• The Canon Rumors Forum has officially been shut down as of July 10, 2026.

    All data will be deleted on September 16, 2026.

    the ad free experience will return by July 17, 2026.

Sony Introduces 100mm F2.8 STF G Master, 85mm f/1.8 & New Flash

HTML:
<p><em>New Full-frame 85mm F1.8 Mid-telephoto prime lens and Compact Radio-Controlled Flash announced as well</em></p>
<p><strong>LAS VEGAS, Feb. 7, 2017</strong> – Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced two new lenses for their popular line of E-mount interchangeable lens cameras.</p>
<p>Sony’s new lenses include one of their flagship G Master Series – an FE 100mm F2.81 STF GM OSS mid- telephoto prime lens (model SEL100F28GM) built to deliver breathtaking bokeh with a unique STF™ (Smooth Trans Focus) design, and a new compact, lightweight FE 85mm F1.8 mid-telephoto prime lens (model SEL85F18) that is a welcome addition to the bag of any hobbyist or enthusiast photographer looking to create amazing portraits.</p>
<p>They have also introduced a new powerful, compact flash (model HVL-F45RM) with radio-controlled wireless communication that is ideal for professional shooting with Sony’s lineup of α7 full-frame cameras.</p>
<p><!--more--></p>
<p><strong>FE 100mm F2.81 STF GM OSS Telephoto Prime Lens

</strong>A specially designed mid-telephoto, full-frame prime lens, the new 100mm STF is built to produce truly unique, magnificent and beautiful bokeh while maintaining the exceptional standard of resolution that is showcased by Sony’s entire line of flagship G Master series lenses, making it a powerful photographic tool for any portrait, fashion, nature or wedding photographer.</p>
<p>These impressive defocus capabilities are made possible by the lens’ advanced optical structure, as it features a newly designed 11-bladed aperture and a unique optical apodization lens element. Similar to a neutral density filter that increases in density towards the edges, the apodization element creates beautiful transitions of in-focus to out-of-focus areas within an image, making for exceptionally soft, smooth bokeh that adds depth and dimensionality. This allows the subjects to stand out against beautifully defocused elements in both the foreground and background, producing an image that is naturally pleasing to the eye. The design of the lens also ensures that vignetting is kept to an absolute minimum, ensuring optimum image quality.</p>
<p>Additionally, the new 100mm lens supports both contrast AF and focal-plane phase detection AF2, and has a high-precision, quiet direct drive SSM (Super Sonic Motor) system that ensures exceptionally fast and accurate AF performance. The SEL100F28GM also offers up to 0.25x close-up capabilities with a built-in macro switching ring, built-in Optical SteadyShot™ image stabilization, a customizable focus hold button, AF/MF switch, aperture ring and more. It is dust and moisture resistant as well3.</p>
<p><strong>FE 85mm F1.8 Telephoto Prime Lens

</strong>The new 85mm F1.8 mid-telephoto prime lens offers an extremely versatile, lightweight and compact telephoto prime lens solution for a variety of Sony camera owners ranging from working professionals to emerging enthusiasts that have stepped up to full-frame or APS-C cameras for the first time. With its wide F1.8 aperture, it can produce impressive, exceptionally sharp portraits with soft background defocus that take advantage of its 85mm focal length and wide F1.8 maximum aperture.</p>
<p>The new prime lens features a 9-bladed circular aperture mechanism that ensures smooth, natural looking bokeh, and a double linear motor system to allow for fast, precise and quiet focusing. It also has a focus hold button that can be customized and assigned together with functions in the camera body like the popular Eye AF feature. There is a smooth, responsive focus ring and AF/MF switch as well, and the lens is also dust and moisture resistant 3.</p>
<p><strong>New Compact Radio-controlled Flash

</strong>Sony’s new HVL-F45RM flash enhances the radio-controlled lighting system capabilities of their growing system, offering a compact professional shooting solution when combined with the currently available wireless remote controller FA-WRC1M and receiver FA-WRR1.</p>
<p>The new flash, which is designed to complement the compact bodies of Sony’s E-mount camera lineup including full-frame α7 models, produces a maximum lighting output as expansive as GN45 4. This ensures sufficient illumination even when shooting with bounce lighting or high-speed-sync (HSS) flash. The radio capabilities of the HVL-F45RM allow it to be used as a transmitter or a receiver at up to 30m (approx. 98 feet5), making it an ideal fit for creative lighting with multiple flashes. Additionally, unlike optical flash systems, radio-control flashes do not require a direct line-of-sight between components to function properly, while also minimizing any impact that bright sunlight has on signal transmission and control.</p>
<p>The HVL-F45RM flash has an impressive battery life of up to 210 bursts, and can tilt up to 150o vertically, a complete 360o horizontally and up to 8o downward to maximize versatility. Usability has been maximized with a new large, bright and highly visible LCD display, an LED light, dust and moisture resistant design3 and a revamped menu system that mimics those of Sony’s newest camera systems.</p>
<p><strong>Pricing and Availability

</strong>Both of the new lenses and the new flash unit will ship to authorized dealers throughout North America.</p>
<ul>
<li>The new FE 100mm F2.8 STF OSS GM Telephoto Prime Lens will ship this March for about $1,500 US and $2,050 CA.</li>
<li>The new FE 85mm F1.8 Mid-Telephoto Prime Lens will ship this March for about $600 US and $800 CA.</li>
<li>Replacement lens hoods for each of the new models will also be available for purchase as well.</li>
<li>The new HVL-F45RM flash will ship this May for about $400 US and $550 CA.</li>
</ul>

