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More Nikon D5 Specifications

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Some new Nikon D5 specifications appear to have come out over at Nikon Rumors. Beyond what is being hailed as “killer AF”, we also get some interesting tidbits below. The one odd suggestion is that the D5 could come in 2 variants based on memory cards. One version would get dual CD, the other dual XQD.</p>
<p>As far as Canon goes, we’ve been told there is a strong possibility that the EOS-1D X Mark II will come with dual CFast slots. It will be interesting to see if Nikon and Canon go in different directions in regards to next generation high speed cards, and what effect that could have on the industry. It’s been nice having SD and CF work across the board.</p>
<p>More Rumored Nikon D5 Specifications:</p>
<ul>
<li class="p1"><span class="s1">There is a possibility for two different D5 models – one with double CF and another with double XQD memory cards (this is probably why I was initially getting conflicting reports on the memory cards)</span></li>
<li class="p1"><span class="s1">ISO during video up to 102,400</span></li>
<li class="p1"><span class="s1">Touch screen (not sure)</span></li>
<li class="p1"><span class="s1">No built-in Wi-Fi, but there will be an optional wireless adapter</span></li>
<li class="p1">I have a potential announcement date of January 12th, but this is after the CES show so I am not sure about that either</li>
</ul>
<p>We’ve also been told that the announcement would come on January 12, 2016, which is after CES.</p>
<p> </p>

Review: Canon ME20F-SH by B&H Photo Explora

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B&H Photo has completed a review of the soon-to-be-released Canon ME20F-SH, the “see in the dark” video camera Canon announced back in July which caught everyone off guard. This camera is capable of a maximum ISO of 4,560,000.</p>
<p>What I find most exciting is the possibility that some of this technology is going to spill over into other parts of the Canon lineup, most notably the EOS-1D X Mark II and EOS 5D Mark IV.</p>
<p>The summary and noise performance examples are after the break.</p>
<p><!--more--></p>
<p>From B&H Explora:</p>
<blockquote><p>The Canon ME20F-SH presents itself as a unique tool for a wide range of applications. Part cinema camera, part surveillance tool, part studio camera, the camera is ready to serve anyone who wants to capture images in extremely dark conditions without having to sacrifice color or resort to infrared lighting and sacrifice nature color reproduction. <a href="http://www.bhphotovideo.com/explora/video/hands-review/canon-me20f-sh-full-frame-video-camera-sees-dark/bi/2466/kbid/3296" target="_blank">Read the full review…</a></p></blockquote>
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Flickr camera stats for 2015

Flickr recently published some summaries of the EXIF data in their image database.

iPhones top the list, and the top 10 comprises 7 models of iPhones and three Canon dSLRs.


I'm ergonomically apalled that the iPad comes in at #15, at least it's the lowest-ranked of the iDevices on the list. Interesting that there are two FF Canon dSLRs in the top 10. Not much love for Nikon among Flickr users, only one old model comes in above the iPad, and no Nikon FF bodies on the list. Sony, oh Sony...where art thou (cameras that is, not sensors inside iPhones)?


Of those who use more than one camera, the pairing of Apple and Canon was most popular:


Perhaps logical in light of the fact that Apple and Canon are the two most popular brands. Interesting that 10% of those who's primary camera is a Canon have a Sony as a secondary camera.


Also, we clearly see the impressive popularity of mirrorless cameras, which are absolutely killing dSLRs as has been predicted for many years.


Or not. ;)



TL:DR

Merry Xmas / Happy New Year fellow members

Without wishing to offend anyone, if you celebrate Christmas / New Year in any form, wishing you, your families and your friends a good break.

Thanks for all the entertainment and useful information posted here during 2015, and apologies if I have offended anyone or anything..

Thanks also to Craig and the admin team at CR.

