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Lens Rentals Canon 100-400 IS Mk II tear down.

Hi Folks.
Just thought I'd let you all know (well those of you that didn't already know) that there is a great article from Roger at lens rentals, Canon 100-400 IS Mk II lens in bits all over his bench here..
http://www.lensrentals.com/blog/2015/02/canon-100-400-is-l-mk-ii-teardown-best-built-lens-ever
As ever a very well written piece. I'm not sure but I think he likes the build quality of this lens! ::) :o ;D

Cheers, Graham.

Why does 7D II seem COMPARATIVELY soft with certain lenses?

In a thread here http://www.canonrumors.com/forum/index.php?topic=24210.15

and in the test-chart sample images available at the-digital-picture, certain lenses seem less sharp, soft in comparison, when mounted on a 7DII and compared with a 1D Mk III. In particular, the new 100-400mm II.

On the other hand, Arthur Morris claims that talk of the 7DII being relatively soft is due to user error.

Test charts aren't flying around...

Please give me an advice for an prime lens 300/400mm

Hi Guys!

As my children have grown up now, I can invest more time in my hobby. So I am looking for an mide-sized "L" prime lens to shoot animals.
I saw the 300mm II 2.8 L an the 400mm 4 DO II. For the 300mm I would suggest buying an 2x III extender, for the 400mm an 1.4 III extender.

Which combination would you prefer - if you look at the lens image quality?


The cameras I would use with the lens would be the 6D and the 7D MK 1.

Does anybody own the new 400mm DO IS II and can tell me, if this lens is as sharp as the 300mm?


Greeting from the white Tyrol
Daniela

Canon EF-M 11-22mm IS STM "lens hack". Turn it to <10mm!

I was playing around with my M lenses, and my thoughts took me to the question "why there is so weird collapsing mechanism" on my 11-22mm. So I played with it with thoughts of greatest achievable wide angle, and I found this:

1) When focus is set to infinity, it has slightly wider angle. Cool. It´s pretty normal way some lenses work.

2) When I try to collapse the lens, It goes wider. But it doesn´t let me to shoot, because something in the lens switches, and I see prompt jumping up on me (in the camera) that I should put the lens into normal shooting position.

Well, so I slowly turned the lens to the "breakpoint" where it still doesn´t ask for shooting position, took a a shot, and found it is noticably wider. It could be even wider without problems if the locking mechanism was set more "precisely".

Here is normal shot of locked mechanism - mess on my table:



And here it is in the position right before the camera will deny to shoot and prompt me to put the lens into shooting position:



If that prompt wasn´t there, It could shoot even wider, possibly without problems.

I hope there are not some wicked internal tolerances in the lens, which could cause some optical elements colision when trying to focus without locking it, but if somebody found this is not the case, I might mod that lens, bypass that switch, and get 10 or maybe even little less.

Huh, just playing...

Canon 28mm f1.8 on 30D (problem?)

Hi

I picked up a used but mint 28f1.8 yesterday, tested it for flair, autofocus accuracy, focus accuracy across the field and so on.. all good.

Today I play with it again and suddenly it's noticably out of focus (about 8 feet away for 6 foot target), focussing substantially beyond target, the difference is I'm using the edge AF points rather than the centre, recheck with centre and it's still bang on. Top and bottom points seem fine, but the left and right points miss target... focus with the centre point and recompose to put the target on the left or right points and focus accuracy is much better.

Is this a common problem with 28f1.8s on old 9 point AF? I've never noticed this problem with either of my other lenses (100 f2 and a kit 18-55)

I can't see that I can blame the lens when it's sharp across the field (no dislodged elements) and focusses accurately on the centre point.

I could manage this situation, but it would be nice to sort it out,

5Ds : dawn of a new era for primes ?

My photographic career goes back well into the days of 35mm film, and with that medium cropping was generally very undesirable. You will occasionally find people on internet forums who claim that their 35mm film is about 20 mp because it scans at around 20 meg of information, but much of that information is grain. In real terms of resolution, at least in terms of visual enlargement, 35mm film is about equal to 8 - 10 mp, depending on which emulsions were used.

When I first started with FF digital in 2005, I quickly found that framing on a 12.7 mp 5D was much more forgiving than I had experienced before, and then when adding the 21 mp 5DII there was quite a jump in how much I could crop without any real enlargement issues.

Over the last twenty years or so there has been major development and improvement in zoom lenses, until recently very much at the expense of fixed focal length lens development. However one area where zoom lenses have not been able to make much progress is in size and weight ( though weight has been improved a little), aperture speed and price. Indeed if anything price is going up ! I often hear about people who are changing their Canon / Nikon system for something smaller and lighter. Indeed I was one of them a few years back. Without exception these people all were toting the finest f/2.8 zooms, often adding in a 100-400L as well.

When it comes to mp I am one of those people who think that, in a small, portable camera, 18 mp or so is quite enough. In fact when stitching the panoramics I would be quite happy to have 12. With good lenses and excellent technique 18 to 20 mp offers ridiculous levels of detail, in picture sizes that are generally much larger than most people want. At Building Panoramics I am constantly being asked for pictures that are smaller than my standard size. Originally I found this insulting; now I just find it annoying.

