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Looking to upgrade to the 1Dx

Just curious on what most people think when the best time it would be to purchase the 1DX. I currently own a 1DIV & would love to upgrade to the X with the talk of the upcoming Xii to release shortly! The price of the X had dropped significantly lately due to this. I can get the X for about $4,500 & with me trading in my IV & getting about $900-$1,000 would come to around $3,500. The Xii is gonna be way out of my price range unfortunately but I feel the X is a huge step forward for me shooting full frame! OR do I hold onto my IV until the Xii drops? I'm sure the price of the X will drop again (but who knows how much) but also will my trade in value for my IV! Just trying to get the best deal possible! Thanks in advance everybody!!!

EF 35 f/1.4L and EF 35 f/1.4L II MTF Comparison

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The optical performance difference between the two lenses looks to be quite significant if you go by the MTF chart comparison.</p>
<p>I had two complaints about the original 35L, the first being it wasn’t weather sealed and the second was the CA, it looks like both of those issues have been corrected. I’m looking forward to seeing if the additional weight is going to be difficult to get used to with the new lens, I did like the compact size of the first version.</p>
<p>Unfortunately, there aren’t many sample images  from the new lens yet, but they should start making their way to the web soon.</p>
<p><strong>Preorder EF 35 f/1.4L II $1799: <a href="http://www.bhphotovideo.com/c/product/1180801-REG/canon_9523b002_35mm_f_1_4l_ii_usm.html/BI/2466/KBID/3296" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/CA35142.html?utm_term=UbK24x0al34oSlvW4eT8QxjoUkX3mDVXeWC-Ug0&utm_medium=Affiliate&utm_campaign=Other&utm_source=rflaid64393&cvosrc=affiliate.64393" target="_blank">Adorama</a> | <a href="http://amzn.to/1Uehm5w" target="_blank">Amazon</a></strong></p>

Canon EOS M3 Coming to USA

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<em>The Power and Versatility of an EOS Camera in a New Light</em></p>
<p><strong>MELVILLE, N.Y., August 27, 2015 –</strong> Canon U.S.A. Inc., a leader in digital imaging solutions, today announced the EOS M3, a compact and stylish interchangeable lens digital camera created for enthusiast photographers who demand premium performance. Fusing Canon’s outstanding image quality and DSLR-levels of control in a small and lightweight camera body, the EOS M3 camera offers the ability to capture important moments in outstanding detail.</p>
<p>At the heart of the EOS M3 camera is Canon’s latest and most advanced digital imaging technologies, including the company’s high-resolution 24.2 megapixel APS-C CMOS image sensor and its most advanced image processor, DIGIC 6, delivering premium quality stills and Full HD videos. Combined with super-fast AF performance, thanks to a new 49-point Hybrid CMOS AF III Autofocus System, this digital camera gives photographers the freedom to capture the beauty of movement. Advanced photographers will find everything they need at their fingertips, with intuitive DSLR-like dials and control, as well as access to the entire lineup of more than 80 Canon EF, EF-S and EF-M interchangeable lenses<span class="green">*</span>, all shrunk down into a compact, mirrorless body to take with them wherever they go. Advanced EOS camera technologies built into the EOS M3 camera include:</p>
<p><!--more--></p>
<ul>
<li><strong>24.2 Megapixel APS-C Canon CMOS Sensor</strong>, with a sensitivity range from ISO 100 to 12,800 (expandable to 25,600 in H mode) paired with Canon’s proprietary DIGIC 6 Image Processor to capture high-resolution photos and Full HD videos with brilliant color and stunning detail.</li>
<li><strong>49-Point Hybrid CMOS AF III Autofocus System</strong> for fast and accurate autofocusing of stills and videos, up to 6.1x faster than the original EOS M.</li>
<li><strong>Front and Rear control dials</strong> for full manual operation and customizable functions as well as improved ease of use.</li>
<li><strong>Intuitive Touch Screen</strong> 3.0-inch tilt-type (180 degrees up/45 degrees down) ClearView II LCD screen (approximately 1,040,000 dots), perfect for quick focusing and shooting, easy menu navigation, and simple viewing of images and videos.</li>
<li><strong>Built-in Wi-Fi®<span class="green">**</span> and NFC<span class="green">***</span></strong> for streamlined photo sharing and wireless remote control.</li>
</ul>
<p>“Canon U.S.A. is bringing to market a new member of the EOS family – the EOS M3 – to help satisfy the market’s demand for high-quality compact cameras with large image sensors and interchangeable lenses,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “It is the ideal camera for advanced amateurs and enthusiasts looking for a compact interchangeable lens camera option with genuine EOS camera system support, performance and compatibility, as well as professional photographers looking for a full-featured compact secondary camera.”</p>
<p>Photographers familiar with other Canon EOS cameras will note the EOS M3’s interface is similar to Canon’s current EOS DSLR cameras, making operation easier for existing users. The LCD panel’s tilting capability makes it easy to shoot from various angles while the capacitive touch screen allows intuitive image capture and playback with easy-to-understand information and real-time controls.</p>
<p>The EOS M3 camera offers photographers the flexibility to unleash their creativity through its compatibility with Canon EF-M lenses as well as a wide variety of Canon EF and EF-S lenses when used with the optional Mount Adapter EF-EOS M. Other compatible Canon accessories include EX-series Speedlite flash units, Speedlite Transmitter ST-E3-RT, and Electronic Viewfinder EVF-DC1. Users will also have the ability to remotely capture and share images with Canon’s Camera Connect smartphone application<span class="green">**</span>, using the EOS M3’s integrated Wi-Fi® and NFC connectivity.</p>
<p><strong>Pricing and Availability</strong>

