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Canon EOS-1D X Mark II To Be 22mp [CR3]

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<p>One of the big questions we all wanted to know, is what is the pixel count on the EOS-1D X Mark II is going to be? We’re told from a very reliable source that we’re looking at a newly developed 22mp sensor for the EOS-1D X Mark II. 22mp is in the range we expected and adds 4mp over the EOS-1D X.</p>
<p>The camera is in late stage testing and some production has started.</p>
<p>More to come…</p>
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Patent: EF-M 55-300mm f/4.5-5.6 DO IS

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Canon continues to develop diffractive optics technology, and this time it’s for the EF-M mount. A patent for an EF-M 55-300mm f/4.5-5.6 DO IS optical formula has appeared. The lens is for APS-C mirrorless cameras.</p>
<p>Patent Publication No. 2015-232674 (Google Translated)</p>
<ul>
<li>Published 2015.12.24</li>
<li>Filing date 2014.6.11</li>
<li>Zoom ratio 5.27</li>
<li>Focal length 55.04 135.00 290.01</li>
<li>F-number 4.60 5.18 6.30</li>
<li>Angle of view 13.94 5.78 2.70</li>
<li>Image height 13.66 13.66 13.66</li>
<li>Overall length of the lens 136.00 175.46 192.00</li>
<li>BF 35.50 35.50 35.50</li>
</ul>
<p>I’m not sure how likely a DO lens is for the EOS M system, unless they’ve figured out a way to bring costs down.</p>
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Canon 24mm 1.4 L ii Front Focus Issue?

Hi all, over the Christmas break I sent my Canon 24mm 1.4 L ii and 5D Mark iii to Fixation UK for lens calibration (MF adjustment) this was due to issues with front focusing and despite it locking on to focus (center point). The work to be carried out according to the report from Fixation was: Set up and recalibrate , Focus System , Check and clean (Technicians' Comments: No optical issues however lens zero position could be improved). I also checked my 5D Mark iii AF MF menu which is disabled, are Canon lenses calibrated any other way?

Today I received the lens and camera back today and pulled it out the box in excitement, took a few shots with the came on a tripod and shot the boxes that I had unboxed in my excitement. I shot about 2 meters away from the subject using the center focus point at the letters 24 MM on the lens box. To my surprise it produced defocused image and for some reason my sofas's corner seemed to be more in focus. Now I'm unsure if this is my technique here with such wide prime (its the only focal length I've had an issue with), or if there is an issue. I tried few more shots of different objects and results seemed the same.

I have attached an image of the box I shot, please let me know your views. I may give Fixation a call in the morning.

Attachments

Canon EOS-1D X Mark II Coming in April 2016 [CR3]

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<p>Barring some kind of unforeseen issue, the Canon EOS-1D X Mark II will be shipping some time in April 2016. <a href="http://www.canonrumors.com/canon-eos-1d-x-mark-ii-availability-in-2016-cr2/">We mentioned this a few months ago</a> and it looks like things haven’t changed.</p>
<p>What may have changed is when the camera is announced, right now the latest information says a February/March announcement for the new camera. With Nikon having recently announced their flagship D5 which begins shipping in March of 2016, there’s no reason to announce right away. However, announcing before the Nikon starts shipping is probably very likely.</p>
<p>The current planned price for the new EOS-1D X Mark II is $5999, but that could change slightly depending on currency strength at the time of the announcement, but it will be cheaper than the <a href="http://www.bhphotovideo.com/c/product/1214152-REG/nikon_1557_d5_dslr_camera_body.html/BI/2466/KBID/3296/DFF/d10-v21-t1-x700340" target="_blank">$6496 Nikon D5</a>.</p>
<p>The only specification we have confirmed is that it will record 4K video, just like the D5.</p>
<p>More to come…</p>
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fast focussing 20mm f1.4 - does such a lens exist (for crop factor)?

Yes, I know about the Sigma f1.8 zoom but based on reviews I'm not confident about the focus speed.

Here's what I'm trying to do (I'll add pics when I get home): my kid dragged me to Woodward Tahoe where they have big skateboard ramps that end in foam pits. He insisted I use the 7D II because of the 10 fps (I normally use the 5d3). He was right, fun shots.

I was using the 17-55 f2.8, mostly at 20mm (they let me stand in the foam pit so the skaters were right next to me). The light was not so great so I was shooting at 1/320th, ISO 8000. Hence my desire to find a prime at f.14 or f1.8. I know about the Canon 24mm II but that appears to be soft wide open (according to Brian and I trust his reviews).

I have to believe someone here has done the same thing and found a lens they like.

I suppose the alternative is to get a used 1Dx I and use it with my 35mm f2 :)

Will Gray Market Prices Drop Again?

With additional devaluation of the Yuan, prices on items imported from China are going to drop. Generally, this affects items produced in China, but this leaves companies like Canon in a bind. China is a huge market, so Canon can't really afford to raise prices in China and lose sales.

Gray market importers will be able to purchase cameras in China using US dollars (Euros, Pounds, etc) and get a lower price. Canon's response is to sue gray market importers, but that is not going to help. Buyers can order directly from China at lower prices as well.

D500 Thoughts and Comments

First and foremost, it is way too early to make any definitive calls yet as the camera has not been tested. Especially given that Nikon is really big on pushing specs, but in reality falls short of those specs. Factor in all the fanatical Sonikon fanboys who are flooding the net with praise that has never been seen before creates a hype that could be a let down or reality check later on....let us begin!

1. ISO --- Any expanded ISO is automatically garbage. You can technically expand ISO all you want, and be able to publish a spec of 12,000,000 - it is meaningless. It is all about final image quality output. That said, we move to the native ISO. Like expanded modes, in most cases the highest native ISO setting, and often the highest 2 settings are often garbage also. Good enough for casual snapshots in low light, particularly when they will be size down for web - but that's about it.

The highest native ISO setting is important because most people use it as a measure of what the sensor can do in order to then judge how clean the "normal" ISO range is - typically 100 - 6400 ISO. The idea being, if a camera has a high end of 25,600 - 3200 will be cleaner on it, than a camera with a top setting of 6,400.

That said, Nikon does pretty well on noise lately. However, this is a crop sensor. Let's remember that. It is hard to believe that a crop sensor has made essentially a 2 stop leap in image quality in one generation. Sure, Nikon downgraded the megapixels from 24 to 20, but that shouldn't give them a 1 stop boost over their best 24mp sensors.

