More Cinema EOS C300 Mark III Information [CR0]

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<p><em>*<strong>UPDATE*</strong> We’re going to downgrade this set of EOS C300 Mark III rumors to <a href="http://www.canonrumors.com/the-canon-rumors-rating-system-explained/">[CR0]</a> after getting some confirmation from someone we trust.</em></p>
<p>Earlier in the week <a href="http://www.canonrumors.com/canon-cinema-eos-c300-mark-iii-coming-in-the-spring-cr1/">we posted some information about the Canon EOS C300 Mark III</a> that came from unknown places. Yesterday we received more information from the same place. It’s starting to feel like we may be getting trolled.</p>

<p>Anyway, here’s what else we’ve been told is coming in the new camera.</p>
<ul>
<li>4K Internal 4:4:4</li>
<li>6K RAW</li>
<li>Priced above $20,000</li>
<li>Newly designed shoulder mount.</li>
</ul>
<p>Over the years I’ve learned that if a specification list doesn’t feel like it’s something Canon would do, it’s because Canon isn’t going to be doing it. This feels like one of those times.</p>
<p>Take all of this with a huge grain of salt.</p>
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My pet P. audax after molting - big surprise!

So today has been a rollercoaster of a day for me as an arachno-parent. I'll start by saying that I found a P. audax not too long ago hanging out on my mailbox, while it was nearing freezing temps. Feeling bad for the spider, I figured I could give her a warm home through the winter and then release her in the spring. She had all the hallmarks of a female- large abdomen, small palps, correct color pattern, etc. She basically exemplified the female gestalt for P. audax.

Fast forward to a week ago, she had started to make a large web hammock and was spending a LOT of time in it. Not coming out for water or food, and it seemed like a bad sign to me. I read that females would do similar behavior when they were preparing an egg sac, but shining a light into the hammock only outlined her- no other objects in there.

Being frustrated, and scared as to why she wasn't eating, I coaxed her out this afternoon for a photoshoot. She was very keen to play on an aloe plant in the house, so I let her have her fun. She seemed to be in good spirits and lively, so I figured that everything must be alright.

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After having her out and playing with her, I figured that I was in the clear to name her (I didn't want to get too attached and then she just die). I'm a big mythology fan, so I searched around for a good name for her. The deity Anansi stood out to me because he was a "trickster". I thought this was fitting of my spider, so I feminized the name to "Nancy". So now my beautiful spider had a name... great! Again, as soon as I returned her to her enclosure Nancy went straight to her hammock.

When I came home from dinner something strange was laying on the bottom of the enclosure...

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It was a cap, and it was Nancy's! She had molted while I was at dinner! I hurriedly got a pair of tweezers and retrieved the molt debris, and soon located Nancy in the upper corner of her enclosure.

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Nancy looked... buff... though. Her front legs were much longer, her abdomen had become much more svelte, and she had quite the pair of palps on her. The coloration on her was all wrong. Instead of coming out more vibrant she was pretty much all black and white save for a few patches of color on her chelicerae and abdomen. There was white on her palps... and that was not right.

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(Crop of the head, still has liquid from the molt on its eyes)
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Then it hit me - Nancy is a male P. audax. All this time when I thought she was making an egg sac, HE was just trying to molt.

Ah well, HE is pretty badass. I'm calling him Mr. Nancy :lol: This has also taught me that sexing spiderlings and juveniles isn't as cut and dry as I thought. Learning something new every day!

Zoo Pics 4

Thread 3 is now eleven pages long, so I am starting a new thread 4. This is for photos taken in any captive facility. It could be a traditional zoo or a wildlife park or an aquarium or a living museum or similar. Animals are the obvious subjects, but if you get a nice shot of a zoo building or garden feel free to post it.

I will start off with a very recent shot from Heritage Park Zoo in Prescott, USA. It is a six or seven month old Canada lynx.

Canon 5D4 and 70-200 f2.8L (original non-IS), handheld. Since my version of PS Elements does not recognize RAW files from my new 5D4, I converted to a DNG first and then edited with Elements.

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B&H Canadian Shipping “Fast & Easy” Customs Problems

As a Canadian placing an order with B&H, at checkout they give the option to pre-pay taxes and duty, which sounds great, so it’s the option I’ve chosen for the last few years.

But this week a package came in from B&H with a lens and it has $90 tax and duty, and I already paid $44 USD for “Tax and Duty”.
Now that I think about it, I also paid tax and duty twice on the previous order as well.
When they started advertising “free shipping” to Canada a few years ago I thought it was great, but it looks like the “Fast & Easy” button has effectively scammed me into paying even more for shipping than I did before!

Does anyone else have experience with B&H shipping to Canada?

Am I just unlucky or is B&H (effectively) running a scam on fake customs fees?