		<style type='text/css'>
			#gallery-7 {
				margin: auto;
			}
			#gallery-7 .gallery-item {
				float: left;
				margin-top: 10px;
				text-align: center;
				width: 25%;
			}
			#gallery-7 img {
				border: 2px solid #cfcfcf;
			}
			#gallery-7 .gallery-caption {
				margin-left: 0;
			}
			/* see gallery_shortcode() in wp-includes/media.php */
		</style>
		<div id='gallery-7' class='gallery galleryid-28202 gallery-columns-4 gallery-size-thumbnail'><dl class='gallery-item'>
			<dt class='gallery-icon landscape'>
				<a href='http://www.canonrumors.com/wp-content/uploads/2017/02/2865627134.jpg'><img width="168" height="168" src="http://www.canonrumors.com/wp-content/uploads/2017/02/2865627134-168x168.jpg" class="attachment-thumbnail size-thumbnail" alt="" /></a>
			</dt></dl><dl class='gallery-item'>
			<dt class='gallery-icon landscape'>
				<a href='http://www.canonrumors.com/wp-content/uploads/2017/02/8279013476.jpg'><img width="168" height="168" src="http://www.canonrumors.com/wp-content/uploads/2017/02/8279013476-168x168.jpg" class="attachment-thumbnail size-thumbnail" alt="" /></a>
			</dt></dl><dl class='gallery-item'>
			<dt class='gallery-icon landscape'>
				<a href='http://www.canonrumors.com/wp-content/uploads/2017/02/6476669559.jpg'><img width="168" height="168" src="http://www.canonrumors.com/wp-content/uploads/2017/02/6476669559-168x168.jpg" class="attachment-thumbnail size-thumbnail" alt="" /></a>
			</dt></dl><dl class='gallery-item'>
			<dt class='gallery-icon landscape'>
				<a href='http://www.canonrumors.com/wp-content/uploads/2017/02/4421690204.jpg'><img width="168" height="168" src="http://www.canonrumors.com/wp-content/uploads/2017/02/4421690204-168x168.jpg" class="attachment-thumbnail size-thumbnail" alt="" /></a>
			</dt></dl><br style="clear: both" />
		</div>

<span id="pty_trigger"></span>

Canon Dominates Sidelines at Super Bowl LI

HTML:
<b>MELVILLE, N.Y., February 7, 2017</b> – On February 5<sup>th</sup>, top sports photographers from across the country gathered in Houston to cover the Big Game between the teams from New England and Atlanta. With an estimated 75 percent* of the photographers in the Houston stadium using Canon EOS DSLR cameras and EF lenses, Canon’s iconic white lenses filled the sidelines from the opening kickoff to the final whistle. In addition to the EOS DSLR cameras and EF lenses on the sidelines, Canon’s line of HD broadcast lenses were also used extensively to help deliver the game to more than 110 million television viewers.</p>
<p dir="ltr"><!--more--></p>
<p>“It’s an honor to see yet another major sporting event where the country’s most talented and acclaimed sports photographers captured exciting moments with Canon equipment. These images will be seen by millions of people around the world and will forever be etched in sports history. We understand there are many equipment options for professional photographers and Canon is honored to serve these professionals and provide assurances that both our products and support live up to the requirements and expectations of our devoted customers,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc.</p>
<p>A full complement of friendly and knowledgeable staff from the Canon Professional Services (CPS) team, a fixture at major sporting events throughout the year, were on site at the stadium for most of the week leading up to game day providing comprehensive equipment maintenance, extensive equipment loans and expert technical support to the major photo agencies and individual professional (or media) photographers covering the game.</p>
<p>For veteran sports photographer and Canon Explorer of Light Damian Strohmeyer, this was his 30th time covering the big game as a professional, and he was well stocked with Canon cameras and lenses. “Leading up to the game, I always make sure to meet with the Canon Professional Services team to run through my settings and firmware, and ensure that my gear is as ready for the big game as the players are,” Strohmeyer said. “During the game, there’s so much action that you can’t be worried about how your equipment will perform. Depending on where the play is, I need to stay prepared for anything that may happen, with no time to switch lenses. For this reason, I used three EOS-1D X Mark II cameras, equipped with EF 400mm f/2.8L IS II USM, EF 70-200mm f/2.8L IS II USM, and EF 24-70mm f/2.8L II USM lenses. After the game, I switched to an EF 16-35mm f/4L IS USM wide angle lens for post-game reaction shots. Everything performed fabulously, and my images came out looking great!”</p>
<p>Canon Professional Services will be proudly attending to professional photographers at over 30 events this year including major sporting, auto racing, Hollywood, and political events throughout the year.</p>
<p>For more information about CPS: <a href="http://www.cps.usa.canon.com/" target="_blank"><b>http://www.cps.usa.canon.com/</b></a></p>
<span id="pty_trigger"></span>

Sony: new 100mm f/2.8 G Master lens: no macro, but it's APO

Hmmm:
http://www.thephoblographer.com/2017/02/07/sony-introduces-new-100mm-f2-8-g-master-lens-wppi-2017/

100mm
IS
G-Master big price tag

But it's f/2.8 and not a macro lens. It's usually f/2.8 Macro or it's f/2. So I was wondering why f/2.8 and no macro, but apparently it's an APO lens (which I thought was generally reserved for exotic large aperture portraiture glass). Someone please educate me if an APO offering is a big deal for a relatively good-but-not-great bokeh generator like 100mm f/2.8.

New focusing system as well -- Smooth Trans Focus (STF) -- perhaps for a less jerky / video friendly AF setup?
(edited, see next two posts)

- A

Does taking many very long exposures wear or damage a sensor?

I am experimenting with some very long exposure times with very dark ND filters, like ten hour long exposures, on a 5D3.

Would taking photos like this on a consistent basis harm or damage the sensor? I'm assuming that the wear on the mirror and shutter is no more than a normal photo since they are just sitting there not moving. (Hopefully whatever mechanism holds the mirror open will not burn out or anything, right?)

But, I'm not sure if this may be detrimental to the sensor. If it is, then I would probably just shelve my curiosity and not bother.

Oh, and I do not have long exposure NR turned on. :o

Picture Profile specifically for Low light level video for a Canon 5d Mk 3 ?

Hi guys
Does anyone know of a picture picture profile specifically for Low light level video for a 5d Mk 3 ?
I'm always shooting in extreme low light situations where I cant get anymore light on the subject/surroundings.
(I film a lot of bands performing live on stage indoors so its a very dark environment)
Ive tried Prolost but even after tweaking in post it doesnt look any better than set to the Standard or Auto picture profiles built into the camera.
Thanks in advance.

