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Zeiss Announces Autofocus Batis 25mm f/2 & Batis 85mm f/1.8 for Sony E Mount

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<strong>ZEISS Batis 2/25:</strong>

The ZEISS Batis 2/25 wide-angle lens has ten lens elements in eight groups and draws on the ZEISS Distagon optical design. Four of the lens elements are aspheric on both sides and five are made from special types of glass. The aspheric lens design ensures consistently high image quality over the whole image field and a sharpness that extends right to the edges of the frame. The moderate 82 degree image angle combined with a minimum focusing distance of 0.2 meters makes this wide-angle lens the perfect choice for architecture and landscape photography and many other applications besides. It encourages the user to make creative use of depth of field which can often yield surprising results, particularly in close-up photography.</p>
<p><strong>ZEISS Batis 1.8/85:</strong>

The ZEISS Batis 1.8/85 is a moderate tele lens which offers 11 lens elements in eight groups and features the ZEISS Sonnar optical design. The lens elements are made from special types of glass and designed to ensure superior image quality. The ZEISS Batis 1.8/85 is a particularly good choice for wedding photography and portrait shots, offering the high speed which provides plenty of creative scope to bring out the main subject. Thanks to its optical image stabilization, the ZEISS Batis 1.8/85 can capture outstanding images even under difficult, shifting light conditions.</p>
<p><!--more--></p>
<p>“The Batis family of lenses is the first time we have launched autofocus lenses for Sony’s full- frame E-mount cameras which are ZEISS through and through – in other words exclusively developed and distributed by us,” says Dr. Michael Pollmann, Product Manager at ZEISS Camera Lenses. The Sony alpha full-frame E-mount system, which currently consists of the α7 family of cameras, is one of the most innovative camera systems on the market and is becoming an increasingly popular choice for professionals and people considering switching from DSLRs. “The ZEISS Batis lenses are our way of acknowledging this trend and providing creative and ambitious photographers with the expert tools they need,” says Pollmann. The lenses are easy to use yet offer professional performance, so they are a sound investment for amateur photographers, too: “Camera sensors are constantly evolving, and so are photographers. Our Batis lenses are the perfect answer to these changing trends and herald a new era of professional photographers using mirrorless full-frame cameras,” says Pollmann.</p>
<p><iframe src="https://www.youtube.com/embed/pp-nUqpwhTs" width="100%" height="390" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>The ZEISS Batis 2/25 and ZEISS Batis 1.8/85 lenses offer an initial choice of two focal lengths which have proved to be the most popular among users of the system: a moderate wide-angle focal length and a tele portrait focal length. The lenses make optimal use of the camera sensors, capturing every last detail with impressive contrast and high resolution. As well as offering fast and reliable autofocus, the lenses also support manual focusing, allowing users to choose the best option for each individual situation. The sleek, modern design – with smooth surfaces reminiscent of the high-end ZEISS Otus lenses – emphasizes the superior quality of this new lens family and gives the Batis lenses an unmistakable look and feel.</p>
<p><strong>Preorder</strong></p>
<ul>
<li><strong>Zeiss Batis 25mm f/2 $1299: <a href="http://www.adorama.com/ZI252E.html?kbid=64393" target="_blank">Adorama</a> | <a href="http://www.bhphotovideo.com/c/product/1140832-REG/zeiss_2103_750_25mm_f_2_0_batis_wide.html/BI/2466/KBID/3296" target="_blank">B&H Photo</a></strong></li>
<li><strong>Zeiss Batis 85mm f/1.8 $1199: <a href="http://www.adorama.com/ZI8518E.html?kbid=64396" target="_blank">Adorama</a> | <a href="http://www.bhphotovideo.com/c/product/1140833-REG/zeiss_2103_751_85mm_f_1_8_batis_short.html/BI/2466/KBID/3296" target="_blank">B&H Photo</a></strong></li>
</ul>

Thoughts on the Nikon D400

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Canon was very slow to market with a replacement for the EOS 7D, but ended up making a very good camera in the end with the EOS 7D Mark II.</p>
<p>Nikon on the other hand is still without a modern, flagship, APS-C camera. The D300 was announced in 2007, and the D300s refresh was in 2009. So will we ever see a Nikon D400? Or will Nikon continue to focus on full frame cameras and the entry level APS-C market?</p>
<p>Thom Hogan seems to think so:</p>
<blockquote><p>I’m hearing the D400 prototype rumors again with the goal of a fall launch, yet the list of features hasn’t seemed to change a lot. Sure, 24mp, 8-10 fps, and higher video specifications. But despite another whole generation of cameras passing by between the prototypes, the end point didn’t seem to change much, as many of the same features are being mentioned again.</p></blockquote>
<p>Thom has done a nice article about what to expect in the D400, whenever it does make it to market. A lot of what has been written in the past has appeared in other Nikon DSLR bodies, full frame and APS-C alike.</p>
<p><a href="http://www.dslrbodies.com/newsviews/the-d400-in-2011.html" target="_blank">Read the full article</a></p>

16-35 f4 IS overall quality

Recently i got 16-35 IS and cannot be happier with it. Compared to 24-70 II it is lighter, easier to use and the build quality appeals to me. Having mostly plastic body reduced the weight, but the nicest touch is the internal focusing and zooming. The image quality is simply outstanding. i do not mind f4 since i use it mostly outside, and for the inside i use it with the flash. Almost every shot is a "keeper". When images are transferred to the computer, i do need to correct exposure more so than with any other lens.

What is your take on this lens? How would you compare it to any other WA lens zoom or prime?

