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New Flash System in the Works [CR1]

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We’re told that Canon is working on a new flash system based around a new metering technology, which could possibly be E-TTL III.</p>
<p>The source said Canon is well aware they lag behind Nikon in flash metering technology and are “actively working on improving their own system, rather than making new E-TTL II flashes”.</p>
<p>This new technology could appear in 2016 in a new flagship Speedlite.</p>
<p>More to come…</p>

56mp Sony Sensor on the Way?

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<p>When Zeiss announced the new Batis lenses recently, they posted an image on their flickr page that had an original resolution of 8910*6300. The speculation began almost immediately that the image was taken with the upcoming Sony A7R II.</p>
<p>From SLR Lounge</p>
<blockquote><p>The A7R II is expected to be announced within the next 2-3 weeks, so we should know soon enough if this is correct. The interesting scenario here, in my opinion, is if the picture WAS NOT shot with the A7R II. Because if the new Sony A7R II wasn’t used, then what was? The long rumored A9?</p></blockquote>
<p>Source: [<a href="http://www.slrlounge.com/zeiss-leak-first-images-sonys-rumored-a7r-ii/" target="_blank">SLR Lounge</a>]</p>

The First Rule of Photography is....

Have a camera!

I regularly ride my bicycle in an area between the Columbia River and Vancouver Lake. (Near Portland Oregon USA) It is a great area for bird watching. Today a Bald Eagle carrying a fish flew right over me.

It would be great to carry my 5D3 with me, but it's a lot more practical to have my S100 along. I rarely get any good pix, but I carry it on general principle.

Today there just happened to be a search and rescue helicopter from the local Air Force Reserve unit doing training in one of the fields next to the road where I ride my bike. I know the area well and figured that I could get to a spot where the helicopter would be right in front of Mt. St. Helens.

The Air Force guys were very cooperative subjects. :)

It was great fun for me and reinforced my belief that I should always have a camera.

p1152673519-5.jpg

Canon EF 24-70mm f/2.8 II vs f/4 IS

Hey guys,

which lense should I prefer?
I'm from austria and need a perfect every-day lense. I have a 24-70 2.8 I, but I want to 'upgrade' to one of these two. Which one is better for me? Is the 2.8 worth the extra money?

I would get a NEW 24-70 f/4 at 569 €, while the 2.8 would cost 1000 € more.

I will use it also for video and so IS would be better for me, but I love Bokeh and on the 2.8 it is a little bit more...

What do you think? What would you choose? 569 € for this lense is really cheap for an L lense...

Canon-24-70mm-Lens-Comparison-with-Hood.jpg

Dynamic Range Canon 100D / SL1

Hey guys,

long time lurker, first time poster here.
I have a specific question that I am sure you guys can help me with:
I am thinking about switching from a 70D(loser AF that Canon is unable to repair) to a 100D (Love the 9 Point AF, super reliable). My photography is very DR dependent (plz dont start the hate on that topic) and before buying I'd like to see whats what with the 100D in the workflow I am using. I have had the possibility to test a 600D which doesn't respond well to pushing the shadows (banding). The 70D is quite good in this regard (love that sensor!) and I think the 100D might be similar (judging by the high iso noise samples from online reviews). However I was not able to find any raw samples online that had deep shadows, what little i found did look promising though.

TL,DR:
I need a Raw sample from a EOS 100D/SL1 of a high contrast, preferably backlit (black shadows) scene shot at ISO 100 to see how the 100D handles noise after pushing shadows. Subject doesn't matter, can be anything.

Thank you very much!
(EOS 700D/T5i would also be interesting to see)

A few examples of what my work looks like:
600D struggling with banding (tree on the right), strong NR applied:
IMG_6043.jpg

70D, great sensor:
mp_frankfurt-city-1000x667.jpg

Perfect DR (Fuji E1):
mp_frankfurt-spring_HD-1000x667.jpg

SO WHERE's CANON 7D Mark 2 Firmware Update Mentioned for this Week

so other users or people who have/had problems with there 7D Mark 2 where told canon was releasing or updating the firmware this week
so was it a lie or etc created by canon too calm people down
or too ease the concerns of the AF problems some people are having
a sorta placebo effect too put out on the NET too put people at ease?