Canon’s EOS M3 Digital Camera is scheduled to be available in early October 2015 for an estimated retail price of $679.99. An EOS M3 EF-M 18-55mm IS STM lens kit will be available in the customer’s choice of black or white for an estimated retail price of $799.99. Additionally, a two lens kit featuring the EOS M3 digital camera with the EF-M 18-55mm IS STM lens and the EF-M 55-200mm IS STM lens will be available for an estimated retail price of $1,049.00.</p>
<p>The following Canon lenses will also be available in early October:</p>
<ul>
<li>EF-M 11-22mm f/4-5.6 IS STM wide-angle zoom lens for an estimated retail price of $399.99</li>
<li>EF-M 22mm f/2 STM compact prime lens in silver for an estimated retail price of $249.99</li>
<li>EF-M 55-200mm f/4.5-6.3 IS STM telephoto zoom lens for an estimated retail price of $349.99</li>
</ul>
<p class="p1"><strong>Camera Body & Kits:</strong></p>
<p class="p1"><span class="s1">Canon EOS M3 Body – Black: <a href="http://adorama.evyy.net/c/60085/51926/1036?u=http://www.adorama.com/ICAM3B.html" target="_blank">Adorama</a> | <a href="http://www.bhphotovideo.com/c/product/1180765-REG/canon_9694b001_eos_m3_mirrorless_digital.html/BI/2466/KBID/3296" target="_blank">B&H Photo</a> | <a href="http://amzn.to/1KPJGGi" target="_blank">Amazon</a></span></p>
<p class="p1"><span class="s1">Canon EOS M3 w/ EF-M 18-55mm IS STM Lens – Black: <a href="http://adorama.evyy.net/c/60085/51926/1036?u=http://www.adorama.com/ICAM3BK.html" target="_blank">Adorama</a> | <a href="http://www.bhphotovideo.com/c/product/1180767-REG/canon_9694b011_eos_m3_mirrorless_digital.html/BI/2466/KBID/3296" target="_blank">B&H Photo</a> | <a href="http://amzn.to/1hh1eUd" target="_blank">Amazon</a></span></p>
<p class="p1"><span class="s1">Canon EOS M3 w/ EF-M 18-55mm IS STM Lens – White: <a href="http://adorama.evyy.net/c/60085/51926/1036?u=http://www.adorama.com/ICAM3WK.html" target="_blank">Adorama</a> | <a href="http://www.bhphotovideo.com/c/product/1180766-REG/canon_9772b011_eos_m3_mirrorless_digital.html/BI/2466/KBID/3296" target="_blank">B&H Photo</a> | <a href="http://amzn.to/1KPJLdd" target="_blank">Amazon</a></span></p>
<p class="p1"><span class="s1">Canon EOS M3 w/ EF-M 18-55mm & EF-M 55-200mm Lenses – Black: <a href="http://adorama.evyy.net/c/60085/51926/1036?u=http://www.adorama.com/ICAM3BK2.html" target="_blank">Adorama</a> | <a href="http://www.bhphotovideo.com/c/product/1180768-REG/canon_9694b031_eos_m3_mirrorless_digital.html/BI/2466/KBID/3296" target="_blank">B&H Photo</a> | <a href="http://amzn.to/1LCGu6F" target="_blank">Amazon</a></span></p>
<p class="p1"><strong><span class="s1">EF-M Lenses:</span></strong></p>
<p class="p1"><span class="s1">Canon EF-M 11-22mm F4/5.6 IS STM Lens: <a href="http://adorama.evyy.net/c/60085/51926/1036?u=http://www.adorama.com/CA1122.html" target="_blank">Adorama</a> | <a href="http://www.bhphotovideo.com/c/product/1180779-REG/canon_7568b002_ef_m_11_22mm_f_4_5_6_is.html/BI/2466/KBID/3296" target="_blank">B&H Photo</a> | <a href="http://amzn.to/1Ijxzj3" target="_blank">Amazon</a></span></p>
<p class="p1"><span class="s1">Canon EF-M 55-200mm F4.5/6.3 IS STM Lens: <a href="http://adorama.evyy.net/c/60085/51926/1036?u=http://www.adorama.com/CA55200.html" target="_blank">Adorama</a> | <a href="http://www.bhphotovideo.com/c/product/1180778-REG/canon_9517b002_ef_m_55_200mm_f_4_5_6_3_is.html/BI/2466/KBID/3296" target="_blank">B&H Photo</a> | <a href="http://amzn.to/1LCGzHz" target="_blank">Amazon</a></span></p>
<p class="p1"><span class="s1">Canon EF 22mm F2 STM SL Lens: <a href="http://adorama.evyy.net/c/60085/51926/1036?u=http://www.adorama.com/CA35142.html" target="_blank">Adorama</a> | <a href="http://www.bhphotovideo.com/c/product/1180777-REG/canon_9808b002_ef_m_22mm_f_2_stm.html/BI/2466/KBID/3296" target="_blank">B&H Photo</a> | <a href="http://amzn.to/1LCGCmw" target="_blank">Amazon</a></span></p>

