming body.</p>
<p>We posted a <a href="http://www.canonrumors.com/where-is-the-canon-eos-6d-mark-ii/">predicted specifications list back in February</a>, but it’s nothing more than conjecture at this point.</p>
<p>We do expect legitimate specifications to leak out in the coming month or so.</p>
<p>We put a [CR2] on this because announcement dates can move, though it’s more common with lenses than with camera bodies.</p>
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The End of the DSLR?

I had an interesting discussion last night with a guy who has more contacts than I do in the Canon world. He made a bold statement.

"Canon will never release another mirror-based professional DSLR"

Pushing further he said that you won't see a 1DXIII or a 5D Mark V with mirrors. There will probably be refreshes in the amateur lineup (90D etc) but even those won't go more than a couple of generations more.

6D Mark II? He doesn't know, but wouldn't be surprised if it was ready but Canon were unsure whether to actually launch it or not.

He expects the current 1DX II and 5D IV to be on sale for "At least" another 5 years, and possibly like the film cameras they'll keep them in slow production for a few years more for those who really don't want to move to mirrorless.

Changes in current lens designs, focus technology and changes in market plans for future lenses are all being based on a mirrorless future, apparently.

He also said this would make a lot of people unhappy, which is why no-one is talking about it.

So perhaps I shouldn't either. But oh well too late :)


I suspect he may be wrong. I am a definite convert for mirrorless, but there is still a huge difference when it comes to shooting fast action. And battery life! Will these problems be solved within 5 years? Probably.

Service Notice for the Canon EF 24-105mm f/4L IS II

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It appears a service notice for the Canon EF 24-105mm f/4L IS II has appeared on the <a href="http://www.canon.com.ph/news-pressroom#May05A">Canon.ph site</a>, and has since gone away. We suspect it will be sent out globally over the coming day or so.</p>
<p><em>Thank you for using Canon products.</em></p>
<p>We have determined that some EF 24-105mm f/4L IS II USM lenses exhibit an AF operation-related malfunction. The details of the phenomenon and Canon’s service policy are described below.</p>
<p>We would like to offer our sincere apologies to users who have been inconvenienced by this issue. Going forward, we will spare no effort in our quality management to make sure our customers can use our products with confidence.</p>
<p><!--more-->

<strong>Phenomenon</strong>

At the wide-angle end, focus is not achieved properly when a peripheral AF points are selected, regardless of the AF area selection mode.</p>
<p><a href="http://www.canonrumors.com/wp-content/uploads/2017/05/canon_service_notice_24-70_f4_ii.jpg"><img class="aligncenter size-full wp-image-29343" src="http://www.canonrumors.com/wp-content/uploads/2017/05/canon_service_notice_24-70_f4_ii.jpg" alt="" width="530" height="518" /></a></p>
<p><strong>Affected Lenses</strong>

If the first two digits in the serial number (see the image below) of your lens are ”48”, ”49”, ”50” or ”51”, then your lens MAY POSSIBLY be affected.”</p>
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Warning about EF 24-105mm f/4L IS II USM AF Problem.

Dear friends,

For all of you using or thinking of purchasing the new EF 24-105mm f/4L IS II USM lens, i just found this Service Notice of Canon Philipinnes, warning about an AF problem that affects lenses of specific serial number batches (i guess up-to-date):

http://www.canon.com.ph/news-pressroom#May05A

So, take great care in order to avoid unpleasant surprises.

Wishing you and your beloved, all the best from starry, warm, summery Athens Greece.

Yours
Yiannis.

International power question

Headed to Europe from the US before too long. I may just bring two fully charged batteries for my 5D3 and call it good. But someone please remind me -- if I wanted to use my (US plug version) Canon battery charger, do I use...

  • A simple plug adaptor (because the charger itself is a form of transformer)

  • A simple plug adaptor + a transformer

Int'l travel is usually just a laptop / iDevice sort of charging proposition for me, and those have in-line transformers, so I've rarely had this come up. Just wanted to make sure I avoid calamity appropriately if I did bring the charger.