All in all, I expect this sensor to produce the best IQ ever seen from a crop sensor - but physics are physics and it is still a crop sensor. I would not expect more than a 1/2 stop improvement over the best crop image quality currently available. Realistically, probably just a 10-20% improvement, which would still be significant.

All the expanded ISO nonsense is likely in tandem with what might be some better JPG noise reduction tech is my guess. Canon for a long time has had incredible JPG quality and noise reduction. Of course, that has been overshadowed be the legions of vloggers screaming to shoot only RAW or you're a wannabe. I don't see 1 million ISO in RAW format from a crop sensor being even slightly usable. There must be a lot of software enhancement going on.

Yes, Nikon is ahead on sensor tech over Canon, yes it is newer than the 7D2, but to say it is 2 stops better than the 7D2 is hard to believe. Especially when the 7D2 closed the gap with FF by quite a bit. If NIkon's claims are true, the big story no one is talking about is how the D500 is going to murder all low end FF camera sales if it has IQ that good. And, it stands to reason the next gen of FF, given the same sensor tech, will start to approach medium format quality.

I don't think so. But hey, I hope so. If the IQ is that good, it will match current generation FF and I'll buy one. Not holding my breath on that.


2. -4 EV focus. Big win here. If it really works that well in that kind of dark, that is awesome.

3. XQD and SD ---

Two parts -

A. Good job Nikon on offering 2 card slots yet again on a $2K or less camera. Meanwhile, Canon's fullframe rumored 6D2 will sport one lousy SD card. Really, truly shameful by Canon on that.

B. A lot of criticism of the type of slots. I think this is the most ingenious combo and most practical. Yes, I think it sucks to have to buy expensive new cards, but it doesn't have to be that way. This arrangement offers the most flexibility. With such an arrangement, I personally would put in one large XQD card and use that as full time backup. It would basically become like the camera's internal SSD storage. SD card would be the main go to card for 95% of everything. When needed, (4K or extreme rapid fire sports shooting) the XQD card offers the faster write speeds to get the most out of the camera. Figure it like this, better to have and not need, than need and not have.

It is the best of all worlds. The reason this is criticized is for no other reason than people are invested in CF. CF sucks. It is no more reliable than any other format, and arguably worse with the stupid pins.

4. 10FPS, this is great, but the 7D2 was there a long time before.

5. AF system -- well, while Nikon appears to mirror the AF system from flagship to little brother crops, it isn't quite so. Aside from that, there's a lot of points, but not all of them are selectable. So the only way the extra points helps is for whatever intelligent tracking technology they're using. Real world tests will reveal what is going on here.

6. 4K. This is big because 4K is some make or break feature according to all the fanatics on the web. Personally, I don't care. Nikon also implemented it in some bizarre, annoying fashion that makes several smaller files. Uggh. But at least it is there. That will make the nuts go wild on the web, and Nikon is big about spec-generated hype.

7. Tiling screen, with crippled touch. This is just ok.

8. Connectivity. If this works - this will be very useful for many different scenarios. Big win here.

9. Moving the ISO button to the right side of the camera. This is great. Nikon's ergos and layout sucks, and this is a move in the right direction, literally and figuratively.

10. AF adjustment - Canon has been there for a long, long time now. That's catchup.

11. Higher resolution rear LCD - good. But if Nikon hasn't corrected the bad color on it, then it is still worthless.




Conclusion and final thoughts,


Nikon's biggest obstacle for success on this camera, other than actually delivering on the hype of these specs, is to dodge recalls, bugs and other issues. Their last 2-3 bodies all had issues or recalls. Nikon quality control is questionable.


This camera surprises me a lot. I was a firm believer that the flagship APS-C was dead. Especially since the 7D2, while still popular, isn't monumental as high end crop used to be. Particularly with full frame prices dropping and more lower end options there.

Which scenario is it? Is this simply a matter of Nikon finally giving in and satisfying their customer base who has been screaming for years to have a high-speed sports/wildlife crop like Canon? Or, is this a sign that the flagship crop concept is non dead, and is still viable?

If Nikon was looking to just satisfy their customers with a sports/wildlife crop - I don't think they would have specced it out to this extent. They would have only provided the high FPS and better AF points. No need for the other stuff. Think of a 10FPS, new AF D7200 with higher end body.


Notice how this is being treated differently on the web.....

When the 7D2 came out, what was the prevailing talk ???

"This is only for sports and wildlife"

"This is too expensive for a crop in this day and age, clearly for those already invested in the Canon system"

"For Canon shooters only who want speed"

NONE of that so far for this camera.


That is likely due to the more successful marketing by Nikon, and the propaganda by all their loud-mouth followers on the web. The vloggers and bloggers aren't immediately marginalizing and compartmentalizing this camera as a specialists tool the way they did the 7D2. Nikon, by adding token 4K and a tilt screen - those two somewhat novelty features - allows this camera to shed free of any "special purpose" kind of identity, and be an all-around flagship crop king. Whereas, the 7D2 is "just for Canon shooters" and wildlife/sports only. I'll be surprised if in time they start labeling it a sports/wildlife camera only. The price is high like the 7D2 at release (actually higher). And when all the fanboy cheering is over, and it comes time to bust out $2,000 on a crop - more level headed attitudes may arise.


I suppose the flagship crop isn't dead, yet. Or, it might be a case of Nikon trying to stop a defectors to Canon who are budget sports shooters or wildlife. Maybe 7D2 is more successful than the web-world makes it out to be and Nikon wants in on it? Maybe it is more successful because it was the only show in town?


And finally, what becomes of the Nikon lineup? At about the same price is the fullframe D750. No 4K, and while it's very fast FPS, it's not 10fps speed demon. How about the D610. Not getting much press anymore. Still a decent fullframe with dual slots that a lot of budget minded pros find useful. Want the fullframe look? Don't need 10fps? The short of it is, there's a lot more overlap in the Nikon system. The choice isn't as clear between cameras. That is a good thing in a way - it means more than one camera can suit many needs. In the Canon world, there is serious intentional crippling of cameras to force up-selling to higher end bodies.


One thing is for sure, this D500 has totally overshadowed their flagship D5. I think there's more to that than just the economics of more people being interested in an comfortable non-flagship body. This is without a doubt, spec-wise, the most bold release in a very, very long time.


Let's see if it lives up to the specs and hype.

Did Canon launch the 1D C too early?

When you look at the specs of the Nikon D5 (which frankly have not impressed me that much) I cannot help but wonder whether Canon launched the 4K-capable 1D C too early.

I mean the 1D C has been out a few years and at a time when nobody was really taking 4K all that seriously (some still don't), and 8K definitely was not being discussed, but today everyone expects 4K in new cameras and we are talking about 8K more and more.

