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Canon USA Announces Canon Log Feature Upgrade for the EOS 5D Mark IV

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<p>We first reported that the <a href="http://www.canonrumors.com/c-log-coming-to-the-canon-eos-5d-mark-iv/">EOS 5D Mark IV would get a C-Log update last month</a>, and a <a href="http://www.canonrumors.com/crop-factor-change-for-4k-canon-eos-5d-mark-iv-included-in-coming-update-more/">few days later a more indepth upgrade list</a> came from an unknown source. It looks like the detailed firmware specifications list from a “new source” was a nice and detailed hoax. We very rarely get caught but them, but we were this time. As has been the case in the past, if anything is extremely detailed as far as a rumor goes, it’s likely not legitimate.</p>
<p>Apologies if we got people’s hopes up, but everything we post isn’t always 100% correct.</p>
<p><strong>MELVILLE, N.Y., April 20, 2017 –</strong> In a move to help meet the demands of professional filmmakers, Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the availability of a feature upgrade for the EOS 5D Mark IV DSLR camera that will add the ability to record with Canon Log. With this upgrade, the EOS 5D Mark IV can achieve a cinematic look similar to what can be achieved using Cinema EOS cameras, allowing it to serve as a second camera on a Cinema EOS shoot or to stand alone as a cinema camera. Current EOS 5D Mark IV camera owners can have the Canon Log feature upgrade installed for $99 at any of the Canon service centers across the U.S. starting in July. The camera will also be available for sale (body only) with the feature upgrade pre-installed starting in July, with an estimated retail price of $3,599.00<span class="green">*</span>.</p>
<p>Canon Log uses the image sensor’s characteristics in a way that allows for a wide dynamic range, minimal loss of detail in shadows and highlight areas and an increased range of choices when color grading. Color grading options available with Canon Log include optimized color saturation, accurate colors with minor color bias, visual continuity and accurate skin tones.</p>
<p>Canon Log also works with and complements several EOS 5D Mark IV camera features including 4K shooting, Dual Pixel CMOS AF, high speed 119.9p shooting in HD and 59.94p shooting in Full HD. Additional features include Movie Servo AF allowing the camera to focus on a subject even when the shutter button is not used, the ability to register custom shooting modes in Canon Log and movie shooting in Canon Log on a compatible iOS® or Android™ device using the free Canon Camera Connect app<span class="green"><sup>1</sup></span>.</p>
<p>To learn more about the feature upgrade and how to get it installed, please visit <a href="https://www.usa.canon.com/internet/portal/us/home/explore/see-legendary/canon-log" target="article-9160679900">usa.canon.com/canonlog5d4</a>.</p>
<p>The EOS 5D Mark IV camera with Canon Log will be shown at the NAB show in Las Vegas, NV, April 24-27, in the Canon U.S.A., Inc. Booth #C4325 in the Central Hall of the LVCC. Follow Canon throughout the show on Instagram at @CanonUSA and Twitter at @CanonUSApro.</p>
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Help me blow my money on lenses!

That's right folks...I'd like to spend money that I don't have.

I have a 6D and I'm looking to get a nice range of lenses to cover my bases. I've currently got the 24-105L f/4 lens, a nifty fifty (50mm 1.8), and a Rokinon 14mm f/2.8. I'd like to get (or at least plan out) a lens purchase that will work for me over a wide range.

Most of what I shoot is landscapes, concert shots (so usually in darker/low light areas), rocket launches and night/astrophotography. Here is what I was thinking of:

24-70mm f/2.8 (was thinking the Canon II version, although I'm eagerly awaiting to see how the new Sigma version costs/gets reviewed first)
70-200mm f/2.8 (Canon II version)
Either the Canon fisheye 8-15mm, or the new Sigma 14mm f/1.8 (again, depends on how that reviews once it's out).

I'd keep my nifty fifty, and (assuming I get the 14mm f/1.8) I could sell my Rokinon version. The question would be, should I sell my 24-105 lens?

Any thoughts? I'm pretty open to any suggestions as to what a good arsenal might be.

Images of the CN-E 70-200mm T4.4 Leak Out Ahead of Tomorrow's Announcement

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<p>Images for the Canon CN-E 70-200mm T4.4 have leaked out ahead of tomorrows announcement.</p>

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85 1.8 + 200, Tamron 85 1.8 + 200 or Canon 135?