My initial reaction to the 50 mp 5Ds is that I don't need or want that amount of pixels. ( I'm not mentioning the 'r'. I'm one of those people that known that once you have run a light USM there is no practically perceptual difference in detail).

But then I got think about my circumstances with primes. I generally prefer a few light, fast primes to a heavier, slower zoom. If a 21 mp camera allows more practical cropping then a 50 mp one is even better, assuming you are making the pixels count. Primes offer lighter, faster, sharper in frame edges, less distortion, shallower entry pupil ( for stitching), better balance on a smaller camera. I wont say cheaper because by the time you have a few of them to equal a zoom they are as expensive, if not more so. Certainly the extra mp will allow more 'focal length flexibility with fixed focal length lenses.

Also interesting that the 5Ds is a little lighter than the 5DIII. I'm guessing that it probably lacks the stainless steel bottom plate of the 5DIII. But lighter is better for lugging around the country side.

Maybe we will see more development in primes now. Thoughts ?

Canon Loyalty Program Prices

How does the Canon Loyalty Program work? I contacted Canon Support in regard to a camera body that is exhibiting hardware malfunction (most likely) and they gave me the option to get in touch with Canon Loyalty Program (CLP) to replace the camera. When I called them, the representative on the phone was giving me prices that are on the Refurbished Camera page. If the CLP prices are exactly the same as what is on the refurb page then I can just buy right off that refurb page myself. Why bother with CLP then? I was under the impression CLP gets you a better value for trading in your non-working body for a working body of the same make. Can somebody share their experience with how this CLP works? Thanks.

Edit: At the time of the call I think the Refurb bodies were on 15% or 30% discount.

Picture Style Settings, How Much Sharpening?

I've not used the highest setting (7) for sharpness in the picture style customization before, because I have just checked sharpness in DPP and made adjustments as needed. However, while shooting the NHRA Winternationals in Pomona, CA last weekend - a long time friend and fellow NASCAR photog, told me he always sets the sharpness setting in the picture style menu to the max setting (7).

He said the max setting has given him sharper images right out of the camera that look sharper to him after processing in DPP, compared to adding sharpness in post processing of images shot at a lower sharpness setting in picture style.

I have the sharpness setting in my cameras set at one level past the center mark, and have been satisfied using this method. However, I'm always open to new methods that will produce sharper images. I am wondering what the rest of you set your sharpness settings at, and have you ever tried the max setting?

Thanks in advance for your input!

Cheating - feeling guilty...

I feel a little guilty, I've started to cheat.

It's not like there's anything wrong with her, she's still as beautiful as ever, it's just that I've started to notice things about her that hadn't bothered me before. You see, how do you put this politely, she's a bit heavy and indiscrete. There's another that caught my eye some time ago and I've realized that I've lusted after her and now finally I've had her in my hands and I'm worried about what it might mean for my relationship.

What I'm trying to say is that I've bought a Fuji X-T1 and the beautiful 23mm f/1.4 and 56mm f/1.2 lenses. I still love my 5D MkIII and still fully intend to use it when I need the performance of a full frame DSLR, but my focus has shifted to street photography following a change in circumstances [moving to a big(ger) city]. The 5D MkIII is a bit big and intimidating and lacks a tilting screen for candids.

I don't know how this will go, I might end up hating the Fuji, but I wanted to give something new a try. It's a shame that Canon couldn't come up with an EOS M-P with an EVF and some more fast primes, as that would have also acted as a nice backup body to my 5D3.

Has anyone else done the same as me?

Tamron SP 15-30mm f/2.8 Di VC USD Image Quality Examination

I did an in depth breakdown of the image quality from the new Tamron SP 15-30mm f/2.8 VC lens with a number of crops and examination of what it all means.

I don't think that I am letting the cat out of the bag by saying that this is a very compelling lens. My full review is yet to come, but for those of you looking for some early info, take a look at the article here: http://bit.ly/1E5uvqD

P.S. Here is a photo of me taken with the lens this morning as the sun rose out on a frozen river. It was about 40 below...and my trigger finger is still a bit numb 5 hours later!

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New mirror mechanisms - how is this a good thing?

Perhaps someone can tell me why the new mirror servo mechanism with at least 11 moving parts (that I can count) is considered a selling point. Less vibration? Then on top of that Canon has added a shutter delay to minimize vibration. What is Canon doing with all of this? I see this hype as only bringing to bare that there remains a fundamental design trad-off with the new cameras. Its a negative selling point if you ask me. Is having a mirror so important to sell cameras when a mirror-less camera avoids all these vibration issues?