Nikon Settles Lawsuit Against Sigma

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Nikon Corporation (Kazuo Ushida, President, Tokyo, hereafter referred to as “Nikon”) announces that it reached a judicial settlement as of April 21, 2015 with regard to the patent infringement lawsuit (hereafter referred to as “Lawsuit”) filed by Nikon against Sigma Corporation (hereafter referred to as “Sigma”) in the Tokyo District Court on May 25, 2011.</p>
<p>After receiving the Intellectual Property High Court’s recommendation for settlement, Nikon has decided to make a judicial settlement, since it saw that swiftly resolving this matter through settlement would be the best way after its comprehensive examination of the progress of the Lawsuit including the Tokyo District Court’s decision.</p>
<p>Nikon will receive settlement money from Sigma. Additional terms and conditions of the settlement, including the amount of settlement money, are subject to confidentiality obligation between Nikon and Sigma.</p>
<p>Nikon estimates that the financial impact of this settlement is minimal.</p>
<p>Source: [<a href="http://www.nikon.com/news/2015/0421_01.htm" target="_blank">Nikon</a>]</p>

Video Devices 4K External Recorder

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<p><iframe width="100%" height="390" src="https://www.youtube.com/embed/2uDNAfU0KHU" frameborder="0" allowfullscreen></iframe></p>
<p><em>Video Source: [<a href="http://www.bhphotovideo.com/explora/video/news/nab-2015-video-devices-pix-e-4k-monitorsrecorders" target="_blank">B&H Photo Video</a>]</em></p>
<p>Sound Devices are makers of great equipment. The have won a number of awards for their innovative products, particularly their audio recorders. However, their external recording monitors were successful enough for Sound Devices to dub the video-oriented division of the company Video Devices.   Earlier this month at NAB—where they won more awards—they showed-off a new series of external recording monitors, the PIX-E series.</p>
<p><!--more--></p>
<p>The PIX-E series is the company’s 4K effort. The series includes three monitors/records: PIX-E5H, PIX-E5, and the PIX-E7. The E5 and E5H both feature a 5″ 1080p screen whereas the E7 has a 7″ 1920 x 1200 screen. The Pix-E5H is HDMI-only. All 3 monitors can record 4K in a variety of Apple ProRes codecs. The E5 and E7 are capable of recording all the way up to ProRes 4444 XQ.</p>
<p>Some features of the monitors:</p>
<p>Waveform Monitor

Vectorscope

Histogram

TapZoom™

Peaking

Zebras

False Color

Frame Markers

Four Way View

LUTs</p>
<p>These monitors record to an mSATA-based SpeedDrive that plugs directly into the monitor using a USB 3.0 connection. This makes it very easy for dumping footage–no more looking for cables or a docking station. They have two versions of the SpeedDrive: a 240 GB version and an enclosure only version which allows you to choose your own mSATA drive.</p>
<p>The PIX-E monitors have a die-cast metal housing and feature a Gorilla Glass 2 screen. They will certainly be as rugged as the Pix-240i, if not more so. The screens on the monitors are in-plane switching (IPS) touchscreens. The touchscreen enables the great feature TapZoom™ to help get critical focus. The IPS panel provides a bright, colour-accurate, and wide viewing angle for your camera team. The monitors are powered by the very common Sony L-series batteries.</p>
<p>Optional accessories that are available include an XLR audio interface and a kit (hard case, articulating arm, batteries, 2 SpeedDrives, sun hood, and cables).</p>
<p>The series is available on <a title="B&H Photo Video" href="http://www.bhphotovideo.com/c/search?Ntt=PIX-E+4K+Recording+Video+Monitors&N=0&InitialSearch=yes&sts=ma&Top+Nav-Search=">B&H Photo Video</a> for pre-order. The 7″ version comes in at $1595, making these the most affordable 4k external recorders. They are expected to be released this summer.</p>
<p>For more information on these recorders visit: <a href="http://www.videodevices.com/">http://www.videodevices.com/</a></p>

Kipon Develops First EF/EF-S to M4/3 Adaptor with AF

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Chinese manufacturer KIPON has developed the first EF/EF-S to M4/3 adaptor with autofocus.</p>
<blockquote><p>Five years ago, KIPON developed out world first mechanic adapter with built-in iris, to use Canon EF lens on MFT(m4/3) body, to solve the problem for only electronic iris control of Canon EF lens. Today still KIPON, we bring to market a new world first full Auto-focus adapter, to use Canon EF full frame and EF-S Apsc lens on MFT(m4/3) body.</p>
<p>This adapter equipped with electronic contact and built-in circuit board with chip, besides auto-focus and stability function, also can transmit precise EXIF information to the camera body. The market price for this adapter is 285USD,will be on sale from May 10, 2015.</p></blockquote>
<p><strong><a href="http://rover.ebay.com/rover/1/711-53200-19255-0/1?ff3=4&pub=5574981434&toolid=10001&campid=5337680285&customid=&mpre=http%3A%2F%2Fwww.ebay.com%2Fsch%2Fitems%2F%3F_nkw%3Dkipon%2BMicro%2Badapter%26_sacat%3D%26_ex_kw%3D%26_mPrRngCbx%3D1%26_udlo%3D%26_udhi%3D%26_sop%3D12%26_fpos%3D%26_fspt%3D1%26_sadis%3D%26LH_CAds%3D%26rmvSB%3Dtrue%26rmvSB%3Dtrue" target="_blank">Visit the KIPON store on ebay</a></strong> (This adaptor will be available on May 10, 2015)</p>
<p>Source: [<a href="http://www.kipon.com/en/articledetail.asp?id=80" target="_blank">KIPON</a>] via [<a href="http://petapixel.com/2015/04/20/kipon-unveils-the-first-canon-ef-to-micro-four-thirds-lens-adapter-with-autofocus/" target="_blank">PetaPixel</a>]</p>

Sigma Releases Service Notice Regarding Live View Incompatibility on Canon Rebel T6i / T6s

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From Sigma</p>
<p>We have found that Live View Mode cannot be used on the EOS 8000D (Rebel T6s / 760D) and EOS Kiss X8i (Rebel T6i / 750D) released on April 17th 2015 by Canon Inc. with some of SIGMA’s Canon mount interchangeable lenses. For those who own the lenses, we are going to provide a firmware update free of charge.</p>
<p><strong>Phenomenon</strong>