Canon's Blue Spectrum Refractive Element

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<strong>MELVILLE, N.Y, August 27, 2015</strong> – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced that its parent company, Canon Inc., has developed Blue Spectrum Refractive (BR), a new optical element for use in camera lenses that corrects chromatic aberrations at an extremely high level to achieve superb imaging performance.</p>
<p>The new Canon-developed BR optical element offers characteristics that significantly refract blue light, which lies within the short-wavelength range, to achieve impressive levels of chromatic aberration correction for outstanding imaging performance. The BR optical element, positioned between two glass lens elements to create a BR lens, will make its debut in the new EF 35mm f/1.4L II USM wide-angle fixed-focal-length lens, which is scheduled to go on sale in October 2015.</p>
<p>Natural light, or white light, comprises a spectrum of wavelengths, or colors, each of which realizes a unique refractive index when passing through a lens. As all colors do not converge on the same point, this disparity causes chromatic aberrations, or color fringing, to occur in an image.</p>
<p>Canon develops optical elements by reviewing organic optical materials, beginning with the design of molecular structures, with the aim of achieving optimal chromatic aberration correction that suppresses color fringing. With the successful development of the BR optical element, which offers unique light-dispersion characteristics that significantly refract blue light—a wavelength that, until now, had proven particularly difficult to converge to a specific focal point—Canon is able to develop lenses that result in outstanding imaging performance by correcting chromatic aberrations at an exceptionally high level.</p>
<p><strong>Preorder EF 35 f/1.4L II $1799: <a href="http://www.bhphotovideo.com/c/product/1180801-REG/canon_9523b002_35mm_f_1_4l_ii_usm.html/BI/2466/KBID/3296" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/CA35142.html?utm_term=UbK24x0al34oSlvW4eT8QxjoUkX3mDVXeWC-Ug0&utm_medium=Affiliate&utm_campaign=Other&utm_source=rflaid64393&cvosrc=affiliate.64393" target="_blank">Adorama</a> | <a href="http://amzn.to/1Uehm5w" target="_blank">Amazon</a>  </strong></p>

Announcement: Canon EF 35mm f/1.4L II

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<em>New L-Series Lens is First to Feature Canon’s Proprietary Blue Spectrum Refractive Optics – That Achieves a Higher Level of Chromatic Aberration Correction For Superb Image Quality</em></p>
<p><strong>MELVILLE, N.Y., August 27, 2015 –</strong> Canon U.S.A., a leader in digital imaging solutions, today introduced the new EF 35mm f/1.4L II USM lens for EOS system cameras – a wide-angle fixed-focal-length Canon EF lens that is the world’s first<span class="green">*</span> to utilize the Company’s newly-developed and exclusive Blue Spectrum Refractive Optics (BR Optics). This new optical technology utilizes organic material newly developed by Canon to achieve a higher level of chromatic aberration correction than other existing technologies resulting in outstanding high-quality imaging performance.</p>
<p>“As the world leader in production of interchangeable lenses, having produced over 110 million EF lenses since 1987, it is with great excitement that we now introduce a revolutionary new technology to add to Canon’s unequaled optical heritage when it comes to chromatic aberration correction,” said Yuichi Ishizuka, president and COO of Canon U.S.A., Inc. “We continually strive to achieve the ideal lens performance, which has driven the development of Blue Spectrum Refractive Optics, found in the new EF 35mm f/1.4L II USM lens. This technology is yet another ‘first’ in optical design introduced by Canon to enhance the performance of our lenses for our customers.”</p>
<p><strong>Preorder EF 35 f/1.4L II $1799: <a href="http://www.bhphotovideo.com/c/product/1180801-REG/canon_9523b002_35mm_f_1_4l_ii_usm.html/BI/2466/KBID/3296" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/CA35142.html?utm_term=UbK24x0al34oSlvW4eT8QxjoUkX3mDVXeWC-Ug0&utm_medium=Affiliate&utm_campaign=Other&utm_source=rflaid64393&cvosrc=affiliate.64393" target="_blank">Adorama</a> | <a href="http://amzn.to/1Uehm5w" target="_blank">Amazon</a></strong></p>
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<p> </p>
<p><!--more--></p>
<p>Canon’s proprietary Blue Spectrum Refractive Optics (BR Optics) incorporate a new organic optical material with unique anomalous dispersion characteristics for use in camera lenses. The molecular design of BR Optics refracts blue light (short wavelength spectrum) to a greater degree than other existing optical technologies including UD glass, Super UD glass and Fluorite, to control color fringing as effectively as possible. When placed between convex and concave lens elements made from conventional optical glass materials, BR Optics help to produce sharp images with outstanding contrast and color fidelity by thoroughly reducing axial chromatic aberration.</p>
<p>In addition to BR Optics, the new lens incorporates two aspherical elements and one UD glass element in a 14 element, 11 group optical formula. The EF 35mm f/1.4L II USM lens also features Canon’s proprietary Sub-Wavelength Structure Coating (SWC), applied to the rear surface of the first and second aspheric lens elements to help combat flare and ghosting caused by light rays entering the lens at a large angle of incidence. The lens also offers best in class minimum focusing distance at 0.28m (approximately 11 inches) resulting in an increased maximum magnification of 0.21x – ideal for capturing close-up subjects. Autofocusing is swift and virtually silent due to a rear-focus optical system and Canon’s original Ring USM focusing motor. Full-time mechanical manual focusing is also available even when the lens is set to AF mode.</p>
<p>The Canon EF 35mm f/1.4L II USM lens features improved durability over its predecessor. As with all L-series lenses, this new lens is highly resistant to dust and water ─ making it ideal for outdoor photography, even in harsh conditions. The high-grade design of the lens provides users with a substantial and luxurious feel, as well as optimal operability.  In addition, a fluorine coating on the front and rear lens surfaces helps to repel liquids and dust particles, and makes the lens easier to clean.</p>
<p><strong>Pricing and Availability