W-E1/5DsR iOS utilities?

Just got my W-E1 for my 5DsR. No problem getting it working on a MacAir and my iPhone 5. Re iPhone apps, there is Canon's Camera Connect, and just noticed Cascable. Are there other apps to consider for remote shooting? Cascable has a free basic set, and then a pro bundle. Is the pro bundle worth it?

The biggest issues is the lack of depth of field preview on the mobile device and the inability to enlarge parts of the preview image for precise focusing. Any iPhone apps that can do that?

Preorder the New Tamron Lenses Now

HTML:
You can now preorder the recently announced lenses from Tamron.</p>
<p>Tamron 10-24mm f/3.5-4.5 Di II VC HLD $499: <a href="https://bhpho.to/2kfkdAH">B&H Photo</a> | <a href="https://www.adorama.com/tm1024veos.html?kbid=64393">Adorama</a> | <a href="https://mpex.com/tamron-10-24mm-f-3-5-4-5-di-ii-vc-hld-lens-canon.html?acc=3">MPEX*</a> (<em>Bonus <a href="https://mpex.com/peak-design-range-pouch-medium-charcoal.html?acc=3">Peak Design Range Pouch</a></em>)</p>
<p>Tamron SP 70-200mm f/2.8 Di VC USD G2 $1299: <a href="https://bhpho.to/2kkLnJ2">B&H Photo</a> | <a href="https://www.adorama.com/tm702002nk.html?kbid=64393">Adorama</a> | <a href="https://mpex.com/tamron-sp-70-200mm-f-2-8-di-vc-usd-g2-lens-canon.html?acc=3">MPEX*</a> (<em>Bonus <a href="https://mpex.com/tenba-dna-10-messenger-bag-graphite.html?acc=3">Tenba DNA 10</a> Messenger Bag</em>)</p>
<p><em>*Note: MPEX is offering bonus items if you preorder either of the new Tamron lenses. You do not need to add them to your cart, they will be shipped to you automatically. The MPEX bonus offer runs until February 12, 2017.</em></p>
<span id="pty_trigger"></span>

Tamron Announces the 10-24mm F/3.5-4.5 Di II VC HLD

HTML:
<em>Compact, high-performance lens boasts the largest focal length range in its class</em></p>
<p><strong>10-24mm F/3.5-4.5 Di II VC HLD (Model B023)</strong></p>
<p><em>February 6, 2017, Commack, NY</em> – Tamron, a leading manufacturer of optics for diverse applications, announces the launch of 10-24mm F/3.5-4.5 Di II VC HLD (Model B023), a new ultra-wideangle zoom lens for APS-C DSLR cameras. The lens is expected to be available in the U.S. this Spring at $499.</p>
<p>Model B023 is a wideangle zoom lens that covers an exceptionally large range—the largest focal length range in its class<sup class="green">1</sup> (35mm equivalent is 16mm to 37mm). The lens is ideal for street photography, landscapes, group photos and casual everyday scenes. In 2008, Tamron launched the SP AF 10-24mm F/3.5-4.5 Di II LD Aspherical [IF] (Model B001) that provided an unprecedented focal length range in its class. Building on that lens’s popularity, the successor Model B023 has improved optical performance and new features. It embodies Tamron’s most advanced technologies, including the VC (Vibration Compensation) system, Moisture-Resistant Construction and Fluorine Coating, and the first implementation of Tamron’s new HLD (High/Low torque modulated Drive). Additionally, the Model B023 has a refreshing new design derived from the design of the new product lineup in the SP series.</p>

		<style type='text/css'>
			#gallery-1 {
				margin: auto;
			}
			#gallery-1 .gallery-item {
				float: left;
				margin-top: 10px;
				text-align: center;
				width: 25%;
			}
			#gallery-1 img {
				border: 2px solid #cfcfcf;
			}
			#gallery-1 .gallery-caption {
				margin-left: 0;
			}
			/* see gallery_shortcode() in wp-includes/media.php */
		</style>
		<div id='gallery-1' class='gallery galleryid-28183 gallery-columns-4 gallery-size-thumbnail'><dl class='gallery-item'>
			<dt class='gallery-icon portrait'>
				<a href='http://www.canonrumors.com/wp-content/uploads/2017/02/tam1161.jpg'><img width="168" height="168" src="http://www.canonrumors.com/wp-content/uploads/2017/02/tam1161-168x168.jpg" class="attachment-thumbnail size-thumbnail" alt="" /></a>
			</dt></dl><dl class='gallery-item'>
			<dt class='gallery-icon landscape'>
				<a href='http://www.canonrumors.com/wp-content/uploads/2017/02/tam1161a.jpg'><img width="168" height="168" src="http://www.canonrumors.com/wp-content/uploads/2017/02/tam1161a-168x168.jpg" class="attachment-thumbnail size-thumbnail" alt="" /></a>
			</dt></dl><dl class='gallery-item'>
			<dt class='gallery-icon landscape'>
				<a href='http://www.canonrumors.com/wp-content/uploads/2017/02/tam1161c.jpg'><img width="168" height="168" src="http://www.canonrumors.com/wp-content/uploads/2017/02/tam1161c-168x168.jpg" class="attachment-thumbnail size-thumbnail" alt="" /></a>
			</dt></dl><dl class='gallery-item'>
			<dt class='gallery-icon landscape'>
				<a href='http://www.canonrumors.com/wp-content/uploads/2017/02/tam1161b.jpg'><img width="168" height="168" src="http://www.canonrumors.com/wp-content/uploads/2017/02/tam1161b-168x168.jpg" class="attachment-thumbnail size-thumbnail" alt="" /></a>
			</dt></dl><br style="clear: both" />
		</div>