When the Live View Mode button on the camera body is pressed, the operation stops without displaying images on the rear LCD monitor.</p>
<p>Products and Serial Numbers that require the firmware update</p>
<p><strong>Current models</strong></p>
<ul>
<li>17-50mm F2.8 EX DC OS HSM – No. 12651501 or later</li>
<li>18-250mm F3.5-6.3 DC MACRO OS HSM – No. 13044001 or later</li>
<li>APO 70-200mm F2.8 EX DG OS HSM – No. 12713001 or later</li>
<li>APO 50-500mm F4.5-6.3 DG OS HSM – No. 12902001 or later</li>
<li>120-300mm F2.8 DG OS HSM | Sports – No. 50064494~ 50347793</li>
<li>APO 150-500mm F5-6.3 DG OS HSM – No. 12669751 or later</li>
</ul>
<p><strong>Discontinued models</strong></p>
<ul>
<li>17-70mm F2.8-4 DC MACRO OS HSM – No. 12665001 or later</li>
<li>18-200mm F3.5-6.3?DC OS HSM – No. 12851001 or later</li>
<li>18-250mm F3.5-6.3 DC OS HSM – No. 12656101 or later</li>
<li>APO 50-150mmF2.8 EX DC OS HSM – No. 12839001 or later</li>
<li>APO 120-300mm F2.8 EX DG OS HSM – No. 12676440 or later</li>
<li>APO 120-400mm F4.5-5.6 DG OS HSM – No. 12971601 or later</li>
</ul>
<p><!--more--></p>
<p>* For lenses that have been repaired in the past, they may require the firmware update even when the serial number is not listed above. In case the mentioned camera does not display images on the rear LCD monitor when Live View Mode button on the camera body is pressed, the firmware update is necessary.</p>
<p>We will make a further announcement when the firmware update becomes available.</p>
<p>For those who own the SIGMA USB DOCK, it will be possible to update the firmware of 120-300mm F2.8 DG OS HSM | Sports through SIGMA Optimization Pro. We will also announce its availability when the update is available.</p>
<p>* If you use the SIGMA USB DOCK with 120-300mm F2.8 DG OS HSM | Sports, even when the lens does not require the update, its firmware will be updated to the new version.</p>
<p>* For those who use APO TELE CONVERTER 1.4x EX DG or APO TELE CONVERTER 2x EX DG with the 120-300mm F2.8 DG OS HSM | Sports, please contact your nearest authorized subsidiary / distributor of SIGMA for further support.</p>
<p>Source: [<a href="http://www.the-digital-picture.com/News/News-Post.aspx?News=14935" target="_blank">The-Digital-Picture</a>]</p>

Nikon Fullframe mirrorless coming?

http://nikonrumors.com/2015/04/20/new-nikon-full-frame-mirrorless-camera-on-the-horizon.aspx/#comments

Of course, "regular F-mount" and "small size (similar to Oly EM1 / Sony A7)" does not go together at all ;)

But still ... I really hope Nikon comes out with a top-notch mirrorless FF system and catches Canons' asleep at the wheel geriatric ward management team with their pants down. :)

Canon EOS 5D Mark IV Price - Performance?

Anyone care to guess at what it will cost at release?

If it is anything like the 5DS - $3,700 -- ouch! More? Insane.

Consider this - right now, from authorized USA retailers,

A 6D and 7D2 can be bought together for $3,100.

That combo has a tremendous amount of versatility. 6D with great image quality, FF sensor, low light performance. 7D with the strong AF system, blazing FPS, video features, and crop factor for sports/wildlife. Between the two, there's very little that can't be done. And you get two bodies too.

Given this - does it stand to reason that Canon would have to put out a 5D4 that is better in specs than these cameras combined? I would hope so. Otherwise, why bother? Better to have two bodies than one in my opinion. Only thing you lose is having all the features in one body for convenience.

That said, initial rumors did not really indicate an emphasis on increased ISO. They indicate a higher expanded ISO, but that isn't an indicator of native ISO performance. Given the less than stellar ISO specs of recent cameras - who knows what Canon might release. It isn't out of the realm that the 5D4 will be less than a stop better. That would be a disappointment.

The original 7D had more FPS than the 5D2 or 5D3. So there is no reason to assume that Canon is going to give the 5D4 more FPS than the 7D2. I don't buy into the 12fps rumor. 12 is a LOT. 12 ain't happening.

Even if released at $3,100 - the 5D4 would still be the equal of 2 separate lower line, but excellent bodies combined price wise. This makes me wonder what will be the enticing aspect of the 5D4? What will make people want to drop what they own and buy this thing? Or make people not want to buy two bodies to get the job done, and instead opt for a single 5D4?

The only thing I can think of is a real boost in ISO performance, in keeping with the 5D's reputation as low light king. But I'm not so confident anymore. 4K is up in the air. Better AF is a sure thing, but that isn't the big of an appeal since we already have great AF in the 5D3. Dual pixel, now that is going to be big. But worth spending that much? For the video guys it will be. They are salivating for a FF with dual pixel that doesn't cost as much as a car.

Or, will it be the sum of many minor to medium evolutionary improvements that all add up to an overall better camera?

Hard to place value on it.

I keep imagining Canon would need to really put out something potent. But will they? There's no way guys like KR are correct in saying there won't be a 5D4. For that to happen, would mean that Canon is going to keep the 5DS lineup in that range, and the 5D3 will live on in the low $2,000 range to compete with Nikon and others. That sounds like a disaster.


So either they make this camera (based on speculation) on the higher end of performance to justify the price, OR it will end up on the conservative side of the rumors and speculations (as has been the real trend) and Canon prices it a bit lower, in the low $3,000 range initially.

Worst of both worlds would be disappointing specs and high price. I wouldn't put that past Canon, they've done it before. If that happens, anyone who sold their 5D3 anticipating it will kick themselves.

The trend seems incremental and conservative improvements. These wild numbers in rumors almost always flop. The exception being the megapixels of the 5DS, but that was the whole point of that camera...

Will you wait for Canon 6D MKII and 5D MK IV (2016 releases) ....?

Say that I have a bunch of Canon expensive lenses, and between now and then 2016, what if Sony develops a newer FF camera like the rumor A7r II ( higher ISO, quieter,speedier autofocus plus 5-axis stabilization) and MetabXXX comes up with improved faster focusing electronic adapter for Canon lenses, would you consider these options (hypothetically)? Bear in mind anything could happen between now and then .... in specifications etc ....coz' it is only a rumor.