I'm going through my periodic agonizing of trying to minimize my gear/maximize my greatness.
For indoor stage performances I've been using the Canon 85 1.8 and 200 2.8. The Canon 85 is GREAT outdoors and for portraits inside and out, but when there's brass instruments and indoor lighting (like with my son's jazz band) the purple can get way out of control. Lightroom helps, but I'd rather not have it in the first place.
So what of (on a Canon 70D) swapping out my Canon 85 1.8 for the new one from Tamron (or even waiting to see what Canon comes up with) or swapping out both lenses for a Canon 135 2.0? 135 wouldn't be a perfect focal length all the time, but would allow a lower ISO and be one less lens to mess with. I also use these outdoors which is where I think the 135 would actually be better (running events, etc.).
Thanks for your insight.

:-*

Off Brand: Sony Announces FE 100-400mm F4.5–5.6 GM OSS Super Telephoto Zoom Lens

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<p><em>New FE 100-400mm F4.5–5.6 GM OSS Super Telephoto Zoom Lens Features Outstanding Sharpness, Fast AF, Compact Design and more</em></p>
<p><strong>NEW YORK, Apr. 19, 2017 – </strong>Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced their furthest reaching E-mount lens, the FE 100-400mm F4.5–5.6 GM OSS Super Telephoto Zoom (model SEL100400GM).</p>
<p>The new full-frame lens maintains the high standard of resolution that is shared among all of Sony’s flagship line of G Master™ series, while also offering incredibly fast, precise AF capabilities, a lightweight, portable design and a variety of professional functions and customizability. It’s an exceptionally powerful photographic tool for a variety of enthusiast and professional shooters, in particular those that are commonly shooting sports or wildlife.</p>
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<p><strong>Uncompromised G Master Design and Performance</strong></p>
<p>A super telephoto zoom that meets the intense build requirements of Sony’s acclaimed G Master series lens lineup, the new FE 100-400mm GM model produces outstanding corner-to-corner sharpness throughout the lens’ zoom and focus ranges and beautiful rendered ‘bokeh’ or background defocus, ensuring the finest details are brought out in every subject and scene.</p>
<p>The complex design features 22 lens elements configured in 16 different groups, including one Super ED (Extra-low Dispersion) and two ED glass elements, all of which are working together to minimize chromatic aberration and ensure the ultimate resolution is captured. The lens also has Sony’s original Nano AR coating, which is particularly useful for shooting sports scenes or wildlife, as it reduces unwanted reflections.</p>
<p><strong>Precise, Quick AF Performance</strong></p>
<p>In order to keep up with fast-moving action, the new FE 100-400mm GM super telephoto zoom lens features a combination of double linear motor and a Direct Drive SSM actuator, which also ensures precise, quiet operation.</p>
<p>The double motor system allows rapid focus lens drive acceleration to capture the sudden motion that is common with sports and wildlife photography, while high precision positioning control and a newly optimized AF algorithm ensure the subject is quickly found and focused on. This ensures that the maximum AF performance of a camera like the new α9 is realized.</p>
<p><strong>Lightweight Design, Extensive Customizability</strong></p>
<p>In order to satisfy the extensive demands of customers craving lighter, smaller and more portable super telephoto lenses, the new FE 100-400mm GM weighs in at a mere 49.3 ounces (1,395 grams), making it among the lightest in its class and an ideal fit for Sony’s wide range of compactly designed cameras.</p>
<p>Functionally, the lens has a zoom torque adjustment ring – a first for Sony α – allowing the user to adjust the level of torque in the ring to zoom faster or slower depending on their shooting style. There is also a focus hold button that can also be assigned to variety of functions including focus mode selection, AF area selection or the popular Eye AF lock feature.</p>
<p>The telephoto zoom lens is dust and moisture resistant as well<sup>1</sup>, and has fluorine coating on the front lens that makes it easier to remove dust or grease. There is also a removable tripod mount.</p>
<p><strong>Professional Operation and Reliability</strong></p>
<p>The new FE 100-400mm GM Super Telephoto Zoom lens features built-in optical image stabilization, ensuring that sharp images can be captured during handheld shooting. It also offers a minimum focusing range of just 3.22 feet (0.98 meters), which maximizes its versatility in the field, and a 9 bladed circular aperture design that produces soft, beautiful bokeh.</p>
<p>The FE 100-400mm GM is compatible with both the 1.4x (model SEL14TC) and 2.0x (model SEL20TC) teleconverters, allowing photographers and videographers to shoot at up to 800mm on full-frame cameras and approx.1200mm (35mm full-frame equivalent) on APS-C cameras.</p>
<p><strong>Pricing and Availability</strong></p>
<p>The new FE 100-400mm GM Super Telephoto Zoom Lens ship this July for about $2,500 US and $3,399 CA.</p>
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Off Brand: Sony Announces the A9

