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two flashes using Plus X trigger, only one flash fires

I've got a Yongnuo YN-565EX attached to a Plus X on a stand using a pc sync cord
and I've got a Speedlight 600EX shoe mounted on my Canon t4i attached through a pc sync cord to a plus X

when i press the "test button" on the Plus X attached to the 600ex, both flash's fire

However when i take a photo from my t4i, only the flash 600ex attached on my camera fires and not the Yongnuo YN-565EX. Both the Plus X are on the same channel
this is really frustrating and i've got no idea whats happening, why isn't the two Plus X talking to each other when i take a picture !
Please help

Lens suggestions for trip to Grand Canyon

I am going to Sedona and the Grand Canyon (south rim) next week and am trying to decide on which of my lenses to bring, and better yet, which lenses I should rent. I am very interested in landscape shots, dessert foliage shots, as well as trying out some night shots. We will also be taking a helicopter tour over the canyon.

I have a 50D and the following lenses:
> EF 28-135mm f/3.5-5.6 USM IS
> EF 50mm f/1.4 USM
> EF 70-300mm f/4-5.6 USM IS

I love my 70-300 lens, which is great for wildlife shots; but not so great for wide landscapes. While the 28-135 kit lens is ok, I think I want something wider. I was thinking about renting the EF 16-35 or the EF 24-70, as well as the EF-S 10-22. Any thoughts or suggestions?

Also, would any of these lenses also be good for night landscapes or should I be renting another lens for that?

I really appreciate any suggestions you might have on what lenses would be best to bring on this trip.

Thanks!
Robin

Has anyone worked with the SLR Anamorphot Anamorphic Adapter with Canon?

Hi all,

Whew...has been quite awhile since I last posted anything...I gotta get back with it.

Anyway, I was toying with the idea of buying one of the SLR Magic's Anamorphot Anamorphic lens adapters, and was wondering if anyone had any experience with these yet.

Here's some links:
http://provideocoalition.com/awi/story/review-slr-magic-anamorphot-133x-50-anamorphic-adapter
and
http://www.eoshd.com/2014/02/new-slr-magic-anamorphot-film-seb-farges-look-diopters-close-focus/
and
https://www.youtube.com/watch?v=cFDKIatbjdM&spfreload=10
And
https://www.youtube.com/watch?v=bBPQTfkSzFg&spfreload=10

Now..one of the things I'm trying to figure..is will this work with ANY of my current EF lenses. It says the taking lens can be no more than 50mm in diameter...lens diameter, not filter diameter. I'm having problems finding out what lens diameter my lenses are.

That being said, I saw that the Anamorphot has stepper rings of 49mm, 52mm, and 58mm...and the adapter itself is 62mm.

So, looking at my lenses, it seems my L stuff is too large? I think the 70-200 f/2.8 is 77mm on the filter size, as is the 17-40L and the 24-105L. So, I guess my best glass won't work with this thing, eh?

I do have the 85mm 1.8 at it appears to be filter ring of 58mm, and the 40mm pancake is about 52mm filter size, so guessing since those match the stepper ring sizes these would work.

But can someone confirm this...I need to make sure the lens diameter is 50mm or less.

Anyway, like I said, it appears my good glass might not be compatible. That being said...what canon glass WOULD work with this thing? What with quality would work? Is there a quality zoom that would work with it?

Anyway, I would really love to play with anamorphic for my video work and my initial research on what's out there for this is prohibitively expensive and this lens setup, with the diopters looked like a reasonable way to get into this format.

So, anyone have experience with this? Recommendations for lenses, etc?

Thanks in advance!!

cayenne 8)

Did I get a bad copy of the 100-400mm L IS II?

This past weekend I got my new 100-400mm L IS II and immediately shot off a round of photos to check it. I notice that there is CA at 100mm (both green and purple), visible only when viewing at 1:1 or 2:1 (very visible). The CA occurs at any aperture at 100mm, but not at 200mm+. My 70-200mm L IS II does not show CA at any length. Did I get a lens that is, perhaps, poorly aligned, or is this simply an unrealistic expectation of pixel-peeping perfection? I realize that this can be easily fixed in PP, but if the lens is out of alignment, I would prefer to get one that is better.

Thanks for any help...