Color balance 6D vs. 60D

An experiment to compare a 400mm f/5.6 on a 60D vs. the same lens on a 6D with the 1.4X TC III (manual focus) ended up displaying a vastly different color balance. The 60D has much cooler (more blue) tones than the 6D with the TC and the same lens. I checked the Picture Style on both bodies. The 60D is on Standard (3,0,0,0) and the 6D is on Auto (3,0,0,0) which has the same values as Standard (3,0,0,0) I don't know what "auto" does vs. "standard" since the numbers are identical. I had to reduce the 6D files size in Photoshop to 60% so both files were 2.7 MB. I cannot imagine the 1.4X TC III is the cause of the tonal differences. I have never adjusted Picture Style settings on either body. Any suggestions as to what's going on here would be appreciated.

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Imaging Resources Investigates T6s/T6i Sensor Anomalies

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<p>Imaging Resource has done some tests to measure the image quality that comes from “sensor fleck” affected Canon EOS Rebel T6s & Rebel T6i cameras that was first reported by LensRentals.com. A brief follow-up from LensRentals.com states that Canon is taking the issue very seriously and we should hear some kind of an official statement from Canon soon.</p>
<p>As far as image quality issues with affected units, Imaging Resource had this to say:</p>
<blockquote><p>The good news is that (a) the actual impact on photos is pretty small, and even then is limited to shots captured with very small apertures; and (b) it’s quite easy to tell whether any given camera has flecks or not. I’d personally be comfortable buying either of these models myself, and either exchanging it with the retailer if it proved to have flecks, or waiting for what I expect will be an eventual repair program from Canon to deal with the issue. (Note that we have absolutely no direct information from Canon on this; this is just personal opinion at this point.)</p></blockquote>
<p><a href="http://www.imaging-resource.com/news/2015/05/01/canon-t6-sensor-flecks-how-big-an-issue-an-in-depth-look" target="_blank">Read the full analysis at Imaging Resource</a></p>

Now that DR is sorted...

Now that DR is sorted, what would be your next wish list from Canon?

Mine: A 1.6 crop with a built-in f1.4 35mm equivalent Mirror-less camera pocketable camera with EVF/flash. Super sharp lens... Aperture on ring and a simple dedicated menu system (Leica like). 12mp, noiseless at 4000 ISO. Weather proof. Yess!!!

Actually if it would be full frame I would be ecstatic. A Sony RX1 killer.

"Pocketable" is key. Or else I use 5d3.

New Zeiss FE35 F/1.2 ZA on Sony A7S at low light.

Received few days back new Zeiss FE 35mm F/1.4 ZA , primarily for use on Sony A7S , tested it on Sony A7R and Sony A7S. Impressed with image quality from this lens.
On Sony a7R it resolves to every pixel on 36mpx sensor (very sharp images) and that was expected.
For A7S it is very good at low light.
Attached are couple of shots , done hand held wide open at F1.4 at dim light conditions.

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More Fun With the Canon EF 1200mm f/5.6L USM

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<p><iframe src="https://www.youtube.com/embed/czmPpvANYtM" width="100%" height="390" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>B&H Photo recently came into possession of the Canon EF 1200mm f/5.6L USM, this is the third time the used department at B&H has had this lens for sale. It’s rumored that less than 20 of these lenses were ever built, although Canon won’t confirm the production number.</p>
<p>If you’re in New York City, be sure to head to B&H Photo and check it out.</p>
<p>The lens is still available with free shipping in the CUSA! If you buy it today, <a href="http://www.lenscoat.com/lenscoatsuptmsup-canon-1200mm-p-914.html" target="_blank">I’ll buy you the LensCoat for it</a>.</p>
<p><strong><a href="http://www.bhphotovideo.com/c/product/801201815-USE/canon_2527a001_super_telephoto_1200mm_f_5_6l.html/bi/2466/kbid/3296" target="_blank">Canon EF 1200mm f/5.6L $180,000 at B&H Photo</a></strong></p>
<p>Source: [<a href="http://www.the-digital-picture.com/News/News-Post.aspx?News=15012" target="_blank">The-Digital-Picture</a>]</p>

