• The Canon Rumors Forum has officially been shut down as of July 10, 2026.

    All data will be deleted on September 16, 2026.

    the ad free experience will return by July 17, 2026.

Canon EOS 6D vs 5DIII images

Hi!

I know I'm probably making a silly question, but I have had a doubt for the last weeks and did not find any answer. I'm just an amateur, I had a Canon 5dMKIII and my wife has a 6D, I had mine stolen and have been using her camera for the last months. Apart from missing the AF system in the 5D, the thing is I like the images of the 6D more than the ones of the 5DIII, I somehow find them more pleasing. I know the specs of both cameras have some little differences, but I'm not sure they explain this difference. Could that be related to the type of post-processing I usually do in lightroom? Do any of you have a similar experience?

Which Sigma Lense?

Hello Guys,

I only used canon-rumors for the rumors till now^^ now I would like to hear your opinion on my question :)

So firstly I would like to replace my Kit-Lense. The 18-55 IS II !
I like to do Landscape and Architecture photos, for that I bought the 10-18 IS STM, but sometmes 18mm is too short, so I would like to buy a lense which continues the 10-18 with a good image quality.
(I own a Canon 600D, 10-18, the Kit, 50mm 1.8 and 70-300 VC USD)

I was thinkin about:

Sigma 17-50 f/2.8 OS HSM or
Sigma 18-35 f/1.8 HSM

Besides Landscape and Architecture, I wanna do soe Astro-shots and I am going on a helicopter trip over Chicago at twilight/sunset.

So to get the best result in general landscape fotography + the two "temporary" fields, which lense would you recommend?
Does the OS helps in an Helicopter? Is the Aperature 2.8 enough? or should i rely on the 1.8 for all the occasions?

As a help maybe my already taken pics can show you what kind of photos I do, so its easier to judge which lense works better.

https://500px.com/enisphotography

EOS 6D no PC Port

I have just acquired a Canon EOS 6D. This camera does not have a built in PC sync Port.
What is my best option to get a PC sync port on this camera so I can trigger my studio lights using the PocketWizard PlusX. I have been researching hot shoe adapters with PC Sync Port but none of these appear to be reliable.

Should AFMA on a Set of Lenses Have Similar Spread from One Body to Another?

I have slowly been getting time to AFMA my lenses using Focal on my 7DII, after upgrading from 7D. I've noticed something that is strange to me, but maybe it is normal and I will ask this experienced group. These are the only two cameras I've ever had with this ability. The change in AFMA is not going in the same direction with all the lenses.

35L:
7D -2
7DII +2

50L:
7D -4
7DII -11 (-12 the first attempt but program crashed before saving report)

70-200 2.8II @70:
7D -1
7DII +4

70-200 2.8II @200:
7D 0
7DII +6

I do have some others that were AFMA on my old body that I'll eventually get the time to compare and see the trend. The 35 and the zoom seem consistent enough, but the 50 going the other way by such a margin seems odd to me. Should I be concerned? I used Reikan FoCal in both cases. The old 7D seemed very down the middle, with everything I had for lenses falling in the +- 5 range and better.

As a side note, I hope Reikan come out with an upgrade again soon. I had managed to AFMA a couple lenses before a trip, but only because I read the result right before the program crashed. The only way to stop wasting time and shutter count was to work in manual mode, not terrible, but not as convenient.

24-70 f4 IS vs. 24-105 IS

I own a very sharp and clean copy of 24-105 ... and have the opportunity to trade some other gear for a brand new 24-70 f4 IS lens.

I'm pretty happy with the 24-105, and my next length 70-200 f4 IS complements that lens well as far as overlap because I shoot with a FF and CF ... and can interchange easily when needed.

But, have never shot with a 24-70 f4, and hear such great things about it. If I trade for the 24-70, I will keep the 24-105 more than likely, or maybe sell it or trade it later. But it's not part of this trade.

