Review: Canon EF 24-105mm f/4L IS II

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PhotographyBlog has completed their review of the recently announced and soon-to-be-released Canon EF 24-105mm f/4L IS II. It looks like the new lens is a big upgrade over its predecessor, which is something we’re getting used to with Canon.</p>
<p><strong>From the review:</strong></p>
<blockquote><p>The Canon EF 24-105mm f/4L IS II USM is an excellent standard zoom lens that, as you’d perhaps expect, is much better than the 10-year-old Canon EF 24-105mm f/4L IS USM that it replaces, which incidentally is one of Canon’s most popular lenses.</p>
<p>It offers a very versatile focal range whilst being tack-sharp from 24mm to 50mm, both in the centre and at the edges of the frame. Sharpness at 70-105mm isn’t quite as good when shooting wide-open at f/4, but overall the Canon EF 24-105mm f/4L IS II USM delivers excellent sharpness across the frame. Vignetting at wide-open apertures and some barrel distortion at 24mm are the only other real optical issues of note. <a href="http://www.photographyblog.com/reviews/canon_ef_24_105mm_f4_l_is_ii_usm_review/">Read the review</a></p></blockquote>
<p><strong>Canon EF 24-105mm f/4L IS II USM

</strong><em>Shipping in late October, 2016</em><strong>

</strong></p>
<ul>
<li><strong>USA </strong><em>$1099</em><strong>:</strong> <a href="https://www.bhphotovideo.com/c/product/1274709-REG/canon_ef_24_105mm_f_4l_is.html/BI/2466/KBID/3296">B&H Photo</a> | <a href="http://amzn.to/2bpjIRq">Amazon</a> | <a href="http://www.adorama.com/CA241052.html?KBID=64393">Adorama</a> | <a href="http://bit.ly/2bIZnYi">Canon Store</a> | <a href="http://mpex.com/canon-ef-24-105mm-f-4l-is-ii-lens.html?acc=3">Midwest Photo</a></li>
</ul>
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Sony A6500 NOT Overheating.

Dear friends,

i hereby post a link to a fresh youtube video, showing A6500 & A6300 recording side-by-side. The A6300 overheats and stops at 12:30 but, A6500 keeps going all the way up to 29:59. To be honest, i can't confirm if one shoots 1080p and the other 4K but, i have to trust the reviewers and believe that everything is equally adjusted in both cameras.

Here is the link: https://www.youtube.com/watch?v=qM-TkJnr7O0.

Watch for yourselves and make your comments.

Have a nice afternoon from hot, shiny, summery Greece. Enjoy life and all those you love.

Yours
Yiannis.

Lens dilemma- 300mm f2.8 with tc or 500mm f4L MkI

Current gear is 7D2 with 100-400 MkII.
After deliberating whether to go upgrade the body (to 5D4) to give me better low light performance, or to upgrade the lens to a wider aperture, I have decided to go the lens route (I will keep the 100-400 for the flexibility of the zoom). Being very close to getting a 300mm f2.8LIS II to compliment my 100-400 MkII I have just found a good condition second hand 500mm f4L (MkI) advertised and the MkII is way out of my price bracket.

The 300mm is my default position and I have listed below the advantages of each as I see them. But what is harder to define (and where comments based on experience would be fantastic) is whether there a significant difference in image quality between the 300+1.4 and the 500mm?



300mm f2.8 advantages:
lighter, more compact, more handholdable
best part of a kilo lighter than the 500mm so more likely to take it out
with 1.4 TC still excellent image quality and losing 'only' 10% image size to the 500mm
Offers f2.8 if light is really challenging.

500mm f4 advantage:
500mm is 500mm...
with extenders takes me even further
£1,000 cheaper than the 300mm f2.8

500mm disadvantage: bulk and lower spec IS means I will probably end up using a tripod more often.

Any suggestions?

Samantha 1

I'm finally getting back up and able to walk. It has been a rough couple of years. This is Samantha, a young lady patient enough to allow me to practice with her.

The background is a little unfortunate, but I wanted to work on lighting.