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<em>Groundbreaking Full-frame Mirrorless Camera Delivers Unmatched Speed, Versatility and Usability</em></p>
<ul>
<li><em>World’s First<span class="green"><sup>1</sup></span> full-frame stacked CMOS sensor, 24.2 MP<span class="green"><sup>2 </sup></span>resolution</em></li>
<li><em>Blackout-Free Continuous Shooting</em><span class="green"><em><sup>3</sup></em></span><em> at up to 20fp</em><em>s<span class="green"><sup>4</sup></span></em><em> for up to 241 RAW</em><span class="green"><em><sup>5</sup></em></span><em>/ 362 JPEG</em><span class="green"><em><sup>6</sup></em></span><em> images</em></li>
<li><em>Silent</em><span class="green"><em><sup>7</sup></em></span><em>, Vibration-free shooting at speeds up to 1/32,000 sec</em><span class="green"><em><sup>8</sup></em></span></li>
<li><em>693 point focal plane phase detection AF points with 60 AF/AE tracking calculations per second</em></li>
<li><em>Extensive professional features including Ethernet port for file transfer, Dual SD card slots and extended battery life</em></li>
<li><em>5-Axis in-body image stabilization with a 5.0 step</em><span class="green"><em><sup>9 </sup></em></span><em>shutter speed advantage</em></li>
</ul>
<p><strong>NEW YORK, Apr. 19, 2017 – </strong>Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced their new revolutionary digital camera, the α9 (model ILCE-9).</p>
<p>The most technologically advanced, innovative digital camera that Sony has ever created, the new α9 offers a level of imaging performance that is simply unmatched by any camera ever created – mirrorless, SLR or otherwise.</p>
<p>The new camera offers many impressive capabilities that are simply not possible with a modern digital SLR camera including high-speed, blackout-free continuous shooting<span class="green"><em><sup>3</sup></em></span> at up to 20fps<span class="green"><em><sup>4</sup></em></span>, 60 AF/AE tracking calculations per second<span class="green"><em><sup> 10</sup></em></span>, a maximum shutter speed of up to 1/32,000 second<span class="green"><em><sup>8</sup></em></span> and much more. These are made possible thanks to its 35mm full-frame stacked Exmor RS™ CMOS sensor – the world’s first of its kind – which enables data speed processing at up to 20x faster than previous Sony full-frame mirrorless cameras<span class="green"><em><sup>11</sup></em></span>. This unique sensor is paired with a brand new, upgraded BIONZ X processing engine and front end LSI that maximizes overall performance.</p>
<p>This industry-leading speed and innovative silent shooting<span class="green"><em><sup>7</sup></em></span> is combined with a focusing system that features an incredible 693 phase detection AF points. Covering approximately 93% of the frame, the focusing system ensures that even the fasting moving subjects are reliably captured and tracked across the frame.</p>
<p>The new α9 also features a vibration free, fully electronic, completely silent anti-distortion shutter<span class="green"><em><sup>7</sup></em></span> with absolutely no mechanical mirror or shutter noise, making it an extremely powerful photographic tool for any shooting situation that demands quiet operation. To ensure maximum usability and reliability, the camera features a new Z battery with approximately 2.2x the capacity of W batteries, as well as dual SD media card slots, including one that supports UHS-II cards. An Ethernet port (wired LAN terminal) is available as well, and there is a wide variety of new settings, controls and customizability options that are essential for working pros.</p>
<p>“This camera breaks through all barriers and limitations of today’s professional digital cameras, with an overall feature set that simply cannot be matched considering the restrictions of mechanical SLR cameras” said Neal Manowitz, Vice President of Digital Imaging at Sony Electronics. “But what excites us most about the α9 – more than its extensive product specs – is that it allows professionals to see, follow and capture the action in ways that were never before possible, unlocking an endless amount of new creative potential.”</p>
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<p><strong>A New Standard of Speed and Focusing Accuracy</strong></p>
<p>Critical to the record-breaking speed of the new α9 is the combination of the new stacked 24.2 MP<span class="green"><em><sup>2</sup></em></span> Exmor RS image sensor, new BIONZ X processor and front end LSI.</p>
<p>The immense processing power from these new components allows for faster AF/AE calculation while also reducing EVF display latency. The processor and front end LSI are also responsible for the larger continuous shooting buffer, enabling photographers to shoot at a blazing 20 fps<span class="green"><em><sup>4</sup></em></span> with continuous AF/AE tracking for up to 362 JPEG<span class="green"><em><sup>6</sup></em></span> or 241 RAW<span class="green"><em><sup>5</sup></em></span> images.</p>
<p>The camera’s innovative AF system tracks complex, erratic motion with higher accuracy than ever before, with the ability to calculate AF/AE at up to 60 times per second<span class="green"><em><sup>10</sup></em></span>, regardless of shutter release and frame capture. Further, when the shutter is released while shooting stills, the electronic viewfinder functions with absolutely no blackout, giving the user a seamless live view of their subject at all times<span class="green"><em><sup> 12</sup></em></span>. This feature truly combines all of the benefits of an electronic viewfinder with the immediacy and “in the moment” advantages that not even the finest optical viewfinders can match, and is available in all still image modes including high speed 20 fps<span class="green"><em><sup>4</sup></em></span> continuous shooting.</p>
<p>With 693 focal plane phase detection AF points covering approximately 93% of the frame, the camera ensures improved precision and unfailing focus in scenes where focus might otherwise be difficult to achieve. The Fast Hybrid AF system – pairing the speed and excellent tracking performance of phase detection AF with the precision of contrast AF – achieves approximately 25% faster performance when compared with α7R II, ensuring all fast-moving subjects are captured.</p>
<p><strong>Professional Capabilities in a Compact Body</strong></p>
<p>Sony’s new full-frame camera is equipped with a variety of enhanced capabilities that give it a true professional operational style.</p>
<p>The α9 features an all-new, high-resolution, high-luminance Quad-VGA OLED Tru-Finder with approximately 3,686k dots for extremely accurate, true-to-life detail reproduction. The new Tru-Finder, which is the highest resolution viewfinder ever for a Sony α camera, incorporates an optical design that includes a double-sided aspherical element, helping it to achieve 0.78x magnification and a level of corner to corner sharpness that is simply outstanding. The EVF also utilizes a ZEISS® T* Coating to greatly reduce reflections, and has a fluorine coating on the outer lens that repels dirt.</p>