Be safe, have fun, forget photography for a few days ;D

Patent: Canon EF-M 55mm f/3.5 Macro

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A macro lens was to be a part of the EOS M’s future, and we now see what I think is our first patent for an EF-M macro lens. This optical formula is for an EF-M 55mm f/3.5 Macro for an APS-C sensor.</p>
<p>Patent Publication No. 2015-215391 (Google Translated)</p>
<ul>
<li>Published 2015.12.3</li>
<li>Filing date 2014.5.8</li>
<li>Focal length 53.73</li>
<li>F-number 3.50</li>
<li>Half angle (in degrees) 14.26</li>
<li>Image height 13.66</li>
<li>Overall length of the lens 76.39</li>
<li>BF 17.69</li>
</ul>
<p>While a full frame mirrorless solution from Canon appears to be in the works, we haven’t heard anything about what kind of mount the camera would have.</p>
<p>We are expecting some EOS M announcements in the first quarter of 2016.</p>

Tripod collar for 70-200 f/4is - Genuine vs eBay

This week I picked up a mint pre-owned 70-200 f/4is and it came with an $11.50 eBay aftermarket tripod collar. I'll be wanting a collar, and have been happy enough with a clone collar on my 100 f/2.8 is Macro, but the cheapie on my new 70-200 f/4is just feels dodgy. ??? BTW does the genuine collar have to be spun out of the way when shooting vertical? (shooting with a gripped 7DII, gripped 5DIII and 1D MkIV)

Canon asks a Kings ransom for a genuine collar, and I've no doubt it's top quality, but sheesh! $144 from B&H vs from $7-$25 on eBay for a clone. No doubt the "you get what you pay for" argument will apply, but that's 20x the price!

Does anyone have a positive experience with a particular clone collar?

-pw

Is it safe to put a "charged" battery back into the charger?

It seems with my Canon 6D and previous bodies that used the larger LPE6 batteries, I could fully charge the battery to a green light, pull it out, put it in several days later, and it would take only a few seconds before showing a green light again.

I've noticed something about my Canon T1i. If I charge the battery in the charger until the green light comes on, let the battery sit overnight, and then put the battery back into the charger, it then takes a long time for the green light to come back on. Almost as if it is charging completely over again. This happens with all 5 of my batteries for the t1i.

Is this somehow overcharging the battery or should it automatically know when it is charged to the max? Are the batteries somehow not being fully charged the first time around? Is the heat buildup maybe causing a premature "full charge" the first time around?

I thought all cameras had automatic stops for the charging, but is this not the case in my situation? Am I damaging something by putting the batteries back in? Are the Rebel t1i (500D) batteries too "dumb" and simple to know when they are overcharged?

I would like to know if this is OK, as I want my batteries to be fully charged before heading out on my backcountry hiking trips.

Thanks!

5Ds or 5Ds R

Am going to upgrade from my 1Ds Mk3 to a 5Ds series>will not be upgrading my L glass>
most of my eclectic imagery is done using a 300mm f/2.8 or a 180 macro lens.

Cropping of images would be kept to minimum as large image size appeals to me,
nose length viewing distance in prints is also important.

As I don't plan on upgrading my glass...would I see the benefit in going with the 5Ds R?

Best & Worst Releases From Canon in 2015

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I decided I’d weigh in on what I felt were Canon’s best and worst products of 2015. I didn’t find any of the DSLR releases to be all that interesting this year. While I like the EOS 5DS and EOS 5DS R, I just haven’t found a use personally for either of them. I felt 2015 was a development year for Canon as far as DSLRs and mirrorless cameras go and we should expect some big things in 2016,</p>
<p><!--more--></p>
<h4><strong>Best Product Release by Canon in 2015</strong></h4>
<p><strong>Winner: <a href="http://www.bhphotovideo.com/c/product/1143786-REG/canon_0570c002_ef_50mm_f_1_8_stm.html/bi/2466/kbid/3296" target="_blank">Canon EF 50mm f/1.8 STM</a>