New Philips Monitor Offers 99% Adobe RGB, Only Costs $500

HTML:
<strong>Amsterdam, 30 November 2017 –</strong> MMD, the leading technology company and brand license partner for Philips monitors, is rolling out a new Philips Brilliance QHD docking USB-C monitor with High Dynamic Range (HDR). The 32-inch 328P6AUBREB delivers great image quality and one-cable docking for enhanced productivity and effortless convenience.</p>
<ul>
<li><em>USB-C docking for simplicity and single-cable peripherals docking</em></li>
<li><em>Designed for professionals whose work demands a maximum of quality</em></li>
</ul>
<p><strong>Connectivity made simple</strong></p>
<p>The 328P6AUBREB is equipped with the extremely versatile connectivity of the latest-generation USB 3.1 Type C technology. Featuring a slim, reversible connector, USB-C enables users to charge, transfer audio and video signal, and connect to the Internet – all with one single cable. Hence, the monitor instantly becomes a hub and serves as a docking station, just without using that extra space on the desk. It also enables easy linking of multiple monitors, which is useful for graphic designers for example. Consequently, USB-C extends the limited connectivity of notebooks and allows users to transfer data securely at ultra-fast speeds. USB 3.1 is 20 times faster than USB 2.0, making data transfer a breeze. And, for those whose devices seem to always be running low on battery, USB-C with power delivery can even charge notebooks.</p>
<p><!--more--></p>
<p><strong>An unparalleled visual experience</strong></p>
<p>Explaining the display’s positioning, Artem Khomenko, Product Manager Philips Monitors Europe at MMD, says: “The P-line monitors are designed to deliver precise, accurate and colour-critical colour performance. We are proud to bring this new model to the market, and to meet the high standards of professionals. This model is the perfect fit for graphic designers, CAD engineers, photographers, video editors and other professionals who rely on an outstanding on-screen reproduction of fine details.”</p>
<p>With Quad HD, you will enjoy an excellent viewing experience with high-resolution visuals. HDR technology ensures exceptional brightness and contrast, as well as a rich palette of captivating new colours never before seen on a display. The 10-bit display offers 1.074 billion of them, supported by 12-bit internal processing for natural colours and smooth gradients. With 99% Adobe RGB and 100% sRGB (CIE 1973), the 328P6AUBREB offers professional colour standards and 2560 x 1440 pixels deliver crystal-clear images and make graphics come alive. Thanks to IPS technology, the monitor can be viewed from an angle of 178° without losing any of the colour accuracy or consistent brightness that professional applications demand.</p>
<p><strong>An extra dose of convenience</strong></p>
<p>Beyond its connectivity and stunning visuals, this 32-inch QHD display boasts many of the standout features that have earned Philips monitors their reputation: the SmartErgoBase ergonomic adjustable stand enables users to tilt, swivel and raise the display for maximum viewing comfort. It also features Philips LowBlue Mode which reduces potentially harmful shortwave blue light. Flicker-free technology regulates brightness and reduces flicker for even more comfortable viewing; built-in stereo speakers provide excellent audio reproduction while eliminating the need for peripheral speakers; and what is more, with 65% post-consumer recycled plastics, this monitor is a good choice for eco-friendly users.</p>


<p>The Philips 328P6AUBREB P-line display, with an RRP of <strong>£439</strong>, will be available in <strong>January 2018</strong>.</p>
<p><strong>Technical Specifications:</strong></p>
<table>
<tbody>
<tr>
<td>Specification</td>
<td>
<ul>
<li>Philips 328P6AUBREB P-line display</li>
</ul>
</td>
</tr>
<tr>
<td>LCD panel type</td>
<td>
<ul>
<li>IPS technology</li>
</ul>
</td>
</tr>
<tr>
<td>Backlighting technology</td>
<td>
<ul>
<li>W-LED</li>
</ul>
</td>
</tr>
<tr>
<td>Panel size</td>
<td>
<ul>
<li>31.5 inch / 80.1 cm</li>
</ul>
</td>
</tr>
<tr>
<td>Aspect ratio</td>
<td>
<ul>
<li>16:9</li>
</ul>
</td>
</tr>
<tr>
<td>Optimum resolution</td>
<td>
<ul>
<li>2560 x 1440 @ 60Hz</li>
</ul>
</td>
</tr>
<tr>
<td>Effective viewing area</td>
<td>
<ul>
<li>698.11 (H) x 392.69 (V)</li>
</ul>
</td>
</tr>
<tr>
<td>Viewing angle</td>
<td>
<ul>
<li>178° (H) / 178° (V), @ C/R > 10</li>
</ul>
</td>
</tr>
<tr>
<td>Brightness</td>
<td>
<ul>
<li>450 cd/m²</li>
</ul>
</td>
</tr>
<tr>
<td>Display colours</td>
<td>
<ul>
<li>1.07 billion</li>
</ul>
</td>
</tr>
<tr>
<td>Colour gamut</td>
<td>
<ul>
<li>99% Adobe RGB (CIE 1973); HDR400</li>
</ul>
</td>
</tr>
<tr>
<td>SmartContrast</td>
<td>
<ul>
<li>50,000,000 :1</li>
</ul>
</td>
</tr>
<tr>
<td>USB Connectivity</td>
<td>
<ul>
<li>USB-C (upstream), USB 3.0×2 (downstream, w/fast charging)</li>
</ul>
</td>
</tr>
<tr>
<td>Connectivity</td>
<td>
<ul>
<li>Signal Input: VGA (Analog ), DisplayPort 1.2, HDMI 2.0 x 1, USB-C (DP Alt mode, PD, data)</li>
<li>Sync Input: Separate Sync, Sync on Green</li>
<li>Audio (In/Out): PC audio-in, Headphone out</li>
<li>RJ45</li>
</ul>
</td>
</tr>
<tr>
<td>Convenience</td>
<td>
<ul>
<li>Built-in speakers: 3 W x 2</li>
<li>SmartImage, Input, Brightness Menu, Power On/Off</li>
<li>Control Software: Smart Control</li>
<li>Kensington lock, VESA mount (100 x 100 mm)</li>
<li>Plug & Play Compatibility: DDC/CI, Mac OS X, sRGB, Windows 10 / 8.1 / 8 / 7</li>
</ul>
</td>
</tr>
<tr>
<td>Stand</td>
<td>
<ul>
<li>Height adjustment: 180 mm</li>
<li>Pivot: 90 degree</li>
<li>Swivel: -170/170 degree</li>
<li>Tilt: -5/20 degree</li>
</ul>
</td>
</tr>
<tr>
<td>Sustainability</td>
<td>
<ul>
<li>Environmental and energy: EnergyStar 7.0, EPEAT Gold, RoHS</li>
<li>Recyclable packaging material: 100 %</li>
<li>Post-consumer recycled plastic: 65%</li>
<li>Specific Substances: PVC / BFR free housing, Mercury free, Lead free</li>
</ul>
</td>
</tr>
<tr>
<td>Compliance and standards</td>
<td>Regulatory Approvals: CE Mark, FCC Class B,