<p>This all adds up to a luminance that is 2x higher than the XGA OLED Tru-Finder from the α7R II, creating a viewfinder image with a brightness level that is nearly identical to the actual scene being framed, ensuring the most natural shooting experience. The frame rate of the Tru-Finder is even customizable, with options to set it for 60 fps or 120 fps<span class="green"><em><sup>13 </sup></em></span>to best match the action.</p>
<p>The α9 is equipped with an innovative 5-axis image stabilization system that provides a shutter speed advantage of 5.0 steps<span class="green"><em><sup> 9</sup></em></span>, ensuring the full resolving power of the new sensor can be realized, even in challenging lighting. Also, with a simple half press of the shutter button, the effect of the image stabilization can be monitored in the viewfinder or on the LCD screen, allowing framing and focus to be accurately checked and continually monitored.</p>
<p>The α9 also offers an Ethernet port (wired LAN terminal), allowing convenient transfer of still image files to a specified FTP server at high-speed, making it an ideal choice for studio photography, high-profile news and sporting events and more. There is a sync terminal as well, enabling external flash units and cables to be connected directly for convenient flash sync.</p>
<p><strong>New Features for Fast Operation</strong></p>
<p>Sony’s new α9 has several new and updated focus functions that support faster, easier focusing in a variety of situations. The camera features a multi-selector joystick on the back of the camera, allowing shooters to easily shift focus point within the frame by pressing the multi-selector in any direction up, down, left or right when shooting in Zone, Flexible Spot or Expanded Flexible Spot focus area modes. The new model also offers touch focusing on the rear LCD screen for easily selecting of and shifting focus towards a desired focus point or subject.</p>
<p>New for Sony E-mount cameras, the α9 includes the addition of separate drive mode and focus mode dials, plus a new “AF ON” button that can be pressed to activate autofocus directly when shooting still images or movies.</p>
<p>Additional new capabilities include the “AF Area Registration”, which allows frequently used focus area to be memorized and recalled via custom button assignments. There is also the ability to assign specific settings (exposure, shutter speed, drive mode, etc) to a custom button to be instantly recalled when needed. The camera can memorize and automatically recall the last focus point used in a vertical or horizontal orientation as well, instantly switching back to it when that specific orientation is used again.</p>
<p>For enhanced customization, a “My Menu” feature is available, allowing up to 30 menu items to be registered in a custom menu for instant recall when needed.</p>
<p><strong>Double Battery Life, Double Memory</strong></p>
<p>The innovative α9 camera features an all-new Sony battery (model NP-FZ100) with 2.2x the capacity of previous Sony full-frame models, allowing for much longer shooting performance.</p>
<p>Also, based on extensive customer feedback, the new camera offers two separate media card slots, including one for UHS-II media. The same data can simultaneously be recorded to both cards, or the user can choose to separate RAW / JPEG or still images / movies. Movies can also simultaneously be recorded to two cards for backup and more efficient data management.</p>
<p><strong>High Sensitivity and Wide Dynamic Range</strong></p>
<p>The unique design of the α9 image sensor represents the pinnacle of Sony device technology. The 24.2 MP<span class="green"><em><sup> 2</sup></em> </span>full-frame stacked CMOS sensor is back-illuminated, allowing to capture maximum light and produce outstanding, true-to-life image quality. The sensor also enables the diverse ISO range of 100 – 51200, expandable to 50 – 204800<span class="green"><em><sup>14</sup></em></span>, ensuring optimum image quality with minimum noise at all settings.</p>
<p>The enhanced BIONZ X processor plays a large part in image quality as well, as it helps to minimize noise in the higher sensitivity range while also reducing the need to limit ISO sensitivity in situations where the highest quality image is required.</p>
<p>The new α9 also supports uncompressed 14-bit RAW, ensuring users can get the most out of the wide dynamic range of the sensor.</p>
<p><strong>4K Video Capture</strong></p>
<p>The new α9 is very capable as a video camera as well, as it offers 4K (3840x2160p) video recording across the full width of the full-frame image sensor<span class="green"><em><sup>15, 16</sup></em></span>. When shooting in this format, the camera uses full pixel readout without pixel binning to collect 6K of information, oversampling it to produce high quality 4K footage with exceptional detail and depth. Recording is also available in the popular Super 35mm size.</p>
<p>Additionally, the camera can record Full HD at 120 fps at up to 100 Mbps, which allows footage to be reviewed and eventually edited into 4x or 5x slow motion video files in Full HD resolution with AF tracking<span class="green"><em><sup>17</sup></em></span>.</p>
<p><strong>New Accessories</strong></p>
<p>Sony has released a variety of new accessories to compliment the new α9 camera, including:</p>
<ul>
<li><strong><em>NP-FZ100 Rechargeable Battery – </em></strong>high-capacity battery with approximately 2.2x the capacity of the NP-FW50 W-series battery. It also supports InfoLITHIUM® technology, making it possible to view the remaining battery power as both a percentage display and five step icon on the camera’s LCD screen.</li>
<li><strong><em>VG-C3EM Vertical Grip</em></strong> – provides same operation, handling and design as theα9 camera, doubles battery life and allows USB battery-charging via the camera body.</li>
<li><strong><em>NPA-MQZ1K Multi-Battery Adaptor Kit</em></strong> – External multi-battery adaptor kit capable of functioning as an external power supply for four Z series batteries and as a quick charger. Kit comes with two packs of NP-FZ100 rechargeable batteries.</li>
<li><strong><em>GP-X1EM Grip Extension</em></strong> – Grip extender with same look, feel and design as α9 body. Enables more solid hold on camera.</li>
<li><strong><em>FDA-EP18 Eyepiece Cup</em></strong> –eye piece cup with locking mechanism</li>
<li><strong><em>BC-QZ1 Battery Charger</em></strong> –quick-charging battery charger. Charges one new Z series battery in approximately 2.5 hours.</li>
<li><strong><em>PCK</em></strong>–<strong><em>LG1 Screen Protect Glass Sheet – </em></strong>hard, shatterproof glass screen protector with anti-stain coating to prevent fingerprints. Compatible with touch operation and tilting LCD screen</li>
</ul>
<p><strong>Pricing and Availability</strong></p>
<p>The Sony α9 Full-frame Interchangeable Lens Camera will ship this May for about $4,500 US and $6,000 CA. It will be sold at a variety of Sony authorized dealers throughout North America.</p>

