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swap 35 art for 35 f/1.4L II?

I have the 35ART from Sigma en I love the focal length and imge quality. However, there is two things which I don't like about this lens:

1) Focus at greater distance gives (much) softer images compared to close focus. I also have the Zeiss Otus 55 and 85 and in this aspect there is a substantial difference between the Zeiss lenses and the 35 art.

How much better is the Canon 35L II at greater focus distance compared to the 35 art?

2) With high contrast backgrounds, backfocus is a serious problem and I see it in a lot of my photos with light/colorful backgrounds. I use the lens on a 5D III and 7D II and I did the focal calibration with both camera's.

I know that the art lenses are known for there focussing issues. How consistent is the autofocus with the 35L II form Canon?

Input is appreciated ;D

Canon EOS M2 lots of chrominance noise, even at low ISO (100)

I recently picked up a Canon EOS M2 kit with 22mm and 18-55mm.
I had my first real play with it yesterday which was a playground with my kids. Shooting conditions were a mixture of harsh sun and dappled shade.

Upon importing the images into Aperture 3, I found that the 100% crops showed a lot of chrominance noise (shadows were obviously the worst, but I can still see if on the skin tones of my kids (pale white skin) which were in sun and hence fairly well exposed. I was shooting in RAW at 1/250 (f3.5 to 7.1) and ISO at auto.

ISO ranged from 100 to 1600. Even at ISO100 on a pretty well exposed image, I can see what I would think was a lot of chrominance noise. I am comparing the RAW images to that of my primary camera which is a Canon 40D.

Is what I am seeing typical of the 18 MP sensor? I recall a lot of people complaining about the 7D having a lot of low ISO noise. Does the EOS M2 have the same problem, and is it something I just have to repair in post if I want to?

Thank-you

Zeiss Milvus or Zeiss Classic Lens?

I am being offered new with 12 month warranty Zeiss 'Classic' EF lenses for a discounted price varying between 11-34% discount (post-tax price) vs US SRP (pre-tax price).

Are they worth getting in light of the Zeiss Milvus lenses being announced 6 months ago?

For the Otus lenses, I only get 3-12% discount (post-tax price).

The Zeiss lenses I am being offered converted to USD with tax.

Zeiss Classic

$2,174 - 15mm f/2.8
$1,062 - 18mm f/3.5
$1,451 - 21mm f/2.8
$1,115 - 25mm f/2.0
$0,954 - 28mm f/2.0
$1,451 - 35mm f/1.4
$0,828 - 35mm f/2.0
$0,582 - 50mm f/1.4
$0,972 - 85mm f/1.4
$1,518 - 135mm f/2.0
$0,954 - 50mm Makro
$1,455 - 100mm Makro

Zeiss Otus

$3,512 - 55mm f/1.4
$4,369 - 85mm f/1.4

Canon EOS-1D X Mark II Known Specifications

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<p>Below is what we think are some of the confirmed specifications for the upcoming Canon EOS-1D X Mark II.</p>
<p>Specifications:</p>
<ul>
<li><em>Resolution:</em> 22mp (we think something was lost in translation, we reported 22mp, effective is 20.2mp)</li>
<li><em>Media:</em> 1 CFast / 1 CompactFlash</li>
<li><em>LCD:</em> Some touchscreen functionality</li>
<li><em>Video:</em> 4K at 60fps (other video specifications unknown)</li>
<li><em>Feature:</em> GPS</li>
<li><em>Price:</em> $5999 USD (could fluctuate slightly)</li>
<li><em>Announcement:</em> First week of February 2016</li>
<li><em>Shipping:</em> April 2016</li>
</ul>
<p>Unconfirmed Specifications:</p>
<ul>
<li><em>Feature:</em> 4K RAW video mode for frame capture for stills.</li>
</ul>
<p>We have no solid confirmation of stills frame rate, processor type, battery type or LCD screen size. We do know that the Canon EOS-1D X Mark II will not feature built-in wifi.</p>
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Any chance of an 80D surprise?

Nikon released two bodies and that was unexpected. Any chance Canon does the same?

A few months back, there were some killer sales on 70D bodies with printer combos for like $650 from authorized dealers. That to me looks like inventory reduction. The 70D has been out a while, and being a consumer level camera, is most likely to see update than a pro camera. The Nikon D500 came out of the blue. I don't recall there being any rumors about it.

The 70D is still a very capable and relevant camera by today's standards, and being that Canon is kinda slow on updates and conservative in their view of new features, maybe it won't happen. Then again, with the Rebel being what it is, it could be squeezing the 70D....

The Rebel currently has a newer sensor, more MP and better IQ than the 70D. While it has very good live view AF, it isn't as good as the dual-pixel, but it's pretty good. It still lacks several enthusiast features, but those alone don't make up for being weaker on IQ than the entry-level DSLR.

Unless you need a specific feature that only the 70D has, for the money ...there's no reason to go with it.

Invites for February Canon Press Event Going Out [CR3]

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<p>We’ve been told by various people around the planet, that they’ve been invited to a Canon event the first week of February. Everyone is reporting the invite is vague in nature, but the only time Canon does these kind of invites is when they’re about to make a major announcement.</p>
<p>We can’t publish the exact dates or locations of the events, but they all fall in the first week of February.</p>
<p><em>More to come…</em></p>
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  • Poll Poll
1DX II Poll: Dual CF vs Dual CFast vs Mix

What do you ideally want to see in the 1DX II?

