Canon Announces ME200S-SH Multi-Purpose Camera

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<em>Featuring Canon’s Dual Pixel Autofocus and ISO Ranges up to 204,800, this Modular Affordable Camera is Compatible with Canon’s EF, EF-S and CINE-SERVO lenses</em></p>
<p><strong>MELVILLE, N.Y., April 13, 2016 </strong>– Canon U.S.A. Inc., a leader in digital imaging solutions, today announced the latest addition to the Company’s line of multi-purpose modular cameras, the new ME200S-SH. Compact and versatile, the camera supports a broad range of uses, including cinema, television production, live sports, law enforcement, house of worship and special uses, such as weather monitoring, night shooting, event installs and point of view applications. This 8.2 megapixel Super 35mm compact box camera features both high sensitivity and a cinema look for high-quality image capture. Canon’s Dual Pixel CMOS autofocus (DAF) technology provides ME200S-SH camera users with a range of focusing options when using compatible Canon EF lenses and CINE-SERVO lenses.</p>
<p>“Much like the ME20F-SH multi-purpose camera that Canon launched in 2015, the new ME200S-SH multi-purpose camera is so small and compact it can easily fit into tight spaces,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “As indicated in the name, we anticipate users will implement this camera in an extensive variety of ways, from uniquely angled shots for HD sports broadcasting or traffic and weather reporting, to cinematic production or surveillance of public spaces, even applications we haven’t yet thought of. We are very excited to see how the capabilities of this camera inspire image creators.”</p>

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<p>Canon’s new multi-purpose ME200S-SH camera’s compact, modular body design allows for easy custom configurations for diverse usage scenarios such as:</p>
<ul>
<li><b>Live HD </b>– 1920×1080 / 60p, 50p output, Dual Pixel CMOS AF and Remote (RC-V100) enable HD Live use for HD studios as well as sporting events. Thanks to its compact size, this camera can be placed in unique creative spaces such as the top of a basketball hoop. Genlock functionality is standard for this multi-purpose camera use.</li>
<li><b>Production – </b>Remote manual control of focus, iris, auto exposure (AE) and ND filters is available with the optional Canon RC-V100 controller, benefitting a range of users from meteorologists looking to get distinctive images of severe weather conditions to concert venues looking to add creative low-light imagery or cinematic shallow depth of field to their offerings.</li>
<li><b>Security</b> <b>Surveillance</b> – Infrared shooting and ISO 204,800 allow for surveillance of buildings, borders, airports, and harbors. Remote control capability and Auto Exposure allow the ME200S-SH camera to be easily incorporated into these constantly evolving and potentially unmanned environments.</li>
</ul>
<p><!--more--></p>
<p>The ME200S-SH camera includes both Canon Log and Wide DR Gamma providing users the high- dynamic range and the ability to choose their post-production strategy. Users can experience high-quality imagery whether they are doing a full post-production grade or making quick onsite corrections.</p>
<p>In addition, the ME200S-SH camera employs Canon’s EF Mount (Cinema Lock Type) providing shooters with the ability to use a diverse array of compatible Canon EF interchangeable lens, CINE-SERVO lenses, newly announced COMPACT-SERVO lens and a select Canon Broadcast HD lenses by utilizing a third party mount converter. The Cine Lock feature allows users to easily mount the lens without having to rotate it into the mount.</p>
<p>The ME200S-SH camera features 3G/HD-SDI and HDMI output terminals that enable users to output video via a single cable to a variety of peripheral equipment, including external recorders and monitors. A 12-pin lens jack is provided to enable communication with the drive unit of select CINE-SERVO and broadcast lenses. Equipped with a φ2.5mm stereo mini-jack and a round eight-pin jack for RS-422, the multi-purpose camera is capable of connecting with Canon’s optional RC-V100 Remote Controller. Furthermore, a φ3.5mm stereo mini-jack allows the camera to connect to a microphone or other external audio equipment,</p>
<p><b>Pricing and Availability</b>