</strong>The new Canon EF 35mm f/1.4L II USM lens is compatible with 72mm filters and will be supplied with Lens Hood EW-77B and Lens Pouch LP1219. It is scheduled to be available in October 2015, for an estimated retail price of $1,799.00. For more information including specifications and an MTF chart, please visit <a href="http://www.usa.canon.com/cusa/professional/products/lenses/ef_lens_lineup/lens_wide_pro" target="_blank">http://www.usa.canon.com/cusa/professional/products/lenses/ef_lens_lineup/lens_wide_pro</a>.</p>
<p><strong>Preorder EF 35 f/1.4L II $1799: <a href="http://www.bhphotovideo.com/c/product/1180801-REG/canon_9523b002_35mm_f_1_4l_ii_usm.html/BI/2466/KBID/3296" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/CA35142.html?utm_term=UbK24x0al34oSlvW4eT8QxjoUkX3mDVXeWC-Ug0&utm_medium=Affiliate&utm_campaign=Other&utm_source=rflaid64393&cvosrc=affiliate.64393" target="_blank">Adorama</a> | <a href="http://amzn.to/1Uehm5w" target="_blank">Amazon</a></strong></p>

Damaged filter thread

Hi, all! The other day I happened to drop my 70D with 18055mm IS STM on a neighbor's driveway. Thankfully, the camera is OK, however the front filter thread on the lens is not (see attached photos). Obviously, since the section of thread is plastic and has been separated from the rest of the filter thread, I cant exactly bend it back. Has anyone had this happen before? If so, how/where did you repair it, and what was the cost?

Thanks,
Hydrapenguin

P.S- I know that it's a cheap lens, but I'd rather repair it than buy a whole new one/upgrade.

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1dx prices

what typically happens to the price of highend canons when a newer model is released?

for those who had previously invested in 1ds' or 1d's - did the arse drop out of their value when a mk x was released?

I'm assuming prices are a litte more stable than everyone dumping their 5d2's in a mad rush for a 5d3, as pros tend to hold onto their gear for longer?

quite specifically, I am wondering if a 1dx mk1 is going to be an attractive prospect when the mk2 comes out

More Canon EF 35mm f/1.4L II Information

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<p>More information about the upcoming Canon EF 35mm f/1.4L II has appeared over at DCI.</p>
<ul>
<li>Pricing is rumored to be about 275,000 yen, which translated to nearly $2300 USD, though these conversions are rarely accurate for a North American price.</li>
<li>The lens should start shipping in the middle of October 2015.</li>
<li>New techniques used for the aspherical lenses.</li>
<li>The BR Lens is Blue Spectrum Refractive Optics. Which will refract the light in the blue spectrum. This should help control chromatic aberrations.</li>
<li>There looks to be new techniques used for weather and dust sealing, as well as increased resistance to impacts. This may be the most durable lens Canon has made yet.</li>
</ul>
<p>You can read more over at DCI, as the above is Google translated.</p>