  • Dual CF

    Votes: 8 6.9%
  • Dual CFast

    Votes: 51 44.0%
  • One CFast and One CF

    Votes: 24 20.7%
  • Two different versions of 1DX II so buyers can choose between Dual CF and Dual CFast cameras

    Votes: 33 28.4%

With the CR3 rumour about Canon possibly putting one CFast slot together with one CF card slot in the new 1D X, I thought I would ask you, the potential buyers, what you would like to see in the new Canon flagship DSLR?

Personally, I would prefer two slots with the same card type CF or CFast, but not a mix.

We have to presume that if Canon puts CFast into the camera then there will be technological reasons for it, and the camera will be built to use those higher speeds in some way.

You have to vote to see the results.

Cheers.

Vacation, Gear, or both?

Howdy all. Looking for a nudge in the right direction on a gameplan for this year.

After a few years of doing contracting, I secured a full time job with good pay and vacation time. Immediate thought was to treat myself to new gear, but I have a great gear collection already so nothing is "needed"

Narrowed it down I think to a few ideas.
1. Get the 16-35 f/4 IS and a second radio flash. I have a wedding to shoot in a month so the flash might be bought regardless.
2. Never been on a vacation by myself, and have always wanted to see the national parks. Want to take a week exploring Yellowstone and whatever is in between. Don't buy anything and carry less gear.
3. Rent the 16-35, buy a light carbon fiber tripod, and do the vacation anyway.
4. Say screw it to all forms of budgeting, buy the tripod and lens, go on vacation and get great landscapes.

If someone has an even better idea i am also open.

Which TC for 500mm lens?

Hi!

I decided yesterday to buy the Canon 500mm 4 L IS II lens and placed my order.
I will like to buy an teleconverter too.
Should I buy the Original Canon 1.4x III, or the Sigma APO Telekonverter 1,4x EX DG? I got the information, the Sigma will be as good as the Canon.
I found an test (http://www.idealo.de/preisvergleich/CompareTestProducts/187545K26570.html), where this info seems to be right. Do you use the Sigma teleconverter?

Best wishes to all
Daniela

New Gear Resolutions 2016

Continuing the theem from last year's http://www.canonrumors.com/forum/index.php?topic=24541.0 from Mackguyver.

What are your new Gear Resolutions for 2016?


From the who is getting what list last year
tcmatthews said:
  • Get out to take pictures more often.
  • 16-35 f4L ? Sony FE16-35f4
  • New Mac Book Pro
  • New printer
  • FE 55f1.8
  • FE 90f2.8 macro
  • FE 35f1.4
  • Canon 5dIV or 6D II?
  • Used Canon 5dr/5ds?
  • 100-400L II
  • 2x TC III
  • 1.4x TC III

As you can see this was a multi year list. This years resolutions.

  • Get out and use my current gear more.
  • Travel more.
  • Figure out what I really want for a travel camera.
  • Decide on new full frame DSLR.
  • Decide on a new high MP camera
  • Get rid of anything of value that is currently not serving a purpose.
  • Sony FE 35f1.4
  • Canon 100-400L II
  • Replacement for M/Sony Nex6
  • Get EF-s 15-85 repaired.
  • Get 100L Macro cleaned.

Biggest surprises last year was getting a 7DII. It was a ridiculous price in the Canon refurb store and I could not resist. My A7II received a huge autofocus firmware update making my Canon lens actual autofocus on the camera. And after buying a 16-35 f4 L I came to the curious decision to just sell my 6D while I can get something for it. I now have a 7DII to use for wildlife. I finally upgraded my metabones III adapter to the metabones IV adapter. I was pleasantly surprised that my Tamron 28-75f2.8 now focuses on my Sony A7II.

The 6D, EOS M, and Nex6 are in a box being sent into Amazon for trade in.

Unless the Canon 5DIV knocks it out of the park I am waiting for the 6DII announcement before deciding on a new DSLR. I will compare it to the 5Dr and 5DIV before making up my mind. (I hope my early prediction that the 6DII will be released fall 2017 is wrong.)

I am really considering going m4/3 for a light travel camera. But that would mean three camera systems so the A6100 is more likely. This is especially true if it supports autofocus with DSLR lenses like the A7II and A7rII.

Edit: fixed URL

Fujifilm Considers Entering Medium Format Market

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In an interview with the <a href="http://www.bjp-online.com/2016/01/fuji-x-pro2-interview-takashi-ueno/" target="_blank">British Journal of Photography</a>, Fujifilm product manager Takashi Ueno admits the company is researching the viability of entering the medium format market.</p>
<blockquote><p>At the moment Fuji is not planning to launch a medium format camera, but we are conducting research and testing sensors in this area. We have a good history in the medium format market, and I think we would be successful again. We have the technology to make a very modern and high quality camera, but right now we are only investigating.</p></blockquote>
<p>The “affordable” medium format space is currently only represented by Pentax, but there has been rumors over the years that both Sony and Fujifilm could become players in the market. Sony already is by providing image sensors to the likes of Pentax.</p>
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GoPro to Layoff 7% of Workforce After Poor Holiday Sales