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Canon U.S.A. Raises Awareness About the Dangers of Counterfeit Power Accessories

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<em>The New Collaboration Will Promote Consumer Safety Around Intellectual Property (IP) Theft and Safety Concerns Related to Counterfeit Power Accessories</em></p>
<p><strong>MELVILLE, N.Y., October 13, 2016</strong> – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced its collaboration with the National Crime Prevention Council (NCPC) to promote awareness around the safety risks of using counterfeit power accessories, such as batteries, chargers, and external flashes. The production and sale of counterfeit products is an issue that not only affects the consumer electronics industry, but can affect consumer safety as well. The launch of this collaboration is scheduled to coincide with Crime Prevention Month in October, and will continue through 2017.</p>
<p>Together with Canon U.S.A., NCPC will use its resources to provide educational tools to crime prevention practitioners, law enforcement officials, and educators who, in turn, can use those resources to teach their communities about the dangers of purchasing counterfeits. The awareness campaign will also include digital messaging directed to consumers and public service announcements as well as other videos featuring McGruff the Crime Dog®.</p>
<p>Counterfeit items are illegal replicas of real products, designed to deceive and take advantage of the superior value of genuine merchandise. They are produced in a manner that is increasingly more difficult for average consumers to identify, which is why awareness and education efforts are so important. Furthermore, counterfeit power accessories can lead to potentially dangerous results. They typically do not contain important safety technologies and are not tested to meet industry safety standards. As a result, they may overheat, smoke, melt, ignite, or create power surges and electrical irregularities that may cause personal injury or property damage.</p>
<p>“The safety of our customers is of paramount importance,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “We want to make sure our customers are aware of the dangers of counterfeit power accessories so they can avoid potential risks of hurting themselves or damaging their equipment.”</p>
<p>“As counterfeiting of camera accessories continues to evolve, we want to make consumers aware of this risk so they can keep themselves and their equipment safe,”<u> </u>said Ann Harkins, president and CEO, NCPC. “Counterfeit products designed to look like genuine products from major camera manufacturers may cause damage to people and property.”</p>
<p>NCPC is a private, nonprofit tax-exempt 501(c)(3) organization whose primary mission is to be the nation’s leader in helping people keep themselves, their families and their communities safe from crime.</p>
<p>To learn more about the campaign, please visit <a href="http://www.ncpc.org/stopfakes" target="_blank"><b>www.ncpc.org/stopfakes</b></a>.</p>
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1DX Mark II - getting the most out of the camera, tips and tricks

I hope I'm not alone in this request but having just received my 1DX II and run through the menu I feel quite overwhelmed and in need of some guidance. I've been primarily a 6D shooter for 3 years with just a brief 1D II and then 1D4 exposure; these were purchased to allow me to see if I could handle the weight/size.

Perhaps those who feel confident with the camera or know certain things that come from the 1DX that still apply here, would be willing to offer advice. Also, those feeling somewhat like me may wish to ask questions as well and maybe we can all learn and share our experiences.

Of course as beginners we can muddle our way through but we might end up acquiring poor habits. I could start by asking for good ways of configuring the buttons. I've been using AF-ON for BB focus on the 6D so I've already set that up, but how do you quickly select AF points, etc. etc.

I'd like to see video suggestions as well. Such a shame not to do at least a little video with such a capable camera.

Links to reference materials could be helpful too.

Jack

Lens for Wind Cave NP

My family is planning a vacation next year to visit some national parks in the West next year, which would include Yellowstone, Glacier and Wind Cave. We'll be doing a bit of walking/hiking, so I'd like to keep the gear weight down. For most of the lenses I am thinking of bringing, there would be multiple scenarios for their use. The only one that would be used in only one spot would be a fast wide prime (20A). Tripods are allowed in Luray Caverns, but they are not in Wind Cave. Is it worth bringing a fast wide prime for this one spot? The last time I was at Wind Cave was 20+ years ago, and that was pre-camera days.

TDP Image Quality of 16-35 f/2.8L III posted

Behold -- Canon continues its killing streak on delivering terrifically sharp UWA zooms:
http://www.the-digital-picture.com/News/News-Post.aspx?News=19068

I don't see any (daylight) landscapers giving up their 16-35 f/4L IS for this one as wide open sharpness isn't a big priority for them. (I still see the 16-35 f/4L IS selling very well alongside this f/2.8L III.)

But it would appear that between the 11-24, 16-35 f/4 and 16-35 f/2.8, Canon has everything very well covered now.

Astro folks: nothing on coma listed yet. Looks like you'll need to wait for LensTip for that.

- A

Overpowering bright sun

Gentlemen,

I would be really interested to hear your thoughts/suggestions for the following scenario: summer, clear sky, midday - as bright as it gets outdoors. The subject is two people standing close together (wedding couple portraits). I can rely on an assistant who will carry the head and the battery. The light modifier is a softbox. I want the subject to be well lit and the sky/background to be underexposed 1 stop – Joe McNally style; basically I want to overpower the sun in this situation.

First question – what kind of power am I looking at? 600 Ws? 1000? 1200? I never used any external lights except speedlights so not sure.
And the second question – what should I look for? A flash with detachable battery like the Godox Wistro AD600? A head with a separate battery like Jinbei Discovery DC-1200 or Profoto B1? I will need high speed sync because I will probably be shooting at 1/4000 or 1/8000; HSS should work fine with Godox Wistro AD600 but Jinbei Discovery DC-1200 uses another technology called hypersync which I am not familiar with and which sounds a bit… untrustworthy judging from what I found in internet.