Because the 24-105 and 24-70 will create a direct overlap, but lose the 70-105 range, can anyone who has field experience with both explain what gain comes with the 24-70 over that end of the 24-105 ... But a good trade comes along infrequently, and this one is good because the gear I'm exchanging I no longer use -- I could sell the gear for a bit less cash than the 24-70 cost -- so will actually gain a tiny bit in value if I trade ...

Will appreciate anyone with experience using both give some input here ... thanks

BTW: I shoot mostly sports / wildlife / action, but shoot enough wide images to justify having the 24-70, but the 24-105 covers it.

My dilemma: Will the 24-70 give me enough IQ improvement at that end to justify both in my bag?

If not, I'll pass and trade / sell my gear for something else -- altho, at the moment, I'm OK with gear - this kind of trade opportunity comes less often so, want not to miss if it's worth it.

I'm a bit puzzled on this one ... and don't want to 'rent' 24-70 just to see. Invalidates the value of the trade a bit if I rent one. :) <scratching head>

  • Poll Poll
POLL: Which of these UWA options would you buy?

If you could only have one of these options, which would you pick?

  • Canon EF 16-35mm f/4L IS + Canon EF 8-15mm f/4L Fisheye

    Votes: 43 55.1%
  • Canon EF 11-24mm f/4L

    Votes: 30 38.5%
  • I don't care / I don't use UWA lenses

    Votes: 5 6.4%

Just for fun,
ASSUMING the rumored 11-24mm f/4L arrives, performs well, has a bulbous element, and costs around $2499-$2999: which would option would you pick below if you could only have one since they would cost around the same?

OPTION 1: 16-35mm f/4L IS + 8-15mm f/4L Fisheye
PROs: Offers both rectilinear and fisheye UWA depending on focal length, 16-35mm accepts filters
CONs: No rectilinear option wider than 16mm

-or-
OPTION 2: 11-24mm f/4L
PRO: This one goes to 11. :) Unusually wide for a FF rectilinear lens.
CONs: Expensive for a single lens, no filters, no fisheye option available, lacks 25-35mm coverage.

Just curious about what the opinions and use case scenarios for people would be 8)

50mp Cameras Coming in March [CR1]

HTML:
<p>We’ve heard a few times that there are going to be 2 version of the upcoming high megapixel camera, one with a low pass filter and the other without.  Nothing has changed on that front, as we continue to hear that will be the case.</p>
<p>We’ve been told a few times that this is coming in the first half of 2015, now we’re hearing the cameras will be announced in March. So by the sounds of things, don’t expect anything high megapixel related at CP+ in Japan next month.</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Upgrading lenses for college student

Hey everyone! I am college student on a very limited budget. I currently shoot with a Rebel XT and its original 18-55mm kit lens. I recently sold one of my old film cameras and a very slow 28-90mm lens. I plan on purchasing a 50mm 1.8 with that money. I was also thinking about selling my kit lens and buying a used EF 28-105 http://www.amazon.com/Canon-28-105mm-3-5-4-5-Standard-Cameras/dp/B00004YZQ8
Or buying a used EF 28-135
http://www.amazon.com/gp/product/B00006I53S/ref=pd_lpo_sbs_dp_ss_1?pf_rd_p=1944687462&pf_rd_s=lpo-top-stripe-1&pf_rd_t=201&pf_rd_i=B00004YZQ8&pf_rd_m=ATVPDKIKX0DER&pf_rd_r=0KNZYNKJHD1ERYPWQQWX
I am not sure if this is a good idea or not, I do not have a lot to spend and I figured these lenses are probably better quality then my kit lens. I tend to shoot a lot of landscapes. I will use my 50mm 1.8 as my portrait lens. My work can be found here: http://photographsbystevenrussell.pixieset.com/russell/ It is important to note that I also currently have a 80-200mm EF lens, however I do not used this much. Maybe I could sell both the kit and 80-200mm for something better?

Used Gear stories....