</strong>Canon released a lot of great new L and DO lenses in 2015, but my pick for the best of 2015 is the brand new “nifty fifty”. Canon improved just about everything on the new version of this lens and did something amazing, they didn’t raise the price over the lens it replaced.</p>
<p>Improvements include 7 aperture blades instead of 5, a metal mount, STM AF motor, faster AF, improved build quality, so it might actually survive a fall. It stops down to f/22 instead f/16 on the lens it replaces.</p>
<p>Just because something is “entry level” doesn’t mean it can’t also be great and this is one great product release by Canon.</p>
<p><strong>Runner-Up: <a href="http://www.bhphotovideo.com/c/product/1180801-REG/canon_9523b002_35mm_f_1_4l_ii_usm.html/bi/2466/kbid/3296" target="_blank">Canon EF 35mm f/1.4L II</a>

</strong>There were a lot of great lenses to choose from this year, the EF 11-24mm f/4L is one of a kind, the EF 100-400 f/4.5-5.6L IS II is a nearly perfect update the EF 400mm f/4 DO IS II proves Canon is still behind its diffractive optics development.</p>
<p>I have to give the runner-up award to the EF 35mm f/1.4L II though, while the other L and DO releases were great, this lens has a bigger mass appeal, which is why I chose it. Canon once again improved everything about the previous version of a lens model. Optical quality and build quality are again class leading and you cannot overlook having a native Canon lens for accurate autofocus when you need it most. Yes, the lens is expensive, but after the <a href="http://www.canonrumors.com/teardown-canon-ef-35mm-f1-4l-ii-by-lensrentals-com/" target="_blank">recent teardown we saw of the new lens</a>, it looks to be justified.</p>
<p>Canon continues to be the best and most advanced lens maker in the world and it’s likely the big reason they retain their marketshare in the DSLR space.</p>
<h4>Worst Product Release by Canon in 2015</h4>
<p><strong>Winner (Loser): <a href="http://www.bhphotovideo.com/c/product/1134581-REG/canon_0565c013_xc10.html/bi/2466/kbid/3296" target="_blank">Canon XC10</a>

</strong>I don’t think anyone has any idea what Canon was thinking with this oddball camera. Canon’s marketing claims it’s a product for everyone including still shooters, videographers & photojournalists.</p>
<p>What usually happens when you try to make something for everyone? You end up making something for no one. Which is exactly what Canon did.</p>
<p><strong>Runner-Up: <a href="http://www.bhphotovideo.com/c/product/1180765-REG/canon_9694b001_eos_m3_mirrorless_digital.html/bi/2466/kbid/3296" target="_blank">Canon EOS M3</a>

</strong>I don’t care if you’ve improved on the EOS M and the EOS M2, all you’re doing is updating a product that is flawed to something that is still flawed. The EOS M system is still way behind mirrorless leaders Sony, Fujifilm & Olympus, and that has to change soon. Canon is promising that it will, but we’ll take the wait and see approach.</p>
<p>Sound off in the forum with your own best and worst list.</p>

Best & Most Rented Gear of 2015 by LensRentals.com

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We all love “best of” lists when it comes to gear, and LensRentals.com has release their “best & most rented gear” list of 2015. Among staff picks, Canon gets three best of the year nods.</p>
<p>LR Staff Picks won by Canon</p>
<ul>
<li>Roger Cicala – <a href="http://www.lensrentals.com/rent/canon/lenses/supertelephoto/canon-400mm-f4l-do-is-ii" target="_blank">Canon EF 400mm f/4 DO IS II

</a><em>“My favorite new piece of gear is the Canon 400mm f/4 DO IS II. It’s amazingly light for a super-telephoto at 4.5 pounds (about a pound more than a 70-200mm f/2.8lens) and with 4-stop image stabilization can be handheld even when the light isn’t awesome.”</em><a href="http://www.lensrentals.com/rent/canon/lenses/supertelephoto/canon-400mm-f4l-do-is-ii" target="_blank">

</a></li>
<li>Chris Steward – <a href="http://www.lensrentals.com/rent/video/cameras/canon/canon-eos-c300-mark-ii-dual-pixel-ef" target="_blank">Canon Cinema EOS C300 Mark II