Any suggestions from first-hand experience will be greatly appreciated.

Update to EOS 5DS & 5DS R Coming in 2017? [CR1]

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<p>We’ve been told a couple of times that the EOS 5DS and EOS 5DS R would be updated quicker than other recent Canon full frame DSLRs, which have seen product cycles of 4 years or more. According to an internal Canon product roadmap, there’s a possibility of an EOS 5DS/R/ Mark II coming before the close of 2017 and that there will only be one body to replaces both the 5DS and 5DS R.</p>
<p>According to the viewed roadmap slide, the EOS 5DS/R/ replacement will get a new sensor, though resolution wasn’t mentioned. We can also assume it will have nearly the same ergonomics and features as the EOS 5D Mark IV.</p>
<p><em>More to come…</em></p>
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2 x 5D III with same lens and FW: AFMicroAdj stored only in one *weird*

I was manually tuning a Tamron 85 SP f/1.8 because I got a really weird curve from FoCal and wasn't trusting it. So I was taking pictures of the Spyder LensCal at different MicroAdjustmentValues and than later, on my PC checking the values with ExifToolGUI.

To my big surprise: the body where the camera serialnumber starts with 18 stores these values perfectly fine. it has firmware 1.2.3. The other body (serial starts with 05) had firmware 1.3.3 and stored only 0 in this field, no matter what I entered. Obviously with the exact same lens. I then downgraded back to 1.2.3 and tried again, but without sucess.

Same body, same lens, same firmware, yet only one stores its MicroAdjustmentValues in the raw file :-X

Any comments?

This Is Where (5D, 24-105mm & smartLav+)

Hey guys,
Recently made a rather short abstract film in Italy and explores how our minds behave when reflecting back on past relationships - sometimes, the bitter end of a relationship can drown the sweet memories that came before it; but it shouldn't. Three locations represent the different stages of a relationship and show what we feel during those particular moments.

Filmed with the 5D Mark ii and 24-105mm (2 night shots with 45mm 1.8 VC), sound recorded using the Rode smartLav+.

https://www.youtube.com/watch?v=BbxYxjbMLk8

Enjoy and let me know what you think!

Eugene

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Review: Tamron SP 150-600mm f/5-6.3 VC G2

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Photography Blog has completed their review of the recently announced and available Tamron SP 150-600mm f/5-6.3 VC G2. It appears the new Tamron is an improvement over its predecessor.</p>
<blockquote><p>The second-generation Tamron SP 150-600mm F/5-6.3 Di VC USD G2 offers better image quality, more features, faster auto-focus and more effective image stabilisation than the 2013 version, but the price has increased significantly, so it’s not quite the out-and-out bargain that it once was.</p>
<p>The Tamron SP 150-600mm F/5-6.3 Di VC USD G2 offers improved image quality with smooth bokeh and excellent sharpness, a very effective and versatile image stabilisation system, and a fast, quiet and reliable auto-focus system. Despite a modest increase in size and weight, Tamron’s optic is still smaller and lighter than the Canon and Nikon equivalents, despite offering a bigger, more versatile focal range. <a href="http://www.photographyblog.com/reviews/tamron_sp_150_600mm_f5_6_3_di_vc_usd_g2_review/">Read the full review</a></p></blockquote>
<p><strong><a href="https://www.bhphotovideo.com/c/product/1277358-REG/tamron_sp_150_600mm_f_5_6_3_di.html/bi/2466/kbid/3296">Tamron SP 150-600mm f/5-6.3 Di VC USD G2 $1399 at B&H Photo</a></strong></p>
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Canon 5D IV GPS questions

Hi all,
Two findings:

1. Just returned from New York with my newly acquired 5D IV - which I am extremely content with - I find that the geo tagging on photos from Manhatten is often way off (several blocks). I assume that it is attributed to reduced number of satellites in view, but I didn't have the same problem with my iPhone?

2. Furthermore the geo tagging does not include direction, unlike the GP-E2 I used with my 5D III.

Anyone of you have similar or contrary experiences?

Greetings all
Birger

American Southwest, Part 1 - Small Wildlife

Hi everyone,

it has been a while since my last post in the Travel section but after my long roadtrip through the US it's finally time for some updates.

I created my first article of the USA series about small wildlife that I encountered on my trip. You can find it here: http://www.focrates.com/articles/usa_2016/usa_2016_part1.html.

I will publish more articles soon!

BR and thanks for reading!
Ben

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