<p><!--more--></p>
<p><strong>PRODUCT HIGHLIGHTS</strong></p>
<ol>
<li><strong>Inheriting the broadest focal length range in its class of ultra-wideangle zoom lenses</strong></li>
</ol>
<p>The new Model B023 achieves a broad focal length range of 10-24mm, the largest range among ultra-wideangle zoom lenses for APS-C DSLR cameras. This is the 35mm equivalent of covering a very wideangle of view, from 16mm ultra-wideangle to 37mm semi-wideangle. A photographer can enjoy diverse wideangle expressions with just this one lens, from dynamic landscapes far beyond the normal human field of vision to simple, casual snapshots.</p>
<ol start="2">
<li><strong>Improved optical performance across the entire zoom range</strong></li>
</ol>
<p>The optical design of the new Model B023 consists of 16 lens elements in 11 groups. Special lens elements are utilized in an optimum configuration of one LD (Low Dispersion) lens element, one XLD glass element, one molded glass aspherical element, and one hybrid aspherical lens. While curbing an increase in the size of the optical system, the new lens very effectively compensates for a wide variety of aberrations in the entire zoom range, including transverse chromatic aberration, comatic aberration and distortions that tend to become more prominent with a wideangle lens.</p>
<p>Tamron’s highly regarded BBAR (Broad-Band Anti-Reflection) Coating and the optical design paying close attention to internal reflections in the lens barrel also curb the effects of harmful light rays that tend to occur with a wideangle lens, achieving excellent resistance against ghosting and flare seen in backlighting situations.</p>
<ol start="3">
<li><strong>4-Stop Vibration Compensation that is especially useful in low light conditions</strong></li>
</ol>
<p>In response to the requests of many customers who have asked the company to equip a wideangle lens with image stabilization, we have now installed Tamron’s acclaimed VC (Vibration Compensation) on the new Model B023. Optimizing the actuator and the control algorithm has made it possible to incorporate the VC, while maintaining the compact design of the previous Model B001. The VC especially enhances the photographer’s freedom in handheld shooting at dusk or in a dimly lit room, and under other relatively low light conditions, as the mechanism proves particularly effective in the shooting conditions with slower shutter speeds.</p>
<ol start="4">
<li><strong>Equipped for the first time with the new HLD with outstanding driving power and stability</strong></li>
</ol>
<p>Tamron’s new HLD (High/Low torque modulated Drive) has been developed for use as the AF drive system for Model B023. With its outstanding driving power and stability, the HLD is capable of smoothly controlling the AF mechanism of the new Model B023 that is actually equipped with large focusing lens elements. When shooting in AF mode, the Full-time Manual Focus override allows you to instantly make fine focusing adjustments manually, without having to switch between modes.</p>
<ol start="5">
<li><strong>Compressed into a compact body with structural ingenuity</strong></li>
</ol>
<p>While enhancing image quality, adding new functions and substantially improving the basic performance, Model B023’s space-saving design has ensured an optimum configuration for components such as the VC and AF unit, thus successfully reducing overall length compared to the previous Model B001. The lightweight and compact body with outstanding ease of use will prove to be very well-balanced when attached to an APS-C DSLR camera.</p>
<ol start="6">
<li><strong>An even more user-friendly lens with Fluorine Coating and Moisture-Resistant Construction</strong></li>
</ol>
<p>The front surface of the foremost lens element is coated with a protective fluorine compound that is water- and oil-repellant. The lens surface is easier to wipe clean and is less vulnerable to the damaging effects of dirt, dust, moisture and fingerprints, allowing for much easier maintenance. For greater protection when shooting outdoors, leak-proof seals throughout the lens barrel help protect your equipment.</p>
<ol start="7">
<li><strong>Electromagnetic diaphragm system now used also for Nikon-mount lenses</strong></li>
</ol>
<p>An electromagnetic diaphragm system, which has been a standard feature for Canon-mount lenses, is now employed in Nikon-mount lenses<sup class="green">2</sup>. More precise diaphragm and aperture control is possible because the diaphragm blades are driven and controlled by a motor through electronic pulse signals.</p>
<ol start="8">
<li><strong>Compatible with TAMRON TAP-in Console</strong><strong><sup>TM</sup></strong><strong>, an optional accessory product</strong></li>
</ol>
<p>The optional TAP-in Console provides a USB connection to your personal computer, enabling you to easily update your lens’s firmware as well as customize features including fine adjustments to the AF and VC.</p>
<ol start="9">
<li><strong>External design placing importance on functionality and ease of use</strong></li>
</ol>
<p>While inheriting the design that makes use of a lot of organic curves and the delicately polished form down to fine details that characterize the SP lens series, the new Model B023 comes with a highly sophisticated design that also places much importance on the lens’s functionality and ease of use, featuring an overall form that faithfully encompasses the internal structures within, a slim Luminous Gold brand ring, the switch shape and the distance-scale window design.</p>
<p><span class="green">1. Among ultra-wideangle zoom lenses for APS-C DSLR cameras (As of January, 2017; Tamron)</span></p>
<p><span class="green">2. Available only with cameras compatible with the electromagnetic diaphragm (D3100, D3200, D3300, D3400, D5000, D5100, D5200, D5300, D5500, D5600, D7000, D7100, D7200, D300, D300s) (As of January, 2017; Tamron)</span></p>
<p><strong>Tamron 10-24mm f/3.5-4.5 Di II VC HLD $499: <a href="https://bhpho.to/2kfkdAH">B&H Photo</a> | <a href="https://www.adorama.com/tm1024veos.html?kbid=64393">Adorama</a> | <a href="https://mpex.com/tamron-10-24mm-f-3-5-4-5-di-ii-vc-hld-lens-canon.html?acc=3">MPEX*</a> (<em>Bonus <a href="https://mpex.com/peak-design-range-pouch-medium-charcoal.html?acc=3">Peak Design Range Pouch</a></em>)</strong></p>
<span id="pty_trigger"></span>