</a><em>“We rarely receive complaints about the C300, it just works. So I was really excited when we demoed the C300 Mark II at NAB this year. Sure enough, every concern we had with the original C300 has been addressed: 4K resolution, high frame rate shooting, 12-bit internal recording, proxy files, detachable monitor cables, raw output, and more!”</em></li>
<li>Zach Sutton – <a href="http://www.lensrentals.com/rent/video/cameras/canon/canon-eos-c300-mark-ii-dual-pixel-ef" target="_blank">Canon EF 35mm f/1.4L II

</a><em>“This year, I fell in love with the new Canon 35mm f/1.4L II. I loved the old version of this lens, so it was great to see Canon finally step it up, and make the sharpest 35mm available. Previously, Sigma had shaken me away from the Canon 35mm with their Sigma 35mm Art 1.4, but I’ve always been a bit of a Canon loyalist and opted to wait for Canon to bring a new contender to the race.”</em><a href="http://www.lensrentals.com/rent/video/cameras/canon/canon-eos-c300-mark-ii-dual-pixel-ef" target="_blank">

</a></li>
</ul>
<p>If I had to pick my favourite new Canon product(s) of 2015, it would definitely go to either the <a href="http://www.canonrumors.com/canon-u-s-a-announces-connect-station-cs100-the-centerpiece-that-unites-your-canon-imaging-devices/" target="_blank">Connect Station CS100</a> or <a href="http://www.canonrumors.com/announcement-canon-xc10-a-breakthrough-compact-4k-video-and-stills-camcorder/" target="_blank">XC10.</a></p>
<p><em><a href="http://www.lensrentals.com/blog/2015/12/the-best-and-most-rented-new-photography-gear-of-2015" target="_blank">Read the full list over at LensRentals.com</a></em></p>

Canon EF 16-35mm f/2.8L II Replacement in the Wild [CR2]

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We’re told that the Canon EF 16-35mm f/2.8L II replacement, is in the hands of select test photographers and should be announced some time in 2016. We’ve heard a few times that the lens may change slightly in focal length, but we can’t confirm that via a patent or person.</p>
<p>We receive little bits of information at a time in regards to this lens, but signs are pointing to it being the next L zoom that Canon releases. We suspect it’ll come some time around the EOS 5D Mark IV announcement, as it is generally considered a wide angle zoom event lens, though it does crossover into other uses.</p>
<p>More to come…</p>

More Nikon D5 Images Leak Online

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Most images of the Nikon D5 have <a href="http://www.chassimages.com/forum/index.php/topic,244580.msg5697310.html#msg5697310" target="_blank">leaked on a French forum</a>. I’m quite surprised we’re seeing a flagship camera leaking through the retail chain.</p>
<p>Translated from the forum (Machine translated)</p>
<blockquote><p>Traveling abroad, stop in a small camera shop and surprise… a D5 sample at the bottom of a showcase…

Presented with a SIGMA 50 art! Taken in hand, fully functional, the (AF focus point spread) is totally rectangular and covers approximately the APS-C format in the viewfinder… for the rest of the photos below speak for themselves, it is a removable cache in which the eyelet is integrated, the pane plugs on the viewfinder being on the prism.</p></blockquote>

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				<a href='http://www.canonrumors.com/wp-content/uploads/2015/12/Nikon-D5-DSLR.jpg'><img width="168" height="168" src="http://www.canonrumors.com/wp-content/uploads/2015/12/Nikon-D5-DSLR-168x168.jpg" class="attachment-thumbnail size-thumbnail" alt="Nikon-D5-DSLR" srcset="http://www.canonrumors.com/wp-content/uploads/2015/12/Nikon-D5-DSLR-168x168.jpg 168w, http://www.canonrumors.com/wp-content/uploads/2015/12/Nikon-D5-DSLR-144x144.jpg 144w" sizes="(max-width: 168px) 100vw, 168px" /></a>
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Canon 430Ex III (non RT) worth the money?