Thx,
A

iPhone 7 plus portrait mode: ingenious or rubbish

Since a couple of month the iPhone 7plus is out, and one very special feature is this portrait mode. I got it very early. And had to wait until the release of the portrait mode. It has some ups and downs - and it is still in a beta phase....
My questions:
    • Does it work?
    • How does it perform?
    • [/size]Lets start with some technical considerations.Technically it is a pretty remarkable approach:
    • The photo is shot with the "telephoto-lens of the iPhone
    • The iPhone camera scans which part of the image is where
    • the "portrait subject" remains sharp
    • the other lens is set at shortest distance to deliver a blurred image
    • and than the magic starts: the art of the photo which should be blurred will be mixed according to the information what is before and behind the subject.
    • [/size]Quite ingenious approach. The simulation of a larger sensor with a smaller one.
      null.gif
      But what is the portrait mode like? Well - I took my lens with the nicest bokeh I own on a Full Frame camera. I tried to make the same shot with the iPhone and my Canon EOS 5DMk IV with the Zeiss Milvus 50 mm f1.4 (I know pretty unfair... to some extend...)Above you see the result: Matching this I would say: Well the iPhone ends up with a f5.6-ish aperture... For full frame: pretty slow... But keep in mind... This is full frame... In reality this means - to name it with typical lenses used...:
    • Full frame: f5.6: sorry, but there are -literally no such slow 50mm lenses available for full frame...
    • APS-C: f4.x: You end up with 4.x-ish values: let´s assume a 24-70mm or 24-105mm f4.0 will deliver the same amount of bokeh...
    • µ43 (Olympus, Lumix): f 2.8: In this case you get the same amount of bokeh from the iPhone as if you would own a 12-40mm f2.8 (Oly) or 12-35 f2.8 (Pana)... And this sounds much nicer.

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Canon Continues to Develop Supertelephoto Zoom

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<p>Back in 2016 we had heard a few times that <a href="http://www.canonrumors.com/?s=supertelephoto+zoom">Canon would be introducing a new supertelephoto zoom</a>, something like an EF 200-600mm f/4.5-5.6 IS. This is the type of lens segment that is dominated by Sigma and Tamron, as Canon’s longest “affordable” zoom is the EF 100-400mm f/4.5-5.6L IS II.</p>
<p>Since the start of 2017, all has been quiet in regards to such a lens. Recently we’ve started to hear about the development progress of a new supertelephoto zoom from Canon.</p>
<p>While the lens won’t be coming in 2017, we’re told there’s a good chance it will come in the first half of 2018. We’re also told that Canon seems to have a goal to give any new lens some kind of a unique feature over the competition. What that could be for a supertelephoto zoom is anyones guest, but recent history does show some innovation in the lens department from Canon.</p>
<p>We have seen such <a href="http://www.canonrumors.com/patent-canon-ef-200-600mm-f4-5-5-6-is/">optical formula patents</a> from as far back as 2015, but since the demise of the patent hunter site Egami, we haven’t seen anything more.</p>
<p><em>More to come…</em></p>
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Breakthrough Photography Launches World's First Tempered GND & ND Filters