Canon Named as a Leader in IDC MarketScape on Smart Multifunction Peripheral Assessment Report

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<i>Report recognizes Canon’s strategy for growth and commitment to research and design in managed print and document services</i></p>
<p><b>MELVILLE, N.Y. – April 20, 2015</b> – Canon, U.S.A. Inc., a leader in digital imaging solutions, for another year ,has been positioned as a leader in the IDC MarketScape: U.S. Smart Multifunction Peripheral 2014-2015 Vendor Assessment, doc #254761, March 2015<sup>1</sup> report, for being innovative and excelling in the pace and productivity of its research and development efforts with respect to managed print and document services. The report cites Canon’s achievement in demonstrating strengths in all of IDC’s key requirements to help ensure MFP market success, including a broad product portfolio, leading MFP market share, support for a wide range of customer targets, pricing models that fit customer requirements and a solutions/services model to help drive value-added differentiation.</p>
<p>“The evolution of today’s market requires MFPs to no longer be simply copy/print-focused devices, but high-performance business information systems,” said Keith Kmetz, vice president, Hardcopy Peripherals Solutions and Services, IDC. “As in the past, Canon’s strategy for growth, including investments in software platforms, software applications and services delivery, has helped ensure that its MFPs provide for the market’s requirements.”</p>
<p>“Canon takes great pride in our deep understanding of customer requirements and long-standing reputation for technology leadership,” said Junichi YoS___ake, senior vice president and general manager, Marketing, Business Imaging Solutions Group, Canon U.S.A. “We are honored to be recognized as a leader and look forward to continuing the Company’s commitment to research, design and innovation.”</p>
<p> </p>

Say What? The 5DS, f/11 and Confusing Circles

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I enjoy reading things that make my head hurt, it usually means I’m learning something. Roger at <a href="http://www.lensrentals.com" target="_blank">LensRentals.com</a> is always good at it, I’m now going to have to pay attention to Alex Cooke at F-Stoppers. He has written a great article about diffraction the how it pertains to the resolution of the upcoming Canon EOS 5DS and EOS 5DS R.</p>
<p>From Alex:</p>
<blockquote><p>On a 5D Mark III, the size of the Airy Disk begins to exceed the size of the circle of confusion just after f/11. This means the 5D Mark III reaches its <strong>diffraction limit</strong> at that point, the point at which diffraction begins to become visible when viewing an image at 100% at a typical viewing distance. This is different from the <strong>diffraction cutoff frequency</strong>, the point at which airy disks completely merge and no amount of stopping down will improve resolution. Think of the space between the diffraction limit and the cutoff frequency as the space of diminishing returns. On the other hand, the 5DS reaches its diffraction limit just before f/8, slightly over a full stop sooner than the 5D Mark III. This might have landscape photographers and those who rely on having a large depth of field worried.</p></blockquote>
<p><strong><a href="https://fstoppers.com/education/5ds-f11-and-confusing-circles-68177" target="_blank">Read the full story</a> | Canon EOS 5DS $3699: <a href="http://adorama.evyy.net/c/60085/51926/1036?u=http://www.adorama.com/results/canonnewfeb" target="_blank">Adorama</a> | <a href="http://www.bhphotovideo.com/c/product/1119026-REG/canon_0581c002_eos_5ds_dslr_camera.html/BI/2466/KBID/3296" target="_blank">B&H Photo</a> | <a href="http://www.amazon.com/gp/product/B00T3ERPT8/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00T3ERPT8&linkCode=as2&tag=canorumo-20&linkId=C3LAZKJCU4IRBJUF" target="_blank">Amazon</a></strong></p>

LG G4's camera. Answer to our prayers?

My phone is on its last legs, and I have been holding out for a new phone with a "decent" camera. Is LG G4 with f/1.8 lens, full manual control, and some sort of technology for better color reproduction the answer to my wishes?
Obviously the sample photos were taken by a pro and post-processed well, but they do look to have potential..

http://petapixel.com/2015/04/20/lgs-upcoming-g4-phone-packs-a-pro-camera-with-f1-8-lens-and-manual-controls/

Sigma 350-1200 f11

I did not know this lens existed until i came cross one on eBay. Searching there find's 3 for sale right now. I love the Olive Drab color, gives it a nice military feel.

Format: 35mm SLR
Focusing: Manual Focus (MF)
Lens mounts: Canon EF, EF-S, Nikon F (FX, DX), Pentax K
First year of production: 1987
Last year of production: 1992
Optical design: 17 elements in 12 groups

An article with photos: http://blog.danielbridge.co.uk/2014/01/sigma-350-1200mm-lens-pentax-pk-fit.html
af2f96b6257eb1963cb2d17a74269ff0.jpg

See the Evolution of Camera Design in Simple GIFs

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<a href="http://rover.ebay.com/rover/1/711-53200-19255-0/1?ff3=4&pub=5574981434&toolid=10001&campid=5337679777&customid=&mpre=http%3A%2F%2Fdeals.ebay.com%2Fshop%2Fdslr-camera-deals%3FrmvSB%3Dtrue" target="_blank">Ebay Deals</a> has made some rather cool GIFs showing the evolution of camera design from the biggest names in manufacturing.</p>
<p>It looks like Canon and Leica have seen the least amount of change in ergonomics when compared to everyone else, which has probably been a blessing for the two companies.</p>
<p>You can see all the animations below in the gallery.</p>
<p>Source:  [<a href="http://rover.ebay.com/rover/1/711-53200-19255-0/1?ff3=4&pub=5574981434&toolid=10001&campid=5337679777&customid=&mpre=http%3A%2F%2Fdeals.ebay.com%2Fshop%2Fdslr-camera-deals%3FrmvSB%3Dtruehttp%3A%2F%2Fdeals.ebay.com%2Fblog%2Fthe-evolution-of-the-modern-camera-2%2F%3Fafsrc%3D1%26rmvSB%3Dtrue%26rmvSB%3Dtrue" target="_blank">Ebay</a>] via [<a href="http://petapixel.com/2015/04/18/these-animated-gifs-show-the-evolution-of-cameras-through-history/" target="_blank">PetaPixel</a>]</p>