Using on camera TTL flash while firing manual flash remotely

Alright, so I've been using the Yongnuo 622 for sometime now. I just shot a wedding last night and ran into problems again with it. The issue is I want to be able to share a manual flash (in this case an alien bee) to bring up the ambient level and then let the ttl on camera flash fill in from there. The issue is even when I've tried doing the trick of setting the group to C and only doing the A:B setting it still jacks up a lot. What I'm looking for is a simple manual flash that also has TTL pass through to the on camera flash. I looked at this list of manual flash triggers:
http://flashhavoc.com/flash-trigger-guide-manual/

and the Commlite Comtrig T320, Ojecoco H-430 / Commlite Comtrig G430, and the Phottix Strato II seem like my only real options. Everyone says the Phottix are the best but still I read reviews of them not lasting very long before they develop cracks. If anyone has a better way of doing this I'm all ears. Just FYI. I shoot with a 5d mark ii which has a flash sync port and a 6d which does not.

EOS m3

Hi all,

I know this is probably a stupid question but i will ask anyway. Any one can confirm the EOS m3 crop factor is 1.6 ? i know traditionally canon APS-C machines have a crop factor of 1.6, but since the sensor is quite likely from sony, is it going to be 1.6 too? or 1.5 like sony and nikon ? Cheers. ;D

EOS-1D X Mark II Dynamic Range [CR2]

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<p>Beyond the increased ISO capabilities of the EOS-1D X Mark II, we’re told that dynamic range is going to see a massive improvement, and possibly have the most stops of any DSLR currently on the market. It’s always possible that Sony will do something in the meantime with their new sensors to increase their lead in stops of DR.</p>
<p>It’s also sounding like a new DIGIC 7 processor will make its way into the EOS-1D X Mark II, instead of going with the DIGIC 6 processor that was introduced in 2013. The current EOS-1D X uses dual DIGIC 5+ processors.</p>
<p>More to come…</p>