HTML:
<em>16% Annual Revenue Growth to $1.6 Billion for 2015</em></p>
<p><strong>SAN MATEO, Calif., Jan. 13, 2016</strong> /PRNewswire/ — GoPro, Inc. (NASDAQ: GPRO) today reported certain preliminary financial results for the fourth quarter and year ended December 31, 2015.</p>
<p>GoPro expects revenue to be approximately $435 million for the fourth quarter of 2015 and $1.6 billion for the calendar year. Fourth quarter revenue reflects lower than anticipated sales of its capture devices due to slower than expected sell through at retailers, particularly in the first half of the quarter. Fourth quarter revenue includes a $21 million reduction for price protection related charges resulting from the HERO4 Session repricing in December. Non-GAAP gross margin for the fourth quarter of 2015, excluding the impact of price protection and a charge of between $30 million and $35 million to cost of revenue for excess purchase order commitments, excess inventory, and obsolete tooling is anticipated to be between 44.5% and 45.5%. Non-GAAP gross margin for the fourth quarter of 2015 is anticipated to be between 34.5% and 35.5%. Non-GAAP operating expenses for the fourth quarter of 2015 are estimated to be between $150.0 million and $152.5 million.  Cash, cash equivalents and marketable securities at December 31, 2015 totaled approximately $475 million.</p>
<p><!--more--></p>
<p>These preliminary, unaudited results are based on management’s initial review of operations for the quarter and year ended December 31, 2015 and remain subject to the completion of the Company’s customary annual closing and review procedures. Final adjustments and other material developments may arise between the date of this press release and the dates GoPro announces fourth quarter 2015 results and the filing of the Company’s Annual Report on Form 10-K with the SEC.</p>
<p><strong>Zander Lurie Appointed to GoPro Board</strong>

Zander has resigned from his role as Senior Vice President of GoPro Entertainment and has been appointed to serve on GoPro’s board of directors. Mr. Lurie has deep experience working with Internet-based business models across digital and traditional media. At GoPro Entertainment, he built a team dedicated to pursuing new formats and revenue streams from user-generated content and the Company’s large cache of digital entertainment. Prior to GoPro, he served as an executive at CBS Corp. which he joined with the acquisition of CNET Networks where he served as CFO and head of Corporate Development. Mr. Lurie began his career in the technology investment banking group at J. P. Morgan where he led equity transactions and mergers and acquisitions in the Internet sector.</p>
<p><strong>Reallocation of Resources</strong>

Over the past two years, GoPro’s headcount has grown by more than 50% annually, to more than 1,500 employees at the end of 2015. To better align resources to key growth initiatives, GoPro has implemented a reduction in its workforce of approximately 7 percent. The Company estimates it will incur approximately $5 million to $10 million of restructuring expenses in the first quarter of 2016, substantially all of which will be severance costs.</p>
<p><strong>Fourth Quarter and Full Year 2015 Earnings Conference Call</strong>

GoPro will release its financial results for the fourth quarter and full year 2015 after the market closes on February 3, 2016.</p>
<p>GoPro management will host a conference call and live webcast for analysts and investors on February 3, 2016 at 2 p.m. Pacific Time (5 p.m. Eastern Time) to discuss the Company’s financial results.</p>
<p>To listen to the live conference call, please dial toll free (888) 806-6221 or (913) 981-5588, access code 4243159, approximately 15 minutes prior to the start of the call. A live webcast of the conference call will be accessible on the “Events & Presentations” section of the Company’s website at http://investor.gopro.com. To access the live webcast, please log in 15 minutes prior to the start of the call to download and install any necessary audio software. The webcast will be recorded and the recording will be available on GoPro’s website, <a href="http://investor.gopro.com/">http://investor.gopro.com</a>, approximately two hours after the call and for six months thereafter.</p>
<p>GoPro reports gross margin and operating expenses, in accordance with U.S. generally accepted accounting principles (GAAP) and on a non-GAAP basis. Non-GAAP gross margin and non-GAAP operating expenses exclude, where applicable, the effects of stock-based compensation and acquisition-related costs. A reconciliation to the comparable GAAP guidance has not been provided because certain factors that are materially significant to the Company’s ability to estimate the excluded items are not accessible or practically estimable at this time.</p>
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Canon EOS-1D X Mark II To Feature CFast & CF Slots [CR3]

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We’re told that the upcoming Canon EOS-1D X Mark II will feature one CFast slot and one CompactFlash slot. We had been told Canon was going back and forth on whether they would offer dual CFast slots or not. This will be a nice tradeoff for photographers, and they can upgrade to CFast on their own time, instead of having to go out and buy a bunch of new cards when the camera launches.</p>
<p>I’m hoping there is a good safety device that prevents CFast cards from being jammed into the CF card slot, or we may have a rash of bent pins in people’s cameras. I’m sure Canon developers have already thought of this though.</p>
<p>I probably would have preferred dual CFast slots, but I may be in the minority.</p>
<p><em>More to come…</em></p>
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DXO: Fair and Balanced

As part of our recurring 'DXO is Fair and Balanced' investigative journalism series, we offer you the finest insights.

Today's wonderful test of DXO's impartiality is the Sigma 24-35 f/2. It's always great to put effectively the same lens on both a Nikon and Canon body and see what DXO thinks about it.

See how things turned out below. Classic DXO.