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Review: Canon EOS 77D by DPReview

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<p>DPReview has completed their review of the Canon EOS 77D, a DSLR that has confused some people in the Canon world as to why it exists. While it is a rebadged “Rebel T7s”, it does seem to offer enough to make it a worthwhile option at this price point.</p>
<p><strong>From DPReview:</strong></p>
<blockquote><p>Many newly released cameras are aiming ever further up-market. Part of this comes down to that market shrinking, but also, cameras have broadly become so good in recent years that there isn’t much room for more than two tiers of so-called ‘entry-level’ Rebels. Perhaps that’s what Canon was thinking, because for a camera that’s this capable and well-rounded, it would seem a disservice to bestow upon it a moniker that’s synonymous with the company’s more basic and pedestrian of interchangeable lens cameras.</p>
<p>The Canon EOS 77D is a well-rounded and well-sorted camera. The ergonomics are great, Live View performance is superb and Dual Pixel Autofocus continues to impress. The viewfinder is a little on the small side and it still doesn’t shoot 4K video, but as an all-around package for the enthusiast photographer, the EOS 77D deserves a look. <a href="https://www.dpreview.com/reviews/canon-eos-77d-review">Read the full review</a></p></blockquote>
<p><strong><a href="https://bhpho.to/2njzwcz">The Canon EOS 77D is available at B&H Photo</a></strong></p>
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Sigma To Announces Two New Cinema Lenses for NAB

