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There Will be a 4K 5D Camera [CR2]

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<p>A good source is quite sure that <em>“there will be a 5D camera that shoots 4K video”</em>. The specifications of the video features are unknown, along with any other specifications for the camera.</p>
<p>The source was quite sure that an announcement for the next 5D will not come before the EOS-1D X Mark II begins shipping, which we’re told will definitely happen in April. There won’t be an overlap like there was with the EOS-1D X and EOS 5D Mark III roll out.</p>
<p>More to come…</p>
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Patent: Moving the Sensor to Improve Contrast AF

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<p><a href="http://www.canonrumors.com/wp-content/uploads/2016/02/sensor_move.gif" rel="attachment wp-att-24927"><img class="aligncenter size-full wp-image-24927" src="http://www.canonrumors.com/wp-content/uploads/2016/02/sensor_move.gif" alt="sensor_move" width="297" height="145" /></a></p>
<p>Canon has filed a patent that shows the sensor moving to improve contrast AF, as you can see in the image above from Northlight Images, the sensor moves back and forth.</p>
<p><a href="http://www.northlight-images.co.uk/cameras/Canon_rumours.html" target="_blank">From Northlight</a></p>
<blockquote><p>Note the flexing element (blue) below the sensor (red), which bends to move the sensor part back and forth</p></blockquote>
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What extender for Canon 500mm F4 IS L II ?

Hello everyone!

I wonder if someone can help me in this decision.

I am going to to buy the Canon 500mm F4 IS L II and also a teleconverter to be able to improve my focal distance.

I´m a wildlife photograhper so distance is always a big thing. The perfect lens probably would be a 600mmm, or a 800mm, but I have not the budget for thems. I do have for the 500mm

I had the previous 500mm (version 1) and just loved the lens. But sometimes do feel short. I had also a 2x teleconverter from kenko but never convinced me so it was really rare to use.

My doubt here is what to buy, the 1,4x III teleconverter or the 2x III teleconverter

- 1.4X is better in quality, as i seen in posts doesn´t loose so much detail in photos as the 2x does. But does it really justifies having "only" a 1.4x? It gives you an importan gain in distance?

- 2x really gives you a significant improve in distance, you get a 1000mm and in 7D markII give´s me about 1600mm witch is insane! However i am really worried about posts that saying you loose a lot of detail. Just dont want that...

I now, i now, there are not perfect solutions, but that concerns me...So i was looking for some advice of someone that really have the field experience with these combos. With the 500 F4 II or another telephoto lens II (400mm or 600mm.

I am going to the north pole in June, and there especially the polar bears can be quite in a distance, so the 2x is the preference...but if it takes a lot quality in image can be better to have a 1.4 and make a small crop?

I think its important to refer that i dont care with internet quality, i DO care about print quality

Hope you can help me on this one, i am really confused... :)
Thank very much!

Portrait lenses: Canon vs. Pentax 645d/z?

Hello guys! For those of you who use Pentax 645d or 645z along with your Canon to shoot outdoor portraits, what do you think about the image/bokeh quality produced by lenses for 645 system? I got some idea from the article by CR member Chris Giles (wockawocka) http://chrisgilesphotography.com/blog/pentax-645z-review-pt3-ccd-vs-cmos/ but I want to hear some other opinions as well, especially in relative comparison to Canon 85 f1.2, 135 f2 and 200 f2.0. Thank to you all.

Sigma on a Roll (new cameras)

Sigma has announced two new cameras and a new flash.

http://www.bhphotovideo.com/explora/photography/news/unveiled-sigma-sd-quattro-mirrorless-cameras-and-ef-630-flash?utm_medium=Email%201607195&utm_campaign=NewAnnouncement&utm_source=MultiBrands%20160223&utm_content=Explora&utm_term=sigma-sd-quattro-and-quattro-h-article

The SD Quattro cameras with apps-c and - H foveon sensors are for still photography and have some interesting ergonomics. The new flash will have a Canon compatible version.

The Next DSLR from Canon Will Be...

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<p>…. we don’t know.</p>
<p>We knew well in advance that the EOS-1D X Mark II was coming, and knew after that announcement that we’d get the EOS 80D. What’s coming next is currently unknown. Which tells us, there is nothing on the immediate horizon.</p>
<p>The next big show will be NAB 2016 in Las Vegas, Nevada starting on April 16, and we expect a few Cinema EOS announcements, but not a DSLR announcement.</p>
<p>We know that the replacement for the EOS 5D Mark III is likely the most highly anticipated Canon imaging product. We don’t think Photokina in September is when the camera will be announced either. We think that show will be used by Canon to show off their new EOS M line of products and perhaps the EOS 6D Mark II. We also don’t think that the EOS 6D Mark II will be announced before an EOS 5D Mark III replacement.</p>
<p>This leaves us with part of April, May and June for an announcement. Nothing ever happens in July and August as far as major product announcements. We are hearing nothing concrete about any other DSLR outside of what has been recently announced.</p>
<p>Going back to NAB, if they do decide to announce a DSLR for that show, it has to shoot 4K video or the poor folks at the Canon booth will be in for a very long week.</p>
<p>I wish I had something of value to post, but I figured I’d address the many questions I receive in a post.</p>
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Canon Unveils Biggest Presence Ever at The Photography 2016 Show