		<style type='text/css'>
			#gallery-1 {
				margin: auto;
			}
			#gallery-1 .gallery-item {
				float: left;
				margin-top: 10px;
				text-align: center;
				width: 25%;
			}
			#gallery-1 img {
				border: 2px solid #cfcfcf;
			}
			#gallery-1 .gallery-caption {
				margin-left: 0;
			}
			/* see gallery_shortcode() in wp-includes/media.php */
		</style>
		<div id='gallery-1' class='gallery galleryid-19843 gallery-columns-4 gallery-size-thumbnail'><dl class='gallery-item'>
			<dt class='gallery-icon landscape'>
				<a href='http://www.canonrumors.com/wp-content/uploads/2015/04/canongif.gif'><img width="150" height="113" src="http://www.canonrumors.com/wp-content/uploads/2015/04/canongif-150x113.gif" class="attachment-thumbnail" alt="Canon" aria-describedby="gallery-1-19845" /></a>
			</dt>
				<dd class='wp-caption-text gallery-caption' id='gallery-1-19845'>
				Canon
				</dd></dl><dl class='gallery-item'>
			<dt class='gallery-icon landscape'>
				<a href='http://www.canonrumors.com/wp-content/uploads/2015/04/nikongif.gif'><img width="150" height="113" src="http://www.canonrumors.com/wp-content/uploads/2015/04/nikongif-150x113.gif" class="attachment-thumbnail" alt="Nikon" aria-describedby="gallery-1-19850" /></a>
			</dt>
				<dd class='wp-caption-text gallery-caption' id='gallery-1-19850'>
				Nikon
				</dd></dl><dl class='gallery-item'>
			<dt class='gallery-icon landscape'>
				<a href='http://www.canonrumors.com/wp-content/uploads/2015/04/sonygif.gif'><img width="150" height="113" src="http://www.canonrumors.com/wp-content/uploads/2015/04/sonygif-150x113.gif" class="attachment-thumbnail" alt="sonygif" /></a>
			</dt></dl><dl class='gallery-item'>
			<dt class='gallery-icon landscape'>
				<a href='http://www.canonrumors.com/wp-content/uploads/2015/04/leicagif.gif'><img width="150" height="113" src="http://www.canonrumors.com/wp-content/uploads/2015/04/leicagif-150x113.gif" class="attachment-thumbnail" alt="Leica" aria-describedby="gallery-1-19851" /></a>
			</dt>
				<dd class='wp-caption-text gallery-caption' id='gallery-1-19851'>
				Leica
				</dd></dl><br style="clear: both" /><dl class='gallery-item'>
			<dt class='gallery-icon landscape'>
				<a href='http://www.canonrumors.com/wp-content/uploads/2015/04/pentaxgif.gif'><img width="150" height="113" src="http://www.canonrumors.com/wp-content/uploads/2015/04/pentaxgif-150x113.gif" class="attachment-thumbnail" alt="Pentax" aria-describedby="gallery-1-19849" /></a>
			</dt>
				<dd class='wp-caption-text gallery-caption' id='gallery-1-19849'>
				Pentax
				</dd></dl><dl class='gallery-item'>
			<dt class='gallery-icon landscape'>
				<a href='http://www.canonrumors.com/wp-content/uploads/2015/04/olympusgif.gif'><img width="150" height="113" src="http://www.canonrumors.com/wp-content/uploads/2015/04/olympusgif-150x113.gif" class="attachment-thumbnail" alt="Olympus" aria-describedby="gallery-1-19846" /></a>
			</dt>
				<dd class='wp-caption-text gallery-caption' id='gallery-1-19846'>
				Olympus
				</dd></dl><dl class='gallery-item'>
			<dt class='gallery-icon landscape'>
				<a href='http://www.canonrumors.com/wp-content/uploads/2015/04/fujifilm-gif.gif'><img width="150" height="113" src="http://www.canonrumors.com/wp-content/uploads/2015/04/fujifilm-gif-150x113.gif" class="attachment-thumbnail" alt="Fujifilm" aria-describedby="gallery-1-19847" /></a>
			</dt>
				<dd class='wp-caption-text gallery-caption' id='gallery-1-19847'>
				Fujifilm
				</dd></dl><dl class='gallery-item'>
			<dt class='gallery-icon landscape'>
				<a href='http://www.canonrumors.com/wp-content/uploads/2015/04/polaroidgif.gif'><img width="150" height="113" src="http://www.canonrumors.com/wp-content/uploads/2015/04/polaroidgif-150x113.gif" class="attachment-thumbnail" alt="Polaroid" aria-describedby="gallery-1-19848" /></a>
			</dt>
				<dd class='wp-caption-text gallery-caption' id='gallery-1-19848'>
				Polaroid
				</dd></dl><br style="clear: both" />
		</div>

Telephoto Lenses , Opinion,Thoughts, Tests,Data,Different Brands etc etc

Long post but here it goes

Besides owning different cameras and lenses , enjoying to take wildlife pictures, I also really like data/comparison, maybe just numbers in general!
———
Background information
Some lenses/cameras I owned
Cameras: Canon 650d, 7d, 1dmkiv, sx50 , Nikon : d7000 , d800, V1 ,Sony : Nex 7 , Rx10 , Olympus Em10 , Panasonic Gh4, , Panasonic fz100
Lenses : Canon 70-200 2.8 ISII, 70-200 F4IS, 300 f4 IS, 300 2.8 IS II , 500 F4 IS , Nikon 70-200 VRII, 200-400 VRII , Others : Sigma 50-500 OS / Zeiss 85 1.4 / Some MFT glass

Liked/disliked : All but the sigma 50-500 OS, I like sharpness and it lacked it to my eyes, It was versatile tho’! , Also I did not find the 300 f4 IS stellar…, the nikon 70-200 VRII was not great @ 200 2.8.
Preferred canon lenses (build quality) and body ergonomics.

Considering : 7dII/5d3 as a body, Lenses I am/was looking at (Combination of the following) : Canon 70-300L/100-400II , 300 2.8 IS II , 500f4 IS II, 200-400, Sigma 120-300S/150-600S
Something else to complement a prime/long lens with 5d3/7d : Olympus em1 + 40-150 2.8 ( that lens looks like the most perfect zoom ever built)


Reason for posting Background info?: To show I will try to be somewhat objective and not here trolling one brand or another.

———
Having spent (way to) much time looking at reviews and data, I thought i share some findings/thoughts here.
My apologies if things are not clear or look clumsy, I’m ok with numbers but writing is not something I consider myself decent at:p
Also my Opinion is mixed into this , please do not be offended.
Everyone likes to justify(or try to) their own equipment/choices, everyone has different needs/standards/cravings/goals/subjects etc etc , different budgets(even tho we can all spend that dollar only 1 time).


Please allow me to elaborate my thoughts, first some boring introduction data(I wrote down A lot of data from many different sites, I will just post a few lenses here ):

Perceptual Megapixels , this is what i consider detail lost due to the lens (With a perfect lens on a sensor giving the Perceptual Mpix of that sensor itself)
I think this is the most interesting data around online , because it makes for really easy comparisons if you are after detail,
It doesn’t take into account vignetting , chromatic aberrations , breathing at different distances etc, but for wildlife I am usually looking at how things resolve detail!