Review: Canon EF 100-400mm f/4.5-5.6L IS II

HTML:
<p>Friend of the site Dustin Abbott has completed a comprehensive review of Canon’s brand new EF 100-400mm f/4.5-5.6L IS II. If you head over to his review, there’s also a full video review if you prefer to watch instead of read.</p>
<p><strong>From Dustin</strong></p>
<blockquote><p>I’m not finding much to criticize with this lens. It isn’t cheap, but it is a pretty killer optic with a pro grade build quality. It’s expensive ($2199), but no more so than Canon’s 70-200 f/2.8L or 24-70 f/2.8L variants. When compared with the higher end telephotos, however, it is a great bargain. It offers great reach in a compact package that most users should be able to handhold due to its manageable weight and excellent image stabilizer. It has amazing image quality with next to no real shortcomings. I love my Canon 70-300L and have enjoyed my Tamron 150-600 VC, but this lens has left me in a conundrum. I am strongly considering selling both of these lens in exchange for the new Canon EF 100-400mm f/4.5-5.6L IS USM II. I like it that much.</p></blockquote>
<p><strong><a href="http://dustinabbott.net/2015/02/canon-ef-100-400mm-f4-5-5-6l-usm-ii-review/" target="_blank">Read the full review</a></strong></p>
<p>Stock of this lens is extremely scarce and I suggest pre-ordering it as soon as you’re able if you want to be able to have one for the spring.</p>
<p><strong><strong><strong>Canon EF 100-400 f/4.5-5.6L IS II $2199: <a href="http://www.bhphotovideo.com/c/product/1092632-REG/canon_9524b002_ef_100_400mm_f_4_5_5_6l_is.html/bi/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/CA1004002U.html?KBID=64393" target="_blank">Adorama</a> | <a href="http://www.amazon.com/gp/product/B00PF39PEY/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00PF39PEY&linkCode=as2&tag=canorumo-20&linkId=DR7JYMNZQZ4LVBHE" target="_blank">Amazon</a></strong></strong></strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

TS-E 17 f/4L vs TS-E 24 f/3.5L II

I had to take my wife to the local University last night so I thought I'd take out the T/S lenses to take a couple of photos of Doak Campbell Stadium at Florida State and the Unconquered statue in front of it. I ended up having very little time and didn't have a flashlight which made leveling the tripod tough. I forgot to take off the UV filter on the 24mm so there's flare and worse flare (with the 1.4x III).

All shots are f/16, 100s, ISO 100, Shift +4 (I think, it was dark), no Tilt. The idea was to frame the whole stadium each time and these are very lightly edited with minor cropping and no retouching. I'll probably edit out the stars and flare at some point. Also, note that this isn't vignetting - it's the glow of the stadium lights, which were turned on inside the stadium.

Hopefully this will give people a little better idea of the different looks of these lenses based on focal length.

TS-E 17 f/4L about 4ft/1.2m from the pedestal:
Doak_Campbell_Stadium_FSU_16747_ID-XL.jpg


TS-E 24 f/3.5 II about 50ft/15m from the pedestal:
Doak_Campbell_Stadium_FSU_16761_ID-XL.jpg


TS-E 24 f/3.5 II + 1.4x III extender about 120ft/37m from the pedestal:
Doak_Campbell_Stadium_FSU_16763_ID-XL.jpg

Canon EF 100-400 f/4.5-5.6L IS II Teardown

HTML:
<p>Roger at LensRentals.com has done a teardown of the brand new Canon EF 100-400 f/4.5-5.6L IS II and has come away very impressed.</p>
<blockquote><p>I know I can’t really, without showing you dozens of other lenses, do a good job of impressing you with just how robustly engineered this lens is. I will say that the insides look more like what we’d expect to see in a 500mm f/4 or 600mm f/4 lens, rather than a telezoom. It’s by far the most heavily engineered zoom lens Aaron and I have ever seen; and we’ve seen the insides of dozens of lenses in this range.</p>
<p>Well done, Canon engineers, well done!</p></blockquote>
<p><a href="http://www.lensrentals.com/blog/2015/02/canon-100-400-is-l-mk-ii-teardown-best-built-lens-ever" target="_blank">Read and see the teardown at LensRentals.com</a></p>
<p><strong><strong><strong>Canon EF 100-400 f/4.5-5.6L IS II $2199: <a href="http://www.bhphotovideo.com/c/product/1092632-REG/canon_9524b002_ef_100_400mm_f_4_5_5_6l_is.html/bi/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/CA1004002U.html?KBID=64393" target="_blank">Adorama</a> | <a href="http://www.amazon.com/gp/product/B00PF39PEY/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00PF39PEY&linkCode=as2&tag=canorumo-20&linkId=DR7JYMNZQZ4LVBHE" target="_blank">Amazon</a></strong></strong></strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

EOS-1D X Replacement in 2016 [CR1]

HTML:
<p>We’re told that we shouldn’t expect an EOS-1D X replacement until early 2016. While the announcement could come this year. The source said it may depend on what Nikon does in regards to a D5 announcement as well as getting the new sensor and DIGIC 7 ready.</p>
<p>2016 is an Olympic year, so we definitely expect a new flagship DSLR by then.</p>
<p>As Canon has said, they won’t be replacing cameras until there is enough technology improvements to warrant a new product.</p>
<p><b>cr</b></p>

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