Hi everyone...

I know there are tons of places for used gear. I have had experience with Ebay, Fred Miranda, Craigslist, Canon Direct, Lens Authority, KEH, B&H and Adorama...Where do you get from?

I have had all good to great experiences with all. Paypal offers some security (except if you want use the gift option to save that 3%) for FM, and POTN transactions. When buying on ebay, you have protection from both Ebay and then Paypal, if you pay using them. Ebay's "item not as described" in my opinion can be very biased against the seller, if ebay doesn't bite, then paypal will most likely side side the buyer. The actual stores such as B&H, Adorama, KEH and Lens Authority all have pretty decent return policies.

As everyone knows, use common sense when dealing with less secure transactions such as craigslist (meeting up someone with $1000 cash for a lens that you've never met can be a bit scary). I have gotten good results on CL. Living in NYC, there are lots of buyers and I can save the fees and shipping troubles. Downside is not much protection. I used normal caution such as asking for Ebay/Facebook/Flickr references just to make sure the person actually exists. I also figure for higher end lenses, it is very unlikely the person will not have a website or flickr site. I also try to gather personal email address or phone number and whatever I can get in the event that things turn south.

Please share your used equipment experiences...Good or bad.

What to take to Iceland ?

Hey everyone! It's been a few years that I'm on CR's forum but I haven't posted anything yet.
Another thing, Im French, english is not my mother tongue! :P

Im going next July in Iceland for a 2 weeks 4wd trip. (south, west and north)
I'm planning to do a lot of landscapes, long exposures and some astro if possible. I will do quite a lot of hiking and I dont want to get more than 4 lenses. I do not consider to only get a zoom lenses (I used to have a 24-105 for quite a while). I dont mind to just get primes over zooms.

I really love wide and angle. Most of my shot are done at 16mm or so.

I currently have a 6D with:

- Tokina 17mm f3.5 AT-X (not the pro version) (just ordered it on Ebay so I can't say how well it performs)
- 16-35mm f2.8 II (I'm getting bored of this lens. Distords a lot)
- 45mm f2.8 TSE
- 50mm f1.2
- 135mm f2.0

I am open to any suggestions but I wanted your thoughts about those lenses and combos:
I only move to primes with: tokina 17mm + canon 24 1.4 + 50 1.2 + 135 f2.0
or I stick to my old 16-35 f2.8 II + 50 1.2 and 135 f2 ?
What about getting the 17mm TSE + 1.4 extender and the 50&135 ?

If you've been to Iceland, what did you take ? What was your more used focal length or lens ?

Thanks! ;D ;D

Help with upgrade from T3i?

Hey all,

I am a long time photographer with film in several bodys like the OM-1. I used point and shoots for light work for awhile but loved shooting film.

Three years ago I got a T3i as a gift and grabbed the 17-55 F2.8 and 70-200 IS F4 for it. I mostly shoot Street Landscapes Wildlife and Cars. I have been happy with the T3i thus far but I am getting really sick of the noise at higher ISOs. I shoot in poor light quite bit which makes matters even worse. I usually resize for computer screens and anything past 1600 ISO is just a mess with this cam shooting RAW. Some of it I can fix in post with lightroom but at 3200 everything for me becomes unusable. If I correct in post it takes enough that the picture is now soft and looks like a painting haha.

Anyways I am looking at the 7D MK II or a 5D MKIII for a replacement. I am wondering if the high ISO performance is any better on the 7D MKII or if I should just got for a full frame camera and start over. I do shoot alot of low light it seems, so the T3i is just not working for me. Also sometimes I need a little more FPS for wildlife moving and the T3i is so slow.

Also the T3is focus or lack there of is killing me it has one cross type so you really can only use the center dot and then reframe on everything.

I was also looking at a X100T as a kick around old school camera as I like manual controls alot more than the digital DSLR menus and stuff. I guess I am just old school and like that instead of digging through menus.