Leica Announces M Monochrome Type 246

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<p><em>Fresh Features Focus on Unsurpassed Imaging Performance, Rich Details, Peak Low-Light Capabilities, HD Video Capability and Live View Options</em></p>
<p><strong>April 30, 2015 –</strong> Leica Camera introduces the new Leica M Monochrom (Type 246) today, the next step in its hugely successful digital black-and-white photography concept for the Leica M rangefinder camera system. The new Leica M Monochrom, the first and only digital camera to enable a real black and white image – still or moving – without image processing or filtering, will be available May 2015.</p>
<p>“With never-before-seen imaging performance, outstanding low-light capabilities, and richness of detail, the new Leica M Monochrom surpasses the high standards set by its predecessor,” said Roland Wolff, VP of Marketing and Corporate Retail for Leica. “At the same time, it keeps its primary aim sharply in focus: black-and-white images with top quality across the board.”</p>
<p><strong>Preorder the Leica M Type 246: <a href="http://www.bhphotovideo.com/c/product/1144610-REG/leica_10930_m_monochrom_typ_246.html/bi/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/LCM246.html?KBID=64393" target="_blank">Adorama</a></strong></p>
<p><!--more--></p>
<p>Thanks to its high-capacity 2GB-buffer memory and Leica Maestro processor, the new Leica M Monochrom captures sequences three times faster than its predecessor. The new processor also enables extremely fast display of the captured images in review mode, making the new Monochrom even more versatile.</p>
<p>The Leica M Monochrom follows the successful route taken by the Leica M and captures decisive moments with 24-megapixel resolution. The monochrome CMOS sensor produces exceptionally sharp pictures at all sensitivity settings up to ISO 25000. As the M Monochrom has no  color filter array over the sensor, it requires no interpolation for the calculation of luminance values. The result is 100% sharper images with brilliance and detail contrast that far exceeds what color photography can do.</p>
<p>The new Leica M Monochrom can also capture high-quality full-HD video in black and white. The optional Leica microphone adapter set, comprising an adapter and a stereo microphone, ensures perfect sound. The high-resolution 3″ monitor with 921,600 pixels ensures that photographers have complete control of composition, exposure, focusing and depth of field.</p>
<p>Moreover, the camera now offers full visual control with its Live View function, which provides two focusing methods: the up to 10x magnification of Live View Zoom mode, enabling full control of the sharpness of details in the image on the monitor or the closest focusing distance; and Live View Focus Peaking mode, where sharply focused edges in the image are highlighted by colored lines.</p>
<p>Another advantage of the new CMOS sensor is that, in addition to the M-Lens portfolio, almost all lenses of the Leica R series can now be used with an optional adapter on the Leica M Monochrom to expand the creative capabilities of the Leica rangefinder system, as is also the case with the Leica M. Additionally, all equipment and accessories from the Leica M series are compatible with the new Leica M Monochrom.</p>
<p><strong>Other new features include:</strong></p>
<ul>
<li>Nearly unbreakable sapphire crystal cover glass for the LCD monitor, treated with an anti-reflection protective coating to ensure precise assessment of images in any lighting situation.</li>
<li>A body manufactured from high-strength magnesium alloy, with a top- and baseplate made from solid brass blanks and finished in black chrome.</li>
<li>New yellow, orange and green filters, available in July.</li>
</ul>
<p><strong>Preorder the Leica M Type 246: <a href="http://www.bhphotovideo.com/c/product/1144610-REG/leica_10930_m_monochrom_typ_246.html/bi/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/LCM246.html?KBID=64393" target="_blank">Adorama</a></strong></p>

Reviews: Canon EOS M3

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The big reviews for the Canon EOS M3 have started to arrive.</p>
<p>First up from Gordon at CameraLabs</p>
<blockquote><p>If you do have an existing EF lens catalogue and fancy a smaller body to try them with, then the EOS M3 is a good choice, and I commend Canon for making so many improvements over the original body. The EOS M3 is a confident step-forward, and with a greater selection of EF-M lenses (or even a promising roadmap) it could certainly become a contender as a standalone camera. But if you’re looking to build a new system that gives you all the benefits of mirrorless, then you should invest in Olympus, Panasonic, Fujifilm or Sony, all of whom have dumped their legacy DSLR baggage and are concentrating on delivering a more compelling native experience.</p></blockquote>
<p><a href="http://www.cameralabs.com/reviews/Canon_EOS_M3/" target="_blank">Read the full review at CameraLabs</a></p>
<p>Paul from WhatDigitalCamera</p>
<blockquote><p>There are areas in which the new camera is still lacking, however. Notably, the relatively slow burst mode and small buffer make the M3 feel a bit dated, while the kit lens also feels in need of an update already.</p>
<p>So, although the M3 is a huge improvement on its predecessor it’s up against some serious competition and it’s difficult to claim that it outperforms its closest challengers.</p></blockquote>
<p><a href="http://www.whatdigitalcamera.com/reviews/compact-system-cameras/canon-eos-m3-review#amy7YYw0xZp81PHf.99" target="_blank">Read the full review at WhatDigitalCamera</a></p>
<p>Both reviews, and the others I have seen think the EOS M3 is a step in the right direction, but hasn’t done anything to even suggest Canon wants to be a market leader in this segment.</p>
<p>As you know, the EOS M3 isn’t available in North America, but you shouldn’t have a problem getting your hands on one via ebay or other global retailers such as DigitalRev.</p>
<p><a href="http://www.anrdoezrs.net/links/3958327/type/dlg/http://www.digitalrev.com/product/canon-eos-m3-with-ef/MTEwNDA2MA_A_A" target="_blank">Canon EOS M3 w/18-55 IS STM $699 at DigitalRev</a></p>