DXO mark perceptual Mpix and Measured Transmission
Canon 5dIII
Canon 600 F4 II [20]
Canon 500 F4 II [19]
Canon 400 F4 DO II [ 17 / 5TStop]
Canon 300 F4 IS [7.5]
Canon 400 F2.8 II [21]
Canon 300 F2.8 II [ 22/ 3.2 Tstop]
Sigma 120-300 Sport [ 20(3002.8 )/ 2.8Tstop]
Canon 200-400 [ 19(300f4)/ 4.7 Tstop]
+1.4 [14]
Canon 70-300L [ 15/ ~10@300mm]
Tamron 150-600 [14/~ 6@600 6.3 , 12-14 @ 600 f8]

Canon 7d
Canon 600 F4 II [12]
Canon 500 F4 II [11]
Canon 400 F4 DO II [10 / 5TStop]
Canon 300 F4 IS [5]
Canon 300 f2.8 II [14 /3.2 Tstop]
Canon 400 f2.8 II [12]
Sigma 120-300 Sport [11 /2.9Tstop]
Canon 200-400 [10(300mm)/ 4,7 Tstop]
+1.4 [5.5]
Canon 70-300L [ 8/ ~6@300mm]
Tamron 150-600 [6]
@600mm [3.5]


Now we can also look at Nikon mount , lets compare some lenses on a d810/d7100 respectively.(Results in Mpix again)
Primes :
300 VRII : [32] /[15]
400 VRII : [33] /[17]
500 VR :[22] / [9]
600 VR :[24] / [10]

zooms:
200-400VRII :[22 ~ 15@400mm] / [9, ~8@400mm]
sigma 120-300S :[29]/ [16]
80-400 II :[18 , ~10@400mm] / [9,~6@400mm]


——————
So what to make of this?, If we just look at pure ‘data’ , this is how i look at and compare the data/lenses with different combinations of cameras! (And their Perceptual Megapixels)
-I am thinking for wild life and not thinking for when one can fill the frame!, also when one can fill the frame it all becomes very easy what is the best lens/camera combo for detail
-These comparisons are based on the centre(circle) portion of the image!( r=1/3 )!
-This is based on cropping the image to match FOV!, even though you might be able to out resolve or match other combinations, it says nothing about noise levels)
-No ISO/SS/DOF consideration

A fun exercise:

-A 200-400VRII on a d810(despite having 36mpix) at 300mm will resolve similar detail to a 300 2.8 IS II on a 5d3 [22mpix vs 22mpix!]
-A 200-400VRII on a nikon d7100 will resolve less detail than a canon 200-400 on a 7d , despite having 24vs18mp sensors! [8 vs 10 mpix]

-A Canon 400 2.8 II on a 7d should resolve more detail than a 7d with tamron 150-600 @600 f6.3 [12mpix/(1.5^2)=5.333mpix, vs 3.5Mpix for the tamron]
-A Canon 300 2.8 II on a 5dIII vs Canon 70-300L on a 7d ==> [22/[1.6^2]=8,59 mix for the 5dIII, vs 8mpix[around 6 on max FL] for the 7d, keep in mind this is 2.8 vs 5.6 also!

-A sigma 120-300S on a 7d vs 5dIII with 400 2.8 III, ===> [ 11mpix vs 21/[1.6^2]=8.2 mpix], so we should be able to resolve more detail with the sigma(centre) combo
-A canon 200-400 on a 5dIII compared to a sigma 120-300 on a 7d ===> [19/[1.6^2]=7.4mpix compared to the 11 on 7d, ’
-Sigma 120-300S with d7100 vs Nikon d810 with 200-400 === 16 vs 15/[1.2656]=11.8

We need to give nikon a little credit as well, so lets compare
- A nikon 3002.8 VRII on a d810 to a 400 2.8II on a 5d3 ==== [ 32/[1.333333^2]=18mpix compared to 21mpix for the canon combo!
- A nikon 4002.8 VRII on a d810 to a 600 f4II on a 5d3 ==== [33/1.5^2]= 16.9 mix compared to 20mpix for the canon combo!, quite remarkable
But
-A nikon 600 f4 VR on a d810 compared to the 600f4II on 5d3===[24 vs 20 mpix , that says something about that canon lens!)
-A nikon 500 f4 VR on a d810 compared to the 500f4II on 5d3===[22 vs 19 mpix]
Now lets look at crop bodies
-A nikon 600 f4 VR on a d7100 compared to the 600f4II on 70d===[10 vs 14 mpix , despite 24vs20mpix, the canon combo wins by quite a margin!!!)
-A nikon 500 f4 VR on a d7100 compared to the 500f4II on 70d===[9 vs 13 mpix]


-Tamron 150-600 on 5d3 (600mm f6.3) vs sigma 120-300S on a d7100 ====[6mpix vs 16/[1.33333^2]=9mpix] , so despite having 600 vs 450(eq) fl, one should still out resolve the tamron by quite a margin!

Maybe some Interesting comparison!, Canon to Canon , Crop to FF!
-Canon 400 2.8 II with a 70d vs Canon 600II on a 5d3 , we have 15mpix vs 20/[1.0666 ] = 17.58 mix, A win for the FF and longest lens, but not by as much as some may expect!(Similar dof, 1 stop iso advantage for crop)
-Canon 300 2.8 II with a 70d vs Canon 400II on 5d3 , we have 17mpix vs 21/[1.3333^2]=11,8mpix , A win for the Crop and shorter lens! (But a DOF difference) (on a 7d it would have been 14 vs 11.8,)
-Sigma 120-300S with a 7d vs Canon 400II on 5d3, we have 11 vs 11.8 mpix , A win for FF and longer lens (Keep in mind this is a 7d and not 70d!)
-Canon 70-300L with a 70d vs Sigma 120-300 on a 5d3 , 7mpix vs 20/[1.6^2]=7.8Mpix , FF combo out resolves, and has 2 stops advantage
————

Some conclusions
- Absolutely nothing can touch the 300 2.8 IS II, it is closely followed by the 400II, 600II, 500II (in that order)
Despite Nikon offering more MP in their Crop and FF bodies(however canon will soon have even more MP, and when matching the 1.5vs1.6 crop factor it’s like 22.98 vs 24mpix)
Nikon super tele lenses are NOT as good in resolving detail , not even the 300 2.8! , the 400 2.8 might be the exception to this ‘rule’, the 500 and 600 are ‘’poor’’ compared to canon super tele
Some numbers to justify this harsh opinion?
-300mm 2.8 : d600[20mpix]/5d3[22mpix] , d7100[15mpix]/70d[17mpix] , despite sensor MP advantage, the canon combo resolves more detail
-600mm f4 : d600[16mpix]/5d3[20mpix], d7100 [10mpix]/70d[14mpix],
-400mm 2.8: d600[21mpix]/5d3[21mpix], d7100 [17mpix]/70d[15mpix], This might be one of the few where it equals or surpasses the canon(this is also the ‘’old’’ 400 2.8VR)