VCCI, RDM, BSMI, ICES-003, J-MOSS, cETLus, EPA, PSB, CU-EAC, SEMKO, SASO, KUCAS, UKRAINIAN, PSE, CECP, WEEE, TUV Ergo, TUV/GS</td>
</tr>
<tr>
<td>Cabinet</td>
<td>
<ul>
<li>Front bezel, rear cover and foot: Black</li>
<li>Finish: Texture</li>
</ul>
</td>
</tr>
<tr>
<td>What’s in the box</td>
<td>
<ul>
<li>Monitor with stand</li>
<li>Cables: D-Sub cable, DP cable, HDMI cable, USB-C to USB-C cable, USB-C to USB-A cable, Power cable, Audio cable</li>
<li>User Documentation</li>
</ul>
</td>
</tr>
</tbody>
</table>
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Review: Canon EOS M100 by TDP

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<p>Bryan over at The-Digital-Picture has completed his review of Canon’s latest entry level mirrorless camera, the EOS M100.</p>
<p><strong>From TDP:</strong></p>
<blockquote><p>From an exciting brand-new features perspective, the Canon EOS M100 is going to turn few heads. However, the existing features packaged into this tiny camera combined with a very-attractive price will.</p>
<p>Among the most-attracted to the M100 will be those misled by promises of great image quality from their phones or simply those growing dissatisfied by the same. Once phone images are viewed on a full-sized monitor or otherwise used to create modestly large prints, most will likely be disappointed, discovering that the purported great image quality doesn’t meet their own definition. The large, high resolution APS-C format imaging sensor in the M100 will, especially in low light, far surpass the abilities of any mobile phone in existence. <a href="https://www.the-digital-picture.com/Reviews/Canon-EOS-M100.aspx">Read the full review</a></p></blockquote>
<p>Canon has produced another winning mirrorless camera, now if we only had more lenses to choose from.</p>
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Another Canon EF 135mm f/2L IS USM Mention [CR2]

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We’ve received another mention of a Canon EF 135mm f/2L IS USM coming in the first half of 2018, we see the CP+ show in Japan as a good time to announce the lens.</p>
<p>We’re told production of the EF 85mm f/1.4L IS will have to meet global demand before the announcement.</p>
<p>We’re also told that the original non-IS version will remain current for some time after the new lens appears.</p>

Canon USA Announces the VIXIA HF G31, XA11 & XA15 Camcorders

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Canon USA announces that these camcorders originally announced in September will be making it to North America.</p>
<p><em>New XA15, XA11 and VIXIA HF G21 Camcorders All Feature a Full HD CMOS Sensor, 20x HD Optical Zoom Lens</em></p>
<p><strong>MELVILLE, N.Y., December 5, 2017</strong> – Canon U.S.A. Inc., a leader in digital imaging solutions, today announced the launch of three new compact and lightweight Full HD camcorders, the <a href="https://www.usa.canon.com/internet/portal/us/home/products/list/camcorders/professional?cm_sp=pvs-_-hp-_-pro-camcorders">Canon XA15, XA11 and VIXIA HF G21</a>. Delivering first-class optics, powerful sensors and a range of versatile features, these camcorders are perfect for a broad range of video productions.</p>
<p>“The ability to capture high-quality video on-the-go in a compact and lightweight form factor is extremely valuable to videographers of all skill levels,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “These camcorders were designed to help professionals and enthusiasts who are in the field capture action as it happens.”</p>
<p><!--more--></p>
<p><strong>Professional Performance and Functionality</strong>

The Canon XA15, XA11 and VIXIA HF G21 Full HD camcorders each provide videographers with a spectacular 20x 26.8mm-576mm optical zoom lens allowing a user to easily capture a variety of scenes with superb image quality. Canon’s HD CMOS Sensor and the powerful DIGIC DV4 image processing platform deliver great performance in low-light and the ability to capture superb Full HD images in 60p at 35Mbps. Wide DR mode supports the smooth compression of high luminance areas to achieve 600 percent DR making it possible to shoot with smooth color gradation and suppressed overexposure. This is applicable to any shooting environment where the difference between light and dark areas is prone to causing overexposure. Flexible image expression is supported by a Slow/Fast Segment function that enables users to select shooting speeds from 0.4x to a maximum of 1,200x, and a Hi-UD lens supports the reduction of chromatic aberration and drives vivid imaging.</p>



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<p>These camcorders are capable of recording in both AVCHD and MP4 formats, at multiple bit rates, simultaneously, to Dual SD card slots. All camcorders offer HDMI, headphone jack, optional GPS support and the XA15 and XA11 models offer XLR professional audio terminals. Additionally, the XA15 model also features a HD-SDI output. Comprising of a compact and lightweight body, each camcorder is ideal for high-action shoots when both speed and mobility are essential. Dynamic Mode provides 5-Axis image stabilization – roll axis, horizontal roll, vertical roll, up-down and left-right – to help facilitate smooth image capture in various styles of fast-paced shots. The VIXIA HF G21 is identical to the XA15 and XA11 in performance, but does not include a handle.</p>
<p><strong>Key Features:</strong></p>
<ul>
<li>High optical performance</li>
<li>Stunning Full HD image quality</li>
<li>Professional recording options</li>
<li>Professional interfaces</li>
<li>Easy operability and compact design</li>
</ul>
<p><strong>Pricing and Availability</strong>