In some ways the 1D C has better specs than the D5 - especially when you consider the D5 has a mind-boggling 3-minute limit to its internal 4k recording.

Sure you can record to external (let's not have that discussion), and the 1D C was also over US$ 12,000 when it came out but is now around US$ 6,000 or US$ 7,000 (all those prices from fuzzy memory), but it is basically a 1D X (so best sports shooter out there) that's also 4k-capable.

At lot of us complain about Canon being slow to do this and that, and maybe they are in some areas (Sony's RX100 Mark IV/Panasonic's Lumix DMC-TZ100 come to mind), but was the 1D C just Canon being far too ahead of the game?

What do you think?

Nikon's SnapBridge Technology

What do we know about Nikon's SnapBridge technology? It's in the D500 and D5.

SnapBridge will be a standard feature in almost every new Nikon camera from 2016 onwards.

SnapBridge via Bluetooth low energy enables continuous and immediate transfer of images from the camera to a smart device as they are captured in real-time. This is achieved automatically without a need to activate image transfer from the camera, while also keeping power consumption low for both. Users can also continue to enjoy mobile internet connectivity during image transfer, allowing them to check their e-mail or access social media even as their photographs are being synced between the devices.

Here's Nikon's YouTube video about it:

https://www.youtube.com/watch?v=vHNHcZgvzII

I think it is very interesting to be able to send images via Bluetooth automatically to your phone or laptop, with the camera tech supposedly not using up too much power.

Does Canon have anything like this? Would you like something like this in the 1DX, 5D, 7D etc?

I would love to know whether you are able to shoot only in RAW to the card but get jpegs sent to the phone? How flexible is it? Can those images be saved directly and automatically to the external storage of your phone etc with a named/dated folder? What distances can the files travel.

What do you think?

More info from Nikon here:
http://www.nikon-asia.com/en_Asia/about/product_news/snapbridge

ICYMI: Nikon Announces Pro APS-C D500 DSLR

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Yesterday was a travel day for me, so I missed all the Nikon excitement.</p>
<p class="pressRelease">The Highly Anticipated Resurrection of the DX-Format Flagship Gives Photographers the Best Combination of Speed, Reach and Connectivity</p>
<p class="pressRelease"><strong>LAS VEGAS, NV (January 5, 2016) –</strong> Today, Nikon Inc. announced the D500, a DX-format DSLR with pro-level features that gives photographers nimble handling, speed and extreme processing power in a compact and lightweight body. With amazing imaging capability, robust build quality and lightning fast performance, the D500 is sure to satisfy as the highly sought-after successor to the venerable D300S. Like its sibling the D5, the D500 benefits from Nikon’s latest technological innovations such as the totally new, blazing-fast Multi-CAM 20K 153-point AF system and 4K UHD video capture, yet adds a fun new way to share photos with Nikon SnapBridge built-in.</p>
<p class="pressRelease">“Nikon has answered the call from photographers to once again re-invent this camera category and offer an unmatched combination of performance and value that is hard for any photographer to resist,” said Masahiro Horie, Director of Marketing and Planning, Nikon Inc. “When paired with the amazing imaging capabilities of legendary NIKKOR optics, photographers can capture intimate portraits, mind-blowing macros or action from extreme distances– the possibilities are endless.”</p>
<p class="pressRelease"><!--more--></p>
<p class="pressRelease"><strong>Pro-Level Image Quality, DX-Format Versatility</strong></p>
<p class="pressRelease">The D500 imagines the best of both worlds, offering advanced enthusiasts and pro photographers all the benefits of DX-format, such as smaller form-factor and lens crop, combined with many of the same advanced pro features found in the new Nikon D5. The new Nikon D500 features an all-new 20.9-megapixel DX-format CMOS sensor that renders images with outstanding colors and gorgeous tonality. This new sensor is coupled with Nikon’s new EXPEED 5 image processing engine, affording low noise and maximum processing power with a surprisingly small footprint and superbly balanced body.</p>
<p class="pressRelease">The benefits of the DX-format are evident for long-distance applications like wildlife and sports photography, where telephoto ability is at a premium and weight reduction is welcome. With Nikon’s legendary FX or smaller-sized DX-format NIKKOR lenses, the sleek D500 is the ideal companion for wanderlust. When mated with the new AF-S NIKKOR 200-500mm f/5.6E ED VR lens, the D500 offers a remarkable 350-750mm equivalent focal range for a lightweight, yet super-telephoto duo.</p>
<p class="pressRelease">Because amazing images can happen even when the sun goes down, the D500 is capable of excellent low-light performance, with an ISO range of 100-51,200, expandable to 50-1,640,000 equivalent. From low-light cityscapes to action sports under the lights, the D500 is ready to tackle any imaging challenge.</p>
<p class="pressRelease"><strong>Performance Meets Portability</strong></p>
<p class="pressRelease">Within the streamlined body of the D500 is a formidable processing powerhouse. Whether photographing sideline sports for the home team or animals in exotic destinations, a super-fast 10 frames-per-second (fps) burst speed with full AF and AE will help nail nearly any shot. This extreme speed lets users capture every fleeting moment in exceptional clarity, while a generous buffer allows for up to 79 shots (14-bit, uncompressed RAW/NEF) to be captured, so the moment won’t be missed.</p>
<p class="pressRelease">To keep pace with the action, the D500 is fitted with the same AF system as the Nikon D5, the Multi-CAM 20K AF sensor module, with a separate dedicated processor for AF function. On the D500’s DX format sensor, the 153-point AF array fills the frame from side to side, letting users flawlessly track and lock-onto subjects from the edges of the viewfinder. Like the D5, the D500 utilizes the new 180K RGB Metering system and Advanced Scene Recognition System to help ensure balanced exposures and fantastic color rendition in nearly any shooting situation.</p>
<p class="pressRelease"><strong>Controls and Rugged Construction Worthy of a Flagship</strong></p>
<p class="pressRelease">The D500 features an enhanced level of robust build quality, offering the same amount of rugged weather sealing as the Nikon D810. The durable body is a monocoque structure composed of magnesium alloy for the top and rear, while the front is reinforced with lightweight carbon fiber. The shutter mechanism has been tested for 200K actuations, helping to ensure maximum endurance. For further durability, the D500 excludes a pop-up flash, yet is compatible with Nikon’s newest radio frequency capable flash, the SB-5000 Speedlight (with optional WR-R10 & WR-A10)<span class="green">1</span>.</p>
<p class="pressRelease">It’s easy to compose and view images on the D500’s bright 3.2-inch, high resolution (2359K-dot) touchscreen LCD, which lets users interact with photos in playback, control the camera and operate menus. When mounted on a tripod or shooting from creative angles, landscape and event shooters will appreciate the reinforced tilting LCD screen, similar to that of the Nikon D750. Additionally, images are rapidly written to either a fast XQD card slot or to the additional SD card slot for maximum workflow efficiency.</p>
<p class="pressRelease"><strong>Constant Connectivity with the New Nikon SnapBridge</strong></p>
<p class="pressRelease">The D500 marshals in a new way to share photos wirelessly with the new Nikon SnapBridge, making the camera’s built-in connectivity easier to use than ever before. SnapBridge allows for Bluetooth<span class="green">2</span>supported connection between your camera and compatible smart device, thus making automatic upload of your images possible. Once enabled, the camera stays connected to the smart device and transfers photos, eliminating the need to re-connect devices. Those looking to share images from their travels or from the field can also tag images for transfer in camera and can password protect their connection for added security. As an added benefit, the D500’s built-in Near Field Communication (NFC)<span class="green">3</span> capability easily connects the camera to a compatible smart device with just a tap, while built-in Wi-Fi<span class="green">3</span> capability allows for faster wireless image transfer.</p>
<p class="pressRelease">For those looking for an even faster transfer solution, the D500 is also compatible with the new optional WT-7A Wireless Transmitter, enabling wired or wireless transmission of files to an FTP server or computer at faster speeds.</p>
<p class="pressRelease"><strong>Advanced Video Features</strong></p>
<p class="pressRelease">Just like the D5, the D500 has the ability to capture striking 4K UHD video at up to 30p (3840×2160), as well as Full HD (1080p) video at a variety of frame rates. Ready for any production, the camera sports a host of pro video features derived from the D810, including uncompressed HDMI output and Picture Controls, but adds even more great features. These pro-level creative video features include the ability to create 4K time-lapse movies in-camera, Auto ISO smoothing to provide fluid transitions in exposure during recording, and the capability to record 4K UHD video to the card and output to HDMI simultaneously. When capturing 1080p Full HD content, the camera also has a new 3-axis electronic VR feature that can be activated regardless of the lens being used.  Challenging video exposures are no problem for the D500, as it also adds in Active D-Lighting to Full HD video to balance exposure values within a scene to help prevent blown-out highlights</p>
<p class="pressRelease"><strong>Price and Availability</strong></p>
<p class="pressRelease">The new Nikon D500 DSLR will be available in March 2016 for a suggested retail price (SRP) of $1,999.95<span class="green">*</span> for the body-only configuration. A kit will also be available, bundled with the versatile AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR lens, for the SRP of $3,069.95<span class="green">*</span>. The MB-D17-battery pack will also be available in March 2016 for the SRP of $449.95<span class="green">*</span> and will add extended battery life and facilitate vertical shooting. The WT-7A Wireless Transmitter will be available in March 2016, for the SRP of $934.95<span class="green">*</span>. For more information on these new Nikon products, please visit <a href="http://www.nikonusa.com/" target="article-8529664044">www.nikonusa.com.</a></p>
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ICYMI: Nikon Announces the D5 Flagship DSLR