Tamron Announces the SP 70-200mm F/2.8 Di VC USD G2

HTML:
<em>All-new optical design delivers a dramatically faster autofocus speed and image stabilization performance of 5 stops</em></p>
<p><strong>SP 70-200mm F/2.8 Di VC USD G2 (Model A025)</strong></p>
<p><em>February 6, 2017, Commack, NY</em> – Tamron, a leading manufacturer of optics for diverse applications, announces the launch of SP 70-200mm F/2.8 Di VC USD G2 (Model A025), a new telephoto zoom lens product for full-frame and APS-C DSLR cameras. Model A025 was developed by substantially enhancing the features of its predecessor.</p>
<p>These include a thorough review of the optical, mechanical and electronic designs to increase autofocus speed and precision, reinforce VC (Vibration Compensation) functions and to shorten the MOD. New features include eBAND Coating, Moisture-Proof and Dust-Resistant Construction, Fluorine Coating and compatibility with teleconverters. The lens design features a metal-based barrel for improved handling and ease-of-use. The result of this dramatic evolution is Model A025, a high-speed telephoto lens that widens the scope of expression for photography in a broad range of genres, such as portraits, landscapes, sports and photojournalism. The lens is expected to be available in the U.S. in March at $1299.</p>

		<style type='text/css'>
			#gallery-1 {
				margin: auto;
			}
			#gallery-1 .gallery-item {
				float: left;
				margin-top: 10px;
				text-align: center;
				width: 25%;
			}
			#gallery-1 img {
				border: 2px solid #cfcfcf;
			}
			#gallery-1 .gallery-caption {
				margin-left: 0;
			}
			/* see gallery_shortcode() in wp-includes/media.php */
		</style>
		<div id='gallery-1' class='gallery galleryid-28175 gallery-columns-4 gallery-size-thumbnail'><dl class='gallery-item'>
			<dt class='gallery-icon landscape'>
				<a href='http://www.canonrumors.com/wp-content/uploads/2017/02/tam1159.jpg'><img width="168" height="168" src="http://www.canonrumors.com/wp-content/uploads/2017/02/tam1159-168x168.jpg" class="attachment-thumbnail size-thumbnail" alt="" /></a>
			</dt></dl><dl class='gallery-item'>
			<dt class='gallery-icon landscape'>
				<a href='http://www.canonrumors.com/wp-content/uploads/2017/02/tam1159a.jpg'><img width="168" height="168" src="http://www.canonrumors.com/wp-content/uploads/2017/02/tam1159a-168x168.jpg" class="attachment-thumbnail size-thumbnail" alt="" /></a>
			</dt></dl><dl class='gallery-item'>
			<dt class='gallery-icon landscape'>
				<a href='http://www.canonrumors.com/wp-content/uploads/2017/02/tam1159c.jpg'><img width="168" height="168" src="http://www.canonrumors.com/wp-content/uploads/2017/02/tam1159c-168x168.jpg" class="attachment-thumbnail size-thumbnail" alt="" /></a>
			</dt></dl><dl class='gallery-item'>
			<dt class='gallery-icon landscape'>
				<a href='http://www.canonrumors.com/wp-content/uploads/2017/02/tam1159d.jpg'><img width="168" height="168" src="http://www.canonrumors.com/wp-content/uploads/2017/02/tam1159d-168x168.jpg" class="attachment-thumbnail size-thumbnail" alt="" /></a>
			</dt></dl><br style="clear: both" />
		</div>