The Canon XA15, XA11 and VIXIA HF G21 Full HD camcorders are all scheduled to be available at the end of December 2017 for an estimated retail price of $1899.00, $1399.00 and $999.00 respectively*. For more information please visit, usa.canon.com.</p>
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Lensrentals.com and LensProToGo.com Merge

HTML:
<strong>From Lensrentals.com:</strong></p>
<p><em>Partnership Increases Leadership Position in Imaging Rental Market, Offers More Technical Expertise for Consultation, Greater Inventory and an East Coast Office for Lensrentals</em></p>
<p><strong>Memphis, TN – December 5, 2017 –</strong> Lensrentals, the leading online photo, video and lighting equipment rental company, announces a recent strategic partnership with LensProToGo. The combined company will be privately held, with both the Lensrentals and LensProToGo brands continuing to operate with increased resources.</p>
<p>The strategic partnership effectively increases Lensrentals video equipment knowledge base, provides an East coast facility, and allows the company to further its leading position in the photo and video equipment rental market. Customers of both brands will be able to continue the long-term customer service relationships built over the years, in addition to having access to the largest inventory of equipment for rental in the photo and video industry, and an array of shipping, try-before-you-buy and insurance coverage programs.</p>
<p><!--more--></p>
<p>“Building an east coast presence with a team that share our values and focus on customer service, is an important goal for Lensrentals. The LensProToGo opportunity allows us to increase our visibility on the east coast of the US, and continue to offer a more specialized consultative approach to photography and video gear rental,” said Drew Cicala, co-owner, Lensrentals. “We’ve long admired the LensProToGo team, share many similarities in our businesses, and overall approach to helping customers achieve exceptional results. LensProToGo team’s video market expertise blends well with our own, will greatly contribute toward expanding our product offerings and knowledge base for customers to draw upon,”Cicala continued.</p>

<p>“We’ve known the Lensrentals team for many years, and by agreeing to blend our operations we can maintain our company ethos and service-first approach to customers,” said Paul Friedman, CEO, LensProToGo. “On a day-to-day basis our customers will now be able to access cameras, lenses, lighting, drones and more in the largest rental inventory of photo and video equipment in the country. We’ll also continue to spend as much time on the phone and email as our customers need, we enjoy our customers and the relationships formed, and we look forward to expanding those relationships even further.”</p>
<p>In the long-term, Lensrentals will be able to better serve customers who vary in their needs and wants. From those customers that know what they’re looking for, to those needing a little advice or perspective on equipment, or that may want a more consultative relationship, to fully understand all elements of the equipment.</p>
<p>The continued growth of Lensrentals and LensProToGo, allows both brands to better serve the largest customer base, with the newest and widest range of creative solutions, from experts with the deepest knowledge base in the industry. With the largest rental inventory of photo and video equipment in the country, the company is at the forefront of what creatives need to deliver outstanding video, still and digital content.</p>
<p>The strategic partnership agreement was closed December 1st 2017, having been approved by both companies.</p>
<p>In a previously unannounced and separate agreement in late September, Lensrentals agreed to acquire a 100% interest in ATS Rentals.</p>
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Review Angelbird avpro series Cfast and sdxc-uhcII cards

Wrote this review on dvxuser which i like to share here too:

AV professionals are rather conservative about changing memory card brands and rather stick with the known and trusted brands like sandisk , lexar,sony,panasonic.
This reputation does mean that you'll have to pay for the privilege and the price/GB remains rather high compared to mainstream ssd prices.
There are plenty of lower to low cost brands with similar performance but historically sometimes sacrificed reliability/customer-support to get to this lower price.

When you're getting paid for your work it can get you in a place of being penny wise but pound foolish if your card fails and you loose future work because you opted for a “ cheap ” card.
This does mean that the big company's can keep the prices high and innovation as low as possible.
Evidence of this profit/innovation can be found today in that “lowercost” company's are able to bring out higher and faster spec cards to the market at lower prices.
For the bigname brands the memory card division is just a small part of their total business and don't really have a close connection with their client base .

Bring on the dedicated market brands!
On this forum a US based company like Egodisk gets some good press and seems dedicated to cfast & sdxc cards.
It is great to have company's that are close to their intended markets .

Now I like to talk about a European company called Angelbird located in Austria
They have been making dedicated storage related products for the Pro AV market since 2010.
First PCIe based raid solutions and ssd's , later portable ssd's and for some time now cfast & sdxc cards.

I came upon this company in search of a high capacity cfast card for my C200.
512Gb for 1hour of footage seemed like a card to get and only a few company's sell these with Lexar milking the market for its worth.
Egodisk has a 512GB card for a more friendly price but not readily available in Europe.
And then there was the anouncement from angelbird during IBC in Amsterdam.
At a similar pricepoint and with a good reputation it peaked my interest.

As soon as I inquired about availability and pricing a message was posted in this forum that their 512GB card didn't work with the C200.
Folowing-up on my inquiry I linked to the posted message and waited for a response which came quick .
They had contacted the poster and were resolving his issue ,on my offer to help with my C200 to resolve any issues with their cards ,they responded that they were more than willing to send their entire collection of memory cards to me for testing (try to get that response from Lexar/Sandisk etc..)