The ME200S-SH multi-purpose camera is scheduled to be available in August 2016 for a suggested list price of $5,999. In addition, optional accessories which include the RC-V100 Remote Control, RS-422 eight-pin remote cables and TB-1 Tripod Base are currently available for a suggested list price of $2999, $249 (10m cable) or $999 (100m cable) and $35 respectively.* For more information please visit,<a href="https://www.usa.canon.com/internet/portal/us/home/products/details/lenses/cinema/compact-servo/compact-servo-18-80mm-t4-4-ef" target="_self">https://www.usa.canon.com/internet/portal/us/home/products/details/lenses/cinema/compact-servo/compact-servo-18-80mm-t4-4-ef</a>.</p>
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5DS R for bird photography

I am on a business visit to Malaysia, Singapore and Hong Kong, and have packed my new 5DS R along with the 100-400mm II for some bird photography on the side. Now, almost any lens with any body can take spectacular photographs of birds, with every detail of every feather gleaming, if you can get close enough. What the 5DS R has enabled me to do is to extract usable images for printing in my albums from extreme circumstances.

The weather has been awful, and the birds haven't been cooperative, but the 5DS R has made it worthwhile.

1. Sharpness. The 5DS R and the 7DII have the same size pixels and theoretically the same resolution. The absence of the low pass filter in the 5DS R makes a huge difference in poor lighting conditions. In good light, you can sharpen the 7DII images well using USM or "smart sharpen" to get close to the resolution of the 5DS R. But, at high isos, the noise gets too great as it is amplified by sharpening. With the 5DS R, there is no need to sharpen and so you can use much higher isos.

2. AF. I have never had such consistent AF as with the 5DS R. There is little need to take multi-shots of the the same target, which makes up for the over-large file size and slower frame rate. The tracking of birds in flight is just so much more precise.

3. Large field of view. The 100-400 II on the 5DS R gives a 1.6x1.6 times larger field, which makes it so much easier to find and track.

I'll follow with some examples, which aren't my best photos, but are just to illustrate how useful the 5DS R is. It pairs very nicely with the 100-400 II. The light has been so bad in the main that I haven't even considered using the 1.4xTC, and I have not gone below iso640.

New Canon PZ-E1

I see that Canon is finally coming out with a power zoom attachment for their 18-135 EF-S lens. I shoot a fair amount of video with my 70D and would love this feature. I plan to upgrade to the 80D, but am quite sure that only the newest 18-135 will work. To my knowledge, this would be the third version of this lens, but they all have essentially the same name. What I have noticed is that the newest I have seen has "nanoUSM" on the barrel. Does anyone know if this is the lens that will work with the power Zoom attachment that comes out in June? If so, I would buy the body and lens now. I just need to know if this lens will work with the attachment. Looking at the zoom, it has 6-8 pins sticking up that will need to contact the lens, plus a pair of side locks. Help! Tank you...

Lensbaby's New Twist 60 Lens Exudes Pure Magic of Vintage Photography

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<em>Company’s love of old lenses inspires new creativity with classic image elements optimized for full frame photographers</em></p>
<p><strong>Portland, OR – April 12th, 2016 </strong>– Lensbaby, makers of award-winning creative effects lenses, optics and accessories, today announced the availability of the Twist 60 lens. Twist 60 helps creative photographers find their visual voice by seeing the world differently.</p>
<p>This metal-bodied 60mm f/2.5 lens with gold anodized accents creates powerful portraits, spotlighting subjects by freeing them from their background and surrounding them with swirly blur and enhanced vignette. The brighter the aperture, the greater the swirl and the greater the vignette.</p>
<p>“Twist 60 embodies our love of old lenses and their unique ways of helping photographers discover creative possibilities,” said Craig Strong, Lensbaby Co-Founder & Chief Creative Officer. “True to an 1840 design by Joseph Petzval, this lens reveals striking separation between subjects and their background, a quality that modern lens designs lack.”</p>
<p><!--more-->