<p><!--more--></p>
<p><strong>PRODUCT HIGHLIGHTS</strong></p>
<ol>
<li><strong>Outstanding resolution and contrast reproduction performance, beautiful <em>bokeh </em>and full compatibility with Tamron teleconverters</strong></li>
</ol>
<p>Based on the current model (A009), the optical design has been revised and improved. Both the resolution and contrast reproduction performance far exceed the present levels. <em>Bokeh</em> has been enhanced and expanded to deliver outstanding background effects across the entire zoom range. Use of a circular diaphragm with nine blades further improves <em>bokeh</em>. The optical design of the new A025 consists of 23 elements in 17 groups. Optimum deployment of XLD (eXtra Low Dispersion) and LD (Low Dispersion) glass elements thoroughly eliminate chromatic aberrations, which tend to become particularly prominent in high-speed telephoto lenses, across the entire zoom range, while ensuring uniform, high-level image quality even on the periphery of the image plane.</p>
<p>The new lens is also fully compatible with the TELECONVERTER 1.4x (Model TC-X14) and TELECONVERTER 2.0x (Model TC-X20)<sup class="green">1</sup>, which increase the focal length of the lens to 1.4 times and 2 times the original, respectively. Both teleconverters are carefully designed and constructed to provide outstanding high quality.</p>
<p>Changes in zoom range when used with SP 70-200 mm F/2.8 Di VC USD G2 (Model A025)</p>
<table class="contentTable">
<tbody>
<tr>
<td width="126"></td>
<td width="156">Mounted on full-frame DSLR camera</td>
<td width="170">Mounted on APS-C format DSLR camera</td>
</tr>
<tr>
<td width="126">Without tele converter</td>
<td width="156">70-200mm</td>
<td width="170">Approx. 109-310mm</td>
</tr>
<tr>
<td width="126">With 1.4x tele converter<span class="green"><sup>*2</sup></span></td>
<td width="156">98-280mm</td>
<td width="170">Approx. 152-434mm</td>
</tr>
<tr>
<td width="126">With 2.0x tele converter<span class="green"><sup>*2</sup></span></td>
<td width="156">140-400mm</td>
<td width="170">Approx. 217-620mm</td>
</tr>
</tbody>
</table>
<p>Changes in magnification ratio when used with SP 70-200mm F/2.8 Di VC USD G2 (Model A025)</p>
<table class="contentTable">
<tbody>
<tr>
<td width="126"></td>
<td width="156">Maximum Magnification Ratio</td>
</tr>
<tr>
<td width="126">Without tele converter</td>
<td width="156">1:6.1</td>
</tr>
<tr>
<td width="126">With 1.4x tele converter</td>
<td width="156">1:4</td>
</tr>
<tr>
<td width="126">With 2.0x tele converter</td>
<td width="156">1:3</td>
</tr>
</tbody>
</table>
<p>Available focusing mode when used with SP 70-200mm F/2.8 Di VC USD G2 (Model A025)</p>
<table class="contentTable">
<tbody>
<tr>
<td width="126"></td>
<td width="156">When using viewfinder</td>
<td width="170">When using live view mode</td>
</tr>
<tr>
<td width="126">With 1.4x teleconverter</td>
<td width="156">AF Possible</td>
<td width="170">AF<sup class="green">*2</sup> Possible</td>
</tr>
<tr>
<td width="126">With 2.0x teleconverter</td>
<td width="156">AF Possible</td>
<td width="170">AF<span class="green"><sup>*3 </sup></span>Possible</td>
</tr>
</tbody>
</table>
<ol start="2">
<li><strong>Improved VC system provides highest Vibration Compensation ability in its class<sup class="green">3</sup> (5 stops using CIPA standard compliant) and offers three situation-specific VC modes</strong></li>
</ol>
<p>Utilizing Tamron’s original VC (Vibration Compensation) system, which uses a moving coil mechanism, further reinforcement of the drive system power and control performance has now achieved the highest VC level in its class, with an image stabilization performance of 5 stops according to the CIPA standard (using VC Mode 3).</p>
<p>Also, the VC system of Model A025 offers three VC modes, including one mode exclusively for panning. Photographers can freely choose between the different VC modes according to their shooting conditions. Even when telephoto shooting in low light, which tends to be severely affected by camera shake, photographers can now enjoy jitter-free handheld shooting with much greater flexibility.</p>
<ul>
<li><strong>VC MODE 1 </strong>is the standard mode that strikes a great balance between the stability of the viewfinder image and the stabilization effects.</li>
<li><strong>VC MODE 2</strong> is exclusively used for panning.</li>
<li><strong>VC MODE 3 </strong>prioritizes the stabilization of the captured images and forgoes the stabilization of the viewfinder image.</li>
</ul>
<p>With the optional accessory TAMRON TAP-in Console<strong><sup>TM</sup></strong>, you can customize the configuration of VC MODE 1. Choose the viewfinder view of either standard or image priority.</p>
<ol start="3">
<li><strong>Demonstratively improved autofocus speed and responsiveness</strong></li>
</ol>
<p>Model A025 is equipped with a USD (Ultrasonic Silent Drive) ring-type ultrasonic motor, whose outstanding responsiveness and control ensures accurate high-speed focusing. Incorporating two advanced, high-performance microcomputers and optimizing the algorithm has improved both the focusing speed and accuracy compared with SP 70-200mm (Model A009). Additionally, thanks to the Full-time Manual Focus override mechanism, photographers shooting with AF can instantaneously make fine focusing adjustments using MF without wasting time by switching the AF-MF mode back and forth.</p>
<ol start="4">
<li><strong>Focuses closer (shorter Minimum Object Distance, or MOD) for greater versatility</strong></li>
</ol>
<p>Improvements made to the focus cam and zoom cam inside the lens barrel have reduced the MOD from 50.7 inches in the older Model A009 to 37.4 inches for Model A025, which has a maximum magnification ratio of 1:6.1. The shorter MOD, coupled with the excellent optical performance of the SP 70-200mm (Model A025), allows photographers to further broaden their range of expression.</p>
<ol start="5">
<li><strong>Optimized and exclusively designed eBAND Coating</strong></li>
</ol>
<p>The new A025 features Tamron’s original eBAND (Extended Bandwidth & Angular-Dependency) Coating, a technology that combines a nano-structured layer with an extremely low refractive index with the conventional multiple-layer coatings. Optimized and exclusively designed for this new zoom, the eBAND Coating provides superior anti-reflection performance, effectively reducing any flare and ghosting. Even when taking backlit portraits, the new lens delivers flawless, crystal clear images.</p>
<ol start="6">
<li><strong>Moisture-Proof and Dust-Resistant Construction</strong></li>
</ol>
<p>Ideal for use in outdoor photography, the new 70-200mm telephoto zoom has moisture-resistant construction because special sealants that are dust-resistant and moisture-resistant are used at every joint and seam. The sealant material helps to prevent the intrusion of any dirt, dust or water droplets, compared to conventional Moisture-Resistant Construction.</p>
<ol start="7">
<li><strong>Fluorine Coating for greater protection</strong></li>
</ol>
<p>The front surface of the lens element is coated with a protective fluorine compound that is water- and oil-repellant. The lens surface is easier to wipe clean and less vulnerable to the damaging effects of dirt, dust, moisture and fingerprints.</p>
<ol start="8">
<li><strong>Electromagnetic diaphragm system now used also for Nikon-mount lenses</strong></li>
</ol>
<p>An electromagnetic diaphragm system, which has been a standard feature for Canon-mount lenses, is now available for Nikon-mount lenses<sup class="green">4</sup>. More precise diaphragm and aperture control is possible because the diaphragm blades are driven and controlled by the motor through electronic pulse signals.</p>
<ol start="9">
<li><strong>Lightweight and easy-to-hold tripod mount is compatible with Arca-Swiss style quick release plates</strong></li>
</ol>
<p>A new textured grip and Arca-Swiss style tripod interface enhances both speed and utility. Because the tripod mount is made of lightweight magnesium, it is much easier to carry.</p>
<ol start="10">
<li><strong>Compatible with TAMRON TAP-in Console</strong><strong><sup>TM</sup></strong><strong>, an optional accessory product</strong></li>
</ol>
<p>The optional TAP-in Console provides a USB connection to a personal computer, enabling users to easily update the lens firmware as well as customize features, including fine adjustments to the AF and VC.</p>
<ol start="11">
<li><strong>Based on the rigorous quality standards worthy of the SP series, this new lens is manufactured with a thorough attention to details</strong></li>
</ol>
<p>For the SP series products in particular, Tamron has established rigorous design and quality standards. These standards apply to the optical design, mechanical design and the cosmetic appearance, as well as to such wide-ranging areas as the product’s robustness and improvements in the various individual functions. Tamron thoroughly reviews all of the design and manufacturing processes in order to offer products to customers with even-higher levels of precision and quality.</p>
<p>For the SP 70-200mm G2 (Model A025), the optical design was refreshed, mechanical parts were improved and a new exterior design was adopted. To maximize the optical performance intrinsic to this product, Tamron improved the accuracy of the component parts and increased the precision of the overall zooming mechanism.</p>
<p><span class="green">1. For more detailed information about teleconverters, please refer to the Tamron website.</span></p>
<p><span class="green">2. Subjects with low contrast and/or luminosity values can sometimes result in out-of-focus images.</span></p>
<p><span class="green">3. Among 70-200mm F/2.8 interchangeable lenses for full-frame DSLR cameras (as of January, 2017; Tamron)</span></p>
<p><span class="green">4. Available only with cameras compatible with the electromagnetic diaphragm (D3100, D3200, D3300, D3400, D5000, D5100, D5200, D5300, D5500, D5600, D7000, D7100, D7200, D300, D300s, D600, D610, D700, D750, D800, D800E, D810, D810A, D3x, D3s, D4, D4s, Df, D500, D5). (As of January, 2017; Tamron)</span></p>
<p><strong>Tamron SP 70-200mm f/2.8 Di VC USD G2 $1299: <a href="https://bhpho.to/2kkLnJ2">B&H Photo</a> | <a href="https://www.adorama.com/tm702002nk.html?kbid=64393">Adorama</a> | <a href="https://mpex.com/tamron-sp-70-200mm-f-2-8-di-vc-usd-g2-lens-canon.html?acc=3">MPEX*</a> (<em>Bonus <a href="https://mpex.com/tenba-dna-10-messenger-bag-graphite.html?acc=3">Tenba DNA 10</a> Messenger Bag</em>)</strong></p>
<span id="pty_trigger"></span>