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<p><strong>United Kingdom, Republic of Ireland, 24th February 2016</strong> – Canon will be back at The Photography Show in March with its biggest, most engaging stand to date. For the first time Canon will be premiering its very own Live Stage, hosting live and insightful talks from world renown, industry leading photographers and videographers. Canon will also be showcasing the recently announced EOS 1D-X Mark II, demonstrating its awesome power and speed along with a host of award winning products.</p>
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Across the course of the show, Canon’s first ever Live Stage will feature professional Canon photographers including the likes of wildlife photography expert Andy Rouse, leading filmmaker Simeon Quarrie and international photographersLara Jade and Christian Anderl. They will take visitors on an inspiring journey through their photography experiences and share how Canon products have allowed them to take their passion to a professional level.</p>
<p>Experts from Canon’s Professional Services (CPS) team will be on hand throughout the show, offering advice and tips to pros and those looking to take their photography to the next level.</p>
<p>Canon’s largest Photography Show stand yet will also be chocked full of brand new products such as the new EOS 80D and the PowerShot G7 X Mark II.Plus visitors will be able to witness Canon’s range of PIXMA and large format printers including the new A2 inkjet printer, the imagePROGRAF PRO-1000.</p>
<p>Plus Canon is giving people the chance to be part of its show experience, offering lucky fans on its social media pages the chance to win tickets to the show and have their image displayed on the Canon stand. To find out more visit Canon on Facebook and Twitter.</p>
<p>Come and see Canon at The Photography Show from 19th – 22nd March 2016 at Stands D141 and E131.</p>
<p>More information on Canon’s complete presence at The Photography Show 2016 can be found <a href="http://www.photographyshow.com/exhibitors/canon-uk-ltd" target="_blank">here</a>.</p>
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1DX Mk II Australian Price

Hi all :)

Im a bit irritated watching the Aus price of the 1DX mk II. Teds had it for A$9000 but has now changed it to A$9500 because you get a 'bonus' CFast card and reader for 'Free'... Digidirect is still to announce prices but other shops looks to be A$9500 too...

Whats irritating is the Nikon D5 is A$9000 which is cheaper than the Canon even though the Canon is US$500 cheaper?!?!

Anyone know why we are getting ripped so bad?

Sigma Announces Two New Mirrorless Cameras: Sigma sd Quattro and sd Quattro H

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<em>Interchangeable lens APS-C and APS-H Foveon Quattro sensors in state-of-the-art camera systems</em></p>
<p><strong>KANAGAWA, JAPAN — February 23, 2016 — </strong><a href="http://sigma.cmail20.com/t/r-l-vuduthk-dkikkkllld-e/" target="article-null"><strong>Sigma Corporation of America</strong></a>, a leading camera, DSLR lens, flash and accessories manufacturer, today announced the new high-performance, compact <a href="http://sigma.cmail20.com/t/r-l-vuduthk-dkikkkllld-s/" target="article-null"><strong>Sigma sd Quattro</strong></a> and <a href="http://sigma.cmail20.com/t/r-l-vuduthk-dkikkkllld-g/" target="article-null"><strong>Sigma sd Quattro H</strong></a> mirrorless camera systems with Foveon Quattro sensors. The Sigma sd Quattro features an APS-C sized sensor and the Sigma sd Quattro H touting a larger APS-H sized sensor for even greater image quality. Thanks to the mirrorless aspect of the cameras, both the sd Quattro and sd Quattro H are designed to take full advantage of all Sigma Global Vision lenses.</p>
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<p><em>“With the introduction of these two new cameras, Sigma continues its rich history of innovation. The Foveon sensor is renowned for its imaging characteristics, and the mirrorless interchangeable format offers photographers the full line of Sigma Global Vision lenses to help realize their creative visions,”</em>stated Mark Amir-Hamzeh, President of Sigma Corporation of America. <em>“The sharpness of detail and nuanced color tone captured by the Foveon sensors is a key component of Sigma Global Vision. The sd Quattro, and the sd Quattro H, with the newly announced Foveon Quattro APS-H sensor, will be greatly appreciated by photographers who demand the utmost in imaging purity, with the added benefit of portability for both in-studio and on-location photography.”</em></p>
<p>Both the sd Quattro and sd Quattro H feature similar design aspects with a compact form consistent with the dp Quattro line, making them highly portable and utilizing the Foveon Quattro sensor for exceptional imaging quality and fast processing. A magnesium alloy body makes the sd Quattro and sd Quattro H durable and rugged, while a dust- and splash-proof design makes it ideal for photographers facing harsh conditions. In addition to the new body design, both cameras boast a list of useful advancements. These include a two-mode Autofocus detection that combines Phase Detection for focus speed and Contrast Detection for focus accuracy. The focus settings have also been enhanced with such modes as Movement Prediction, Face Detection, Free Movement, Focus Peaking and a variety of others. The new 2.3 megapixel viewfinder displays close to 100% of the field of view and when placed in “Auto” will toggle between the viewfinder when the user has the camera to their eye and then to the LCD when the user lowers the camera. A new “Super-Fine Detail” mode brings out the full potential of the Quattro sensor by capturing seven different exposures with one shot and merging them for exceptional dynamic range (images can be extracted individually as well). Meanwhile an updated algorithm for the Auto White Balance allows for greater accuracy, even with multiple light sources.</p>
<p>While the sd Quattro and sd Quattro H are similar in physical design details, they stand apart when their Foveon sensors are compared. The sd Quattro utilizes the same sensor found in the dp Quattro line and produces image quality comparable to that of a 39 megapixel Bayer-pattern sensor on resolution testing. The stacked silicon Foveon Direct Imaging sensor captures all detail information on the top 19.6 megapixel layer along with all color information for the Blue channel, while the two five-megapixel layers below capture Red and Green color information, all without the need for a low pass filter. Merged together they create incredible image quality that is comparable to medium format files. The sd Quattro H boasts a larger APS-H sensor (26.6×17.9mm) than the sd Quattro and can produce images equivalent to that of a 51-megapixel Bayer-pattern sensor camera on resolution testing. The sensor structure is similar to that of the sd Quattro but uses a 25.5 megapixels on the top layer of the sensor that captures the detail information. Both cameras use the latest Dual TRUE III image processor and take full advantage of the Art, Contemporary and Sport line Global Vision lenses that are made for high megapixel cameras. Like all Sigma Cameras, RAW (X3F) data can processed via <a href="http://sigma.cmail20.com/t/r-l-vuduthk-dkikkkllld-w/" target="article-null"><strong>Sigma Photo Pro</strong></a>, which offers editing options, including Monochrome mode to take advantage of the incredible monochrome images the Foveon sensor captures.</p>