- A

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CarePAK Plus Promotion Extended Until February 27, 2016

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The very popular <a href="http://shop.usa.canon.com/shop/en/catalog/carepak-plus-offers" target="_blank">CarePAK Plus</a> promotion from Canon has been extended until February 27, 2016. Whenever you buy any of the following gear from an authorized Canon USA dealer, you will receive free 13 month coverage, which covers accidental damage.</p>
<p>Qualifying products can be seen after the break.</p>
<p><!--more--></p>
<p>CarePAK Plus is only available on the following Canon cameras and lenses.</p>
<ul>
<li><a href="http://www.bhphotovideo.com/c/product/1088689-REG/canon_canon_eos_1dx_dslr.html/BI/2466/KBID/3296/DFF/d10-v21-t1-x568407" target="_blank">Canon EOS-1D X $4249</a></li>
<li><a href="http://www.bhphotovideo.com/c/product/1119026-REG/canon_0581c002_eos_5ds_dslr_camera.html/BI/2466/KBID/3296/DFF/d10-v21-t1-x604093" target="_blank">Canon EOS 5Ds $3699</a></li>
<li><a href="http://www.bhphotovideo.com/c/product/1119027-REG/canon_0582c002_eos_5ds_r_dslr.html/BI/2466/KBID/3296/DFF/d10-v21-t1-x604095">Canon EOS 5Ds R $3899</a></li>
<li><a href="http://www.bhphotovideo.com/c/product/986049-REG/canon_eos_5d_mark_iii.html/BI/2466/KBID/3296/DFF/d10-v21-t1-x447845" target="_blank">Canon EOS 5D Mark III $2149</a></li>
<li><a href="http://www.bhphotovideo.com/c/product/1129622-REG/canon_eos_5d_mark_iii.html/BI/2466/KBID/3296/DFF/d10-v21-t1-x614707">Canon EOS 5D Mark III w/ EF 24-105mm f/4L IS Kit $2749</a></li>
<li><a href="http://www.bhphotovideo.com/c/product/1046512-REG/canon_eos_6d_dslr_camera.html/BI/2466/KBID/3296/DFF/d10-v21-t1-x523441" target="_blank">Canon EOS 6D $1199</a></li>
<li><a href="http://www.bhphotovideo.com/c/product/1046644-REG/canon_eos_6d_dslr_camera.html/BI/2466/KBID/3296/DFF/d10-v21-t1-x523442" target="_blank">Canon EOS 6D w/ EF 24-105mm f/4L IS Kit $1699</a></li>
<li><a href="http://www.bhphotovideo.com/c/product/1176700-REG/canon_eos_7d_mark_ii.html/BI/2466/KBID/3296/DFF/d10-v21-t1-x663024" target="_blank">Canon EOS 7D Mark II $1199</a></li>
</ul>
<ul>
<li><a href="http://www.bhphotovideo.com/c/product/486708-USA/Canon_1910B002AA_EF_16_35mm_f_2_8L_II.html/BI/2466/KBID/3296/DFF/d10-v21-t1-x106164" target="_blank">Canon EF 16-35mm f/2.8L II USM $1499</a></li>
<li><a href="http://www.bhphotovideo.com/c/product/279582-USA/Canon_8806A002_EF_17_40mm_f_4L_USM.html/BI/2466/KBID/3296/DFF/d10-v21-t1-x24811" target="_blank">Canon EF 17-40mm f/4L USM $749</a></li>
<li><a href="http://www.bhphotovideo.com/c/product/843008-USA/Canon_5175B002_EF_24_70mm_f_2_8L_II.html/BI/2466/KBID/3296/DFF/d10-v21-t1-x342278" target="_blank">Canon EF 24-70mm f/2.8L II USM $1799</a></li>
<li><a href="http://www.bhphotovideo.com/c/product/457680-USA/Canon_1257B002AA_Normal_EF_50mm_f_1_2L.html/BI/2466/KBID/3296/DFF/d10-v21-t1-x85029" target="_blank">Canon EF 50mm f/1.2L USM $1349</a></li>
<li><a href="http://www.bhphotovideo.com/c/product/680103-USA/Canon_2751B002_EF_70_200mm_f_2_8L_IS.html/BI/2466/KBID/3296/DFF/d10-v21-t1-x196324" target="_blank">Canon EF 70-200mm f/2.8L IS USM II $1999</a></li>
<li><a href="http://www.bhphotovideo.com/c/product/423691-USA/Canon_1056B002AA_EF_85mm_f_1_2L_II.html/BI/2466/KBID/3296/DFF/d10-v21-t1-x68368" target="_blank">Canon EF 85mm f/1.2L II USM $1999</a></li>
<li><a href="http://www.bhphotovideo.com/c/product/647011-USA/Canon_3554B002_EF_100mm_f_2_8L_Macro.html/BI/2466/KBID/3296/DFF/d10-v21-t1-x107193" target="_blank">Canon EF 100mm f/2.8L Macro IS USM $849</a></li>
<li><a href="http://www.bhphotovideo.com/c/product/1092632-REG/canon_9524b002_ef_100_400mm_f_4_5_5_6l_is.html/BI/2466/KBID/3296/DFF/d10-v21-t1-x574561" target="_blank">Canon EF 100-400mm f/4.5-5.6L IS II $2099</a></li>
</ul>
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Fujifilm Announces XF 100-400mm F4.5-5.6 OIS WR Lens