So here we go:

I received a C200 match pack containing 2 sdxc128GB cards and a Cfast 256GB card.
And further a Cfast 128GB and 512GB card.
Build quality of the cfastcards is really good they feel solid with lots of metal.

For bench marking my pc is windows 10 pro 64x,i7 2600K at 4,7Ghz internal sandisk extreme 470GB
and USB 3,1 connection for cardreader.

But first: in camera testing.
Method: format in camera ,fill-up card in one take,check material,format in camera, fill-up card with multiple takes,check material, rinse and repeat .

All the cards worked without fail with one small exception, the 512GB card would sometimes not get recognized by the camera??
power-cycling the camera would fix this and then the card functions normally even when removed and reinserted again.
Others have reported this same issue with the Egodisk 512GB card which leads Angelbird to conclude that it's more a camera/ex-fat problem than card problem since this card doesn't exhibit this issue in other camera's which often utilize a different format method be it ntfs or hfs+
Hopefully its a bug that can be rectified with a firmware update from Canon.


Their sdxc uhII cards also performed first-class and are fast enough to record Canon rawlite if that would have been possible.
They are way beyond what is necessary for the C200 mp4 but you do get really fast transfer times.


After testing them for there intended use I put them thru Hdtune pro to test large file read/write speed.

AVpro 128GB Read 496MB/s Write 299MB/s.......AVpro 256GB Read 494MB/s Write 377MB/s


AVpro 512GB Read 493MB/s Write 420MB/s...... SDXC 128GB Read 253MB/s Write 220MB/s


First with a Sandisk cfast reader which I got bundled with one of my xc10's.
It's plastic and usb3.0 and works but doesn't get the most out of the cards.
So the nice people of Angelbird were kind enough to send me their soon to be released double cfast reader, which is USB 3,1 and full metal design “very mac like” and just like their portable ssd has a sunken USB c connector to prevent easy disconnection from the reader.


With their reader I could get the max out of the card resulting in faster transfer times.

The reader comes with software for several utilities (recover disks ,secure erase etc..) now only for mac, later-on for windows.

Another simple addition on their card reader is the ability to put the card reader in read only mode via a switch located next to the USB connection.
This makes handing over your material to a DIT on set kind of idiot proof and accidental wiping the card less likely .

I am still contemplating about whether to go old school betacam time and change 256GB cards every 30min or going for the larger 512GB cards and the ability to shoot 68min on 1 card.
I probably go for a couple of the 256GB cards first.
Communication with Angelbird was a pleasure, really helpful contact and totally committed to give the best support with detailed to the point answers to your questions.
I'm more than happy to trust my footage to their storage solutions.

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Eye controled autofocus, where have you been all my life?

I just snagged a very cheap Elan IIe film camera on craigslist. I know it only has three autofocus points, but damn if that eye-controlled autofocus isn't the bee's knees.

What happened? Why was it abandoned? I mean, I can appreciate the fact that with dozens of autofocus points it probably struggled to get the right one. And I understand that you're not ALWAYS looking right at what you want to focus on. But as someone who does 95% of their shooting with a single point selected, and can never seem to move the point to the one I want fast enough, I would really love something like this on the 5D4. Wouldn't it have gotten better over time if they would have just stuck it out and kept developing it? This seems like such an ahead of its time feature that seemed to get canned quickly.

Canon USA Adds New Cameras and Lenses to its CarePAK Program

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<p>From Canon USA:</p>
<p>Canon U.S.A., Inc., is excited to announce the launch of a CarePAK PLUS promotion just in time for the holidays. Now through January 6, 2018, 13 months free Canon CarePAK PLUS is included at no additional cost to customers who purchase select Canon cameras and lenses and register their product within 30 days. The list of eligible Canon products has been expanded to include the EOS 6D Mark II, EOS 80D, EOS 77D and the EF 85mm f/1.4L IS USM, giving even more Canon customers the opportunity to enjoy free accident protection.</p>
<p><!--more-->

<strong>All eligible Canon cameras and lenses include:</strong> (New gear added in bold)</p>

<ul>
<li>EOS-1D X Mark II Body</li>
<li>EOS 5D Mark IV Body</li>
<li>EOS 5D Mark III Body</li>
<li>EOS 5Ds Body</li>
<li>EOS 5DsR Body</li>
<li>EOS 6D Body</li>
<li>EOS 7D Mark II Body</li>
<li><strong>EOS 6D Mark II Body</strong></li>
<li>EOS 80D Body</li>
<li><strong>EOS 77D Body</strong></li>
<li>EF 16-35mm f/2.8L II USM</li>
<li>EF 16-35mm f/2.8L III USM</li>
<li>EF 17-40mm f/4L USM</li>
<li>EF 24-70mm f/2.8L II USM</li>
<li>EF 70-200mm f/2.8L IS II USM</li>
<li>EF 100-400mm f/4.5-5.6L IS II USM</li>
<li>EF 50mm f/1.2L USM</li>
<li>EF 85mm f/1.2L II USM</li>
<li><strong>EF 85mm f/1.4L IS USM</strong></li>
<li>EF 100mm f/2.8L Macro IS USM</li>
</ul>
<p>CarePAK PLUS offers protection from accidental damage such as drops, spills, power surges, and more including normal wear and tear, beyond the standard warranty period. With a CarePAK PLUS, a damaged product will be repaired to good working condition or replaced with an equivalent product. Canon customers also enjoy service performed by Canon factory technicians using only genuine Canon parts, which no other service plan can offer.</p>
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Canon Cinema EOS C300 Mark III Coming in the Spring? [CR1]