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Sigma Quattro revised to interchangeable lens design --> worth a look

While we were preoccupied with the 50-100 f/1.8 announcement, it looks like Sigma's Quattro brand has been huffing paint again:

http://www.mirrorlessrumors.com/surprise-sigma-announces-the-sigma-sd-quattro-and-sd-quattro-h-sa-mount-mirrorless-cameras/

You can look at this two ways:

[list type=decimal]
[*]Sigma took the nutty Quattro platform -- heretofore a futuristic concept car built to show off their Foveon tech (with very few adopters) -- and took it apart. Quattro is now an interchangeable lens mount system, or...


[*]This is what Canon might look like in some alternate universe if it put out a mirrorless rig with the full EF flange distance*.
[/list]

*I know someone will call me out on the particulars of APS-H vs. FF, the SA mount vs. the EF mount, etc. but please drive past that for now.


So as much as this is not what Canon mirrorless devotees want in specifics -- Foveon lacking high ISO, nutty ergonomics, even nuttier Quattro styling, etc. -- at a really high level form-factor-wise, this isn't that far off, is it?

- A

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Wide for Canon FF, Tokina 17mm f/3.5, anyone?

I gave my Rokinon 14mm to my son to take pictures of the northern skies.
So I got an excuse to get something to replace it. I do not want to spend a lot so I left the Canon zoom out of the consideration as well as the 14mm EF. From a couple of old reviews I learned that this particular lens is small and sharp an comfortably priced. Also, you can fit a filter on it to protect it agains salty sprays and dust.

Is there anyone on this site who could post sample pictures by this Tokina?
I could get one at 300 dollars on eBay. Too much?

Sigma Announces 50-100mm f/1.8 DC Art for APS-C

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<em>50-100mm F1.8 DC HSM Art and 30mm F1.4 DC DN Contemporary </em></p>
<p>50-100mm is first constant aperture F1.8 telephoto zoom; 30mm represents first affordable F1.4 high-performance lens for mirrorless cameras</p>
<p><strong>KANAGAWA, JAPAN — February 23, 2016</strong> – Sigma Corporation of America, a leading DSLR lens, camera, flash and accessories manufacturer, today announced the addition of two high-performance APS-C format lenses to the Sigma Global Vision product line: Sigma 50-100mm F1.8 DC HSM Art Lens and the Sigma 30mm F1.4 DC DN Contemporary Lens.</p>
<p>“Sigma’s aim is to provide high-performance lens options that lead with innovation and break new boundaries for every photographic scenario our customers can dream up,” states Mark Amir-Hamzeh, president of Sigma Corporation of America. “These new lenses build on Global Vision’s great IQ technology and reflect this goal, delivering immense value, quality and performance that the Sigma brand is known for.”</p>