- The Nikon 200-400 seems overpriced considering it’s performance ( I owned this one and was happy with the IQ, but data suggests it is overpriced )
- The Canon 200-400 seems (way) overpriced considering it’s performance (When compared to Primes, or sigma/tamron zoom even…)

Some numbers to support my opinion:
Nikon 200-400 on a d810 [~15mpix, 22max] on a d7100[~8mpix , 9max]
Sigma 120-300 on a d810 [29 mpix ] on a d7100[16 mpix]
Canon 200-400 on a 5d3 [19mpix, 14 with 1.4TC] , 7d[10mpix, 5.5 with 1.4TC]
Sigma 120-300 on a 5d3 [20mpix] 7d[11mpix]

Keep in mind this is f2.8 vs f4 and that it’s a 3000 euro lens compared to a 5600 and 11000 euro lens.
Now the nikon 200-400 is actually comparable to the sigma 120-300 in the corners, sharpness wise(especially at f4), The canon 200-400 is a sharper in the full frame corners, even when both at f4, on a crop on f4 it’s negligible

Why am i stating the 200-400 is overpriced(In my opinion)?,
Because even a 1000$ tamron ( so 10k difference) can match it’s centre performance (with only 1 stop difference)

Canon 5dIII [Mid] [1/3] [2/3] [corner]
200-4001.4 [1835] [1750] [1765] [1775]
Tamron 150-600
f8 [1820] [1740] [1410] [1360]

Canon 7d [Mid] [ 1/3] [2/3] [corner]
200-4001.4 [1265] [1280] [1265] [1270]
Tamron 150-600
f8 [1250] [1215] [1200] [1010]

Furthermore , the 3002.8 and 500f4 are less expensive and perform 'considerably' better
So a 300 2.8+150-600(S), or 500f4+120-300(S), give more versatility with similar or better performance at all focus lengths
—————————
I was thinking about the 200-400 (canon), , but the numbers are against it(when factoring in price)
Honestly I rather have a big Canon or Nikon lens opposed to a Sigma lens…., but sigma as of lately looks compelling
— Fixed the reliability issues the old 120-300OS had, +good weather sealing and fast AF ( not up to canon speed obviously, but customisable and I doubt the difference in tracking will be huge , I need to do more research on this aspect, I found the 300 2.8 IS II with 2xIII extender really fast for initial focus and tracking , but I usually shoot in pretty bright light…..)
- -Allegedly the 150-600 S @6.3 is similar to the Tamron 150-600@ F8 ( I am still hoping we get the 150-600S data soon), but it has better build quality(i.e. weather sealing) , and faster AF.
—The sigma 150-600 compares favourable against the nikon 300 2.8 +2x ( -( http://www.dpreview.com/forums/post/54694447 ), just one example , but looks believable. It looks like it should be close or maybe slightly surpass the canon 300 2.8 IS II with 2xIII, this is just a guess)



For Wildlife
Sigma 120-300S(3000 euros) +Sigma 150-600S (1900 euros) seems a rational decision( when factoring in $$$)

Some possible Downsides: Focus speed?, Tracking speed?, Extreme Corner sharpness, Weight(x2 lenses), Need 2 camera bodies(not everyone likes that)

But what if I really want a white lens :(?:p, Being human, a big white lens is still attractive to own!
Possible combinations:

Canon 500 f4 IS/ISII(4500/8800 euros) + Sigma 120-300S(3000 euros) , Great option compared to a 200-400, but expensive(for 500 IS II)
Canon 300 2.8 IS II(6200 euros)+Sigma 150-600 (1900euros), good alternative
Canon 300 2.8 IS II(1.4/2.0TC 6500) + sigma 120-300 (3000euros), seems odd at first, and a shameful to always have a tc on the canon maybe

‘’budget’’ whites
Canon 300 2.8 L (2200 euros) + sigma 150-600(1900 euros)
Canon 500 4.5L (2500 euros) + sigma 120-300 (3000 euros)
Lack of IS can be quit an issue for stationary subjects.

Some other ‘’random’’ combinations that could be nice

Canon 6d+24-105/70-200F2.8II IS /F4 IS and 7dII with 120-300S/150-600s
Canon 6d+70-200 F4 IS and 7dII with 3002.8 L/IS/ISII or 120-300S, etc etc



It’s a lot of fun to play with numbers and look around at different options, trying to find a combination you can justify in your position(again this is different for almost everyone),
We should take it as it is and not be tempted by all the trolls(From either nikon or canon side), who claim stuff based on a feeling or some ‘real life’ images from impossible to duplicate situations, nor does it really matter ….
Unfortunately they tend to talk the most, so navigating through all the crap and finding some good reviews/opinions/comparisons is hard :(

DXO clearly shows canon lenses>nikon in most cases, yet some canon fanboys are in denial when it comes to DXO sensor testing, Nikon fanboys will claim their superior sensor will make up for their inferior lens(It’s been calculated above that that is not always the case).
It’s all case dependant and also what reviews/data you quote. Personally I do not have any brand affiliation , I like technology , I like advancements, I couldn’t care less who makes them,

In the end all the primes are great/good, some of the more expensive zooms are also good, there are some ‘less’ expensive options out there which perform above what they should do at the price point.
It’s hard for anyone to deny that canon makes the best glass(overall) for telephoto lenses, with the exception that nikon maybe has the 400 and 800 atm ,

It becomes a bit of a jungle once you really get into and look at all the different combinations that will give nice and sharp images !(and there are plenty),
In the end it comes down to taking the actual pictures :), With some luck involved when being there for the ‘’moment’’ , I have some great shots with the d7000 and 50-500 which are not so sharp when looking @ 100%, but I will most likely never encounter lionesses with cubs crossing a river again :( ,

Also something I would clearly distinguish is : Wanting vs Needing,
For me it’s a hobby, it’s all about wanting/liking , I do not need any of it as my living does not depend on it ,


Additional Data

***Note , Normally I look a lot at TDP, but in comparing different brand lenses I think it is NOT a good tool, For an indication between canon lenses it is quite nice(if they are also tested on crop bodies)
—(Only has full frame body crops for all but canon glass, samples different canon lenses (It seems he is putting a lot more effort to get results for canon glass, looking at different 70-200 2.8 samples for example), Different processing in nikon/canon samples)
—( I am not claiming he gets paid or is completely biased towards canon)


Also Other websites/data I looked at : Ephotozine, Camerastuffreviews , Petapixel , Photographylife, Lenstip, Cameralabs

All of them put in great effort , but some contradict each other, I do not know if this is do to lens variations , different testing methods, sometimes different camera bodies etc etc, They seem less reliable.
Also some produce some pretty hard to reach graphs , which weird qualifications which seem a bit random at times and not easily measurable or comparable. Still a lot of useful information on them!, used liked TDP as Indicators.