Announcement: Olympus OM-D E-M10 Mark II

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<em>Capture Blur-Free, High-Quality Images and Video with a User-Friendly, Elegantly Designed High-Performance Mirrorless Camera</em></p>
<p><strong>CENTER VALLEY, Pa., August 25, 2015</strong> — Olympus introduces the Olympus OM-D E-M10 Mark II, a small, stylish, entry-level camera body with powerful in-body 5-axis image stabilization. As the successor to the Olympus OM-D E-M10, the OM-D E-M10 Mark II combines the award-winning power of the OM-D family, first-class quality of 5-axis image stabilization and an all-new design with improved ergonomics. The Olympus OM-D series brings flawless, professional-quality images and video to photographers of all levels.</p>
<p><!--more--></p>
<p><strong>Shoot High-Quality Images All the Time</strong>

Hailing from the cutting edge technology found in the award-winning Olympus OM-D E-M1 and OM-D E-M5 Mark II, the OM-D E-M10 Mark II’s 5-Axis Voice Coil Motor (VCM) Image Stabilization offers a hassle-free solution to image blur caused by camera shake. With up to four shutter speed steps, it allows for longer exposures and lower ISOs for crisp and clear handheld shots. The traditional 2-axis image stabilization in many DSLRs only compensates for angular shake, while the 5-axis image stabilization in the Olympus OM-D E-M10 Mark II also corrects for rolling blur that affects both low-light shooting and the horizontal and vertical shift blur that can mar macro shots. The combination of the OM-D E-M5 Mark II’s 16-Megapixel Live MOS sensor and TruePic VII image processor maximize the power of 5-axis Image Stabilization to capture sharp images and video without the need for a tripod.</p>
<p><strong>User-Friendly, Elegant Design</strong>

The ultra-slim, compact size of the Olympus OM-D E-M10 Mark II adds to the camera’s user-friendly design. Not only does the body configuration incorporate the classic style found in Olympus OM-D cameras, but the elegantly machined metal dials, along with the leather textures of the grip, produce a highly sophisticated feel. The prominent thumb grip supports a stable, one-handed hold and reliable, one-handed shooting. Both the dial and button shape and layout have been adjusted for users to easily operate the camera while looking at their subject through the viewfinder.</p>
<p><strong>High-Speed Performance</strong>

The Olympus OM-D E-M10 Mark II delivers an amazingly fast, class-leading shooting time courtesy of its Touch Autofocus<span class="green">1</span>. With a sequential shooting speed of 8.5 fps — more than twice as fast as comparable DSLRs — short shooting lag time, fast responsiveness and a quick start-up time, users can easily capture split-second movements.</p>
<p><strong>Easy-to-See Electronic Viewfinder</strong>

Armed with a built-in electronic viewfinder (EVF), the Olympus OM-D E-M10 Mark II makes it easier than ever to shoot in direct sunlight and other situations where it might be difficult to view the monitor. Thanks to 100 percent field of view, users are able to see more of the scene for precise composition. The EVF also boasts a viewfinder magnification rate of 1.23x (35mm equivalent: 0.62x) and uses a high-definition 2.36-million-dot OLED monitor for sharp, clear details. For further shooting accuracy, the new AF Targeting Pad allows the user to keep an eye on the viewfinder while tracing a thumb on the camera’s rear touchscreen to adjust focus point. The E-M10 Mark II also offers a solution for shooters who are more accustomed to optical viewfinders; the Simulated Optical Viewfinder (S-OVF) offers higher dynamic range, more in line with that visible to the naked eye.</p>
<p><strong>Intuitive Video Creation</strong>

The OM-D E-M10 Mark II allows users to take advantage of 1080p Full HD Video, intuitive touch interface, variable frame rate and a new CLIPS feature which records short one-, two-, four- or eight-second clips. These clips can then be merged into a final video product in-camera, and then uploaded directly to your favorite social platform using the Olympus OI.Share app.</p>
<p><strong>Creative Shooting</strong>