Samyang Announce the XEEN 20mm T1.9 Cinema Lens

HTML:
<p><strong>February 6th, 2017, Seoul, South Korea</strong> – A global optics brand Samyang Optics (http://www.samyanglensglobal.com) announces a new XEEN 20mm T1.9 lens for professional video-cine. This lens brings the range of XEEN cinema lenses to eight and complements the existing lenses: 14mm, 16mm, 24mm, 35mm, 50mm, 85mm and 135mm. The new XEEN 20mm offers outstanding image quality from resolving power for 4K+ production for filming video and cinema.</p>
<p>XEEN is a specialized brand of professional video-cine lenses launched by Samyang Optics in 2015. The XEEN series are designed for the ultra-high definition video environment and feature outstanding optical performance for 4K and above. The lenses also feature X-Coating Technology and 11 aperture blades that help create beautiful and round bokeh to introduce emotional and natural expression.</p>
<p>The 24mm x 36mm negative size allows XEEN lenses to not only work with full frame cameras, but also Super 35, APS-C, APS-H and APS-P cameras. XEEN lenses are available in five different mounts – PL, EF, F, E, and MFT and two different focus scales – metric and imperial units. All focus and iris gear rings are identically positioned among eight lenses to speed up the lens changes.</p>
<span id="pty_trigger"></span>

Cameras at the Super Bowl.

While I expected more Canon cameras to be visible after the bowl ended, I was shocked to see only one Gold Ring (Nikon Lens). Red ring lenses by the dozen, Nikon produces excellent cameras, so why weren't their more? Was Canon there handing them out? I did not see Sony DSLR's, but I assume that there were a significant number of video cameras from Sony. Even there, they often use Canon 4K broadcast lenses.

Canon 600 f4L IS II with Multiple Extenders

The 58th Presidential Inauguration

Photographed from 1/2 mile of swearing in ceremony at 4th Street & Independence Avenue

Note: Not a usual configuration of my 600. This was a special project. Demonstrating the use of multiple extenders in series.

Weather conditions: cloudy, light drizzle, atmospheric heat convection waves

Photo 1: 35mm + Canon 6D
INAUGURATION%209.jpg


Photo 2: 600 f4L IS II + 2xIII + 2xII + 5D Mark IV
INAUGURATION%2010.jpg


Photo 3: Crop of photo 2
INAUGURATION%208.jpg

Canon on 250MP APS-H Sensor Plans (again)

Vladimir Koifman's blog brought to my attention this brief, but very clear message from CANON where they plan to use their 250MP baby APS-H CMOS sensor.

Please note 5 fps of 1/120 part of the sensor's area is needed for FulllHD resolution.

As the first comment stated "How can any APS-H format lens possibly provide enough resolution for this sensor?"

My take - they go for the
"surveillance and industry implementation"
just because, there's no good enough image CPU, lenses and good computer tech for efficient exploitation of this tech for the photographers market to be offered.

Last time we've heard about this little monster was exactly one year ago.

Sony Worldwide Camera Sales Going Down

According to this article the latest reports Sony camera sales are down from 1.8 to 1.6 Million units. It’s really a big drop resulting approx 9.6% revenue decrease.

But the good news is sensors demand is up all time by 40% which is due to high demand of image sensors in smartphone units.

IMHO one reason could be the Sony Kumamoto Fab after April 2016 Earthquake

Sony also announces a realignment of its business segments. All image sensor R&D teams, including CineAlta sensors, are moved into Semiconductor group.

Attachments

  • Sony Kumamoto Damage 2016.jpg
    Sony Kumamoto Damage 2016.jpg
    50.7 KB · Views: 1,278

Can canon release the c100 mk3 that needs to be released

What is to become of the c300 mk2 once the c100 mk3 is released. How will canon cripple the c100mk3 to keep their lineup in order? I was really looking forward to 4k in the c100 mk3 as I own a 1dx mk2 but Id like a 4k camera with a clean 4k hdmi out and no crop factor or the choice of a crop as well as 60fps. 30fps 4k is a no go. Will sony's a7r iii and a7s iii force canon to not cripple the c100 mk3 as long as they dont catch on fire or melt from 4k 60fps.