<strong>Twist 60 Lens specs:</strong>

● 12 blade f/2.5-22 aperture

● 60mm focal length

● Twisty, swirly blur

● Recommended for use on full frame cameras

● Available in Canon EF, Nikon F, and Sony E mounts

● 4 elements in 3 groups

● Filter threads: 46mm

● Black anodized body with gold anodized aperture ring

● Minimum focus distance – 18”</p>
<p><strong>Availability</strong>

Twist 60 lens retails for $279.95 and is available via pre-order beginning April 12, 2016 (shipping May 5th, 2016). Twist 60 Optic will also be sold separately for use with other Lensbaby Optic Swap System-compatible lenses. It retails for $179.95. For best results, when using it in a tilting Lensbaby such as the Composer Pro, photographers should shoot with Twist 60 pointed straight ahead. Lensbaby products are available at lensbaby.com, <a href="http://www.bhphotovideo.com/c/product/1243826-REG/lensbaby_lbt60c_twist_60_for_canon.html/BI/2466/KBID/3296/DFF/d10-v21-t1-x726541" target="_blank">B&H Photo</a>, Adorama, and from select specialty photo stores worldwide.</p>
<p><strong>About Lensbaby</strong>

For over a decade, photographers have relied on Portland, Oregon based Lensbaby to help them break free of routine, tinker, and open themselves up to unexpected results – dancing, playing and delighting in what’s possible with a creative lens and their imagination.</p>
<p>Lensbaby makes award-winning creative effects lenses, optics and accessories that follow this philosophy, including the Velvet 56, a versatile portrait and macro lens; their unique Optic Swap System, which lets photographers swap their optic and tilt their lens for limitless effects; and mobile lenses that transform everyday smartphone photography. Lensbaby products are sold and distributed worldwide. For more information, visit <a href="http://www.lensbaby.com">www.lensbaby.com</a></p>
<p><strong><a href="http://www.bhphotovideo.com/c/product/1243826-REG/lensbaby_lbt60c_twist_60_for_canon.html/BI/2466/KBID/3296/DFF/d10-v21-t1-x726541" target="_blank">Lensbaby Twist 60 Optic for Canon EF at B&H Photo $279</a></strong></p>
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Some Canon Mirrorless Talk [CR2]

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Lost in the anticipation of the EOS 5D Mark IV announcement in August, is the likelihood of new EOS M camera(s) in the fall for Photokina. We’ve been told that there will definitely be 2 ILC EOS M cameras announced before the end of 2016.</p>
<p>One of the cameras that will be announced is a follow-up to the EOS M3 which was announced in February of 2015 and didn’t make its way to North America until October of 2015. The new camera we’re told will be equipped with the new sensor from the EOS 80D and will see “minor” ergonomic changes.</p>
<p>The second camera, which may actually be announced first will be Canon’s first “prosumer” focused mirrorless camera. Two sources have said that the camera will use a newly designed 24mp full frame image sensor. This camera will be designed to use EF lenses, but how that’s going to be done is presently unknown to us. Details beyond that are quite fuzzy, but we’re pressing for more.</p>
<p>We haven’t heard anything more about a fixed lens full frame camera from Canon, but we hope that’s coming as well.</p>
<p>Expect 3 to 5 new EF-M lenses to be announced before the close of the year. There will be faster prime lenses along with new zooms, but nothing beyond 300mm.</p>
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  • Locked
EF 35mm f/2 IS USM AF sound

Hi there to all, especially the 35 f/2 IS USM owners!

I finally made the decision to get that lens giving me some more WA aperture to play with.
And while having a cash back promotion here in Germany now I got it.

Today it arrived and something about the AF sound is confusing me a little bit.
Although being ring USM it seems a little bit loud for that and also the focusing ring seems to be a little bit tight.
It also sounds a little bit rough and scratchy.
In comparison my 24-105L is more quiet ans smooth. And the 85/1.8 is at the same noise level but sounding smoother.
Maybe it's just normal or something that will change while it will wear in mechanically.
Everything else (mechnics, IQ) looks okay.

So my question to you:
What experience do you have with the AF sound of that lens?


Maybe I am just a little bit spoiled from the L quality or my ears are just too good ;)
Thanks for your replies.

Disclaimer: I have no chance during the next days to go to a store to compare it to a second copy. Otherwise I would have done this first.