Dpreview MTF-50

Canon 7d [Mid] [1/3] [2/3] [corner]

300 2.8 II [1825] [1850] [1775] [1775]
120-300S [1720 ] [1660] [1500] [1380]
Now at f4 [1950] [1700] [1580] [1450]

70-200 II [1600] [1500] [1315] [1335]
200-400 [1580] [1590] [1520] [1520]


Tamron 150-600
f6.3 [940] [1000] [940] [790]
f8 [1250] [1215] [1200] [1010]


Now on a Canon 5dIII there is no data for the 70-200 and 300 2.8II

Canon 5dIII [Mid] [1/3] [2/3] [corner]

120-300S [2400 ] [2150] [1856] [1650]
Now at f4 [2550] [2350] [1900] [1700]
200-400 [2180] [2100] [2060] [2010]
200-4001.4 [1835] [1750] [1765] [1775]

Tamron 150-600
f6.3 [1500] [1560] [1400] [1180]
f8 [1820] [1740] [1410] [1360]


Links!!!

DXO
http://www.dxomark.com/Lenses/Compare

SLRGEAR
Canon 400 4.0 DO II
http://www.slrgear.com/reviews/zsamples/canon400f4is2/7d/VFA/zcanon400f40vfa400f40_7d.jpg (400 f4)

Sigma 120-300S
http://www.slrgear.com/reviews/zsamples/sigma120-300f28s/7d/VFA/zsigma120-300f28vfa300f28_7d.jpg (300 2.8)

Canon 300 2.8 II
http://www.slrgear.com/reviews/zsamples/canon300f28lis2usm/zcanon300f28vfa300f28_7d.jpg (300 2.8)

Canon 70-300 L
http://www.slrgear.com/reviews/zsamples/Canon70-300f4-56lisusm/canon70-300f4-56vfa300f56_7d.jpg (300 5.6)

Sigma 150-600 Contemporary
http://www.slrgear.com/reviews/zsamples/Sigma150-600f5-63c/7d_vfa/zsigma150-600f5-63vfa600f80_7d.jpg (600 f8)
http://www.slrgear.com/reviews/zsamples/Sigma150-600f5-63c/7d_vfa/zsigma150-600f5-63vfa600f63_7d.jpg (600 f6.3)



DPreview

Canon 300 2.8 IS II
http://www.dpreview.com/reviews/lens-compare?lensId=canon_300_2p8l_is_ii_usm&cameraId=canon_eos7d&version=0&fl=300&av=2.8&view=mtf-ca (300mm 2.8 )

Sigma 120-300S
http://www.dpreview.com/reviews/lens-compare?lensId=sigma_120-300_2p8&cameraId=canon_eos7d&version=0&fl=300&av=2.8&view=mtf-ca (300mm 2.8 )
http://www.dpreview.com/reviews/lens-compare?lensId=sigma_120-300_2p8&cameraId=canon_eos7d&version=0&fl=300&av=4&view=mtf-ca (300mm 4.0)

Canon 200-400
http://www.dpreview.com/reviews/lens-compare?lensId=canon_200-400_4&cameraId=canon_eos7d&version=0&fl=300&av=4&view=mtf-ca (300mm f4)
Canon 200-400 1.4x
http://www.dpreview.com/reviews/lens-compare?lensId=canon_200-400_4_1p4x&cameraId=canon_eos7d&version=0&fl=560&av=5.6&view=mtf-ca (560mm 5.6)
http://www.dpreview.com/reviews/lens-compare?lensId=canon_200-400_4_1p4x&cameraId=canon_eos7d&version=0&fl=420&av=5.6&view=mtf-ca (420mm 5.6)

Tamron 150-600
http://www.dpreview.com/reviews/lens-compare?lensId=tamron_150-600_5-6p3_vc&cameraId=canon_eos7d&version=0&fl=600&av=8&view=mtf-ca (600mm f8)
http://www.dpreview.com/reviews/lens-compare?lensId=tamron_150-600_5-6p3_vc&cameraId=canon_eos7d&version=0&fl=400&av=5.6&view=mtf-ca(400mm 5.6)

Nikon 500 f4 VR
http://www.dpreview.com/reviews/lens-compare?lensId=nikon_500_4g_vr&cameraId=nikon_d7000&version=0&fl=500&av=4&view=mtf-ca (500mm f4)
http://www.dpreview.com/reviews/lens-compare?lensId=nikon_500_4g_vr&cameraId=nikon_d7000&version=0&fl=500&av=8&view=mtf-ca (500mm f8)
Sigma 120-300S(On nikon)
http://www.dpreview.com/reviews/lens-compare?lensId=sigma_120-300_2p8&cameraId=nikon_d7000&version=0&fl=300&av=2.8&view=mtf-ca(300mm 2.8 )
http://www.dpreview.com/reviews/lens-compare?lensId=sigma_120-300_2p8&cameraId=nikon_d7000&version=0&fl=300&av=5.6&view=mtf-ca(300mm 5.6)

Just 4 fun
http://www.slrgear.com/reviews/zsamples/olympus40-150f28mpro/VFA/zolympus40-150f28vfa150f28_gx1.jpg

That olympus lens looks so nice :)

Thinking of switching out some Lenses, what are your thoughts?

Camera's :40D, 7DMKii, 5Dmkiii

I have Rokinon 14mm 2.8,10-18mm stm, 16-35 f4 IS, 24-105mm, 40mm 2.8 pancake, 100mm 2.8IS, 70-200 IS MKii , 100-400mm mkii(on order) and Tamron 150-600mm and 1.4xIII.

Probably getting rid of: Tamron-150-600 and 70-200 2.8 since I shoot mostly at extreme ends (Landscape and wildlife)
and getting rid of 24-105, and 10-18 to help fund 24-70 mkii.

Thoughts?

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