Patent: Canon EF 35mm f/1.4L II

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We’ve been told that Canon’s next L lens would be a prime. Most of the people I’ve talked to think that the EF 35mm f/1.4L will be the lens getting the update. There have been a lot of patents in the past for the optical formula, and recently a new one has appeared.</p>
<p>Patent Publication No. 2015-72370 (Google Translated)</p>
<ul>
<li>Published 2015.4.16</li>
<li>Filing date 2013.10.3</li>
</ul>
<p>Example 1</p>
<ul>
<li>Focal length f = 35.47mm</li>
<li>Fno. 1.45</li>
<li>Half angle of view ω = 31.38 °</li>
<li>Image height Y = 21.64mm</li>
<li>Lens length 141.37mm</li>
<li>BF 39.37mm</li>
<li>Positive, positive ShiboTadashi</li>
</ul>
<p>We expect to see a new L lens some time in late summer or early fall and all the signs continue to point to a new 35L.</p>
<p>Source: [<a href="http://egami.blog.so-net.ne.jp/2015-05-01" target="_blank">Egami</a>]</p>

Possible Issue With T6s & T6i Sensor?

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<p>LensRentals.com has discovered issues with the sensors on the brand new Canon EOS Rebel T6s & EOS Rebel T6i. Out of 20 cameras they received the exhibited the following issue.</p>
<blockquote><p>Every once in a while we notice something, because of the large quantities of cameras and lenses we buy, that we think people should be aware of. This particular issue won’t affect our renters; we’ve sent the affected cameras back. It may not affect very many people at all, since this is from a relatively small sample size. But I still think it worth mentioning.</p>
<p>The bottom line is that 4 of the <a href="http://www.lensrentals.com/rent/canon/cameras/canon-eos-t6s">Canon T6s</a> and 2 of the <a href="http://www.lensrentals.com/rent/canon/cameras/canon-eos-t6i">T6i</a> cameras we received had to be sent back because of a defect in the sensor stack (the layers of filter glass over the sensor). This is out about 10 copies of each; the others were absolutely perfect.</p></blockquote>
<p><a href="http://www.lensrentals.com/blog/2015/04/canon-t6-sensor-issue" target="_blank">Read the full article at LensRentals.com</a></p>

Does your wife or significant other understand how much effort is required?

I think this conversation harkens back to the, "Your camera takes great photos." debate. No, it isn't the camera, it is the understanding of lighting, depth of field, perspective, etc. That isn't what I'm addressing, because I can understand perfect strangers not realizing what it takes to makes something of worth.

But what about the Mrs... or Mr... I know some just look at the final product and they are happy with the results, but do they acknowledge that the shot took a few hours of planning, then a practice shot here... Some post production there?

I volunteered to do some studio shots of my daughter and her softball teammates & I asked for roughly 3 hours to go through 11 girls which involved backdrop changes, 2 lenses changes, four lighting changes, etc... And she opined that 3 hours on a Friday was too much.

From a practical standpoint, that is only 16 minutes per girl... So it REALLY doesn't seem like a ton of time. Especially since I'm not the tilt your head and smile kinda photog.

So am I over reacting, which I'm prone to do. Or is it a systemic ignorance that most significant others simply aren't cognizant of what is involved...

Spinel lenses (if only)

Spinel is a mineral (magnesium aluminate) that creates optically clear objects and is so much tougher, stronger, harder than glass that doesn't get scratched in a sand storm and won't break as easily as glass. Ok, ok it's very hard (and expensive) to polish, so if not lenses, maybe we can dream of some clear filters made of it in the future. Read more at the NRL page:

http://www.nrl.navy.mil/media/news-releases/2015/transparent-armor-from-nrl-spinel-could-also-ruggedize-your-smart-phone

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