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<strong>SAN FRANCISCO, CALIFORNIA</strong> – May 1st, 2017 – Breakthrough Photography unveiled a new line of filters which includes the X4 GND and X4 ND Square – the world’s first tempered GND and Square ND filters – which is available for <a href="https://www.kickstarter.com/projects/breakthrough/dark-cpl-and-x4-gnd">pre-order on Kickstarter by clicking here</a>.</p>
<p>The new line of filters consists of six new products: Dark CPL, X4 GND (100mm & 150mm), X4 ND Square (100mm & 150mm) and a 100mm holder called the X100 Holder. Breakthrough Photography also claims the X4 GND and X4 ND Square filters to be the world’s sharpest and most color neutral.</p>
<p><!--more--></p>
<p>“With the professional outdoor photographer in mind, we’re excited to introduce the world’s first tempered glass GND and square ND filter system, available in both 100mm and 150mm formats. We also guarantee these filters to be the world’s sharpest and most color neutral GND and square ND filters.” said founder and photographer Graham Clark.</p>
<p><a href="http://www.canonrumors.com/wp-content/uploads/2017/05/40eee260dd95940cc77aa9f6c9ae78a5_original_grande.jpg"><img class="aligncenter size-full wp-image-29320" src="http://www.canonrumors.com/wp-content/uploads/2017/05/40eee260dd95940cc77aa9f6c9ae78a5_original_grande.jpg" alt="" width="600" height="334" /></a></p>
<h3><strong>Dark CPL</strong></h3>
<p>Breakthrough Photography is introducing a ND and CPL combination filter, which they call a ‘Dark CPL’. “Stacking ND and CPL filters is a common scenario for outdoor photographers. But the primary drawback of doing this is vignetting at 16mm on a full-frame setup. By combining our <a href="http://amzn.to/2pbMg6O">X4 ND</a> and X4 CPL into one filter – which we call a Dark CPL – we’ve eliminated vignetting down to 16mm on a full-frame setup.”</p>
<p>The X4 ND Filter is the highest rated HD on the market, check it out at <a href="http://amzn.to/2pbMg6O">Amazon</a> & <a href="https://bhpho.to/2p8RrDA">B&H Photo</a></p>
<p>The Dark CPL is compatible with the following camera and lens systems: Leica®, Carl Zeiss® lenses, Schneider Xenon®, Canon® Cinema and L lenses, Nikon®, Sony®, Fuji® and others.</p>
<p>Dark CPL thread sizes: 46, 49, 52, 58, 62, 67, 72, 77, 82, 86, 95 and 105mm</p>
<p><a href="http://www.canonrumors.com/wp-content/uploads/2017/05/SS-_2017-05-03_at_11.52.28_PM_large.jpg"><img class="aligncenter size-full wp-image-29321" src="http://www.canonrumors.com/wp-content/uploads/2017/05/SS-_2017-05-03_at_11.52.28_PM_large.jpg" alt="" width="480" height="432" /></a></p>
<p> </p>
<h3><strong>X4 GND</strong></h3>
<p>Singh-Ray’s line of American-made GND filters have been the industry leader for decades, delivering unparalleled color neutrality. Singh-Ray’s use of high quality CR-39 optical resin also provided unparalleled resolving power.</p>
<p>The X4 GND introduces a new era of durability and resolving power by using SCHOTT B270® optical glass, made in Germany, and it’s the world’s first tempered glass GND. The result is an incredibly durable filter glass that doesn’t break even when dropped onto hard surfaces.</p>
<p>“For years I’ve been a happy user of Singh-Ray’s great line of GND filters. I loved the performance, but the durability of resin filters in general is not so great for meeting the demands of outdoor photographers. And then there’s this problem of image quality and distortion once the surface of the resin GND has been scratched or warped.” said Clark. “After we introduced the X4 ND, I made it our number one goal to reinvent the GND. We encountered numerous manufacturing and engineering problems along the way, but we finally did it, and the X4 GND is the result of all that hard work.”</p>
<p><a href="http://www.canonrumors.com/wp-content/uploads/2017/05/SS-_2017-05-03_at_11.54.24_PM_grande.jpg"><img class="aligncenter size-full wp-image-29322" src="http://www.canonrumors.com/wp-content/uploads/2017/05/SS-_2017-05-03_at_11.54.24_PM_grande.jpg" alt="" width="600" height="285" /></a></p>
<p> </p>
<h3><strong>X4 ND Square</strong></h3>
<p>Breakthrough Photography is also introducing a new neutral density filter in 100mm and 150mm square formats, called the X4 ND Square.</p>
<p>“Since the introduction of the X4 ND, photographers have continually asked us if we could make it available in 100mm and 150mm square formats.” said Clark. “We’re excited to announce the X4 ND Square, which shares the same technology as our X4 ND circular filters, making the X4 ND Square the world’s sharpest and most color neutral square ND filter. And like the X4 GND, they’re also tempered.”</p>
<p><a href="http://www.canonrumors.com/wp-content/uploads/2017/05/SS-_2017-05-03_at_11.55.12_PM_grande.jpg"><img class="aligncenter size-full wp-image-29323" src="http://www.canonrumors.com/wp-content/uploads/2017/05/SS-_2017-05-03_at_11.55.12_PM_grande.jpg" alt="" width="600" height="302" /></a></p>
<h3><strong>X100 HOLDER</strong></h3>