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<p><em><strong>Sigma 50-100mm F1.8 DC HSM Art</strong></em></p>
<p>Building on the groundbreaking Sigma Global Vision 18-35mm F1.8 DC HSM Art Lens, the new Sigma 50-100 F1.8 (75-150mm on 35mm format) mid-range zoom lens embodies the same engineering prowess to deliver outstanding prime lens-like results. Factoring in the APS-C image circle of 1.5x, the 50-100mm F1.8 covers three popular short tele prime focal lengths: 85mm, 105mm and 135mm. Like the 18-35mm F1.8, the new 50-100mm F1.8 maintains a constant F1.8 aperture yielding exceptional brightness and resolution throughout the zoom, while simultaneously maintaining focus as the lens is zoomed, a feature videographers will greatly appreciate.</p>
<p>Sigma Art Line Image Technology Innovation</p>
<ul>
<li>Features three FLD (F Low Dispersion) glass elements, one SLD (Special Low Dispersion) glass element, and one high-refractive index, high-dispersion glass element to minimize aberrations.</li>
<li>Redesigned and enhanced, the new Hyper Sonic Motor is 30% slimmer and provides fast and accurate AF.</li>
<li>Highly durable polycarbonate diaphragm made with fluorine; blades feature carbon feather film offering exceptionally smooth operation even during continuous shooting.</li>
</ul>
<p>Outstanding Zoom Lens Maneuverability</p>
<ul>
<li>Inner focusing and zoom design offer versatile shooting options</li>
<li>Tripod socket for stable, comfortable operation</li>
<li>Features 21 elements / 15 groups, Minimum Aperture: F1.6, 82mm filter thread, Minimum Focus Distance: 37.4in, Dimensions: 3.7×6.7, Weight: 52.6oz</li>
</ul>
<p>The new Sigma 50-100mm F1.8 Art will be available in Canon, Nikon and Sigma mounts. For more information, please visit www.sigmaphoto.com/50-100mm-f1-8-dc-hsm-art.</p>
<p><em><strong>Sigma 30mm F1.4 DC DN Contemporary </strong></em></p>
<p>Combining outstanding optical performance and compact design, the new affordable Sigma 30mm F1.4 DC DN Contemporary Lens brings immense value to mirrorless cameras. Boasting superior image quality with F1.4 brightness, the versatile lens covers a wide range of photo and video capture scenarios, delighting users with its beautiful bokeh effects.</p>
<p>Contemporary Line Performance and Value</p>
<ul>
<li>Represents first affordable F1.4 performance lens for the mirrorless market</li>
<li>Sigma engineered quality within a sleek compact design</li>
<li>Fast, smooth AF stepping motor designed to support video</li>
<li>Features one aspherical element and one double-sided aspherical element producing imaging quality comparable to the Art line.</li>
<li>Features 9 elements / 7 groups, Minimum Aperture: F16, 52mm filter thread, Minimum Focus Distance: 11.8in, Weight: 9.3oz, Dimensions: 2.6×2.9in.</li>
</ul>
<p>The new Sigma 30mm F1.4 DC DN Contemporary Lens will be available in Sony E-Mount and Micro Four Thirds mount. For more information, please visit www.sigmaphoto.com/30mm-f1-4-dc-dn-c.</p>
<p>Sigma Global Vision lenses including the new 50-100mm F1.8 DC Art and 30mm F1.4 Contemporary lenses can be updated with the latest lens software from a workstation or laptop using the Sigma Optimization Pro software and Sigma USB Dock (sold separately).</p>
<p>Tested for Optimum Performance</p>
<p>Sigma lenses are born of well-thought-out design concepts, exceptional Japanese craftsmanship and manufacturing, and advanced lens performance testing and evaluation. To this end, Sigma has developed its own A1 proprietary MTF (modulation transfer function) measuring system using 46-megapixel Foveon direct image sensors. Even the most elusive high-frequency details are within the scope of Sigma’s quality control inspections. Every Global Vision lens is A1 tested, analyzed and approved before leaving the factory ensuring maximum performance out of the box.</p>
<p>For more information on Sigma’s industry leading testing, please visit<a href="http://blog.sigmaphoto.com/2012/a1-mtf-testing-for-new-sigma-lenses/">http://blog.sigmaphoto.com/2012/a1-mtf-testing-for-new-sigma-lenses/</a></p>
<p>Specialized Mount Conversion Services</p>
<p>Ensuring continued ROI, Sigma will convert the current mount of your Sigma Global Vision lens to another of your choice. Sigma lenses currently from the Contemporary, Art or Sports line, in Sigma, Canon, Nikon, Sony, Pentax mounts can be converted to Sigma, Canon, Nikon, Sony or Pentax*.  Mirrorless lenses can be converted to Micro Four Thirds and Sony-E Mount. They cannot be converted to either an APS-C or a Full Frame format.  *For specific details, please visit<a href="http://www.sigmaphoto.com/service-support/mount-conversion-service" target="article-null">http://www.sigmaphoto.com/service-support/mount-conversion-service</a></p>
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Paul C Buff Einstein e640 after 6 months

My original forum post http://www.canonrumors.com/forum/index.php?topic=27445.30
was starting to take a turn down a different road so I wanted to start a new post just so it may be easier for people in my same position to find recommendations.
I purchased the proposed list on the other site and so far all has turned out very well. I wont do a huge review but i will note a few things.

640's--Good, powerful(coming from speedlights), i can tell their housed in cheap plastic. I do take extra special care but no more care than i do with any of my equipment.
Vagabond--amazing, i shot a whole wedding on these because i could. battery power didnt drop to the below 50% till the end of the reception. charge in no time at all. great added weight on the bottom of my stand.
Cyber commander--eh, it works. if they update the user interface it would be awesome. I am about to start reading the manual again just to become really good at using it. Its just not intuitive.
everything else is great and pretty much works as you would expect and as advertised.

Here are some pictures i have taken with these.
BMX photo two lights on either side, forgot the dishes that night(happens more often then i even want to admit. bare bulb
Dodge car shoot. Two lights plus speedlight. Both had dishes and theirs socks on.
Product shoot, Both lights with ghetto umbrellas, One umbrella white shoot through one is bounced back.
Last minute harvest party shoot, shot about 100 groups with size from 1 to 15, One light behind camera with said ghetto umbrella shoot through, one light for highlights with dish and sock


Wedding shot both lights with dish and sock
one light dish and sock


Some of these are images i like others are just examples of what the lights can do.
I welcome feedback. thanks for the advice on what to buy. It has paid off quite well. Although my wife wasnt happy with more gear to carry. You win some you lose some.

Nikon Launches New 4K capable Point & Shoots

The series consists of three different cameras -- the DL24-85, DL18-50 and DL24-500 -- each named after the type of fixed lens that's on them. And that, for the most part, is the difference between the trio. They all feature a 20.8-megapixel (1-inch, CX-format) BSI CMOS sensor, coupled with an Expeed 6A image processor, 20 fps continuous shooting, 4K video at up to 30 fps and slow-motion movies at 120 fps (1080p) and 240 fps (720p).