Today while checking Canon India website I noticed they have released two different versions of 430ex III in India. One is the RT version and the other one is non RT version. There is a 4000Rs(apprx) difference between the two. I am looking to upgrade my speedlight from 270ex to 430ex III for macro work. I don't plan to invest in St-e3 RT in future. Also I will be using the flash with a sync cord and mounted on Kirk macro flash bracket. Is the extra 4000Rs really worth it for the RT version?
Here is the link to speedlights on Canon India:
http://www.canon.co.in/personal/products/interchangeable-lens-camera/eos-accessories?languageCode=EN#type=speedlite

Which converter, 1.4X or 2X, based on these lenses bodies

I have acquired numerous lenses over the years. I am in the process of switching (but maybe not completely) to full-frame.

Should I get the 1.4X or 2X converter (no more money for lenses for at least 2 years)?
Which of these lenses should I let go of, if any, based on the converter choice?

135/2L (still my favourite, though probably on the crop format)
70-200/2.8L IS
300/4L

Which bodies should I let go of?

7D
7D2
6D

My two 'dream' lenses on my wish list are:
200/2L &
200-400/4L with 1.4X

Both are probably 3-5 years away, if ever...

Thank you for any advice, comments or consideration that might give me an alternative look at the issue.

2nd curtain sync with cable -> camera

Hi all,

I'm wondering if its possible to use 2nd curtain sync (or HSS as well for that matter) when my flash (600ex) is connected to 5d3 via a cable? Heres the set up:

Camera water housing + flash water housing. 5d3 in cam housing with an adapter sliding into hotshoe with cable going from that to a dock inside of housing, which goes to dock on outside of housing, which is where another cable connects from there to the dock on the flash housing, ultimately connecting the flash & camera. Hopefully that made sense and you can picture that.

Currently, neither 2nd curtain sync or HSS work. If I set the flash to them, the flash simply fires as if they're both off. So I guess I'm looking to see if there is some sort of hack to get them to work. I am more interested in 2nd curtain sync.

Appreciate any input

Replacement Kit Lens <$300

The autofocus on my kit lens 18-55 IS ii has died and I am in the market for a replacement. However as a starving student, my upgrade/replacement budget is only about $300. I am currently looking at either the 17-85 IS USM, or the 18-55 IS STM lenses as replacements. I have several primes and a couple of telephoto lenses, so I am not as worried about the range differences, as I am about the image quality, and focus accuracy between these two lenses.

Does anybody have experience with both these lenses and can share their experience and recommendations?