<p>Breakthrough Photography is also releasing a new universal 100mm filter holder, called the X100 Holder, which they claim eliminates vignetting down to 16mm on a full-frame setup, and it features an innovative snap-lock mechanism for securely connecting 100mm holders to the camera lens.</p>
<p>X100 Holder Features:</p>
<ul>
<li>No vignetting down to 16mm on a full-frame setup</li>
<li>Innovative Snap-Lock mechanism makes attaching holder quick and secure</li>
<li>One handed operation for attaching and detaching</li>
<li>Traction on exterior of holder makes it easier to grip</li>
<li>CNC machined with aircraft grade alumium provides smooth rotation</li>
<li>Only $49 for X100 Holder, $7 for each adapter ring</li>
</ul>
<p>“A new 100mm filter system just wouldn’t be complete without a great universal holder, and we found a real lack of thoughtfully designed holders on the market, so we decided to try our hand at redesigning the traditional holder. It took well over 50 prototypes to get to the final product.” said Clark. “There were a few features I wanted in a holder that I thought other outdoor photographers might appreciate. The first being the ability to quickly attach/detach with one hand. That led to the second feature, a reliable snap-lock mechanism at the top of the holder, which makes a confident ‘click’ when attaching to the adapter ring. The third was to eliminate vignetting at 16mm on a full-frame setup even with 3 levels installed. I’ve always been disappointed with filter holder and adapter ring prices being so high despite the quality being low, so we decided to go the other way and price our new universal X100 Holder right at only $49, and only $7 for each aluminum adapter ring, $17 for brass. And since it’s universal, it will even work with your existing 100mm filters.”</p>
<p>Each X100 Holder is manufactured from aircraft grade aluminum and features two levels installed, and includes a third level which can be easily installed by the photographer. The front of the X100 Holder also has traction, similar to the traction frame on Breakthrough’s X4 ND filter.</p>
<p><strong>SINGH-RAY AND LEE GND 100% BUYBACK</strong></p>
<p>With the launch of the X100 Filter System, Breakthrough Photography is also starting a new buyback program where they will buy any Singh-Ray or Lee GND filter purchased within the last 15 years from an approved retailer, and provide the photographer with 100% of the value paid on the GNDs in the form of a gift card, which never expires. Valid until May 1st, 2018.</p>
<p><a href="https://breakthrough.photography/pages/100-gnd-buyback-for-singh-ray-and-lee">Click here</a> for more details on the buyback.</p>
<h3><strong>Pricing & Av ailability</strong></h3>
<p>The new filter lineup is available for pre-order on Kickstarter at up to $50 off each filter. Breakthrough Photography has set a projected ship date of July, 2017.</p>
<p>Dark CPL will be available in 3, 6 and 10-stop densities, and will be available in the following thread sizes: 49mm, 52mm, 58mm, 62mm, 67mm, 72mm, 77mm, 82mm, 86mm, 95mm and 105mm.</p>
<p>The X4 GND will be available in the 100x150mm and 150x170mm formats in the following densities:</p>
<ul>
<li>X4 GND 2-stop Soft & Hard: $179 each</li>
<li>X4 GND 3-stop Soft & Hard: $189 each</li>
<li>X4 GND 3-stop Soft & Hard Reverse: $199 each</li>
</ul>
<p>X4 GND in 150x170mm:</p>
<ul>
<li>X4 GND 2-stop Soft & Hard: $239 each</li>
<li>X4 GND 3-stop Soft & Hard: $249 each</li>
<li>X4 GND 3-stop Soft & Hard Reverse: $259 each</li>
</ul>
<p>X4 ND Square will be available in the 100mm and 150mm square formats in the following following densities:</p>
<ul>
<li>X4 ND Square 100mm 1, 2, 3-stop:  $179</li>
<li>X4 ND Square 100mm 4, 5, 6-stop:  $189</li>
<li>X4 ND Square 100mm 7, 8, 9, 10-stop:  $199</li>
<li>X4 ND Square 100mm 15-stop: $229</li>
</ul>
<p>X4 ND in 150mm square:</p>
<ul>
<li>X4 ND 150mm 1, 2, 3-stop: $239 each</li>
<li>X4 ND 150mm 4, 5, 6-stop: $249 each</li>
<li>X4 ND 150mm 7, 8, 9, 10-stop: $259</li>
<li>X4 ND 150mm 15-stop: $279</li>
</ul>
<p>The Universal X100 Filter Holder will be available in 100mm for $49.</p>
<p>X100 Adapter Rings:</p>
<ul>
<li>Aluminum: 49mm, 52mm, 55mm, 58mm, 60mm, 62mm, 67mm, 72mm, 77mm, 82mm and 86mm for $7 each.</li>
</ul>
<ul>
<li>Brass: 49mm, 52mm, 55mm, 58mm, 60mm, 62mm, 67mm, 72mm, 77mm, 82mm and 86mm for $17 each.</li>
</ul>
<p><strong><a href="https://www.kickstarter.com/projects/breakthrough/dark-cpl-and-x4-gnd">Visit Breakthrough Photography</a></strong></p>
<h3><strong>Product Images</strong></h3>

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Canon 600 ex ii rt made in china ????

OK so just took delivery of a new Canon 600 ex rt ii and it says made in China , was under the impression all canons decent gear was made in Japan has that now changed , was purchased from mifsuds as UK stock so expecting its genuine.

If Canon are now using china to make their products then i might have well as bought 3x yongnuos for the same price !

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