You can read more here:

http://www.engadget.com/2016/02/22/nikon-dl-compact-series/

The 24-500 sounds quite crazy!

Oh and there's also a US$ 350 A900! and two other models:

http://www.engadget.com/2016/02/22/nikon-a900-b500-b700-coolpix-cameras/

DPR's take:

http://www.dpreview.com/news/4699776418/nikon-covers-all-focal-lengths-with-three-dl-enthusiast-compacts-with-1-type-sensors

and

http://www.dpreview.com/news/9106779765/nikon-announces-trio-of-long-zoom-coolpix-cameras-two-of-which-support-4k-capture

Interesting times for sure.

U.N. agency bans lithium-ion batteries as Cargo on passenger aircraft

They Keep tightening up the regulations for shipments of Lithium Ion batteries. The rule is supposed to stop cargo shipments of Lithium Ion batteries on Passenger Aircraft.

The International Civil Aviation Organization's 36-state governing council said the prohibition would be in effect as of April 1, and would be maintained until a new fire-resistant packaging standard is designed to transport the batteries. Lithium-ion batteries can still be transported on cargo planes.



http://www.reuters.com/article/us-airlines-safety-batteries-idUSKCN0VW04Y

Tamron Announces TAP-in Console for Lens Firmware Updates

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<em>Tamron TAP-in Console™TM (Model TAP-01)</em></p>
<p><strong>February 22, 2016, Commack, New York</strong> – announces the launch of the Tamron TAP-in Console™ (Model TAP-01), a new lens accessory that enables firmware updating and customized setups for selected Tamron lenses. The TAP-in Console™ is expected to be available in March. The price will be announced shortly.</p>
<p><strong>PRODUCT HIGHLIGHTS</strong></p>
<p>For the first time, customers can update firmware in selected Tamron lenses and customize various lens functions to meet their needs simply by attaching a Tamron TAP-in Console™ and running the Tamron TAP-in Utility software on their PC or Mac. Previously, firmware updates could be performed only at a Tamron Customer Service Center. Using the new accessory and an internet connection, customers can access a dedicated website and update firmware themselves anytime, anywhere. In addition, selected lenses can be customized by changing various settings (described below) to match the customer’s preferences based on how they like to use the lens, making it even more versatile and user-friendly.

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<p><strong>1. Custom Options</strong></p>
<p>With a Tamron TAP-in Console™, customers can do the following things.</p>
<ul>
<li>Update firmware</li>
<li>Update the firmware of compatible lenses</li>
<li>Update the firmware of the TAP-in Console™ itself</li>
<li>Customize functions of selected lenses</li>
<li>Focus adjustment</li>
<li>Focus distance limiter customization (only for lenses that have the Focus Limiter feature)</li>
<li>Full-time Manual Focus override customization (only for lenses that have the Full-time Manual Focus feature)</li>
<li>VC adjustment (only for any lenses with VC)</li>
<li>Save customized data files</li>
</ul>
<p><strong>2. Tamron TAP-in Utility Software</strong></p>
<p>Customers download the free Tamron TAP-in Utility and install it on their Mac or PC. Updating firmware and customizing various lens functions is as easy as connecting the TAP-in Console™ with a USB cable and making selections. An internet connection is required for firmware updates.</p>
<p><strong>3. Updating Firmware</strong></p>
<p>Customers can update firmware of selected Tamron lenses using this utility software. Additionally, the firmware in the TAP-in Console™ unit can be updated as needed. Using an internet connection and the utility software, users can access a dedicated website and easily confirm that the lens attached to the TAP-in Console™—and the Console™ itself—have the most up-to-date firmware. If a newer version is available, updating is quick and secure.</p>
<p><strong>4. Customization of Selected Tamron Lenses</strong></p>
<p>Various lens functions can be customized, depending on the lens model and built-in features.</p>
<p>(1) Focus adjustment</p>
<p>Focus can be adjusted in three distance regions: close, intermediate, and far ranges. For zoom lenses with variable focal length ranges, adjustments can be made for up to eight segments, which means that focus adjustment for a combined total of up to 24 regions is possible. Fixed-focal length lenses have only one segment, so customization for the three distance regions is possible. The conditions and range of possible adjustments may differ according to the lens model.</p>
<p>(2) Focus distance limiter customization</p>
<p>For lenses equipped with a Focus Limiter switch, it is possible to adjust the autofocus drive range by setting the near and far limits according to user preferences. If the Focus Limiter switch has three positions, setting the middle position is also possible. Only lens models equipped with the Focus Limiter function can be adjusted. The conditions and range of possible adjustments may differ according to the lens model.</p>
<p>(3) VC adjustment (only for any lenses with VC)</p>
<p>Users can choose the VC (Vibration Compensation) mode they prefer from the selection below for any TAP-in Console™ compatible Tamron lens equipped with the VC system.</p>
<ul>
<li>Prioritize viewfinder image stabilization: This mode places priority on the stability of the viewfinder image</li>
<li>Standard (Factory Default): This mode is the same as the factory default, and strikes a balance between the stability of the viewfinder image and vibration compensation effects</li>
<li>Prioritize stabilization of captured images: This mode ensures stable vibration compensation effects</li>
</ul>
<p>These options apply only to lens models equipped with the VC system. The conditions and range of possible adjustments may differ according to the lens model.</p>
<p><strong>(4) Full-time Manual Focus override customization</strong></p>
<p>For any lens with a Full-time Manual Focus override system, you can set the mode to ON or OFF. In addition, you can optimize the sensitivity of the focus ring to your preference relative to its angular rotation anywhere between High and Low, when setting the manual focus mode menu button to ON.</p>
<p><strong>5. Compatible Tamron Lenses (As of February 2016: in the order of product launch, starting with the newest)</strong></p>
<p>SP 85mm F/1.8 Di VC USD (Model F016): Launch date TBA

For Nikon and Canon. Sony-compatible model to be released later.</p>
<p>SP 90mm F/2.8 Di MACRO 1:1 VC USD (Model F017): To be launched February 25, 2016

For Nikon and Canon. Sony-compatible model will be released later.