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Yesterday was a travel day for me, so I missed all of the Nikon excitement.</p>
<p class="p1 pressRelease"><span class="s1"><em>In Addition to the D5, Nikon Releases Imaging Accessories Including Powerful New SB-5000 Speedlight and WT-6A Wireless Transmitter</em></span></p>
<p class="p2 pressRelease"><span class="s1"><strong>LAS VEGAS, NV (January 5, 2016) </strong>– Today, Nikon Inc. announced the latest in the acclaimed series of flagship FX-format professional DSLR cameras, the Nikon D5. Far surpassing mere evolution, the D5 boasts a myriad of powerful new imaging innovations, including a Nikon-developed 20.8-megapixel CMOS sensor, an all-new 153-point AF system, 4K UHD video capture and EXPEED 5 image processing to give photographers the best balance of performance, precision and low-light ability. Nikon has also announced additional products, including the WT-6A Wireless Transmitter and the exciting new SB-5000 Speedlight, Nikon’s first radio frequency (RF) controlled flash.</span></p>
<p class="p2 pressRelease"><span class="s1">“The D5 doesn’t simply get the shot that others might miss– it helps get the shot that others just simply cannot,” said Masahiro Horie, Director of Marketing and Planning, Nikon Inc. “With these new products, it becomes evident that photographers who choose Nikon cameras and NIKKOR lenses are equipped with an unrivaled system to surpass even the most demanding imaging expectations.”</span></p>
<p class="p2 pressRelease"><span class="s1">The Nikon D5 once again redefines what a DSLR is capable of capturing, and is engineered with the ideal balance of resolution, low-light ability, system speed and processing power. The resulting camera body is truly worthy of the flagship moniker, giving professional photographers and multimedia content creators an indispensable tool to make their creative vision a reality with superior image quality. The D5 introduces many technological firsts for Nikon and offers many new features that share a common goal: to get the shot, no matter what.</span></p>
<p class="p2 pressRelease"><!--more--></p>
<p class="p2 pressRelease"><span class="s1"><strong>New Features Include:</strong></span></p>
<p class="pressRelease"><strong>Astounding Low-Light Performance – </strong>The Nikon D5 offers an unprecedented native ISO range, from 100 to 102,400, reinforcing the D-series reputation as the leader of low-light image capture. A veritable new world of shooting opportunities awaits, as advancements in noise reduction and processing help capture low-noise images with fantastic fidelity that were previously impossible. The D5 tames the shadows, whether shooting a newlywed couple’s candle-lit first dance or sports with minimal lighting. The D5 also realizes unprecedented image quality in the high-sensitivity range between ISO 3200 and 12800 — the range favored by sports photographers. In addition, the D5 affords the ability to use higher shutter speeds with minimal illumination, letting photographers capture stunning images that are sharper, clearer and more colorful than ever before. As an added benefit, the next generation autofocus system performs in near darkness, acquiring focus in as little as EV-4 illumination. For extreme low-light ability, the ISO range is expandable from 50 (Lo-1) to a staggering ISO 3,280,000 (Hi-5), offering near-night vision capability that’s well beyond the visibility of the human eye. This extreme sensitivity is a benefit to photojournalists as well as for surveillance and security applications, letting users get shots others cannot see without a flash. This vast ISO range is also available to those capturing 4K UHD video, opening up new possibilities for multimedia and spot-news capture.</p>
<p class="pressRelease"><strong>Exhilarating Image Quality – </strong>The Nikon D5 delivers on the promise of stunning image quality with the adoption of a new, Nikon-developed 20.8-megapixel FX-format CMOS sensor. The camera is designed to achieve the optimized balance between the large full-frame sensor size, resolution and the new EXPEED 5 image processing engine. Users can be confident that images will have enhanced sharpness and clarity, faithful skin tones and the unequaled dynamic range that Nikon pros have come to love. EXPEED 5 also helps to enhance noise reduction, letting photographers take full advantage of the D5’s immense ISO range. When paired with legendary NIKKOR optics, the D5 is truly a tool to help photographers capture the sharpest images possible with astounding clarity and radiant colors.</p>
<p class="pressRelease"><strong>Powerful Performance – </strong>Nikon’s EXPEED 5 engine also serves to dramatically enhance camera performance, delivering low noise, high-speed image processing and offers the additional processing power needed for 4K UHD video. For professional sports and wildlife photographers, the D5 is capable of capturing images at 12 frames-per-second (fps) with full AE and AF, helping to ensure that the decisive moment is caught in crystal clarity and absolute sharpness. Users can also shoot at up to 14 fps with fixed focus and exposure and the mirror locked up, ideal for remote capture. Because the action won’t take a break, the extended buffer lets users shoot for up to 200 frames of 14-bit lossless RAW/NEF files + JPG fine<span class="green">*</span>. The new processor is also 25% more efficient with up to 3780 shots per charge.</p>
<p class="pressRelease"><strong>Fast Acquisition, with Precision – </strong>An exciting addition to the D5 is an all-new AF system with Nikon’s first dedicated AF processor. The Multi-CAM 20K AF sensor module offers superior AF performance with 153 AF points, including 99 cross-type sensors – triple the AF points from Nikon’s previous flagship, the D4S. Of these 153 points, 55 AF points/35 cross-type points are selectable by photographers to quickly and easily frame any shot. The system is configurable in 153, 72 and 25-point coverage when used with Continuous AF, allowing for stellar AF tracking performance of even the most rapidly moving subjects throughout the frame. Fifteen of the AF points are also functional up to f/8, further aiding those who require extreme telephoto capabilities, including wildlife photographers. This all-new AF system is coupled with a new 180K pixel RGB metering system and Advanced Scene Recognition System, helping to achieve optimally balanced exposures and accurate white balance in even the most challenging light.</p>