The Olympus OM-D E-M10 Mark II comes packed with additional shooting modes, unleashing unlimited creativity.</p>
<ul>
<li><strong>Art Filters:</strong> Select one of 14 available Art Filters that match your creative vision. Art Filters can be combined with Art Effects to produce truly inspiring images and video.</li>
<li><strong>Photo Story:</strong> With five available patterns, Photo Story combines multiple photos into a single image to express the user’s story about a moment in time.</li>
<li><strong>Live Composite:</strong> Select Live Composite mode to extract and composite the brightest areas from multiple, sequentially shot images to capture thrilling light displays. With the newest version of the OI.Share app for Android and Apple®, you can make adjustments to your settings and monitor the progress of the image as it develops right on your smartphone or tablet.</li>
<li><strong>Live Bulb and Live Time:</strong> Easily capture moving trails of light with the Live Bulb and Live Time modes for stunning light painting images.</li>
<li><strong>4K Time-Lapse:</strong> Capture up to 999 images automatically at an interval of one image every five seconds. The camera will then combine the images into a stunning, high-resolution, 4K file, all in-camera, without the need for additional software.</li>
<li><strong>Focus Bracketing:</strong> With a touch of the shutter button, multiple shots are taken with slightly different focus depths. Useful for those who shoot macro photography, users can select the image with the focus where they prefer. By using image-editing software that offers an image stacking function, users can produce images with large depth of field even while using wider apertures.</li>
<li><strong>Keystone Compensation:</strong> Perspective distortion can be corrected in-camera, live, while shooting, with the ability to see your corrected adjustments as you shoot.</li>
</ul>
<p><strong>Accessories</strong></p>
<ul>
<li><strong>External Grip, ECG-3:</strong> A removable grip exclusively for use with the OM-D E-M10 Mark II that enhances the hold and premium feel of the camera. With a one-touch release lever on the bottom of the grip, users can smoothly exchange the battery and memory card without missing a beat.</li>
<li><strong>Genuine Leather Strap, CSS-S119L:</strong> For added luxury and protection, the genuine leather strap has been treated with water repellent to protect against water damage.</li>
</ul>
<p><span class="green">1 According to Olympus research, August 2015.</span></p>
<p><strong>U.S. Pricing and Availability</strong>

The Olympus OM-D E-M10 Mark II will be available beginning in early September 2015 in the following configurations:</p>
<p>Estimated Street Price:

Body only, available in Black and Silver</p>
<ul>
<li>$649.99 (U.S.)</li>
<li>$749.99 (Canada)</li>
</ul>
<p>Body in Black or Silver with M.ZUIKO DIGITAL ED 14-42 f3.5-5.6 EZ</p>
<ul>
<li>$799.99 (U.S.)</li>
<li>$899.99 (Canada)</li>
</ul>
<p>The External Grip, ECG-3 and Genuine Leather Strap, CSS-S119L, will be available in early September.</p>
<p>Estimated Street Price:</p>
<ul>
<li>External Grip, ECG-3: $59.99 (U.S. and Canada)</li>
<li>Genuine Leather Strap, CSS-S119L: $79.99® (U.S. and Canada)</li>
</ul>
<p> </p>

Canon EF 35mm f/1.4L II Image Appears

HTML:
<p>The long rumored Canon EF 35mm f/1.4L II has finally made an appearance and should be announced this week. We <a href="http://www.canonrumors.com/2015/06/canon-ef-35mm-f1-4l-ii-is-done-cr2/" target="_blank">reported a few months ago</a> that this lens was complete and ready for production. Most of the specs seem to line up with the summary we were given at the same time about the lens.</p>
<p>Specifications: (Google Translated)</p>
<ul>
<li>Lens construction: 11 group 14 elements</li>
<li>2 aspherical lenses (1 ground aspherical and 1 large diameter glass molded aspherical)</li>
<li>UD Lens</li>
<li>BR Lens</li>
<li>SWC Coating</li>
<li>Fluorine Coating</li>
<li>9 Aperture Blades</li>
<li>Minimum focusing distance of 0.28m</li>
<li>Maximum magnification is 0.21X</li>
<li>Dust & weather sealed</li>
<li>Filter Diameter: 72 mm</li>
<li>Total Length: 105.5mm</li>
<li>Maximum Diameter: 80.4mm</li>
<li>Weight: 760 g</li>
<li>Hood: EW-77B</li>
</ul>
<p>Pricing is unknown at this time, although <a href="http://www.canonrumors.com/2015/07/canon-ef-35mm-f1-4l-ii-pricing-information-cr2/" target="_blank">we were told it would be $1699 USD</a> at launch. That could change due to the value of of the US dollar.</p>

Patent - Canon Tilt-Shift Adapter for EF Lenses

Canon’s method of getting around the tilt-shift conundrum using standard lenses with standard image circles on a full frame or APS-C camera makes me smile. It’s not quite groundbreaking. Just really smart engineering using tech in a different manner than which is was originally purposed.

You might think Canon would have used an image enlarger inside the adapter to increase the image circle size but Canon went a different route entirely.
Source: http://www.photographybay.com/2015/08/24/canons-coming-electronic-tilt-shift-adapter-that-works-with-every-ef-lens/


It has CPU inside, no optics.
Automatic in-camera cropping for tilt-shift operation.
Can shift lens and or camera.
With IS.
With AF.

5D III or 7D II?

I have a 6D and it is a great camera, but not for BIF. My long lens is a 70-200 2.8 II with a 1.4X III teleconverter, but at some point I will buy a 400 or 500mm prime. So the 7D II would be nice to lengthen the reach. My main question is, is the 7D II AF substantially better than that of the 5D III? What other considerations should I have for BIF?

I can’t believe this topic has not come up – but if it has, I am sure someone will kindly direct me to that discussion.

Thanks,
John

Is there a way to lock focus ring?