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<em>X-Pro2, X-E2S, X70 and XF100-400mmF4.5-5.6 R LM OIS WR join the X-Series; all-weather FinePix XP90 gets the shot from sand to slopes</em></p>
<p><strong>Valhalla, N.Y., January 14, 2016 </strong>– <strong>FUJIFILM North America Corporation</strong>, a leader in digital imaging, today announced new additions to the award-winning X-Series line of premium fixed and mirrorless cameras, and ultra-high quality lenses, including: the <strong>FUJIFILM X-Pro2, FUJIFILM X-E2S, FUJIFILM X70 and FUJINON XF100-400mmF4.5-5.6 R LM OIS WR. </strong> Fujifilm also introduced the new rugged and waterproof <strong>FinePix XP90</strong>, perfect for capturing amazing images everywhere, from underwater to mountain tops.</p>
<p>The new <strong>FUJINON XF100-400mmF4.5-5.6 R LM OIS WR</strong> is a weather-sealed, superior telephoto lens that gives photographers exceptionally sharp images with a 152mm-609mm equivalent in 35mm format. The high-performance XF100-400mmF4.5-5.6 R LM OIS WR has an optical construction of 21 elements in 14 groups, and includes five ED lenses and one Super ED lens to help reduce chromatic aberration that often occurs in telephoto lenses. As a result, it delivers the highest image quality in its class.</p>
<p><!--more--></p>
<p>The XF100-400mmF4.5-5.6 R LM OIS WR has been designed for handheld shooting with a 5.0-stop image stabilization system and twin linear motors for speedy autofocus that makes it perfect for shooting fast-moving subjects. The lens is also water and dust resistant and can operate in temperatures as low as 14°F, making it suitable for use in a wide range of outdoor shooting conditions. A fluorine coating has also been applied to the front lens element to repel water and dirt, further improving the toughness and functionality of the lens.</p>
<p><strong>FUJINON XF100-400mmF4.5-5.6 R LM OIS WR key features:</strong></p>
<ul>
<li>Uses  21 elements in 14 groups, and 5 extra-low dispersion elements and 1 super extra low dispersion elements
<ul>
<li>Rounded 9 blade aperture</li>
<li>1/3 EV (15 steps)</li>
<li>Water-repellent fluorine coating</li>
</ul>
</li>
<li>Weather-sealed with 13 water and dust resistant seals at 12 points</li>
<li>Included lens hoods features a sliding window for accessing a polarizing filter and locking mechanism</li>
<li>Compatible the XF1.4X TC WR teleconverter (140-560mm F6.3-8 or 213-853mm in 35mm equivalent)</li>
<li> Compatible with optional lens plate (MLP-75XF) and optional ARCA SWISS tripods</li>
</ul>
<p>The FUJINON XF100-400mmF4.5-5.6 R LM OIS WR will be available in February 2016 for <strong><a href="http://www.bhphotovideo.com/c/product/1210897-REG/fujifilm_16501109_xf_100_400mm_f_4_5_5_6_r.html/BI/2466/KBID/3296" target="_blank">USD $1,899.95</a></strong> and <strong>CAD $2,149.99.</strong></p>
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Fujifilm Announces New Additions to the X-Series Line

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<em>X-Pro2, X-E2S, X70 and XF100-400mmF4.5-5.6 R LM OIS WR join the X-Series; all-weather FinePix XP90 gets the shot from sand to slopes</em></p>
<p><strong>Valhalla, N.Y., January 14, 2016 </strong>– <strong>FUJIFILM North America Corporation</strong>, a leader in digital imaging, today announced new additions to the award-winning X-Series line of premium fixed and mirrorless cameras, and ultra-high quality lenses, including: the <strong>FUJIFILM X-Pro2, FUJIFILM X-E2S, FUJIFILM X70 and FUJINON XF100-400mmF4.5-5.6 R LM OIS WR. </strong> Fujifilm also introduced the new rugged and waterproof <strong>FinePix XP90</strong>, perfect for capturing amazing images everywhere, from underwater to mountain tops.</p>
<p>The <strong>FUJIFILM X70</strong> is a newly designed premium fixed lens digital camera that features a FUJINON 18.5mmF2.8 lens (28mm in 35mm format equivalent), suitable for a range of applications from landscapes to everyday snapshots. The new X70 elegantly combines simple manual operation with superior image quality and versatile picture-taking functions, and is the first X-Series camera to offer a touchscreen display that rotates 180 degrees, enabling users to shoot from up high, down low and capture selfies.</p>
<p><!--more--></p>
<p>The compact FUJIFILM X70 uses a 16.3MP APS-C X-Trans CMOS II Sensor for extraordinary image resolution, and gives photographers milled aluminum dial controls, as well as aperture settings in 1/3 stop increments, and the new Auto Mode Switch lever for selecting its fully automatic Advanced SR Auto mode. In this mode, the camera automatically chooses the optimum settings for great results on any scene.</p>
<p>The new FUJIFILM X70 features a responsive touchscreen – a first for the X-Series. Now, photo enthusiasts can use the Touch Panel for operations during shooting and playback modes. For shooting, users can select their focus area and touch-to-shoot. During playback, users can swipe their finger to scroll through images, double-tab to enlarge images, and drag to view different points on the picture, and pinch-out and pinch-in to enlarge and reduce the image view.