I guess I am looking for any suggestions you guys might have for a next step. If I went for the 5D MKIII I would just sell my 17-55 EFS f2.8 and T3i body and put it towards that and probably another L lens.

Thanks for any help!

Purchase 5DIII now, or wait for 5DIV?

So I'm on the fence about whether I should wait and hope for the 5DIV to come out within the year, or go ahead and finally put down the money for the 5DIII. Also, any input on what people are thinking the 5DIV is going to be priced at would be nice. If its more than $1000 higher than the 5DIII or more than a year out, I probably won't be in the market for it after all. I currently have the 70D and 6D usually paired with the 70-200 2.8 II and I shoot mostly sporting events. The 70D does a decent job for the outside events, but anything indoors is too grainy. The 6D does fine on the graininess indoors, but misses focus way to often. So this is my dilemma, any help would be greatly appreciated.

Thank you!

17-40 ---> 16-35 f4

Hi everyone...

Tomorrow I hope to be getting a 16-35mm f/4. I currently have the 17-40 which I have been more or less happy with and has served me well over the past few years. I owned a 16-35mm f/2.8 II for a short period of time, but decided to sell it because I could not justify the price difference (17-40 Used - $550 vs. 16-35 Used $1200 - at the time for good clean copies). I ended up going back to the 17-40.

The 16-35 f4 seems to be somewhere (~$950 Used) in the middle and has gotten great reviews all around. The chart numbers seem great and the example look good. I am particularly excited about testing the corner sharpness, which is supposed to be a big improvement over the 17-40 and 16-35 2.8. I like that the filter is 77mm to share filters with my 24-70 2.8 I.

Please let me know what you think about your 16-35 f4. Any and all opinions are welcomed...

Buying second hand, avoid low shutter count.

Being a cheapskate I like to buy second hand.. I got my old 30D second hand and will probably get my next body second hand.

The shutter count is an important feature on any sales comments. However as an engineer I know how you get a usually get a "bathtub" failure rate curve.

Now I found a website showing shutter life:

http://www.olegkikin.com/shutterlife/canon_eos5dmkii.htm

I chose the 5DII as I've been wanting to get one.. just need to find the cash. Anyway what's interesting is that there appear to be several cameras failing at low shutter count. So I worked out from the data what the chance was that a known used working camera would fail in the next 10,000 shots.

(aplogies for the formatting.. the pertinent column is the right most, being the chance of failure in next 10k shots)


Number of shots on camera Recorded working Recorded failed Cameras surviving Failures in next 10k shots Chance of failure in next 10k shots
100 0 1 1526 26.3 0.0172
200 1 1 1525 25.5 0.0167
500 7 2 1523 24.2 0.0159
1000 3 2 1514 23.3 0.0154
2000 3 2 1509 23.8 0.0157
5000 32 2 1504 45.0 0.0299
10000 67 17 1470 13.0 0.0088
20000 114 13 1386 10.7 0.0077
35000 148 16 1259 5.3 0.0042
50000 122 8 1095 3.4 0.0031
100000 296 17 965 1.2 0.0012
150000 262 6 652 1.5 0.0023
250000 233 15 384 0.6 0.0016
500000 93 15 136 0.1 0.0006
1000000 17 4 28 0.0 0.0011
2.00E+006 4 3 7


By the looks of things I need to look above 50k shutter actuations.. and there's nothing to be feared by looking well beyond.