<p class="pressRelease"><strong>Rugged Reliability and Unsurpassed Usability – </strong>Downtime is never an option, so professionals need a camera that is going to be reliable and augment a demanding workflow. The Nikon D5 delivers with rugged construction and robust weather sealing, coupled with a familiar yet enhanced Nikon interface. A new 3.2” 2359K dot XGA LCD adds touchscreen functionality, allowing the user to easily pinch, zoom, swipe and scrub in playback, and also enter text faster than ever before. Being the champion of low-light, it is only natural that additional buttons and dials illuminate for enhanced visibility, while two additional Function buttons have been added for increased customization. The camera also features a Quick Release Mode setting for rapid access to release mode settings. Additionally, a new shutter and mirror sequencing mechanism nearly eliminates blackout time and mirror slap for bright, consistent views during high-speed shooting– realizing truly confident tracking of fast, erratically moving subjects that were previously difficult to achieve. The D5’s shutter itself is tested to 400K actuations for maximum durability. When paired with the WR-R10 wireless remote controller (transceiver) and WR-A10 Wireless Remote Adapter, the D5 is also able to interface with Nikon’s newest Speedlight, the RF controlled SB-5000, for new possibilities in lighting control. <span class="green">**</span></p>
<p class="pressRelease"><strong>Rapid and Flexible Workflow</strong> – Further enhancing speed, the D5 is able to utilize the superior read and write speed of XQD memory cards, which are up to 35% faster than CF cards. To appeal to a wide variety of photographers, the D5 will be available in two versions; with either dual XQD card slots or with dual CF card capability. For maximum efficiency the camera is also capable of shooting smaller RAW Size S or M file types (12-bit, uncompressed), for greater flexibility when transferring batches of files from the field, while retaining image integrity. Photographers can also use the built in 1000 Base-T 400MBps Ethernet connection for image transfer, with speeds up to 1.5x faster than D4S.</p>
<p class="pressRelease"><strong>Multimedia Powerhouse with 4K/UHD Video </strong>– The Nikon D5 is the first Nikon DSLR capable of capturing 4K UHD video (3840×2160 at 30p), letting users create stunning ultra-high definition video with beautiful clarity and color. Multimedia content creators can also use the D5 to create 4K time-lapse videos in-camera using the Time-lapse Movie function, and can create 8-megapixel still images from frame grabs. A great addition to any production environment, the D5 includes all of the most popular pro-level features of the Nikon D810, including Full HD 1080p video at a variety of frame rates, uncompressed HDMI out, simultaneous live view and headphone/microphone connections. Additionally, the D5 adds a feature to smooth exposure transitions using the Auto ISO function as well as exposure compensation to create natural-looking exposure transitions in video.</p>
<p class="p2 pressRelease"><span class="s1"><strong>New Radio Controlled SB-5000 Speedlight: Lighting with No Limits</strong></span></p>
<p class="p2 pressRelease"><span class="s1">The Nikon D5 is optimized to work with the newest flagship Speedlight, the SB-5000, illuminating new possibilities in creative lighting. A first for Nikon, the flash operates via radio frequency and will operate without a direct line of sight for a range of up to approx. 98 feet (30 meters). This new-found flexibility lets photographers place lights in different rooms, around corners and work seamlessly in bright ambient light with maximum efficiency. When paired with the WR-R10 and the D5 or the D500, this Speedlight can control up to six groups (A-F) or 18 Speedlights for truly advanced wireless lighting. It is also possible to perform Advanced Wireless Lighting using either radio-controlled (up to three groups) and/or optical-controlled units (up to three groups) by simply attaching a conventional, optical-control Nikon Speedlight or the SU-800 Commander (as a master or commander unit) and a WR-R10 (as a commander) onto the D5.</span></p>
<p class="p2 pressRelease"><span class="s1">The new smaller SB-5000 Speedlight also has a radically new design that includes its own internal cooling system, which prevents overheating of the flash panel from consecutive firings. As a result, the SB-5000 can fire consecutively for longer than conventional models, without flash cool-down time between bursts, and can fire up to 120 continuous shots at 5 second intervals. Controls have also been streamlined and refined, with the addition of an “i” button for access to frequently used settings. The design also integrates versatile bounce ability, with the flash head capable of tilting down to -7° or up to 90°, and rotate horizontally 180° to the left and right.</span><span class="s3"> </span></p>
<p class="p2 pressRelease"><span class="s1"><strong>New WT-6A Wireless Transmitter</strong></span></p>
<p class="p2 pressRelease"><span class="s1">Nikon has also announced the WT-6A Wireless Transmitter for use with the D5. An ideal solution for professional image transfer, the WT-6A can transfer with speeds of up to 130 mbps wirelessly and supports the fast IEEE802.11ac standard. The connectivity distance has been extended to approximately 656 ft. and can be used to transfer images to an FTP server or to a computer. When in HTTP mode, the unit can be used to operate camera controls, begin Live View shooting or start/stop HD video recording.</span></p>
<p class="p2 pressRelease"><span class="s1"><strong>Price and Availability:</strong></span></p>
<p class="p2 pressRelease"><span class="s1">The Nikon D5 DSLR will be available in March for a suggested retail price (SRP) of $6,499.95<span class="green">***</span>. The Nikon SB-5000 AF Speedlight will be available in March for the SRP of $599.95. The WT-6A Wireless Transmitter will also be available in March, with the SRP of $749.95. For more information on these new Nikon products, please visit</span><span class="s4"> <a href="http://www.nikonusa.com/"><span class="s5">www.nikonusa.com</span></a>.</span></p>
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Patent for Moving Sensor Switch?