Users can also disable the touchscreen functions at any time by turning the Touch Panel Settings to “off.”</p>
<p><strong>FUJIFILM X70 key features:</strong></p>
<ul>
<li>16.3MP APS-C X-Trans CMOS II Sensor
<ul>
<li>Fast AF of up to 0.06 seconds</li>
<li>Start-up time of 0.5 seconds</li>
<li>Shutter time lag of 0.05 seconds</li>
<li>Shooting interval of 0.5 seconds</li>
</ul>
</li>
<li>Uses the FUJINON 18.5mm F2.8 lens with 7 elements in 5 groups, and  2 high-performance aspherical elements
<ul>
<li>9 blade aperture</li>
<li>FUJINON’s unique HT-EBC coating</li>
</ul>
</li>
<li>High-definition, touchscreen 3” tilting (180o) LCD display with 1.04 million dots</li>
<li>Maximum ISO performance up to 51200 sensitivity</li>
<li>New  AF system offers the 49-point Single Point mode for fast, precise focusing, and a  new Zone and Wide/Tracking modes with a 77-point area to capture moving subjects</li>
<li>Up to ±3 stops of exposure compensation on the top-plate dial</li>
<li>8 function buttons (1 customizable)</li>
<li>Latest CLASSIC CHROME Film Simulation mode that delivers muted tones and deep colors</li>
<li>Interval timer for shooting time-lapse sequences of one second to 24 hours, up to 999 frames</li>
<li>Completely silent electronic shutter capable of exposures up to 1/32,000 second</li>
<li>Digital teleconverter offers additional focal ranges of 35mm and 50mm</li>
<li>Full HD video 1080p at 60fps; bit rate of 36Mbps for clear capture of delicate movements; frame rates of 60 fps, 50fps, 30fps, 25fps and 24fps, supporting worldwide motion picture formats</li>
<li>Free FUJIFILM Camera Remote application and Wireless Communication function allows users to remotely shoot images from smartphones and tablets via WiFi</li>
<li>Photos can be sent to the INSTAX Share Printer using the free INSTAX Share App (iOS and Android) SHARE Smartphone Printer</li>
<li>Advanced creative filters</li>
</ul>
<p>The FUJIFILM X70 will be available in February 2016 for <strong><a href="http://www.bhphotovideo.com/c/product/1210898-REG/fujifilm_16499136_x70_digital_camera_silver.html/BI/2466/KBID/3296" target="_blank">USD $699.95</a></strong> and <strong>CAD $899.99.</strong></p>
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Fujifilm Announces New Flagship X-Pro2 Camera

HTML:
<em>Weather-resistant X-Pro2 features the world’s first Advanced Hybrid Multi Viewfinder, new 24MP X-Trans CMOS III sensor, and creative monochrome ACROS film simulation</em></p>
<p><strong>Valhalla, N.Y., January 14, 2016 </strong>– <strong>FUJIFILM North America Corporation</strong>, a leader in premium mirrorless cameras, today announced the <strong>FUJIFILM X-Pro2</strong>, the new flagship range-finder style camera in the award-winning X-Series line. As the new pinnacle of X-Series photography, the X-Pro2 gives professional photographers an innovative <strong>Advanced</strong> <strong>Hybrid Multi Viewfinder </strong>capable of instantly switching between optical and electronic finders, a new <strong>24.3MP X-Trans CMOS III sensor</strong>for truly remarkable image resolution, and a new <strong>X-Processor Pro</strong> that delivers dramatically improved response times for unmatched performance.</p>
<p>By combining these features with the ultra-high image quality of <strong>FUJINON X-Mount lenses</strong> and the world-renowned color reproduction technology refined over more than 80 years as a photographic film leader, the FUJIFILM X-Pro2 delivers the best ever results from an X-Series camera.</p>
<p><!--more--></p>
<p><strong>Advanced performance for professionals </strong>

The FUJIFILM X-Pro2 has the world’s first Hybrid Multi Viewfinder that allows photographers to take advantage of both an optical finder for a direct view of the subject as well as an electronic viewfinder to preview settings. The ability to instantly switch between these two types of viewfinders was first installed on the FUJIFILM X100 in 2011, but the latest version found on the X-Pro2 is the most advanced. It now features a Multi-Magnification function that automatically switches viewfinder magnification according to the lens in use and an Electronic Rangefinder that simultaneously displays the electronic viewfinder on top of the optical viewfinder.</p>
<p>Working together, the newly developed 24.3MP X-Trans CMOS III sensor and the high-performance X-Processor Pro image engine deliver pictures with a perceived resolution far greater than the actual number of pixels used. Moreover, the X-Pro2 now boasts 4x the processing speed of conventional image processing engines, which in turn gives users increased response times, even with the increased resolution. The powerful X-Processor Pro dramatically improves a wide range of response times, including a start-up time of just 0.4 seconds, the shortest shooting interval of 0.25 seconds, a shutter time lag of 0.05 seconds, and autofocus speeds as fast as 0.06 seconds. And with the option to use compressed RAW files, the X-Pro2’s performance and functionality now exceed the needs of professional photographers, including faster live view and even higher definition movies.</p>
<p><strong>Cutting-edge autofocus system </strong>

The FUJIFILM X-Pro2 uses a new autofocus (AF) system that gives users an expanded number of selectable focusing points with 273 AF points. 77 of these are phase detection – for greater functionality and faster autofocus. With the X-Pro2, approximately 40% of the imaging area is now covered by fast, precise phase detection AF pixels, which means focusing speeds when photographing moving subjects have improved dramatically. By combining the processing capabilities of the new X-Processor Pro with a contrast AF readout speed that is 2x faster than before, the X-Pro2 delivers the fastest AF performance ever in an X-Series camera.</p>
<p><strong>Weather-resistant for challenging shooting environments</strong>