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We’re told from unknown places that the Canon will be announcing a Cinema EOS C300 Mark III in the first half of 2018.</p>
<p>What’s rare about the communication is that some specifications were included.</p>
<p><strong>Rumored Canon C300 Mark III Specifications:</strong></p>

<ul>
<li>6K Super35 sensor</li>
<li>Highest dynamic range of any Canon Cinema camera.</li>
<li>180fps @ 2K</li>
<li>60fps @ 4K</li>
<li>Internal RAW</li>
<li>Pricing higher than C300 Mark II at launch.</li>
</ul>
<p>All of this looks great, it just doesn’t look like something Canon would do. Maybe they’ll surprise us?</p>
<p><em>Please take this with a grain of salt until we can upgrade the post rating.</em></p>
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CIPA Figures Show Disappointing Sales for October

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CIPA has released its camera sales statistics for October 2017, and the numbers may be a disappointment to some companies.</p>
<p>Year-over-year total shipments for cameras in October are down 13%, but between the months of January 2017, through October 2017, we have an increase of 6% for ILC cameras, so we should likely wait to see how November’s Black Friday/Cyber Monday sales affect the year-over-year numbers.</p>
<p>Mirrorless has seen a good increase year-over-year, but most of the increase is happening in Asia as they continue to erode sales of DSLRs, North America remains a harder marketplace for mirrorless cameras.</p>


<p>Globally, mirrorless now makes up 36% of all ILC camera sales, and Canon is taking a big chunk of that with their revamped EOS M lineup.</p>
<p>The two giants Canon & Nikon need to obviously release professional mirrorless cameras in 2018. However, only Nikon has confirmed that they are doing so.</p>
<p><strong><a href="http://cipa.jp/stats/documents/e/d-201710_e.pdf">Read the full CIPA report</a></strong> (PDF)</p>
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NHK: 33mp 240fps 8K 1\

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<a href="http://image-sensors-world.blogspot.co.uk/2017/12/33-mpixel-240-fps-stacked-sensor.html">ISW</a> has uncovered a paper from NHK, Brookman, TSMC, and University of Tokyo for a “<a href="http://ieeexplore.ieee.org/document/8098612/">A 1.1- μm 33-Mpixel 240-fps 3-D-Stacked CMOS Image Sensor With Three-Stage Cyclic-Cyclic-SAR Analog-to-Digital Converters</a>”</p>
<p>Once you get through all the crazy technical stuff, it basically describes a 1″ 8K stacked video sensor with a slow motion function.</p>
<p>Is 4K already over? :)</p>



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CamFi Will Launch the Fastest Wireless Camera Controller in the World

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<iframe width="728" height="409" src="https://www.youtube.com/embed/303uAe4YvBg" frameborder="0" allowfullscreen></iframe>
<strong>GUANGDONG , China – November 30, 2017</strong> – CamFi, maker of wireless controllers for digital cameras, today announced the launch of a crowdfunding campaign on Indiegogo for the fastest wireless camera controller, CamFi Pro. CamFi Pro uses the 802.11ac protocol to transfer the photo from the camera. It can offer Wi-Fi transfer speeds up to 866Mbps. Tests show it can reach speeds of 10M bytes per second in reality, two to three times faster than most built-in Wi-Fi cameras and 2.4G Hz wireless camera controllers.</p>
<p>CamFi Pro supports most of Canon, Nikon and Sony cameras. And it will be the only 5.8G wireless tether solution for Sony cameras in current market.</p>
<p><!--more--></p>
<p>“Speed is a big problem for current Wi-Fi products. It limits the productivity of the professional photographers.” Said Mark Ma, CEO of CamFi. “CamFi Pro is going to use new technology to solve this challenge.”</p>
<p>CamFi Pro takes two to three seconds to transfer a raw photo with a size of 20 megabytes. It supports auto view mode, which enables the client device to receive the photos in real time when the photographer is taking the photo. Selective transfer is also supported. The photographer can send only JPEGs to the client device and keep the raw photos on SD card.</p>

<p>By using 5.8G band, the device effectively avoids Wi-Fi interference. This is suitable for professional photographers covering events and meetings. The live view works smoothly for high transfer speed, making it effective for recording the video as well.</p>
<p>CamFi Pro also supports timelapse, HDR, focus stacking and multiple camera control. The photographer can use one computer to control multiple cameras to shoot and transfer the photos back. It can be applied for bullet – time effect and 3D modelling.</p>
<p>It can be controlled from Android and iOS mobile devices as well as PCs and Apple computers. Backers of CamFi Pro will be the first to receive the product. Delivery is expected for February, 2018. More information, including a full list of compatible cameras, can be found on the Indiegogo crowdfunding site: <a href="https://www.indiegogo.com/projects/camfi-pro-the-fastest-wireless-camera-controller#/" target="_blank" rel="noopener">https://www.indiegogo.com/projects/camfi-pro-the-fastest-wireless-camera-controller#/</a></p>
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Looking for FF prime lens for video that has IS and STM

I'm looking for a lens that has these qualities:

  • Prime Lens
  • Wide aperture
  • Full-frame
  • Image stabilization
  • STM (for silent focusing while using Canon's DPAF during video)

Is there any Canon lens that has all of these qualities? It seems that the only other way to avoid the audible lens focusing is to use an external mic, which seems clunky when doing video on-the-fly. TIA!