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<a href="http://www.canonrumors.com/wp-content/uploads/2016/01/mirrorless-slr.gif" rel="attachment wp-att-24206"><img class="aligncenter size-full wp-image-24206" src="http://www.canonrumors.com/wp-content/uploads/2016/01/mirrorless-slr.gif" alt="mirrorless-slr" width="560" height="326" /></a></p>
<p>A patent that seems to show a switch that will move a camera from mirorrless to DSLR mode has been published.</p>
<p><a href="http://www.northlight-images.co.uk/cameras/Canon_rumours.html" target="_blank">Keith over at Northlight</a> provided the animation above and this explanation:</p>
<blockquote><p>Short back focus lenses such as EF-M allow you to put the sensor much closer to the lens, reducing body depth. However, unless you choose an EVF, there is no way to get a good optical reflex viewfinder. The patent allows you to swap between a focus screen or sensor close up to the lens.</p>
<p>Perhaps a bit clearer to see in this animation of the short backfocus reflex viewfinder design. The sensor is red and the focus screen green (other moving part is a mirror) This allows a reflex optical viewfinder to be used with any short backfocus lens.</p></blockquote>
<p>A very interesting concept indeed.</p>
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Nikon D5 with 4K - Bring it on 1dx2

Nilkon has announced the d5. Pretty impressive specs.

https://www.youtube.com/watch?v=cW1XmEQXKQ4

New 20.8MP FX-format CMOS image sensor and EXPEED 5 image processing
Widest native ISO range ever in a Nikon full-frame DSLR: ISO 100 to 102,400 (expandable to Hi-5, ISO 3,280,000)
Redesigned AF system with a 153 focus points, 99 cross-type sensors and a dedicated processor
4K Ultra High Definition (UHD) video recording and pro-grade video features
12 fps continuous shooting with full AF and AE performance; up to 200 shots in a single burst

$6,499.95

Another announcement: Nikon D500!

Found at dpreview.com
http://www.dpreview.com/news/8529664044/here-at-last-nikon-announces-d500

"It features the same 153-point AF 8) system and EXPEED 5 processor. It can shoot continuously at 10 fps with a 200 shot buffer for Raw images 8). It can also capture 4K/UHD video and also features 'SnapBridge', a constant connection to a smartphone using Bluetooth, similar to what Samsung did with its NX1. "

WOW.
Canon, come on and beat or meet this. Please

Review - DXO flogs EOS-M yet again

http://www.dxomark.com/Reviews/EOS-M10-Review-Updated-mid-range-Canon-hybrid/Canon-EOS-M10-Measurement-No-progress-for-EOS-M-sensor-scores

For the TL/DR crowd, I'll paraphrase:

'If only Canon had a sensor like the Samsung NX1, we'd finally have a system with a good sensor that was still being sold a company that wasn't going out of business.'

'There are sensor many important things to sensor when selecting a camera sensor. It's important sensor to consider the autofocus of the sensor camera, available sensor lenses for the sensor mount, how the grip sensor feels in your hands sensor, etc.'

'You know how we hate Canon crop SLR sensors? Well, this tiny little turd is even worse than those.'

- A

Nikon D5 Specifications, Announcement Today

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<p> </p>
<p>Detailed specifications have leaked out ahead of today’s announcement for Nikon’s flagship D5 DSLR. What I find interesting is bringing out two different versions of the camera depending on which media you want to capture your images and videos to.</p>
<p>Specifications broken down by <a href="http://nikonrumors.com/2016/01/05/nikon-d5-detailed-specifications-cf-and-xqd-versions-coinfirmed.aspx/#more-100830" target="_blank">Nikon Rumors</a>/<a href="http://digicame-info.com/2016/01/d5-8.html" target="_blank">Digicame-Info</a>:</p>
<ul>
<li>Two D5 body types: D5 XQD-type and D5 CF-type</li>
<li>New 20.82 MP CMOS sensor</li>
<li>EXPEED 5</li>
<li>4k video</li>
<li>153 AF points, 99-point cross sensor, F8 corresponding 15 points</li>
<li>Continuous shooting (continuous shooting up to 200 frames in 14bit lossless compression RAW): 12 fps in the AF / AE tracking</li>
<li>Continuous shooting speed at the time of the mirror up to 14 fps (AE / AF fixed)</li>
<li>Highest ISO: 102,400</li>
<li>Extended sensitivity Hi5: ISO 3,280,000</li>
<li>3.2-inch 2.36 million dots LCD touchscreen</li>
<li>Memory: card slots: D5 (XQD-Type) is double XQD, D5 (CF-Type): double CF</li>
<li>Shutter speed: 30 seconds to 1/8,000 sec</li>
<li>Finder coverage: 100% (FX), magnification: 0.72x</li>
<li>SuperSpeed ​​USB (USB3.0 Micro-B terminal)</li>
<li>Battery: EN-EL18a</li>
<li>Weight (battery and media included) D5 (XQD-Type): 1405g. D5 (CF-Type): 1415g</li>
<li>Shipping starts in March, 2016</li>
</ul>
<p> </p>
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Print More Memories Portably With The New SELPHY CP1200 Wireless Compact Photo Printer From Canon U.