* By first updating firmware to the most up-to-date version with use of TAP-in Console™, it becomes possible to use all the functions of TAP-in Console™ compatible with this lens.</p>
<p>SP 45mm F/1.8 Di VC USD (Model F013): Launched in September 2015

For Nikon and Canon. Sony-compatible model will be released later.

*Initial firmware update by Tamron service facility is required to enable compatibility with the TAP-in Console™.</p>
<p>SP 35mm F/1.8 Di VC USD (Model F012): Launched in September 2015

For Nikon and Canon. Sony-compatible model will be released later.

*Initial firmware update by Tamron service facility is required to enable compatibility with the TAP-in Console™.</p>
<p><strong>About the firmware updating service for SP35mm F/1.8 (Model F012) and SP45mm F/1.8 (Model F013)</strong></p>
<p>The firmware update service will begin soon. Additional information will be provided on the Tamron website and by authorized distributors and/or service facilities by the time of launch.</p>
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Tamron Announces the SP 90mm F/2.8 MACRO 1:1 Di VC USD

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<em>Enhanced VC functionality and advanced features</em></p>
<p><strong>February 22, 2016, Commack, New York</strong> – Tamron, a leading manufacturer of optics for diverse applications, announces the launch of the SP 90mm F/2.8 Di VC USD 1:1 MACRO (Model F017). The new 90mm macro has been enhanced with advanced features and builds upon a legacy of superior optical performance. XY-Shift compensation has been newly added to reinforce VC functionality, further improving image stabilization from infinity to macro. Advancements in USD control software have also increased AF focusing speed, and optimally fine-tuned for various framing conditions. In addition, a high standard of Moisture-Proof and Dust-Resistant Construction has been added to prevent intrusion of dust or moisture, and a highly durable Fluorine Coating has been applied to the top element surface to prevent condensation and repel smudge-causing substances.  The lens will be on sale in the U.S. starting in March 2016 in Canon and Nikon mounts (the Sony mount to be launched at a later date). The on-sale date in the USA is February 25, 2016 at an approximate price of $649.</p>
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<p><strong>PRODUCT HIGHLIGHTS</strong></p>
<p>1.  Built upon the outstanding optical performance of the legendary Tamron 90mm Macro</p>
<p>Inheriting the optical design of the previous 90mm Macro lens (Model F004), the new Model F017 delivers the same excellent resolving power and remarkably soft background blur effects (bokeh). The advanced construction includes one LD (Low Dispersion) specialized glass element that maximally limits the dispersion properties of light and two XLD (eXtra Low Dispersion) glass elements that correct dispersion properties to an even greater extent. The special elements optimally compensate for on-axis and lateral chromatic aberrations from macro shooting range to infinity. Furthermore, the design ensures the best imaging performance at any range by adopting the Floating System that shifts the location of a group of elements to the best possible position as the focusing group travels relative to shooting distances. From 1:1, life-size close-ups to the most distant horizon, this new 90mm Macro lens achieves outstanding image quality.</p>
<p>2. Optimized for spectacular background blur effects (bokeh)</p>
<p>Earlier models of Tamron’s 90mm macro lens received high acclaim for their spectacular blur effects, and the new 90mm macro builds upon this legacy. To continue this commitment, thorough optical simulations were conducted. Careful examinations were performed to minimize any blurring with a doubled image appearing for a single line because that phenomenon has a considerably negative impact on background image quality. As a result, the lens achieves both sharp, vivid images and spectacular background blur effects. This combination is highly prized by portrait photographers.</p>
<p>3. VC enhanced with shift compensation</p>
<p>An accelerometer has been integrated into Tamron’s highly accredited VC (Vibration Compensation) to compensate for shakes on the x-y plane. In unison with a gyro sensor, the accelerometer detects and enables motion compensation for camera shake, providing maximum efficiency in image stabilization optimized for all distance ranges from infinity to macro.</p>
<p>4. USD actuator maximized for macro photography is fast, accurate and quiet</p>
<p>The control software program for the USD (Ultrasonic Silent Drive) actuator has been revised to provide substantially improved focusing speed and accuracy when using AF. The USD quickly addresses any out-of-focus condition caused by back-and-forth camera movement (which commonly occurs during macro photography) ensuring better results when shooting at close range.</p>
<p>5. Moisture-Proof and Dust-Resistant Construction</p>
<p>Special seals protect areas of possible ingress surrounding switches, and the boundary between the focus ring and the lens barrel. These provide stronger protection against the intrusion of dirt, dust and moisture compared to the Moisture-Resistant Construction used previously. This additional protection assures even more wide-ranging opportunities for using this lens.</p>
<p>6. A durable Fluorine Coating on the front element repels water and fingerprints</p>
