<p>LensRentals.com has completed their review of Canon’s latest L prime, the EF 35mm f/1.4L II.</p>
<blockquote><p>… resident tech guru Roger Cicala was able to run multiple copies of this lens through our Olaf Optics tests to get both an MTF chart on the lens (averaged over 10+ copies) as well as a copy to copy variation score. When placed up against the original Canon 35mm f/1.4L, the new Mark II version easily win the battle in terms of overall sharpness. the new Mark II version also beats the Sigma 35mm Art series in sharpness, by only my a small fraction that you likely wouldn’t be able to tell the difference in. These scores, make the Canon 35mm f/1.4L II the new king of the 35mms in terms of both sharpness and consistency, but is also priced considerably more than some of the competition. <a href="http://www.lensrentals.com/blog/2015/11/lensrentals-reviews-the-canon-35mm-f1-4l-ii-lens" target="_blank">Read the full review</a></p></blockquote>
<ul>
<li>Canon EF 35mm f/1.4L $1099: <a href="http://www.bhphotovideo.com/c/product/162614-USA/Canon_2512A002_Wide_Angle_EF_35mm.html/bi/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/CA3514AFU.html?kbid=64393" target="_blank">Adorama</a> | <a href="http://amzn.to/1GN0ug2" target="_blank">Amazon</a></li>
<li>Canon EF 35mm f/1.4L II $1799: <a href="http://www.bhphotovideo.com/c/product/1180801-REG/canon_9523b002_35mm_f_1_4l_ii_usm.html/BI/2466/KBID/3296" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/CA35142.html?utm_term=UbK24x0al34oSlvW4eT8QxjoUkX3mDVXeWC-Ug0&utm_medium=Affiliate&utm_campaign=Other&utm_source=rflaid64393&cvosrc=affiliate.64393" target="_blank">Adorama</a> | <a href="http://amzn.to/1Uehm5w" target="_blank">Amazon</a></li>
</ul>
<p> </p>

<p>We’ve <a href="http://www.canonrumors.com/superzoom-development-mentioned-again-cr2/">posted recently</a> that Canon has been working on a new superzoom lens, and sure enough a patent for an EF 24-300 f/4-5.6 has appeared.</p>
<p>Patent Publication No. 2015-200870 (Google Translated)</p>
<ul>
<li>Published 2015.11.12</li>
<li>Filing date 2014.3.31</li>
<li>Example 1</li>
<li>Zoom ratio 12.14</li>
<li>Focal length 24.30 99.98 294.95</li>
<li>F-number 4.10 5.76 5.88</li>
<li>Half angle (in degrees) 41.68 12.21 4.20</li>
<li>Image height 21.64</li>
<li>Overall length of the lens 197.38 245.98 298.53</li>
<li>BF 38.90 91.95 92.55</li>
</ul>