Mike

Canon Receives Prestigious Accolade From FORTUNE Magazine As One Of The World's Most Admired Compani

HTML:
<b>MELVILLE, N.Y., March 2, 2015</b> – Canon U.S.A., Inc., a leader in digital imaging solutions, is proud to announce that its parent company, Canon Inc., has been named to the 2015 <i>FORTUNE</i>magazine World’s Most Admired Companies list in the computers category. Considered by<i>FORTUNE</i> magazine as the “definitive report card on corporate reputations,” Canon received its highest ranks in innovation, social responsibility and long-term investment value.</p>
<p>“We are honored to be recognized as one of the World’s Most Admired Companies by <i>FORTUNE</i>magazine and well-respected industry leaders,” said Kotaro Fukushima, senior director and general manager, Corporate Communications, Canon U.S.A., Inc. “The results of this year’s rankings are a testament to Canon’s commitment to investing in our customers and technology, and our core belief of being a good corporate citizen in the communities we serve.”</p>
<p>The 2015 list was separated into 55 industries from a variety of business areas. Over 600 companies from 29 countries around the world were analyzed and ranked by executives, directors and analysts in their respective industries based on nine reputation drivers, including financial soundness, long-term investment value, people management, social responsibility, use of corporate assets, quality of management, quality of products/services, innovation and global competitiveness.<sup>1</sup></p>
<p>The <i>FORTUNE</i> magazine World’s Most Admired Companies list can be found at <a class="bold_text underlink" href="http://www.fortune.com/wmac" target="_blank">www.fortune.com/wmac</a>.</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Xiaomi launches cheap action camera

http://www.bbc.co.uk/news/technology-31692908

Chinese smartphone maker Xiaomi has launched a cheap action camera that costs only 399 yuan (£41).

The Yi Action Camera shoots video in 1080 high-definition, has a 16 megapixel camera and a wide-angle lens.

The device can also be used to make time-lapse films and is waterproof to depths of 40m.

More cat pictures coming your way soon... Still, the price is good! More details at the link.

The Sonikon empire strikes back : The Nikon D7200

Found at www.dpreview.com

Nikon D7200 boasts low-light AF improvements and increased buffer depth

http://www.dpreview.com/articles/8974568365/nikon-d7200-boasts-low-light-af-improvements-and-increased-buffer-depth

http://www.dpreview.com/articles/0417411489/nikon-d7200-first-impressions-review-posted

" Nikon's D7200 has some big shoes to fill. The D7100 was one of our favorite midrange DSLRs of the past few years, and though it's by no means a radical upgrade, the D7200 presents some notable new features. It has a 24.2MP CMOS sensor with no optical low-pass filter, an updated 51-point AF system sensitive to -3EV, a much larger buffer that can take up to 27 Raw images at 6 fps, and Wi-Fi with NFC.."

  • Poll Poll
EOS 6D II - what's inside?

Choose the features which are most likely to come with the next 6D model;

  • tilt-able or fully articulated display

    Votes: 30 30.6%
  • reinforced shutter mechanism (150k+ clicks)

    Votes: 24 24.5%
  • better live-view sensitivity (higher than current ISO 25600, think of Sony A7S)

    Votes: 19 19.4%
  • button illumination on demand

    Votes: 8 8.2%
  • new body design

    Votes: 4 4.1%
  • up to 19 focus points

    Votes: 46 46.9%
  • more than 19 focus points

    Votes: 44 44.9%
  • central focus point improvement; -3,5 EV or even better

    Votes: 28 28.6%
  • electronic 3D level (vertical/horizontal) instead of current 2D one

    Votes: 19 19.4%
  • faster shutter speed; 1/8000sec.

    Votes: 41 41.8%
  • more than 4,5 FPS

    Votes: 39 39.8%
  • slightly smaller body

    Votes: 9 9.2%
  • expanded ISO; 200k

    Votes: 27 27.6%
  • expanded ISO; 400k

    Votes: 11 11.2%
  • dual card slot

    Votes: 32 32.7%
  • buffer size increased

    Votes: 37 37.8%
  • built-in flash

    Votes: 10 10.2%
  • up to 24 megapixels

    Votes: 62 63.3%
  • more than 24 megapixels

    Votes: 17 17.3%
  • touch-screen

    Votes: 40 40.8%
  • dual-pixel AF

    Votes: 60 61.2%

Hi there. I thought it's easier to keep track of what people are expecting by using a poll thread rather than anything else. Let's get it started!

If you have any additions please let me know.

btw. will be fun to see if most of us were right when it's released :)

TC generation / lens matching

Hi, I'll start with my usual caveat, apologies if this seems uppity, but please only post an answer if you have actual first hand, hands on experience of what I'm asking and the kit I'm asking about.