Sony Announces a68 A-mount Camera for US and Canada Markets

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<em>New Model Features Ultra-Fast 4D FOCUS, Translucent Mirror Technology and more</em></p>
<p><strong>SAN DIEGO, Dec. 17, 2015</strong> – Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced the α68 (model ILCA-68) camera with ultra-fast 4D autofocus to the US and Canada markets.</p>
<p>The new camera, which was announced for the European market last month, is the latest model to feature native compatibility with Sony’s extensive collection of A-mount lenses.  Inheriting many pro-style features from the acclaimed α77 II, the α68 features Sony’s unique 4D FOCUS system that delivers extraordinary AF performance under any shooting conditions – even in lighting as low as EV-2 where many other cameras struggle.</p>
<p><!--more--></p>
<p>This system utilizes 79 autofocus points – the most AF points on any interchangeable lens camera with a dedicated phase-detection AF sensor<sup>1</sup>.  Included are 15 cross points as well as a dedicated F2.8 AF sensor point for dimly-lit scenes.  This all adds up to extremely fast, wide area AF with predictive tracking that locks faithfully onto fast-moving subjects.  Additionally, the camera utilizes Sony’s unique Translucent Mirror Technology to deliver constant AF tracking at up to 8 fps<sup>2</sup>.</p>
<p>The camera features a 24 MP<sup>3</sup> APS-C Exmor CMOS sensor with a wide ISO 100 – 25,600 sensitivity range<sup>4</sup>, allowing it to produce outstanding image quality for both still images and video.  The sensor is teamed with a powerful BIONZ X image processor that uses Detail Reproduction and Diffraction-reducing Technologies plus Area-specific Noise Reduction, resulting in pristine, finely detailed shots every time.</p>
<p>Full HD movies use the efficient XAVC S<sup>5</sup> format, enabling high bit rate recordings at up to 50 Mbps with outstanding detail and low noise. With Translucent Mirror Technology, shooters can enjoy non-stop continuous autofocus with accurate subject tracking during video shooting, producing crisp, professional looking footage.  With a powerful array of advanced controls and capabilities, the α68 has plenty to offer experienced amateurs as well as step-up photographers and first time interchangeable lens camera customers.</p>
<p>Framing stills and movies is a pleasure through the clear, bright OLED Tru-Finder, which features 100% frame coverage with high contrast and accurate color reproduction.  Complementing the Tru-Finder, the 2.7-type LCD monitor tilts up to 135 degrees upwards or 55 degrees downwards for comfortable composition from a wide variety of shooting angles. Serious photo enthusiasts will also value the backlit top display that allows quick confirmation of camera settings, whether shooting handheld or on a tripod.</p>
<p>As found on the critically acclaimed α7 series, the α68 has a control wheel on the camera’s rear that allows quick fingertip adjustment of camera settings, as well as 10 customizable buttons<sup>6</sup> that frequently-used functions can be assigned to.  There is also a front control dial for quick adjustments of settings and a sturdy grip to ensure a balanced shooting experience, even when using heavyweight prime or telephoto lenses.</p>
<p>The new camera features SteadyShot INSIDE stabilization to reduce the effects of camera shake and allow for blur-free handheld shooting at all focal lengths, with any compatible lens.  Additionally, the inclusion of a Multi Interface Shoe and Multi Terminal lets users expand their creative options with a wide range of optional accessories, including flashes, lights, microphones and remote commanders.</p>
<p><strong>Pricing and Availability

</strong>The Sony α68 interchangeable lens camera will be available in April at authorized Sony retailers in the US for about $600 body only or about $700 in a kit along with the DT 18-55mm F3.5-5.6 SAM II lens.  In Canada, the body and kit will also be available in April and will be sold for about $800 and $950 CAD, respectively.</p>

DxOmark does it again

In “Best lenses for the Canon EOS 5DS R: Optics for travel, wildlife & portrait photography“, DxOmark recommends the 70-300mm L f/4-5.6L and omits the 100-400mm II

http://www.dxomark.com/Reviews/Best-lenses-for-the-Canon-EOS-5DS-R-Optics-for-travel-wildlife-portrait-photography

Apart from apparently realising the huge advantage of 400mm vs 300mm for wild life, all else being equal, they can’t even read their own scores.

On 5DS R
100-400mm II: score 26; sharpness 24 P-Mpix.
70-300mm L: score 25; sharpness 17 P-Mpix.

http://www.dxomark.com/Lenses/Compare/Side-by-side/Canon-EF-100-400mm-F45-56L-IS-II-USM-on-Canon-EOS-5DS-R-versus-EF70-300mm-f-4-5.6L-IS-USM-on-Canon-EOS-5DS-R__1469_1009_368_1009

Canon EOS-1D X Mark II Rumored Features [CR1]

HTML:
<p>We received the following information about the Canon EOS-1D X Mark II, this comes from a new source and we are unable to confirm the information at this time.</p>
<p>Canon EOS-1D X Mark II Features:</p>
<ul>
<li>Meant to replace both the EOS-1D X and EOS-1D C</li>
<li>Max video frame rate: 4K @ 60fps, 120fps @ 1080p</li>
<li>Touch panel for AF point selection (We’re not sure if this means touchscreen or something else)</li>
<li>Much talked about new sensor technology</li>
<li>A “learning mode” for AI Servo (This wasn’t explained)</li>
<li>Completely new autofocus system</li>
<li>GPS built-in (no mention of Wifi)</li>
<li>New LCD screen type/technology</li>
</ul>
<p>Until we receive some confirmation and explanation of the information above, please treat this information accordingly.</p>

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