<p>The water and oil repellant coating applied to the front element surface allows instant removal of dirt or smudges with ease. The coating also provides a reasonable level of durability, and will sustain its effectiveness for years. The Fluorine Coating technology that Tamron developed for use in industrial optics applications was first used on the SP 15-30mm that was introduced in 2014.</p>
<p>7. Advanced coating technology reduces flare and ghosting</p>
<p>Two advanced coating technologies, both providing outstanding anti-reflection performance, are applied to critical element surfaces for maximum light transmission. eBAND (Extended Bandwidth & Angular-Dependency) Coating boasts outstanding anti-reflection performance across nearly the entire range of visible rays, and BBAR (Broad-Band Anti-Reflection) Coating utilizes traditional multi-layered, anti-reflection technology. This combination virtually eliminates extraneous reflections and substantially reduces ghosting and flare which enables the lens to achieve flawless, crystal clear images.</p>
<p>8. Use of circular aperture to achieve beautiful, rounded blur effects (bokeh)</p>
<p>When shooting a scene that includes a point-source of light in the subject background, marvelously tuned blur (bokeh) can be obtained without generating undesirable polygonal shapes of aperture patterns thanks to the circular aperture. The 9-blade diaphragm retains a nearly perfect circular opening even when stopped down by two stops.</p>
<p>9. Focusing options perfectly suited to a macro lens</p>
<p>The new 90mm macro has a focus limiter that makes it possible to shorten the time for accurately focusing on a subject when the working range is known. The lens also features an Internal Focusing system, so the overall length of the lens never changes, not even when focusing. As a result, the user is assured of a comfortable working distance of at least 139 mm (5.5 in.) from the front of the lens. In addition, the lens is equipped with a Full-time Manual Focus override mechanism that makes it possible to flexibly choose focal points. Even with the AF driving system in action, it is possible to instantaneously override it to make manual fine focusing adjustments without switching the AF-MF mode back and forth.</p>
<p>10. Compatibility with TAMRON TAP-in Console™</p>
<p>Always as new as tomorrow: You can update firmware, customize autofocus positions and adjust the mechanical setup and preferences of the 90mm lens by simply attaching it to the TAMRON TAP-in Console™ and connecting it via USB to a personal computer. (The TAP-in Console™ is an optional accessory that will be released in March.)</p>
<p>11. Digital image editing software optimized for Tamron lenses</p>
<p>Included in the new 90mm macro package is SILKYPIX Developer Studio, a popular RAW conversion and editing program preloaded with correction menus for various aberrations based on the optical data that pertains exclusively to Tamron’s SP Series lenses. In addition, lens profile information has been supplied to Adobe Systems, Inc. to facilitate selecting the precise lens data required for more sophisticated adjustments in RAW processing when using Adobe Photoshop and Lightroom.</p>
<p><strong>Tamron and the history of its macro lenses</strong></p>
<p>The history of Tamron’s macro lenses began with the SP AF90mm F/2.5 (Model 52B) in 1979. The general impression of a macro lens in those days was that it was mainly useful for academic purposes—such as reproducing documentary records and scientific minutiae—and not suitable for photographing ordinary subjects. Against this backdrop, Tamron’s first-generation 90mm macro lens succeeded in creating new value for the modern macro lens that has both refined image quality worthy of recording photographic scenes and remarkably beautiful background blur effects (bokeh). As a result, the lens was highly valued by professional and amateur photographers alike as a lens with wide-ranging uses. It created new categories of applications that previously had been unimaginable because of the common uses of macro lenses at the time. The lens became popular among nature photographers to shoot close-ups of flowers. Furthermore, using Tamron’s 90mm macro lens for portrait photography gained particular popularity, with the expression “portrait macro lens” coming to be widely recognized over time. With the model renewal in this latest generation achieving further performance improvements, SP 90mm F/2.8 Di MACRO 1:1 VC USD (Model F017) is opening a new chapter in the history of Tamron’s 90mm macro lenses.</p>
<p><strong>Design Concept</strong></p>
<p>Beginning with the SP 35mm F/1.8 Di VC USD (Model F012) and SP 45mm F/1.8 Di VC USD (Model F013), Tamron has utilized a new design concept to enhance the outstanding performance provided by the SP Series. Our attention to every engineering detail has resulted in the most advanced optical and electro-mechanical designs being incorporated in SP Series, creating a new benchmark for high performance and visual elegance. The design philosophy embraces the importance of comfortable, ergonomic operation and positive tactile feedback, crucial factors in all types of photography. The newly designed all-metallic barrel features an embedded concave ring at the base of the lens—for a firm hold and comfort necessary for a steady shot. Switches are larger and reconfigured for smoother function and the typeface has been redesigned for intuitive legibility. The Tamron SP Series is the superlative example of the Lensmaker’s art.</p>

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Tamron Announces the SP 85mm F/1.8 Di VC USD