Canon XC15 Style Camera Coming with EF Mount? [CR2]

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We have been told a couple of times that a Canon XC15 style camera with an EF mount will be coming some time in 2018, one would think NAB in April would be the perfect time to announce such a camera.</p>
<p>We have <a href="https://www.canonnews.com/first-hint-at-a-hybrid-video-stills-ilc-camera">seen a patent related</a> to such a product, so that raises the possibility of it actually happening. We were first told about this camera before the publishing of the patent.</p>


<p>One of the sources did say that contrary to some popular opinion on the web, Canon considers the XC10 and XC15 to be a success with better than expected sales numbers.</p>
<p>No other specifications or information were given to us.</p>
<p><em>More to come…</em></p>
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Off Brand: Leica Camera AG Records Strong Revenue Growth for the 2016/2017

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The Leica Camera Group achieved revenue of almost 400 million euros in the past financial year 2016/2017 (31 March 2017) and can therefore look back very positively on the previous twelve-month period. With strong revenue growth of more than six per cent, Leica bucked the overall downward trend in the global camera market, which declined by around 10 per cent in the same period.</p>
<p>In the first few months of the current financial year 2017/2018, cumulative growth stands at 15 per cent, thus underscoring the positive global performance of Leica Camera AG. Despite a market environment that remains challenging, the CEO of Leica Camera AG, Matthias Harsch, once again expects a record-breaking result for the 2017/2018 financial year. As a result, the revenue of Leica Camera AG has increased more than fourfold since anchor investor and majority shareholder Dr Andreas Kaufmann came on board in 2004.</p>

<p>The main driver of growth is the systematic realignment of the company that has taken place in recent years. In particular, the setting up of an in-house Retail Distribution division has made a major contribution to revenue growth. Leica now has 90 monobrand stores around the world, which are vital in terms of promoting brand experience in the context of photography. ‘China is our number-one growth market,’ says Matthias Harsch, who is planning 20 to 30 new stores in the country alone. The Group is now strengthening its presence in the service sector with the Leica Akademie brand in order to boost the appeal of photography amongst younger target groups.</p>
<p>The extremely successful technology and brand partnership with Chinese company Huawei in the field of mobile phone photography makes Leica one of the world’s leading providers of smartphone lens applications, a burgeoning technology segment that serves as a global basis for new product ideas and applications in photography.</p>
<p>The entry of Leica into the eyewear segment (glasses) – a move that was completed in 2017 – offers further potential for strong revenue growth in the years ahead. Operating under the name of Leica Eyecare, the company will systematically tap into this global market in conjunction with its technology partner Novacel.</p>
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Stock Notice: Canon TS-E 135mm f/4L Macro at B&H Photo

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B&H Photo has stock of the brand new Canon TS-E 135mm f/4L IS Macro lens.</p>
<p class="fs16 OpenSans-600-normal upper product-highlights-header">PRODUCT HIGHLIGHTS</p>

<ul class="top-section-list" data-selenium="highlightList">
<li class="top-section-list-item">EF-Mount Lens/Full-Frame Format</li>
<li class="top-section-list-item">Aperture Range: f/4 to f/45</li>
<li class="top-section-list-item">Two Ultra-Low Dispersion Elements</li>
<li class="top-section-list-item">Subwavelength Coating</li>
<li class="top-section-list-item">Maximum Tilt: +/- 10°</li>
<li class="top-section-list-item">Maximum Shift: +/- 12mm</li>
<li class="top-section-list-item">Minimum Focusing Distance: 1.6′</li>
<li class="top-section-list-item">Maximum Magnification: 0.5x</li>
</ul>
<p><strong><a href="https://www.bhphotovideo.com/c/product/1354806-REG/canon_ts_e_135mm_f_4l_tilt_shift.html/BI/2466/KBID/3296/DFF/d10-v21-t1-x842480/SID/EZ"> Canon TS-E 135mm f/4L IS Macro $2199</a></strong></p>
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Tamron 100-400mm f/4.5-6.3 VC USD Review | Dustin

Hi everyone. I've released my final bit of coverage of the new Tamron 100-400 VC lens. I benchmarked the Canon 100-400L II (which I own and love) for this review.

The Tamron 100-400 VC is a very impressive lens at this price point, giving about 90-95% of the Canon 100-400L II all-round performance at about 40% of the price. That’s amazing. Unlike the Sigma 100-400 Contemporary, which was optically excellent but couldn't keep up with fast action, the Tamron actually tracks quite well on my 5D Mark IV (just slightly poorer than my 100-400L II).

Here’s my linkage:
Text Review: http://bit.ly/100400VCda
Video Playlist: http://bit.ly/100400VCpl (I did a number of video segments, covering image quality, build quality, autofocus and tracking, etc…)
Image Gallery: http://bit.ly/100400vcIG

5DsR image quality

There have recently been some strongly held opinions on image quality of the 5DsR presented in this forum. Some of these opinions have stated that:
- There is little difference in image quality between the 5DsR and other 5D cameras
- The 5DsR has lots of noise at high ISOs.

As a relatively recent owner of a 5DsR in addition to my 6D (and I had owned a 5DII before then), this did not match my perceptions.

So in order to do a fair comparison of detail at ISO 100 (which is where I shoot landscapes) and noise at ISO 3200 (commonly used at events), I:
- Downloaded Raw files of the 5DIII, 5DIV, 5DsR and 6D of DPreview's "studio test scene"
- I processed these in LR 6 with no adjustments
- I cropped the ISO 100 files at 1800 pixels on the 5DsR files and copied the crops onto the other ISO 100 files and exported at 1800 pixels along the long edge. This would have upscaled all the files except 5DsR
- I cropped the ISO 3200 files at 1800 pixels on the 5DIII files and copied the crops onto the other ISO 3200 files and exported at 1800 pixels along the long edge. This would have downscaled the 5DsR file, the 5DIV somewhat, and slightly upscaled the 6D file.