HTML:
Sigma is going to be adding two new lenses to the cinema lineup for NAB next week, both lenses will be primes in the form of a 14mm T2 and a 135mm t2.</p>
<p><strong>New Sigma Cinema Lenses:</strong></p>
<ul>
<li>Sigma 14mm T2</li>
<li>Sigma 135mm T2</li>
</ul>
<p><strong>Current Sigma Cinema Lenses:</strong></p>
<ul>
<li>Sigma 18-35mm T2</li>
<li>Sigma 50-100mm T2</li>
<li>Sigma 24-35mm T2.2 FF</li>
<li>Sigma 20mm T1.5 FF</li>
<li>Sigma 24mm T1.5 FF</li>
<li>Sigma 35mm T1.5 FF</li>
<li>Sigma 50mm T1.5 FF</li>
<li>Sigma 85mm T1.5 FF</li>
</ul>
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Canon Celebrates 23rd Straight Year of TIPA Awards

HTML:
<strong>TOKYO, April 19, 2017</strong>—Two Canon cameras and one Canon lens have been recognized with “Best Photo and Imaging Product” awards by the Technical Image Press Association (TIPA), representing 30 photo and imaging magazines from 15 countries across five continents. The three award winners are: the EOS 5D Mark IV digital SLR (DSLR) camera for advanced-amateur users, EF 24-105mm f/4L IS II USM standard zoom lens for advanced-amateur users and the XC15 professional 4K video camcorder. These Canon products were highly rated for meeting the diverse still shooting and video production needs of professional and advanced-amateur users.</p>
<p><!--more--></p>
<p><a href="http://www.canonrumors.com/wp-content/uploads/2017/04/tipa2017.jpg"><img class="aligncenter size-large wp-image-29130" src="http://www.canonrumors.com/wp-content/uploads/2017/04/tipa2017-728x646.jpg" alt="" width="728" height="646" srcset="http://www.canonrumors.com/wp-content/uploads/2017/04/tipa2017.jpg 728w, http://www.canonrumors.com/wp-content/uploads/2017/04/tipa2017-648x575.jpg 648w, http://www.canonrumors.com/wp-content/uploads/2017/04/tipa2017-610x541.jpg 610w" sizes="(max-width: 728px) 100vw, 728px" /></a></p>
<p><strong>Best Full-Frame DSLR Expert: <a href="https://bhpho.to/2oUG8Te">Canon EOS 5D Mark IV</a></strong></p>
<p>Selected for this year’s “Best Full-Frame DSLR Expert” award, Canon’s EOS 5D Mark IV DSLR offers impressive specifications. Equipped with an approximately 30.4 megapixel 35 mm full-frame Canon CMOS sensor and DIGIC 6+ image processor, the camera achieves a standard ISO sensitivity range of 100-32000 (expandable to ISO50-102400 equivalent), 7 frames-per-second (fps) continuous shooting of still images and 4K video capture at 30 fps, as well as full-HD video capture at 60 fps and HD 120 fps capture suitable for slow-motion video. Thanks to Dual Pixel CMOS AF, the camera achieves superlative high-speed AF tracking when shooting video and stills in live-view mode. The Canon EOS 5D Mark IV is equipped with 61 point high-density reticular AF II, achieving an expanded longitudinal focus area, with a maximum of 41 cross-type focus points of the total 61. Additionally, it features an approximately 150,000 pixel RGB+IR metering sensor. The camera also features a 4K frame capture function, which users can extract selected frames from recorded 4K video as approximately 8.8-megapixel JPEG still images, as well as built-in Wi-Fi, NFC and GPS functionality.</p>
<p><strong>Best DSLR Standard Zoom Lens: <a href="https://bhpho.to/2omsLrx">Canon EF 24-105mm f/4L IS II USM</a></strong></p>
<p>Named “Best DSLR Standard Zoom Lens,” the EF 24-105 f/4L IS II USM employs a new optical design that incorporates 17 elements in 12 groups, including four glass-molded aspherical elements—one of which features two aspherical surfaces. This standard zoom lens achieves improved peripheral light intake to achieve high image quality across the entire image field. The lens features image stabilization to the effect of 4 shutter speed stops and a circular 10-blade aperture that produces exquisite circular bokeh. Equipped with such features as inner focusing, a Ring USM (Ultrasonic Motor) and a high-speed CPU, and sporting an optimized AF algorithm, the EF 24-105mm f/4L IS II USM achieves highly responsive autofocusing. The lens also employs a special Air Sphere Coating (ASC), which reduces the occurrences of flaring and ghosting.</p>
<p><strong>Best Camcorder: <a href="https://bhpho.to/2oUJ2XO">Canon XC15</a></strong></p>
<p>Crowned “Best Camcorder,” the XC15 features a compact, lightweight body design and makes possible cost-effective 4K UHD and HD shooting, making it ideal for on-location journalism and video production. The camera facilitates shooting in confined spaces and environments that demand mobility and features the same selection of visual-expression “Look” modes as the EOS C300 Mark II, making it ideal for use as a sub-camera. The XC15 is equipped with a high-sensitivity 1-inch CMOS sensor with individual pixels that feature large light-capturing areas, a touch panel that enables intuitive controls, and a 10x optical zoom lens—27.3 mm at the wide end to 273 mm at the telephoto end when shooting video. The camera features faster autofocus through an orientation-determination algorithm, and enables excellent anti-shake performance afforded by an optical IS system and an electronic IS system with 3 modes to choose from. What’s more, the camera’s separate focus and zoom rings offer a high level operability.</p>
<p>Held every year since 1991, the TIPA Awards recognize the best photo and imaging products announced during the previous 12 months based on such criteria as innovativeness, use of leading-edge technologies, design and ease-of-use. In 1992, Canon took home its first TIPA accolade for the EOS 100 SLR camera and, over 25 separate occasions since then, has been honored with TIPA awards for a total of 81 products and technologies*.</p>
<ul class="notice noticeList1">
<li><span class="marker">*</span>Includes the EOS D2000, jointly developed with Eastman Kodak, winner of the 1998-1999 TIPA Best Pro Digital Camera award.</li>
</ul>
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Interview with Sony ILC chief