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<em>New Optional Direct-Attachable Battery with Increased Capacity and New Layout Options Further Enable Creative Photo Printing On-the-Go</em></p>
<p dir="ltr"><b>MELVILLE, N.Y.</b> — Evolving the expedient and versatile print experience made possible by Canon SELPHY printers, Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the SELPHY CP1200 Wireless<sup>1</sup> Compact Photo Printer. This freshly redesigned, on-the-go printer features an optional direct-attachable battery, Wi-Fi® button, and the ability to print more memories than ever before.</p>
<p dir="ltr">Ideal for those who live a mobile lifestyle and love to capture memories in real time, the convenient and easy-to-use SELPHY CP1200 printer offers increased portability with its optional direct-attachable battery, which is sold separately and has the capacity to print 54 photos per charge, increased from 36 images in previous models. Additionally, the printer’s Wi-Fi® button simplifies the overall printing process with more intuitive operation.</p>
<p dir="ltr"><!--more--></p>
<p dir="ltr">The printer is packed with crafty features that aid in creating and gifting keepsakes, mementos and souvenirs. With card-size printing options, users can create pass cases, messages, decorated albums, and more with the option of adding white or black borders to the layout. Users also have the ability to print postage stamp size sheets, featuring eight thumbnails or a combination of images. Other popular functionality, such as borderless printing and image optimization, can be used through adjustment on the printer itself or via a compatible mobile or tablet device<sup>2, 4</sup> for ease of use. Furthermore, the printer is designed to provide accurate color reproduction, thanks to the use of dye sublimation technology, and also provides a water-resistant coating that will help photos last up to 100 years<sup>3</sup>.</p>
<p dir="ltr">“The updated wireless and inventive feature sets enhance the flexibility and portability that SELPHY printer users love,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “Canon believes that ease of use and creative availability should go hand-in-hand with high-quality photo printing, so we are excited to offer a greater level of editing functionality and print options.”</p>
<p dir="ltr">Additionally, the SELPHY CP1200 printer utilizes a variety of connection preferences, including SD card, Wi-Fi®, USB memory and USB cords to work in almost any environment. Like its predecessor, it delivers easy-to-use connectivity providing users the ability to directly connect to a Wi-Fi network without the use of drivers to speedily print their favorite images from their camera roll straight through the Canon PRINT App<sup>4</sup>.</p>
<p dir="ltr">The estimated selling price of the SELPHY CP1200 Wireless Compact Photo Printer is $105.99 (MSRP)<sup>5</sup>, and it is available in black and white.</p>
<p dir="ltr">For more information and the full list of product specifications, visit: <a href="http://www.usa.canon.com/" target="_self">http://www.usa.canon.com</a></p>
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Canon Unveils New UBUPrints Service To Transcend Social Photography

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<em>Unique Service Offers High Quality, Affordable 13”x19” Prints from Leading Social Media Photographers Sold Exclusively Through the Canon Online Store</em></p>
<p><b>MELVILLE, N.Y.</b> — Canon U.S.A., Inc., a leader in digital imaging solutions, today announced Canon UBUPrints – a new service that provides influential social media photographers with the ability to take their Instagram photography to a new level of sharing by offering exclusive 13”x19” prints that are meant to not only reinforce a connection with their followers but to also channel the power of the printed image.</p>
<p>This first-of-its-kind unique service, with prints exclusively available for purchase through the Canon Online Store, utilizes the precision and high-quality output capabilities of the Canon PIXMA PRO Printer lineup to turn popular images posted on Instagram into dynamic wall décor. Beginning today, photos are available for purchase from social influencers Tyson Wheatley (<a href="https://twitter.com/Twheat" target="_blank">@twheat</a>) and Natalie Amrossi (<a href="https://twitter.com/Misshattan" target="_blank">@misshattan</a>), allowing their devoted followers, and consumers in general, an opportunity to own and display professionally-printed photography that speaks to their character and defines their personality.</p>
<p>“Social media makes it easy to share images quickly around the world, but it does not connect people to images in the way that a tangible print can,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “UBUPrints’ mission is to revitalize photography enthusiasts’ intrinsic love and appreciation for beautiful imagery through trusted influencers’ conveyance of the power of the print.”</p>
<p>The UBUPrints service currently offers 13”x19” prints from each influencer on either Matte or Photo Glossy paper. A single standard print is available for $99.99.</p>
<p>To order one of Tyson or Natalie’s prints, visit: <strong><a href="http://shop.usa.canon.com/UBUPrints" target="_blank">shop.usa.canon.com/UBUPrints</a></strong></p>
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Canon U.S.A. Introduces New VIXIA HF G40 And Three New VIXIA HF R-Series Camcorders

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<em>Advanced Sensor Performance of the New VIXIA G40 Camcorder Provides New Creative Possibilities for Advanced Amateur Videographers; Improved Operability of New VIXIA R-Series Camcorders Makes Recording Special Family Moments Easier Than Ever</em></p>
<p><b>MELVILLE, N.Y.</b> — Canon U.S.A., Inc. a leader in digital imaging solutions, has updated the VIXIA HF G and R-Series lineup of camcorders with four new models announced today, the VIXIA HF G40, VIXIA HF R72, VIXIA HF R70, and the VIXIA HF R700 camcorders.</p>
<p>Featuring more evolved professional-level features than its predecessor, the new VIXIA HF G40 records 1080/60p Full HD in MP4 and AVCHD and features a Canon Full HD System including a genuine Canon 20x High Definition Optical Zoom Lens to cover a broad range of shooting opportunities, a new advanced HD CMOS PRO Image Sensor for improved low-light performance, and DIGIC DV 4 Image Processor for superb imaging performance. The new VIXIA HF R-Series camcorders feature a 57x Advanced Zoom Lens and SuperRange Optical Image Stabilizer, 3.28 Megapixel Full HD CMOS Image Sensor, and record 1080/60p Full HD video in MP4 (35 Mbps) and AVCHD Progressive (28 Mbps). In addition, the VIXIA HF R72 and R70 camcorders feature Near Field Communication (NFC™) connectivity allowing users to easily share beautiful images online with family and friends by connecting easily to a compatible smartphone, tablet<sup>1</sup> or NFC enabled computer.</p>
<p><!--more--></p>
<p><strong>Canon VIXIA HF G40 Camcorder </strong>