These are attached. In case the file names don't show they are 4 x ISO 100 files: 5DIII, 5DIV, 5DsR, and 6D, then the ISO files in the same order.

IMHO:
- The ISO 100 5DsR files are noticeably sharper - look at the bristles of the right hand brush and the fine text on the paint tubes.
- The 5DsR is slightly pinker, the 5DIV is slightly yellower, but I note that the lighting (as shown by reflections) differs between the images)
- In the ISO 3200 images, the 5DIII has the most noise, the 5DIV the least. The 5DsR has more noise than the 5DIV, but the grain is very fine and it did not bother me. There was some false colour in the 5DIII image. The pink colour cast in the 5DsR image bothered me more than the noise.

Anyway, this comparison focused on the two extremes of my work. I did not compare images at extremely high ISOs and did not compare dynamic range. If they wish, someone else can do that.

This confirmed my view, that the 5DsR produces excellent image quality in terms of detail and noise.

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My experience with the new TS-E 90mm f/2.8L Macro

Overview

This will be a relatively short review, as I only have had the lens a couple days. I took some photos, and to start this mini-review I think the lens is a great product. This is without a doubt a great successor to the TS-E 90mm f/2.8. I am extremely inexperienced with tilt-shift lenses, so my terminology and other things may be WAY off. I guess I'm trying to say take this with a grain of salt because I may not know what I'm talking about ;D

While the lens is a fantastic product, I was hoping for a lens that could solve all of the depth of field issues that are inherent with shooting macro, and I was unfortunately sorely disappointed. This is no dig on the lens, moreso that I dreamed up an unrealistic standard that I was hoping the lens could achieve. I think I can explain what I mean through a few photos.

To start, here's the copy I received:

LaG0wrHl.jpg


13wwsuul.jpg


Everything looks good. The lens is hefty, and you know it is an L lens. The knobs are supple in a way that makes them a joy to turn, especially the large tilt knob. There is a locking switch for tilt, but not for shift. Knobs to adjust tension on the two mechanisms are present, and are pretty small. Turning them all the way will essentially lock that adjustment. The focusing ring is grippy and almost too good to be true in terms of how well it is damped and the fine control you have. The front of the lens extends as you near the 1:2 limit for macro, but does not extend in a way that makes it annoying or obtrusive.

The lens' construction is part metal, part plastic. The only part on the lens that I thought felt cheap per se was the extending portion that houses the front element. I can't imagine what the lens would weigh if it were all metal, but that's one part I would change if I was in charge (ha).

Photos

What I will do is put one photo, then another of a 100% crop. Photos were processed with no changes from camera other than cropping and conversion to .jpg. Photos were uploaded to Imgur, which is notorious for poor image quality. For the pixel peepers I will say that the lens produced sharp images as long as I did my part. If you look at one of these photos and think it is sub-par, it's more than likely a result of the hosting source, cropping, and conversion. I was extremely satisfied with the image quality and rendition that the lens provided.


First, these are of some spiders I found outside. Both were with the lens at max magnification with 36mm of extension. The spiders were taken with a 270 EXII at 1/8 power. The tilt was set to the max, with the barrel pointing down toward the subject.

Spider - ISO 400, 1/200, f/13, 36mm of extension
nvtq4Iah.jpg


100%
PyHje9Kh.jpg


Another:
GcEWyUFh.jpg


100%
gszxhxYh.jpg



Crab Spider - ISO 400, 1/200, f/13, 36mm of extension
Ja2t07dh.jpg


100%
AacMBLIh.jpg


Here are some photos I took of a matchbook. These are taken with the same setup as above, minus the flash. The camera was set up on a tripod and focus was on the match heads. The first photos are with no tilt, the second group is with 1/2 of the range, and the third set is with the tilt set to the maximum. No extension was with the first set, and then 36mm of extension was with the second set.

ISO 100, 1/100, f/8

No tilt:
O5hQEjdh.jpg


100%
IZiQJF6h.jpg


1/2 range of tilt:
WeomxhKh.jpg


100%
sbAii1yh.jpg


Full tilt:
Po5ygmgh.jpg


100%
lrhvENih.jpg


This next set was taken at the max magnification of the lens, also with 36mm of extension.

No tilt:
VWZpdOhh.jpg


100%
CjcsaSDh.jpg


NOTE: These next two look like there was a bit of shake present.

Full tilt:
wHKqND8h.jpg


100%
SMlZYGnh.jpg


To end, the lens can also do the selective focus that some people seem to love. These were taken at f/2.8, and the sharpness here at 100% is impressive to me.

Trees
fW96h6ph.jpg


100%
KpaDsvfh.jpg


The only dandelion I could find
XREKcIYh.jpg


100%
ELSCcxdh.jpg


Conclusion/End

When this lens was first announced, I thought for sure that I would be able to use the lens to selectively focus on the entirety of something like a spider, tilting the image plane so that the entire spider was in focus without the need to focus stack. Unfortunately Canon was not able to produce such a magical piece of equipment, but again that is moreso do to my inexperience with tilt-shift lenses and the workings behind them.

The TS-E 90mm Macro is a truly awesome lens. On the one hand I am torn because it is a lens I have practically no use for, but it is so well put together and made that I just want to own it because of how sharp and fantastic it is to use and operate. This is a seriously awesome piece of kit, and to someone who actually knows how to use it, it will be indispensable I think.

If you have any questions, I will do my best to answer them. I no longer have the lens in hand, so I won't be able to take any detail shots. The ones that are available via Canon are much better than I could ever do anyways :)

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