Hi guys, I hope you're doing fine. Maybe I have a naive question but it may help me a lot in my daily clinical practice. I use Canon 100L macro lens to take pictures of my patients in the clinic, and sometimes I wrap the camera in a sterile plastic bag during surgeries. Often while I'd wrapping the camera, the focus ring gets displaced, and then it's a pain to adjust it. The question I have is if there is a way somehow to lock the manual focus ring, so it always stays at the same level? The reason I need it to always stay at the level is to always have the same distance to an object, and when I crop the teeth/tissue is the same size. Thanks in advance! :)

DIY weather sealing--silicone wrist band?

Got the idea from using a Lens Band for my droopy ef 24-105mm. The Lens Band keeps the zoom barrel from sliding down while walking.

Would adding a silicone wrist band (which is all the Lens Band really is) to the mount area for, say, a Sigma 50mm Art or some other non-weather sealed lens accomplish ANYTHING towards keeping mist/rain/snow/hail out of the body?

Please don't tell me to go out in the rain and test the idea! ;)

I got a few free wrist bands as a memorial gift from Paul C. Buff with an order earlier this year. :( Was hoping to put them to some kind of use.

(If this has been asked and answered, sorry. A search revealed so many hits not on point that I just decided to ask.)

Canon Announces Visa pour l’Image 2015 Plans

HTML:
<em>Canon today announces its annual programme of activities for Visa pour l’Image 2015, the international festival of photojournalism held in Perpignan, France, taking place from 31 August until 6 September (pro week) with the exhibitions continuing until 13 September.</em></p>
<p>In its 26th year of partnership, Canon will run an inspiring and interactive series of events throughout the seven-day festival that champions the very best in photojournalism and reflects Canon’s passion for powerful images. This year the Canon programme will include:</p>
<p><!--more--></p>
<p><strong>Canon Experience Zone

</strong>For the very first time the Canon experience zone, located in the Palais des Congrès, will be open to the general public. Visitors will be able to get hands-on with Canon’s latest range of products and solutions; from image capture through to printing. Accredited photographers will be able to book in for a free portfolio review with Getty Images Creative Director, Anthony Holland Parkin, on Thursday 4th and Friday 5th September, and can also visit the CPS desk where they will have the opportunity to get their equipment checked, cleaned and have small repairs carried out, free of charge.</p>
<p><strong>Creative Inspiration

</strong>A Canon experience bus will be stationed by the Couvent des Minimes, where members of the public will be able to come on board and speak with Canon experts to gain advice on everything from how to take better holiday pictures, to capturing the perfect portrait of your child.</p>
<p>Canon will also be promoting its Rugby World Cup partnership during the festival and inviting visitors to have their photograph taken with rugby players from the local famous team, Union Sportive des Arlequins Perpignanais. A variety of other exciting rugby-themed experiential activities will also be on offer for attendees to get involved with and the best photographs taken will be put into a prize draw where three lucky winners will be given World Cup tickets.</p>
<p><strong>Celebrating the Power of Images

</strong>Canon has sponsored two exhibitions at Visa pour l’image 2015; the first showcasing photographs from the Democratic Republic of Congo by Canon Ambassador Pascal Maître, alongside last year’s Female Photojournalist of the Year Award winner, Viviane Dalles. The second celebrates a body of work from a range of internationally acclaimed photographers to mark the 10th anniversary of Canon’s iconic EOS 5D-series DSLR in collaboration with Getty Images. All of the stunning images have been printed on Canon’s professional large format printer, the imagePROGRAF iPF9100.</p>
<p><strong>Canon Female Photojournalist of the Year Award

</strong>For the 15th consecutive year, Canon has sponsored the Female Photojournalist of the Year Award, which will be presented at Visa pour l’Image 2015. Also supported by ELLE magazine for the second year in a row, this year’s award is given to Anastasia Rudenko, for her project on mental illness in Russia. Rudenko will receive a grant at the ceremony on 5th September 2015, to support her portfolio of work. All entrants have been judged on both previous works and plans for future projects. In addition, the 2014 winner, Viviane Dalles, will be exhibiting her work on teenage mothers in the north of France at the festival.</p>
<p>To find out more about the latest updates and plans for the 27th Visa pour l’Image international festival of photojournalism, please visit the <a href="http://www.visapourlimage.com/index.do" target="_blank">Visa pour l’Image website</a>.</p>

5D Mark III weather sealing

Hi everyone!

I'm sure that many of you are wondering just as myself how reliable Canons marketing claims about the weather sealing of pro-grade cameras are. As you know, there is no warranty on water damge which leads many photographers treating their gear with the utmost care. Making sure that no drops ever touch the camera - either by using protective covers or simply staying at home when the weather is bad.

I am not one of those photographers. On my recent trip to Scotland I learned first hand how quickly your gear can be subjected to the elements and how it responds to rough treatment.

I created an article series about my trip and just uploaded the last part. In my final words I'm summarizing my experiences on the weather sealing of my gear, so that everyone can profit from my experiences.