Still here? Great. Lets begin.

I have a 70-200 f2.8L (non-IS)

I would like to get more reach, and don't have the funds just now for either a 300mm f4L IS or 400 f5.6L.

In the past I've owned a bigma (DG, pre-OS) but didn't like the even slower aperture or IQ towards far end.
I've currently got an ancient Tokina 400 f5.6 SD, which can be ok stopped down (I mainly shoot video) but really want something I can use at f5.6 or faster.

I used to own the 1.4x II converter, but never really liked it that much on my 70-200, it needed a couple of stops down to really get the best out of it, and I wasn't happy with the level of chromatic aberation either.

So I'm looking at the 2.0x... the question I have is, am I better to match my lens to the contemporaneous tc? (so prob v1 for my 70-200) or will the v3 be significantly better?

You rarely see reviews for lens + TC combos with charts etc so it's hard to know what to do.

In an ideal world I would just buy the 400 f5.6, but at the moment there are too many other avenues for my cash..

Can anybody vouch for or ideally illustrate the IQ of different TC's?

Diffuser for Canon 600ex for event

Hi all, been lurking here for a while cause I like to nerd out on all the sensor/lens talk.

A little background:
Anyway, I am a hobby landscape/surf photographer, though slowly I've been learning/taking small jobs (commercial stuff, installation shots) from people I know, and its been going pretty good. Slowly but surely... So last month I did a one day shoot of an installation of a cleaning accessory in the house (a pretty hands on involved process). The company wanted photos of the whole process for PR and their website. Before that job I purchased a canon 16-35 f4 which I was getting anyways for landscapes, and also the canon 600ex flash. I have 2 old 3rd party flashes w/ PW's I used years ago when photographing skateboarding, but they are fully manual and pretty slow to recycle. Fine for off camera lighting with skateboarding but for paid event, I wouldn't feel comfortable. Those 2 purchases really helped the job go smoothly.. Tight spaces, low light - that new lens and flash worked perfectly. The customer and I were very happy with the results. Luckily the whole house had white ceilings and light palette colored walls, so I bounced the flash off the ceiling for 99% of the shots.

Need advice:
Now the same company wants me to shoot a 2 day event. It will be outside, under a few tents. I don't know much more details. I assume they will be medium-ish sized tents, and I assume they will be white, however they could be black for all I know. I'd like to be prepared for both instances. If they're white, I'm thinking I could bounce the flash off the tent. However, I'd like to purchase a diffuser if the tents are black or for shots taken outside of the tent. I'd appreciate if you'd share your experiences with whatever diffuser you have. I've been looking on BH and see a bunch but just wanting to hear others experiences and maybe recommendations based on the provided info.

Thank you

Poor video quality or normal?

Hi,

I have an EOS M and I like it very much for photos but as I tried the video mode I was a bit disappointed.

It looks less sharp und less detailed. If I capture a still image ("Photo in Movie") in the 2 MP mode (In the menu the option "Image quality" and then "S2" and "Aspect Ratio" 16:9) I will get a much better quality. Here are two samples, one with the 2 MP Still-Photo-Mode und the other a Screenshot from the video-file:

2 MP Still-Photo-Mode: img4.fotos-hochladen.net/uploads/image3dn50klcmp.jpg
Video-Screenshot: img4.fotos-hochladen.net/uploads/videontj6xoak7m.jpg

As you can see, the "normal" Photo is much better, better colors, better sharpness, details, etc.
Both were shot at the same time ("Photo in Movie") with the EF-M 18-55mm IS STM, 18 mm, ISO 125, Av 9.0, Tv 1/40.

What I also noticed is, that shadows in the videos are more darker.

So is this normal or does the camera have a defect?

Thank you very much in advance and I look forward to your reply.