<p><em>Canon’s XA35 and XA30 Camcorders Feature New HD CMOS PROSensor, 20x HD Optical Zoom Lens and Built-in Wi-Fi® Capability</em></p>
<p><strong>MELVILLE, N.Y.,</strong> — Responding to the evolving needs of professional news organizations, documentary creators, professional videographers and film schools, Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the new Canon XA35* and XA30* Full HD professional camcorders, which are both highly portable and capable of capturing high-quality video in low light, as well as wireless connectivity for easy uploading of files. Both camcorders feature a genuine Canon 20x High Definition Optical Zoom Lens and a new, advanced HD CMOS PRO image sensor with low-luminance noise of +3dB for improved low-light image capture. Enabling a wide range of imaging possibilities, the duo also features two new video-recording modes: Highlight Priority, which facilitates the faithful expression of tonal gradations, colors and sharpness in the mid- to high-brightness range; and Wide DR, which delivers an expanded dynamic range.</p>
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<p>These compact ergonomically designed camcorders weigh only 2.6 pounds (including battery), allowing for extreme mobility and portability. Both camcorders feature detachable handles and utilize Canon’s DIGIC DV4 Image Processor and Intelligent Optical Image Stabilization with powered and dynamic modes and auto on/off mode.</p>
<p>“The ability to deliver high-quality video in a compact and mobile form factor is extremely valuable to videographers of all backgrounds,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “The XA35 and XA30 camcorders were designed to help professionals who are in the field, in uncertain environments, capturing action as it happens. Whether in a war zone or at a wedding, these camcorders will help professional videographers to be at their best when they need it.”</p>
<p>The Canon XA35 and Canon XA30 HD camcorders feature Full HD (60p and native cinematic at 24p) 1920×1080 recording capabilities with dual SD card slots, recordable to AVCHD (28Mbps) and MP4 (35Mbps) and an HD/SD-SDI output (XA35 only) to feed video directly to a microwave van, satellite uplink, or other TV transmission system. The new Highlight Priority video-recording mode makes it possible to capture visual characteristics that might otherwise be lost due to video compression, creating video that can realistically convey such qualities as the three-dimensional feel of blue skies and clouds, the translucence of water and the luster of metals.</p>
<p>Furthermore, drawing from technologies employed in Canon’s Cinema EOS System lineup of professional digital cinematography products, the new Wide DR mode achieves a dynamic range that has been expanded to 600 percent compared to the 300 percent on the predecessor Canon XA25/XA20 camcorder models. The mode helps minimize the occurrence of under- and over-exposed areas to help create smooth color gradations, even when shooting in environments that tend to produce under- and over-exposed regions, such as those with drastic differences in lighting conditions.</p>
<p>The brightness performance of these camcorders when shooting infrared has been improved approximately 1.4 times higher than the previous models. Infrared shooting uses an infrared diffused LED light to enhance brightness to the very edges of the image while shooting in low-light situations. The sensitivity of the new sensor also enhances this feature.</p>
<p>Also new to the XA line of HD camcorders are slow (maximum 0.4x) and fast (maximum 1200x) recording options, further enhancing a videographer’s ability to shoot creatively. Professionals can access these modes through the easy-to-operate user interface displayed on a vivid 3.5-inch, 1.23 million-dot OLED touch-panel display and 10,000:1 contrast ratio Electronic Viewfinder with controllable iris. The display features a view assist function which provides users the ability, while in highlight priority (gamma) mode, to adjust brightness and gamma setting of both the display and EVF to help display subjects in the most realistic way possible. To help facilitate better focus ability and clearer, more pristine images, these models feature High Definition Peaking for Focus Assist. In addition, both models allow for full manual control and assignable buttons for custom shooting and also have advanced display features that allow for adjustment of zebra, color bars and test tone.</p>
<p>The XA35 and XA30 HD camcorders both feature wireless connectivity for easy sharing and uploading of files. FTP file transfer of MP4 (3Mbps) format video to cover breaking news is enabled by dual-band wireless support (5GHz and 2.4GHz), which also allows for data sharing. A wireless remote feature also enables users to control the XA35 and XA30 camcorders via a web browser on the user’s compatible PC or mobile device.  Camera videos can be played back or downloaded to a compatible device using the web browser of a PC or mobile device connected to the camcorder. In playback mode, video files can be uploaded to social media websites via the free Movie Uploader app, currently available only for compatible iOS® mobile devices.</p>
<p>The new Canon XA35 and XA30 HD camcorders also support use of the optional Canon GP-E2 GPS receiver, which can be connected via USB cable to provide location and time information recorded during shooting. This capability supports editing workflow and can add valuable information for archiving purposes. Additional features include connectivity to various inputs and outputs, including two phantom-powered XLR audio inputs with main ground control and optional Bluetooth mic and two-way intercom-like capability.</p>
<p><strong>Pricing and Availability</strong>

The Canon XA35 and XA30 HD camcorders are scheduled to be available the end of November 2015 for an estimated retail price of $1,999.00 and $2,499.00 respectively.</p>
<p><strong>Preorder at B&H Photo: <a href="http://www.bhphotovideo.com/c/product/1198036-REG/canon_1004c002_xa30_professional_hd_camcorder.html/bi/2466/kbid/3296" target="_blank">Canon XA30</a> | <a href="http://www.bhphotovideo.com/c/product/1198035-REG/canon_1003c002_xa35_professional_hd_camcorder.html/bi/2466/kbid/3296" target="_blank">Canon XA35</a></strong></p>

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<strong>United Kingdom, Republic of Ireland, 10 November 2015</strong> – Canon today introduces the CJ20ex7.8B, a 2/3” portable 4K zoom lens for professional broadcast, offering a 20x zoom ratio and focal-length range from 7.8mm to 156mm.</p>
<p>First shown as a prototype at IBC 2015 in Amsterdam, the new lens enables the creation of high-resolution, high-impact 4K video content for a variety of applications, including sporting events and news coverage, as well as documentaries and indoor and outdoor location shooting for serial dramas. Strengthening Canon’s 4K broadcast lens range for cameras employing 2/3” sensors, the versatile new lens will join the CJ12ex4.3B, a 2/3” portable 4K zoom lens with the world’s widest focal length.</p>
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<p><strong>Remarkable 4K optical performance