Abandon house , Haunted House, Old, Old Buildings

Dear friends.
I would like to start this Tropic " The Abandon house, Haunted House or Old, Old Scared Buildings.
Please help me post on this Tropic.
Thank you, Sir/ Madame.
Surapon
PS. All of these Building in my home State, North Carolina, USA.
PS-2, All B&W photos Post Processing By Google NIK. Silver Efex Pro -2

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Patent: Sigma 200mm f/2 DG OS USM & 1.4 Teleconverter

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It looks like Sigma is developing a competitor to one of my favourite Canon lenses, the EF 200mm f/2L IS. This is one of those lenses that once you try one, you never want to put it down. It’s a very versatile focal length and is especially magical for portrait work.</p>
<p>Patent Publication No. 2016-45314 (Google Translated)</p>
<ul>
<li>Published 2016.4.4</li>
<li>Filing date 2014.8.21</li>
</ul>
<p>Sigma 200mm f/2 DG OS</p>
<ul>
<li>Focal length 194.93</li>
<li>F-number 2.05</li>
<li>Full angle of view 2ω 12.70</li>
<li>The image height Y 21.63</li>
<li>Overall length of the lens 231.33</li>
<li>BF 60.2233</li>
</ul>
<p>Sigma 1.4x TC</p>
<ul>
<li>Focal length 274.52</li>
<li>F-number 2.89</li>
<li>Full angle of view 2ω 9.06</li>
<li>The image height Y 21.63</li>
<li>Overall length of the lens 252.18</li>
<li>BF 39.5088</li>
</ul>
<p>Along with the optical formula patent for a 200mm f/2 OS, it looks like Sigma is developing a dedicated 1.4x teleconverter for the lens.</p>
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Sony FE 85mm f1.4 Gmaster test shots

Got my GM lenses yesterday. Just want to share few test shots around the house. These were shot with A7r II + 85mm GM, wide open @ f1.4, AF-C mode(same as Ai Servo in Canon 1dx mode).

https://dylannguyen.smugmug.com/Events/2016-4-09-Sony-FE-85-f14/

It reminds me my all time favorite Canon 85mm f1.2. The GM 24-70 is very-very good compared to Canon 24-70 II. My 2cents, it might even slightly better than Canon 24-70 II in cropping.


Edit:
Quick update guys, BAD NEWS.

My 85GM has some kind of scratchy/grinding noise when AF is activated. With my phone flashlight, I saw these scratches inside my 85GM. I'm not sure if this is production or design issue, but the lens will be returned to BH on Monday.

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17-40 l advice vers the 16-35l 4.0

hello all

right now I have a 5dmk3 and I am using a 20-35 3.5 -4.5 usm as my uwa lens

before that I used the 10-22 efs lens with my 70D

the 17-40 has a price value over the 16-35 is 4. image stabling is something I don't need on a uwa. as I use a tripod for landscape.

its more for a all around walk around lens. I use the 20-35 for that reason but its old and I need to retire the lens no lens hood most likely no repair parts as well.

Triggering 580 EXII and Buff-Einstein with cables from 5DsR?

Looking into adding a studio strobe for reproduction plant photography. I noticed Buff's Einstein with very linear color temperature of 5600K regardless of power output. Can I trigger simultaneously a Canon speed light with TTL cable from hot shoe, and a studio strobe with PC-sync cable from the PC socket? I have a 5DsR, which has both sockets. I know that wireless is the flavor of the day, but I prefer cables.

Lens advice for Pearl Harbor tour

Hi all

I am currently in Hawaii on vacation and will be doing the Pearl Harbor tour in a couple of days. You can take a dslr but no bags, so I am restricted to a single lens. I am not sure which to take my 24-104 L or 16-35 F4 IS. Can anyone who has been give me their suggestions as to which would be most suitable. Please don't suggest other options as these are the lenses I have with me whilst travelling and I won't be purchasing any additional equipment.

Thanks in advance.

Rob

1DX Mark 2 Raw Image Quality compared to 1DX

For all of those folk wondering how the 1DX Mark 2 raw image quality compares to the 1DX, I have shot some side by side images through the iso range and posted them. Also shared opinion and included images taken whilst using a beta version of the 1DX Mark 2 for photographing African wildlife. Here is the link: http://www.grantatkinson.com/blog/canon-1dx-mark-2-image-quality-comparison
I have included an iso 10 000 image here just to show how good it is.
Hoping to complete another post next week comparing other aspects of the two cameras performance.

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