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<em>Ultimate correction of aberrations and excellent resolving power with balanced bokeh</em></p>
<p><strong>February 22, 2016, Commack, New York</strong> – Tamron, a leading manufacturer of optics for diverse applications, announces the launch of the SP 85mm F/1.8 Di VC USD (Model F016), the world’s first fast-aperture telephoto lens with VC (Vibration Compensation). Tamron’s acclaimed VC makes it possible to take handheld photographs in dim light or at night. The 85mm SP lens uses LD (Low Dispersion) and XLD (Extra Low Dispersion) glass elements in the optical design to minimize color fringing and to achieve sharp and clear image quality with high-fidelity color. It also achieves attractive bokeh that draws attention to the image foreground subject. In addition, Moisture-Resistant Construction has been added to prevent intrusion of moisture, and a highly durable Fluorine Coating has been applied to the top element surface to prevent condensation and repel smudge-causing substances. This new lens joins the 35mm F/1.8, 45mm F/1.8 and 90mm Macro in a lineup of SP series prime lenses that has been expanding since 2015. The lens will be on sale in the U.S. starting in April 2016 in Canon and Nikon mounts (the Sony<sup class="green">2</sup> mount to be launched at a later date). Pricing and delivery will be announced shortly.</p>
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<p><strong>PRODUCT HIGHLIGHTS</strong></p>
<p>1. The world’s first 85mm fast-aperture lens with image stabilization</p>
<p>Tamron’s VC image stabilization system enables handheld use in dim light without flash. Camera movement—often too minute to be perceptible to the photographer—is the leading cause of unpleasant photographs. In addition, newer DSLR cameras with higher resolution and higher pixel densities are even more susceptible to subtle camera shake. The VC System, Tamron’s time-proven Vibration Compensation, keeps the sharpness at hand, even in moody, dim light when shutter speeds tend to be longer.</p>
<p>2. Superior resolving power and attractive bokeh</p>
<p>Experienced optical design technique combined with LD and XLD lens elements have virtually eliminated on-axis and lateral chromatic aberrations that might otherwise appear as color fringing. In addition, by thoroughly reducing comatic aberrations (distortion of off-axis point source) and astigmatism, subjects that appear as a distinct point source will be captured as a distinct point source even at the edges and corners of the frame. Furthermore, optical simulations were thoroughly conducted, and the 85mm achieves natural bokeh— that dreamy, semi-focus blur that separates the portrait subject from the background with a snap.</p>
<p>3. Fluorine Coating and Moisture-Resistant Construction</p>
<p>Fluorine Coating technology developed for use in industrial optics applications has been adapted to photographic lenses. The water and oil repellant coating applied on the front element surface allows safe and easy removal of fingerprints, dirt and smudges. The coating also provides an enhanced level of durability, and will sustain its effectiveness for years. In addition, seals are located at the lens mount area and other critical locations to prevent infiltration of moisture and/or rain drops and provide Moisture-Resistant Construction. This feature provides an additional layer of protection when shooting outdoors under adverse weather conditions.</p>
<p>4. Sophisticated eBAND and BBAR coatings plus Advanced Anti-Reflection Technologies</p>
<p>Two highly developed lens coating technologies, eBAND (Extended Bandwidth & Angular-Dependency) which uses nanotechnology, and BBAR (Broad-Band Anti-Reflection), combine to increase light transmission and to reduce flare and ghosting to imperceptible levels. Additional techniques are employed to prevent reflections inside the lens barrel so that the 85mm lens delivers high contrast, sharp and clear images worthy of a fixed focal lens. This lens clearly captures detailed tones even in the shadows.</p>
<p>5. Electromagnetic diaphragm system now used also for Nikon-mount lens</p>
<p>An electromagnetic diaphragm system, which has been a standard feature for Canon-mount lenses, is now employed in Nikon-mount lenses<sup class="green">3</sup>. More precise diaphragm and aperture control is possible because the diaphragm blades are driven and controlled by a motor through electronic pulse signals.</p>
<p>6. USD actuator maximized for fast and accurate focusing</p>
<p>Fast, quiet AF is achieved by employing a USD (Ultrasonic Silent Drive) ring-type ultrasonic motor which enables remarkably precise focusing drive with high torque and responsiveness. Thanks to the absence of reduction gears in USD, there is no backlash and no unnecessary back-and-forth movement. The control software program for the USD actuator has been revised to provide substantially improved focusing speed and accuracy when using AF. In addition, Full-time Manual Focus override is available at any point during the autofocus operation for deliberately shifting focus without switching the AF-MF. Whether overriding the autofocus or focusing completely manually, the focusing ring turns smoothly and evenly.</p>
<p>7. Compatibility with TAMRON TAP-in ConsoleTM</p>
<p>Always as new as tomorrow: You can update firmware, customize autofocus positions and adjust the mechanical setup and preferences of the 85mm lens by simply attaching it to the TAMRON TAP-in Console and connecting it via USB to a personal computer. (The TAP-in Console is an optional accessory that will be released in March 24.)</p>
<p>8. Compatibility with Adobe and Silkypix software</p>
<p>Supplied with SILKYPIX Developer Studio 4.0, advanced editing software that features correction menus for various aberrations (lateral color, distortion, relative illumination) based on the optical design data of this specific lens. In addition, lens profile information has been supplied to Adobe Systems, Inc. to facilitate selecting the precise lens data required for more sophisticated adjustments in RAW processing when using Adobe Photoshop and Lightroom. Shooting RAW image files enables creation of more stringent and high-fidelity image quality.</p>
<p><strong>Design Concept</strong></p>
<p>The superior technology inside the Tamron 85mm is matched by advanced external ergonomic features under a design philosophy called “Human Touch.” Improvements include altering the geometric shape and resistance of the AF/MF and VC switches to deliver comfort with secured operational feedback, and enlarging the distance scale window to maximize visibility and legibility. Even the font style has been newly developed to enhance legibility as part of the overall product design.</p>

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