If you are not interested in pictures and some stories just scroll down to the weather sealing chapter fairly at the end of my article. Here's the link:

http://www.focrates.com/articles/scotland_2015/scotland_2015_part4.html

If you also made experiences with harsh weather please consider sharing them here so that we can all gain some knowledge on an important topic!

Thanks and have a great day!

Lenses, bodies, etc now delivered USPS?!?

I've noticed Amazon in the USA is using the postal service more and more. When the item is a book or bamboo cutting board, no problem...But, just saw that a next-day order for a new lens (about $1,000 in value) is coming USPS. :-*

Any concerns about this shift? About L series lenses and maybe higher-end bodies being delivered USPS?

Is anybody going out of their way to avoid certain carriers? On B&H we can choose--if willing to pay. Don't think any such option is available on Amazon...

Does this kind of AF patent already exist to improve DSLR phase detect?

Hi,

The A7RII is getting a lot of attention, especially as regards its AF ability. A lot has been said about DSLR phase detect's "moderate" ability to AF on a wide-aperture primes and AF micro-adjustments.

So, I was wondering if a patent such as the following was already reported here or elsewhere: the idea is to primary use the usual dedicated phase detect of the DSLR. Then, when mirror raises a second unit, on-sensor phase detect (Dual Pixel AF for Canon), corrects the slight inaccuracy by asserting good AF rather than predicting it just before taking the shot.

Given the fact that even if the external AF module is not accurate, it is not completely off even at f/1.4. That means the correction to be done by the on-sensor phase AF would rather be minimal, hence meaning NOT THAT MUCH time consuming.

The external AF and on-sensor AF would share the same AF points. So when the mirror raises, the on-sensor AF knows which was the selected AF point and therefore knows where the "correction" has to apply.

BTW, some DSLR already proposes a delay when the mirror raises to wait for mirror vibrations to dampen. So let's use this "idle" time to do what's described above.

The only "risk" would be that the viewfinder remains dark a bit longer. But aren't we already used to it when exposure is slower than say 1/60?

It will also correct from brand to brand variations (like Sigma not focusing as good as Canon lenses on an EOS body)

This would make wonders within the Canon AF dedicated menu where you could set a priority with a slider to the importance you allow to the "correction": from quickest (on-sensor AF deactivated) to not fire the shot until the on-sensor has 100% asserted the accuracy.

What do you think? Any reports of this?

If it doesn't exist yet, my idea first :D

CLI-42GY_SETUP Pixma Pro 100 starter inks?

The low ink warning came on my for my new Pixma Pro 100. I noticed the low cartridge is named CLI-42GY_SETUP. Does the Pixma Pro 100 ship with "starter" ink and, if so, is the ink:

A-Overfilled, to account for the initial printhead fill up?

B-Underfilled, to hasten new ink purchases (and possibly making my conceived strategy of picking up additional $50 after mail-in rebate Pixma Pro 100 printers simply for the ink not the cost-effective cleverness that I envisioned)?

C-The same amount as a standard CLI-42GY, the _SETUP being used by Canon to simply track starter ink sets?

It certainly doesn't feel like the Gray lasted long. It has less than 10% left (based on my qualitative assessment of the ink bar levels). Light Gray and Photo Magenta have only 40% left while M, PC, Y, BK and C hover around 80% left. I surmise GY, LGY and PM are the most used colors (akin to PC and PM on my 9000 MK II)?

Thanks!

Anybody know how much lens fixed price servicing is running at the moment?

I just broke my 11-24 f4 in two and I wondered if anybody has recently sent a lens in to Canon USA to have a fixed price repair done to it, and if so what the cost was?

I haven't had a lens fixed for over three years and then it was running $225ish, I am not fussed, I am going to get it fixed whatever the cost but if it is more than $400 then I could get a free CPS membership out of it!

Nikon 24-70mm f/2.8 VR Delayed

HTML:
<p>Nikon has announced that the brand new 24-70mm f/2.8 VR which was slated to start shipping on August 27, 2015 has been delayed until October 2015.</p>
<p class="fs16 OpenSans-600-normal upper product-highlights-header">PRODUCT HIGHLIGHTS</p>
<ul class="top-section-list" data-selenium="highlightList">
<li class="top-section-list-item">F Mount Lens/FX Format</li>
<li class="top-section-list-item">Aperture Range: f/2.8 to f/22</li>
<li class="top-section-list-item">ASP/ED, AS, ED, and HRI Elements</li>
<li class="top-section-list-item">Nano Crystal & Super Integrated Coating</li>
<li class="top-section-list-item">Fluorine Coated Front and Rear Elements</li>
<li class="top-section-list-item">Silent Wave Motor AF System</li>
<li class="top-section-list-item">Vibration Reduction Image Stabilization</li>
<li class="top-section-list-item">Internal Focus, Manual Focus Override</li>
<li class="top-section-list-item">Electromagnetic Diaphragm Mechanism</li>
<li class="top-section-list-item">Rounded 9-Blade Diaphragm</li>
</ul>

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