From DPR:
https://www.dpreview.com/interviews/4571668362/sony-interview-our-focus-is-to-increase-the-overall-market

A few interesting tidbits:

  • They feel they need a more durable camera for wedding/event photogs.

  • Both the Sony heads and DPR (see the caption below the baby shot) hyped the upside of a company that develop both the camera and sensor in-house. Like it's a new concept. ::)

  • Speed (in general) has increased of late, so they will start to court sports and photojournalism folks soon. [Whether they were referring to the fabled A9 or just an upcoming third-gen of the A7 line remains to be seen.]

  • They are 'paying close attention to' 8K and Light Field. They stated LF costs 5 pixels per LF pixel, so it wrecks the attainable resolution.

  • DPR still has a crush on all companies that don't rhyme with Bannon. They literally opened a question with: "One thing Sony can't be blamed for is a lack of caring when it comes to quality." ::)

  • They openly benchmark against other companies' product (as all surely do), but their tone was somewhat refreshing: "We learn from other companies. We must, because we are still beginners."

It's a brief but interesting read from the madmen churning out these A7 rigs.

- A

Report: Sony's Entire Truck of Gear Stolen on the Way to NAB

HTML:
We’re hearing reports from a solid source that a truck carrying all of Sony’s NAB gear was stolen on the way to Las Vegas for the show, which takes place next week. Additionally, we’re told Sony had some third party manufacturers gear on the truck which was to be used alongside Sony’s gear in their booth.</p>
<p>We have reached out to Sony for comment, but haven’t heard back as of yet.</p>
<p><em>More to come as we hear more…</em></p>
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1dx II delivers on jpeg quality

One of the reasons I splurged on the 1dx ii was that Canon claimed that they worked on the quality of the jpegs it delivers. And yes, yes, they did, oh, my did they ever.

Check this out:

http://mcvoy.com/lm/2017-carrizo-plain/23.html

nothing special, right? Now go look at the original size off the camera:

http://mcvoy.com/lm/2017-carrizo-plain/2017-04-15-10.08.41.jpg

That is straight off the camera jpeg, the lens is the 24-105, not held up as the best lens ever,
but look at the detail in that picture. It's insanely good. In my opinion. As a jpeg shooter I
could not be more happy. I love my 5DIII but the 1DXII is pretty darn good.