The FUJIFILM X-Pro2 has a robust, weather-resistant body to meet the needs of professional photographers in tough shooting environments. The camera’s chassis is made from four pieces of magnesium alloy and is sealed with more than 61 points, making it dust-proof, splash-proof and capable of operating in temperatures as low as 14°F. In addition, it has dual SD card slots, for more reliable image storage and less card changing while on location.</p>
<p><strong>Improved layout and new user interface design</strong>

The new FUJIFILM X-Pro2 embodies the true craftsmanship that the X-Series is known for around the world. The shutter speed dial, exposure compensation dial and finder switching lever are all milled from aluminum for a premium look and comfortable feel. The ISO sensitivity dial is now built-in to the shutter speed dial so camera settings can be confirmed at a glance without having to turn the power on. And the command dial position has been added to the exposure compensation dial. Selecting this function switches exposure compensation operation to the front command dial and expands the range to ±5EV.</p>
<p>The FUJIFILM X-Pro2 features Command dials on both the front and rear of the camera. And by adding a push function, they are easier to use, and still retain dust and water resistance. There are six function buttons to allow easier access to regularly used functions, and a new Focus Lever enables users to quickly select a focusing point, speeding up operation.</p>
<p>Photographers will find a new, easy-to-use graphical user interface design in the FUJIFILM X-Pro2 with fresh categories added to the tabs on the menu screen, allowing faster access to the item required. Users can register a maximum of 16 frequently used items in the new My Menu feature, and when combined with the 16 items from the Q Menu, a total of 32 shortcuts can be created.</p>
<p>The viewfinder display in the FUJIFILM X-Pro2 now offers a greater level of customization so it can further match the individual needs of the photographer. The X-Pro2 gives users a Bright Frame Simulation function in the optical viewfinder mode so the angle of view of each focal length can be confirmed without having to replace the lens, so the user can change lenses more accurately.</p>
<p><strong>FUJIFILM X-Pro2 key features:</strong></p>
<ul>
<li>World’s first Advanced Hybrid Multi Viewfinder with 2.36 million dots and maximum speed of 85 frames per second
<ul>
<li>Diopter correction mechanism with an eye point of 16mm and a telephoto bright frame with enlarged focal length of 140mm</li>
</ul>
</li>
<li>24.3MP APS-C X-Trans CMOS III Sensor
<ul>
<li>Fast AF of up to 0.08 seconds</li>
<li>Phase detection AF and motion predictive AF for continuous shooting up to 8 frames per second</li>
<li>Start-up time of 0.4 seconds</li>
<li>Shutter time lag of 0.05 seconds</li>
<li>Shooting interval of 0.25 seconds</li>
<li>Focal plane shutter top speed of 1/8000 second</li>
<li>Flash sync speed up to 1/250 second</li>
</ul>
</li>
<li>Dust and water-resistant body with more than 61 points of weather sealing and freeze resistance to 14°F</li>
<li>High-precision 3” rear display with 1.62 million dots</li>
<li>Dual memory card slots (Slot1 compatible with UHS-II standards)</li>
<li>New monochrome  ACROS film simulation for smooth tones, deep blacks and rich textures</li>
<li>New Grain Effect mode for images reminiscent of old film photos, especially when printed</li>
<li>Maximum ISO performance up to 12800 sensitivity; Extended ISO ISO100, 25600, 51200</li>
<li>Improved electric charge transfer rate for ultra-fast readout speeds</li>
<li>Interval timer for shooting time-lapse sequences of one second to 24 hours, up to 999 frames</li>
<li>Free FUJIFILM Camera Remote application and Wireless Communication function allows users to remotely shoot images from smartphones and tablets via WiFi</li>
<li>Photos can be sent to the INSTAX Share Printer using the free INSTAX Share App (iOS and Android) SHARE Smartphone Printer</li>
<li>Full HD video 1080p at 60fps; bit rate of 36Mbps for clear capture of delicate movements; frame rates of 60 fps, 50fps, 30fps, 25fps and 24fps, supporting worldwide motion picture formats</li>
<li>Advanced creative filters</li>
<li>Optional accessories:
<ul>
<li>Hand Grip MHG-Xpro2 – improves grip and retains access to battery and SD card, and compatible with an Arca Swiss plate</li>
<li>Leather Case BLC-XPRO2 – genuine leather bottom case elegantly shows off the X-Pro2’s classic design while protecting the camera body with battery access</li>
</ul>
</li>
</ul>
<p>The FUJIFILM X-Pro2 (body only) will be available in February 2016 for <strong><a href="http://www.bhphotovideo.com/c/product/1210892-REG/fujifilm_16488618_x_pro2_mirrorless_digital_camera.html/BI/2466/KBID/3296" target="_blank">USD $1,699.95</a></strong> and <strong>CAD $1,899.99.</strong></p>
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squeeky sound when mounting filters

i would appreciate any advice for a bit of a problem with my filters. For the most part my filters are B+W MRC-N
When i mount filters on some of my lenses there is a considerable squeeky sound coming from filter being screwed on the lens. Also the filter tread does not seem to fit the best. i have no problem with Hoya filters. i prefer B+W brand for the most part that they are very easy to clean. The question is: is there any non-greasy lubricant on the market that i can use to make the mounting process easier?