Further Confirmation of EOS 77D, EOS Rebel T7i & New Kit Lens for CP+

HTML:
We <a href="http://www.canonrumors.com/canon-eos-77d-coming-soon-cr2/">reported back in December</a> that we would be seeing an EOS 77D and EOS Rebel T7i announced ahead of either CES or CP+. We expect to see these two cameras announced in the coming week.</p>
<p>Below is further confirmation from NokiS___a.</p>
<p><strong>Canon EOS 77D </strong>(Replacement for T6s)</p>
<ul>
<li>Body · 18-55mm kit · 18-135mm IS USM kit</li>
<li>SKU: 1892C001</li>
<li>Product name in Japan is not confirmed</li>
</ul>
<p><strong>Canon EOS Rebel T7i </strong>(Replacement for T6i)</p>
<ul>
<li>Body · 18-55mm kit · 18-135mm IS STM kit</li>
<li>SKU: 1894C001</li>
<li>Product name in Japan is unconfirmed (Kiss X9i?)</li>
</ul>
<p><strong>Canon EF-S 18-55mm f/4-5.6 IS STM</strong></p>
<ul>
<li>SKU: 1620C001</li>
<li>Formal product name is unconfirmed (only focal length and F value and STM confirmed)</li>
</ul>
<p><strong>Canon BR-E1</strong></p>
<ul>
<li>SKU: 2140C001</li>
<li>Remote controller?</li>
</ul>
<span id="pty_trigger"></span>

WARNING - THE DISASTER THAT IS YONGNUO 600EX - (FIRST VERSION)

Last night I brought 2 flashes to a club, the trusty canon 580ex2 and my back up, the disaster that is the yn 600 ex. I was shooting people etc and someone waved their arm accidently and bashed into my 580 ex2, ripping the bottom half below the AF lights. , wires hanfing everywhere etc. I panicked but thought ok, i have my back up.

Stuck on the YN600 and away I went, for 5 minutes! After that the battery indicator started flashing batteries empty, so ok, i was shooting for 2 hours, even though they were fully charged, i stuck in a fresh pair. After 5-10 minutes, she died. I had to switch it on and back on again and I could only do that a few times before she REALLTY died. Jesus could raise Lazarus, but asking him to resurrect a YN600 might be asking too much.

So, i had to find a way of fixing my broken 580ex2. Luckily I had a mini screwdriver set and began to try and reassemble the bottom half back to the top. The washers were missing so I had the 4 scrrews. I re attatched the white panel back into the slot, managed to temporarily get the 4 screws back in and voila, she worked, but on and off, but it was something to get me through the night.

I am resolutely pissed off at Yongnup right now. I can't afford a canon 600 flash, but the other question I need to ask is,

Is there another alternative to the Canon 600 that has a powerful AF assist light to work in low light situations?

Thanks.

Cover glass for 5D4 touch-screen?

Dear Friends: I sometimes bang around my gear a bit harder than I would like, and it has been my custom always to keep a high-quality multilayer cover-glass affixed to the rear LCD -- a cover-glass of the Giotto or Vello sort, though not always those brands. This has worked out extremely well.
Does anyone have reliable experience and/or authoritative literature on such covers for the touch-screen 5D4?
Thank you for your time and advice.

What were your first Canons? Analog and or digital?

After seeing a picture of Neuro's first camera on the M6 thread, I started thinking about what were my first cameras, well, Canon to make it relevant for this site.

My parents had a Kodak Starmatic which I played with and possibly took apart which probably led to them owning an Instamatic thereafter with flash cubes.

I always wanted an AE-1 as a teenager but instead got a Vivitar 220 SL. Followed by my only Nikon, the EM. Then there was a long period during school where I didn't own anything and shot with school medium formats cameras until I got my first Canon...a Powershot Ixus/Elph S100 in 2000 followed by the ubiquitous 300D in 2003.

Funny, I had digital Canons before owning any film Canons. (EOS 3 and 5, Elan 7 & Elan 7e)

Attachments

  • datasheet_2098_datasheet_image1.gif
    datasheet_2098_datasheet_image1.gif
    172.9 KB · Views: 954
  • 500px-Eos_300d_v_sst.jpg
    500px-Eos_300d_v_sst.jpg
    48.5 KB · Views: 945
  • Unknown.jpeg
    Unknown.jpeg
    6.5 KB · Views: 933

Yes, this happened: I became a FF snob

I have very much enjoyed my M5, tooling around with it in the past couple of weeks. I think it's 80 percent there, and has already supplanted my 7D2 on many photo missions.

But in analyzing the results from it, I've been disappointed with the low light performance and grain. I finally figured out what happened: I've been using the 5D4 for a few months, and I've gotten used to the full frame image quality (and the 5D4's in particular), and now a crop sensor that is every bit as good and then some as my 7D2 is looking ragged. It's quite unfair to the M5, I realize in retrospect. I'm seriously considering selling the 7 series to start a fund for a 5D4 backup body. I have the 1.4x TC III glued to the 5D4, so the crop factor isn't much of a big deal.

The very good f/8 autofocusing made the world turn upside down, allowing the negation of the crop advantage of the 7D2, especially coupled with the significantly higher number of pixels. The only thing I miss now is the 10 frames per second.

I used to think I needed a full frame body and also a crop body for distance-limited photography, such as wildlife. Now I think I need the full frame and another full frame attached to a teleconverter.

Sigma Art lenses vs. Canon firmware update

Hello everybody.
We all know that new Sigma Art lenses being incredible pieces of engineering art just don't work on Canon's body as they should. As far as I know Nikon cameras don't have such a problem.
Does anybody know if it's made particularly to annoy Sigma and force customers to buy genuine Canon lenses or Sigma just doesn't know any Canon's technologies to make their lenses fit properly?

And the second question, if you don't mind :)
What would you recommend in case of using Sigma Art lenses after all: to use older Canon firmware (altogether with the newest ones in Sigma lenses) or vice versa, the newest ones? Or it doesn't make sense at all and every firmware had, is having and will have these autofocus issues?
Sorry if this question had already been asked, but I couldn't find such a topic here.
Many thanks :)

Filter

Forum statistics

Threads
37,480
Messages
975,426
Members
24,816
Latest member
GLBDD

Gallery statistics

Categories
1
Albums
29
Uploaded media
372
Embedded media
1
Comments
25
Disk usage
1 GB