Infographic: The Gadgets Being Killed off by Smartphones

HTML:
<p><a href="http://www.canonrumors.com/wp-content/uploads/2017/04/cellphonekiller0304.jpg"><img class="aligncenter wp-image-29110" src="http://www.canonrumors.com/wp-content/uploads/2017/04/cellphonekiller0304-73x1024.jpg" alt="" width="728" height="10159" srcset="http://www.canonrumors.com/wp-content/uploads/2017/04/cellphonekiller0304-768x10717.jpg 768w, http://www.canonrumors.com/wp-content/uploads/2017/04/cellphonekiller0304-610x8513.jpg 610w, http://www.canonrumors.com/wp-content/uploads/2017/04/cellphonekiller0304.jpg 800w" sizes="(max-width: 728px) 100vw, 728px" /></a></p>
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Manual Focus Micro Adjustment

i have been using Zeiss lenses on the 5DSR and was frustrated by trying to use the green focus confirm light in the lower right corner...too hard to watch and not very sensitive. I then discovered that when you are using "auto focus point expansion", that the outer 4 (or 8) focus pts will blink out when in focus. The long focus throw of Zeiss lenses helps because that blinking out is very sensitive. When in focus these points go out but either direction past focus they reappear.

I noticed that on the 100 MP that focus was not perfect and then went to the afma settings to see if I could do that. You can actually record an adjustment for these lenses and also record their serial number. I almost always use my camera hand-held so this really has made a difference. I did what I guess is a "manual focus micro adjustment" for all 4 of my Zeiss lenses.

I think this should work for any manual focus lens if the camera reads exif data.

Sony Overtakes #2 Position in U.S. Full-Frame Interchangeable Lens Camera Market

HTML:
<em>Record Sales from Sony Driving Growth in Overall Full-Frame Market</em></p>
<p><strong>SAN DIEGO, <span data-term="goog_1593236201">April 14, 2017</span></strong> – Sony Electronics – a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has announced today that their continued growth has vaulted them into the #2 overall position in the U.S. full-frame interchangeable lens camera market. <sup>1</sup></p>
<p>Sony’s interchangeable lens cameras and lenses have seen record sales in 2017, in particular within the U.S. full-frame camera market, where they have experienced double-digit growth (+23%)<sup> 2</sup> compared to the same period last year.  The popularity of key models including α7RII and α7SII has been paramount to this success.</p>
<p>Additionally, Sony’s rapid growth has helped to drive growth of the overall full-frame interchangeable lens camera market compared to the same period last year.  Without Sony’s contributions, the full-frame market would be facing a slight decline. <sup>3</sup></p>
<p><a href="http://www.canonrumors.com/wp-content/uploads/2017/04/unnamed.jpg"><img class="aligncenter size-full wp-image-29107" src="http://www.canonrumors.com/wp-content/uploads/2017/04/unnamed.jpg" alt="" width="624" height="400" srcset="http://www.canonrumors.com/wp-content/uploads/2017/04/unnamed.jpg 624w, http://www.canonrumors.com/wp-content/uploads/2017/04/unnamed-610x391.jpg 610w" sizes="(max-width: 624px) 100vw, 624px" /></a></p>
<p>“Our commitment to the industry is stronger than ever,” said Neal Manowitz, VP of Digital Imaging at Sony North America. “We are always listening to our customers, combining their feedback with our intense passion for innovation to deliver products, services and support like no other.”</p>
<p>A variety of exclusive stories and exciting content shot Sony α products can be found at <a href="http://www.alphauniverse.com/" data-saferedirecturl="https://www.google.com/url?hl=en&q=http://www.alphauniverse.com&source=gmail&ust=1492291096462000&usg=AFQjCNFwXHuwQlPQc9TH5E6RikRCoqTo8w">www.alphauniverse.com</a> , Sony’s community site built to educate, inspire and showcase all fans and customers of the Sony α brand.</p>
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Sony now #2 in FF camera sales in US

Move over Nikon, Sony is fired up for FF in the US:
http://finance.yahoo.com/news/sony-overtakes-2-position-u-130000620.html

Best I can tell from limited information, this claim is:
  • US only
  • Based on dollars (not units)
  • Reflects FF ILCs only -- so lenses, accessories and fixed lens FF cameras (as tiny as that market is) would not be included

- A

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