Thankfully,
Patak

Possibility of EOS M Announcement at CP+? [CR1]

HTML:
<p>We’re told that there is a strong possibility that we’ll see some kind of an EOS M announcement for CP+ next month in Tokyo. The show runs from February 25, 2016 until February 28, 2016. The source said if there is an announcement for the show, it’ll be for the “prosumer” EOS M camera. No specifications were given for such a camera.</p>
<p>We’re told that it’s even more likely is that we’ll see multiple EF-M lens announcements for CP+.</p>
<p>There’s a buzz out there that Canon will make a big splash at this show, as we’re also expecting that the EOS-1D X Mark II will make an appearance.</p>
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35mm Shootout! 35LII, Sigma 35 ART, 35IS, Tamron VC

Hello everyone. In response to some requests to take all of these lenses (Canon EF 35mm f/1.4L II, Canon EF 35mm f/2 IS, Sigma 35mm f/1.4 ART, and the Tamron 45mm f/1.8 VC pinch hitting for the 35mm f/1.8 VC) head to head, I've been doing a series of direct comparisons in a number of categories, including resolution/image quality, flare resistance, autofocus performance, and bokeh. The last video isn't live yet, but is in production at the moment. Most of these are in video format, but I've put together a docking page for it all along with some of the review image samples for you to draw conclusions from yourself.

Here's the landing page for the 35mm Shootout!: http://bit.ly/1ZqA4yM

I hope this helps some of you in your process to choose the right 35mm lens for you.

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Leica Announces Three New M Lenses

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Leica today announced 3 new lenses for the M mount.</p>
<ul>
<li class="p1"><span class="s1"><a href="http://www.adorama.com/LC282MU.html?KBID=64393" target="_blank">LEICA SUMMICRON-M 28MM F/2.0 ASPH BLACK – $3995.00</a></span></li>
<li class="p1"><span class="s1"><a href="http://www.adorama.com/LC352MUB.html?KBID=64393" target="_blank">LEICA SUMMICRON-M 35MM F/2.0 ASPH BLACK – $2795.00</a></span></li>
<li class="p1"><span class="s1"><a href="http://www.adorama.com/LC352MUS.html?KBID=64393" target="_blank">LEICA SUMMICRON-M 35MM F/2.0 ASPH SILVER – $2995.00</a></span></li>
<li class="p1"><span class="s1"><a href="http://www.adorama.com/LC2828.html?KBID=64393" target="_blank">LEICA 28 2.8-M ELMARIT-M ASPH BLACK – $2195.00</a></span></li>
</ul>
<p><!--more--></p>
<p><strong>Press Release:</strong></p>
<p>Leica Camera has introduced next-generation models of three of its classic M lenses: the Leica M Summicron-M 35 mm F2 ASPH., Leica Summicron-M 28 mm F2 ASPH. and Leica Elmarit-M 28 mm F2.8 ASPH., each delivering enhanced image performance and quality, thanks to their new optical design.</p>
<p>Additional improvements to the lenses include a more robust construction, now featuring a full metal rectangular lens hood with thread mount, and a threaded protection ring for the front of the lens when the hood is not attached. The lens cap is now also made of metal.</p>
<p>As with all Leica products, this classic trio of reportage lenses offers both optical and technical excellence. Made in Germany, the combination of state-of-the-art technology, the highest quality materials and meticulous manual construction ensures consistent quality, resulting in reliable products with outstanding durability.</p>
<p>The new generation Summicron-M 28 mm F2 ASPH. and Elmarit-M 28 mm F2.8 ASPH. lenses are scheduled to be available from the end of January. The Summicron-M 35 mm F2 ASPH. is scheduled to be available from February in black and, for the first time, also in a silver anodised finish.</p>
<p>The impressive Summicron-M 35 mm F2 ASPH. fast, classic prime lens delivers superior image performance and a unique bokeh. Despite its high speed and exceptional image quality, its dimensions are astoundingly compact. Furthermore, with its eleven blade iris, this new generation lens creates a circular aperture, lending out of focus areas an extremely smooth look and feel. Images are pin-sharp with rich contrast, and almost completely free from distortion with superb bokeh at all apertures and distances – and even when shooting wide open.</p>
<p>High performance and speed are also distinct characteristics of the Summicron-M 28 mm F2 ASPH. wide-angle lens. Its outstanding speed makes it particularly versatile and produces brilliant imaging results, even in difficult lighting conditions. At its maximum aperture, the Summicron-M 28 mm F2 ASPH. delivers rich contrast, differentiated reproduction of even the finest structures, a soft and smooth bokeh, and extremely high resolution. Improvements within the optical design in this new generation lens have made it possible to achieve superior image performance across the entire image field. The significant reduction of image field curvature guarantees better resolution of details from corner to corner within every picture.</p>
<p>The Elmarit-M 28 mm F2.8 ASPH. is the most compact lens in the entire portfolio of Leica M lenses. Thanks to its small size and light weight, this lens is a particular favourite with street and reportage photographers. Compared to the previous model, this new generation lens offers significantly reduced image field curvature, which brings considerably improved image performance with high resolution and brilliant resolution of details. The Elmarit-M 28 mm F2.8 ASPH. is practically distortion-free from infinity to its closest focusing distance of 0.7 metres, and provides an exceptionally clear view through the Leica M viewfinder.</p>
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