</strong>Drawing on Canon’s heritage of advanced optical technologies, the new CJ20ex7.8B achieves a high level of performance, making it an ideal lens for use with 4K broadcast cameras.</p>
<p>Through optimal lens positioning and precise component assembly, the CJ20ex7.8B achieves high-quality 4K resolution images from the centre to the peripheral areas of the image field. Delivering superior colour reproduction, the lens allows professionals to create compelling ultra-high resolution video.</p>
<p>The new CJ20ex7.8B includes a built-in 2x extender, which even when shooting at the 312mm telephoto-end focal length, delivers superior optical performance to support use with 4K broadcast cameras.</p>
<p><strong>Portable and flexible – meeting the needs of the broadcast industry</strong>

Featuring a compact, lightweight body design, the lens delivers exceptional mobility in response to the needs of the broadcast industry, facilitating shoulder-mounted shooting and convenient transport.</p>

<p class="p1" style="text-align: center;">A fairly new filter company, called Breakthrough Photography, just launched what they are calling “the world’s sharpest and most color neutral circular polarizer”, and they’re even making a version specifically for Canon’s CINE lens lineup. So far, here’s what we know about it:</p>
<ul class="ul1">
<li class="li1"><span class="s1">American-made CPL film called <i>CrystalVision®</i></span></li>
<li class="li1"><i></i><span class="s1"><i>SCHOTT B270® </i>Optical glass Made in Germany</span></li>
<li class="li1"><span class="s1">16-layers of multi-resistant coatings</span></li>
<li class="li1"><span class="s1">Nano coatings to repel elements</span></li>
<li class="li1"><span class="s1">Ultra-slim Weather-sealed Brass “Traction Frame”</span></li>
<li class="li1"><span class="s1">25 Year Guarantee</span></li>
<li class="li1"><span class="s1">11 sizes from 39mm to 105mm ($129 to $199)</span></li>
</ul>
<p class="p1"><span class="s1">For the next 9 days they’re doing a Kickstarter project, offering up to $50 off while supplies last: <a href="https://www.kickstarter.com/projects/breakthrough/x3-circular-polarizer/"><span class="s2">https://www.kickstarter.com/projects/breakthrough/x3-circular-polarizer/</span></a></span></p>
<p class="p1"><span class="s1">On a side note, about 5 weeks ago we received a neutral density filter from Breakthrough, and we weren’t given much information other than a note saying “The X3 ND is the worlds sharpest and most color neutral ND filter, check it out.”. After quite a few comparison tests against a bunch of other neutral density filters here at the Canon Rumors international headquarters, we found their claim held true. </span></p>

<p><a href="http://www.northlight-images.co.uk/cameras/mirrorless.html" target="_blank">Keith over at Northlight</a> received some suggestions of new products to expect in 2016.</p>
<p>Pro Level Mirrorless Camera (and more)</p>
<ul>
<li>Expanding the EF-M system</li>
<li>First ConnectedCamera device</li>
<li>New technology sensor (APS-C)</li>
<li>Built in EEVF viewfinder</li>
<li>Pro level AF performance</li>
<li>Best in class video capability</li>
<li>Pro build quality with enhanced ergonomics</li>
<li>Wider support for the EF lens family</li>
</ul>
<p>This won’t come until after the EOS M3 gets an update in early 2016.</p>
<p>There was also a mention of a new full frame camera being announced for Photokina, Perhaps the EOS 6D Mark II? We expect to see an EOS-1D X and EOS 5D Mark IV before the September 2016 show.</p>
<p>More to come…</p>

<p>We’ve received another mention about the development of a new superzoom. We weren’t given the focal length & range of such a lens. We also weren’t told if this would be a direct replacement for the EF 28-300 f/3.5-5.6L IS.</p>
<p>We are wondering if this development is for the Cinema EOS line and not for the stills crowd. I have a hard time believing the EF 28-300 f/3.5-5.6L IS was every popular enough to warrant further R&D dollars for a new version.</p>
<p>On a side note, we’ve been receiving a lot of nonsense lately from a certain group of people, and a couple of other sites are having the same issue. We know who they are and are working to filter out the “rumors” they’re sending in. A few things in the last week or so that we have posted, have turned out to be from them.</p>