The new VIXIA HF G40 camcorder is the ideal tool for advanced amateur filmmakers, wedding videographers and student reporters. Featuring a genuine wide-angle Canon 20x High Definition Optical Zoom Lens and advanced HD CMOS PRO Image Sensor, identical to the one found in Canon’s XA35 and XA30 professional camcorders, this new camcorder provides excellent image quality especially in low-light situations.</p>
<p>The VIXIA G40 camcorder’s Intelligent Optical Image Stabilization five-axis system provides users with powerful image stabilization via a Dynamic mode to help reduce image distortion even when shooting while walking, as well as a convenient auto on/off feature. The ergonomically designed and highly portable VIXIA HF G40 features a 3.5–inch OLED touch panel screen with 10,000:1 contrast ratio and tilting, user-friendly, high resolution color Electronic View Finder (EVF). Advanced display features include Zebra, Color Bars and Test Tone. The VIXIA HF G40 camcorder records 1080/60p Full HD video in MP4 to dual card SD card slots with dual and relay recording and can record in slow and fast motion interval from 2x to 1200x.  The VIXIA HF G40 is also equipped with Linear PCM audio recording2 and Audio Scene Select.</p>
<p>A new “Looks” setting has been added for easy access to creative imaging effects such as Highlight Priority Gamma and Wide Dynamic Range Gamma. Highlight Priority video-recording mode helps users achieve the same effects as HDR making it possible to capture visual characteristics that might otherwise be lost due to video compression. This allows for the creation of video that can realistically convey the three-dimensional feel of blue skies and clouds, the translucence of water and the luster of metals. Drawing from technologies employed in Canon’s Cinema EOS System of professional digital cinematography products, the camcorder’s new Wide DR Gamma mode achieves a dynamic range that has been expanded to 600 percent compared to the 300 percent on the predecessor Canon VIXIA HF G30 model. This mode helps minimize the occurrence of under- and over-exposed areas to help create smooth color gradations, even when shooting in environments that tend to produce under- and over-exposed regions, such as those with drastic differences in lighting conditions. To help facilitate better focus ability and clearer, more pristine images, the camcorder features High Definition Peaking for Focus Assist.</p>
<p>The VIXIA HF G40 camcorder features full manual control and provides shooters with the ability to assign buttons on the camcorder for a custom shooting experience. The camcorder also includes a high-capacity battery, connectivity to various inputs and outputs and a mini advanced accessory shoe allowing users to easily attach accessories. In addition, the camcorder is compatible with the optional WM-V1 wireless microphone.</p>
<p><strong>Canon VIXIA HF R-Series Camcorders—feature improved battery life. </strong>

Updated for 2016, the new line of VIXIA HF R-Series camcorders is ideal for families who want to capture life’s precious moments. Each model is equipped with a 57x Advanced Zoom, SuperRange Optical Image Stabilizer, a 3.28 Megapixel Full HD CMOS Canon Image Sensor, DIGIC DV4 Image Processor, and a 3.0-inch capacitive touch panel LCD with increased brightness and new user interface for easy menu navigation and simple viewing of videos. The VIXIA HF R-Series line of camcorders is the ideal mix of high image quality, value and convenience.</p>
<p>The VIXIA HF R-Series camcorders feature an improved Zoom Framing Assist setting that is available in both auto and manual mode, making it easier to accurately track and capture subjects, even while they are moving. Shooters can record 1080/60p FULL HD video to both MP4 (35 Mbps) and AVCHD Progressive (28Mbps) and dual recording allows for saving to both formats simultaneously. Slow and Fast motion recording is available allowing shooters to record fast motion at up to 1200x and slow motion at 0.5x.</p>
<p>The VIXIA HF R-series camcorders provide users with a variety of internal memory options. The VIXIA R72 allows users to record up to 12 hours of video to a 32GB internal flash drive, while the VIXIA R70 allows users to record up to six hours of video to a 16BG internal flash drive, increased from three hours and 8GB of internal memory of its predecessor. All of the VIXIA HF R-Series camcorders allow for recording to a removable SD card and feature dual card slots for relay recording.</p>
<p>Featuring built-in Wi-Fi® and NFC™ capabilities, the VIXIA HF R72 and VIXIA HF R70 camcorders expand shooting options for filming important moments while simultaneously providing remote monitoring capabilities. Utilizing Wi-Fi and the free Canon CameraAccess Plus App1, users can easily share recorded video or live stream remotely from a compatible Android or iOS device that allows the user to control certain camera functions like record and zooming. The optional Camera Pan Table CT-V1 base accessory can be attached to the bottom of both the VIXIA HF R-Series camcorders, which enables users to remotely pan the camcorder up to 200 degrees to the left or right, allowing them to act as baby monitors or security cameras. With the free Canon Movie Uploader App<sup>2</sup> sharing videos with family and friends is easy. Available on the iOS platform, this app allows users to send video directly to a compatible smartphone or tablet for online sharing. For Android devices, the free Remote Browse App allows users to preview or download files to a compatible smartphone, tablet, or PC when using a web browser. Once both devices are wirelessly connected, users can download or instantly playback their videos without the need for an application or other software. In addition, built-in down conversion creates MP4 files for even easier sharing on the web. The new Canon VIXIA HF R72 and R70 camcorders are compatible with the Canon Connect Station CS100 device which provides users with the ability to wirelessly transfer videos for storage via Wi-Fi® or NFC™.</p>
<p>For more creative videos, these camcorders allow users to customize a video by selecting from five Cinema Look filter effects which can be applied during or after filming. While in Audio Scene Select mode, users can select from eight predetermined audio modes that adjust and optimize audio settings based on the shooting conditions. Additionally, Intelligent Image Stabilization (IS) allows shooters to choose from four different modes to help optimize IS for that particular shooting condition. The built-in microphone/headphone terminal provides users with the flexibility to record using an auxiliary microphone or listen to what they’re recording with headphones. All of the new Canon VIXIA HF R-Series camcorders feature the new high-capacity BP-727 battery for up to 180 minutes of recording time on a single charge and a file lock function that helps to safeguard against mistakenly deleting files from the camcorder.</p>
<p>The Canon VIXIA HF G40 camcorder is scheduled to be available February 2016 for an estimated retail price of $1,299.99<sup>3. </sup>The VIXIA HF R72, VIXIA HF R70, and VIXIA HF R700 camcorders will be available in February 2016 for estimated retail prices of $449.99, $399.99, and $299.99, respectively<sup>3</sup>. For more information please visit:<a href="https://www.usa.canon.com/internet/portal/us/home/products/list/camcorders/consumer/vixia" target="_self">https://www.usa.canon.com/internet/portal/us/home/products/list/camcorders/consumer/vixia</a>.</p>
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