Best regards
Julia

Canon EF 11-24 f/4L Sample Images

HTML:
I’m still waiting for my Canon EF 11-24 f/4L to arrive here in snowy Canada, but Keith at Northlight received his and has posted a few real world sample images and some examples of sharpness and how wide 11mm really is. The difference between 14mm and 11mm is pretty substantial as you’ll see. The example showing the corner sharpness is also impressive.</p>
<p>Be sure to post your examples in the forum if you have received your lens already.</p>
<p><strong><a href="http://www.northlight-images.co.uk/cameras/lenses/ef_11-24_f4l.html#compare_11_and_14mm" target="_blank">See the samples at Northlight</a></strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

  • Locked
New PowerShot G17 Coming in Spring [CR2]

HTML:
A new PowerShot G17 will be coming some time before July we’re told. The exact announcement date isn’t currently known. It definitely looks like the G17 is going to going upmarket. <a href="http://www.canonrumors.com/2014/03/canon-powershot-g17-coming-in-may-cr1/">We received similar specs back in March of 2014</a>.</p>
<p><strong>Canon PowerShot G17 Specs:</strong></p>
<ul>
<li>Ultra bright lens</li>
<li>f/1.2-2.0</li>
<li>24 – 168mm 7x Zoom</li>
<li>Super UD Lens</li>
<li>DIGIC 6+</li>
<li>Large 1″ Sensor</li>
<li>All Magnesium Body</li>
</ul>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Gift for gf's birthday?

Hello guys, I hope everything is well with you. My gf's birthday is coming soon, and she told me she wanted to have a small camera to walk with, do street photography and take some pictures of her friends. She also wants the camera to have good video capabilities. All of that is just for fun and not intended to be used professionally.

I myself have Canon 5d with various L lenses (85 1.2, 70-200 2.8ii, 200 2.0 etc) but this is too heavy and inconvenient for her. I guess mirrorless cameras would be the best option but unfortunately I've never owned one and have very little knowledge regarding which camera would be the best for her purposes. Any advice on the camera and maybe a good zoom lens, please? Price is not an issue.

Thanks a lot and have a nice weekend, everybody :)

The State of the Camera Industry in 2014

HTML:
LensVid.com has posted their yearly infographic showing the state of the photographic industry last year. They use the data from the CIPA statistics that were recently released.</p>
<div id="attachment_18956" style="width: 585px" class="wp-caption alignnone"><a href="http://www.canonrumors.com/wp-content/uploads/2015/02/Infographics-2014-01-2.jpg"><img class="size-medium wp-image-18956" src="http://www.canonrumors.com/wp-content/uploads/2015/02/Infographics-2014-01-2-575x359.jpg" alt="Click for Larger" width="575" height="359" /></a><p class="wp-caption-text">Click for Larger</p></div>
<p><strong>Here are a few key points (from LensVid):</strong></p>
<ul>
<li>Camera manufacturing/sales (all types) went down in 2014 by 31% (in 2013 we looked at close to a 40% drop).</li>
<li>Lenses manufacturing/sales (for DSLR/mirrorless cameras) went down in 2014  by 12% (in 2013 it went down by %20).</li>
<li>Japan is still a huge photography market (13% of all cameras and 14% of all lenses sell in Japan which has less than 2% of the world’s population), however the rest of Asia is the only place which seems to gain any momentum in 2014.</li>
<li>Mirrorless cameras (despite all the hype) are still just 7% of the entire camera market (up from a mere 5% in 2013).</li>
<li>Compact cameras are a dying breed – going down from a 108 million units in 2010 to only 29 million in 2014 (and this number is likely to go down even further in 2015).</li>
<li>Predicting the future of the camera market proved challenging in the past – IDC (the American market research, analysis and advisory firm) failed to predict what will happen to the mirrorless camera market. In 2012 they concluded that in 2014 we will see no less than 13 million mirrorless cameras sold worldwide. Only 3 million mirrorless cameras were actually sold…</li>
</ul>
<p><strong><a href="http://lensvid.com/gear/lensvid-exclusive-happened-photography-industry-2014/" target="_blank">Read more at LensVid.com</a></strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Fujifilm like the EOS 7D mark II

A couple of excerpts from an interview with Fujifilm's Senior Manager for Sales & Marketing over at DPReview.
http://www.dpreview.com/articles/0704217094/cp-2015-fujifilm-interview-our-lenses-are-waiting-for-higher-resolution-sensors

Digital SLRs. Mid-range and high-end DSLRs like Canon’s EOS 7D Mark II, for example. Canon did a good job with that camera. And as we move into the telephoto lens area for wildlife photography and so on, those customers definitely need a better autofocus system. Just introducing a telephoto zoom is not a solution. Focus accuracy and speed has to be there.

One of the most interesting cameras in the past six months or so was the Canon EOS 7D Mark II. Historically Canon keeps its high-speed cameras at the top-end, in their professional cameras, but with the 7D II they’ve moved those features down into APS-C. So they see an opportunity in that format. The focusing system is really good.

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