Canon U.S.A. Celebrates The Creativity Of Indie Filmmakers As A Returning Sponsor Of The 2015 Sundan

HTML:
<p><b>MELVILLE, N.Y., January 22, 2015</b> – Canon U.S.A. Inc., a leader in digital imaging solutions, announced today the company will return as a Sustaining Sponsor to the 2015 Sundance Film Festival (January 22 – February 1, 2015). Nestled in the mountains of Park City, Utah, the Sundance Film Festival celebrates the best of independent film; as part of the Festival sponsorship, Canon will offer a special slate of programming dedicated to the filmmakers who push creative boundaries behind the camera.</p>
<p>Canon is pleased to share that at least 52 of the 188 films premiering at this year’s Festival — over 27 percent — were shot using Canon equipment, up from the approximately 20 percent last year. Eli Roth’s <i>Knock Knock</i>, Amy Berg’s Prophet’s <i>Prey</i>, <i>The Overnight</i>, <i>The Wolfpack</i>, <i>Misery Loves Comedy</i>, <i>Cartel Land</i>, <i>Call Me Lucky</i>, <i>Fresh Dressed</i>, <i>How to Dance in Ohio</i>, <i>Most Likely to Succeed</i>, <i>The Hunting Ground</i>, <i>Tig</i>, and <i>The Nightmare</i> are a few of the many shot-on-Canon projects set to screen during the festival.</p>
<p>“We are honored that so many creative filmmakers have chosen our equipment to bring their visions and stories to audiences. We look forward to supporting them and connecting with them at the Sundance Film Festival,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “Sundance provides us with the opportunity to directly interact and support many up and coming filmmakers, and we are excited to return as Sustaining Sponsors to this year’s festival.”</p>
<p><strong><a href="http://www.usa.canon.com/cusa/about_canon?pageKeyCode=pressreldetail&docId=0901e02480e2b1ed" target="_blank">For a list of events and more information, visit Canon USA</a></strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Global Shutter Coming to Canon DSLRs? [CR1]

HTML:
<p>We’re told that Canon is working on using a global shutter for the upcoming replacement of the Canon EOS-1D X. The hope is to get the camera to shoot at 30fps for still images, which would require a lot of upgrades and new technologies such as CFast.</p>
<p><strong>What is a global shutter? </strong>(<a href="http://www.red.com/learn/red-101/global-rolling-shutter" target="_blank">From Red</a>)<strong>

</strong><em>“A global shutter controls incoming light to all photosites simultaneously. At any given point in time, all photosites are therefore either equally closed or equally open. A global shutter can work either by abruptly exposing and then obstructing all photosites at once, in which case it can be thought of as a “hard shutter,” or by doing this more gradually as a “soft shutter.” Since they have no moving parts, these are sometimes also referred to as an electronic shutter.”</em><strong>

</strong></p>
<p>I’ll let the more engineering inclined discuss the likelihood of this technology for CMOS DSLRs on the forum. This comes from an unknown source, so take it with lots of salt.</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Good quality "super zoom" Camera

Hello All

Just looking for a quick bit of advice... taking the family to Disney World in a week or so, and I really don't want to lug around my big gear and worry about it for the week. Last time we went I took my 60D, which after 10 hours a day in the park and 6 days was a burden. Then I only had the one little one to watch... now we are blessed with 3, and I would rather carry around something compact but that still has reach...

Any recommendations or personal experience would be appreciated... not sure how the Nikon P600 stacks up to the Canaon SX60 or perhaps other offerings from 3rd party manufacturers...

thanks!

-G

Tamron 15-30mm f/2.8 VC Coming End of Month

HTML:
<p>Saitama, Japan – Tamron Co., Ltd. (President & CEO: Morio Ono), a leading manufacturer of precision optics, announces the release of a groundbreaking F/2.8 ultra-wide-angle zoom lens for full-frame DSLR cameras.</p>
<p>Since 2012, Tamron has been expanding its lineup of interchangeable lenses for full-frame DSLR cameras. The Tamron SP 24-70mm F/2.8 Di VC USD (Model A007) was the world’s first F/2.8 high-speed standard zoom lens to include image stabilization, followed by the development of the unique SP 70-200mm F/2.8 Di VC USD (Model A009), SP 90mm F/2.8 Di MACRO 1:1 VC USD (Model F004), and SP 150-600mm F/5-6.3 Di VC USD (Model A011) lenses, all of which have been highly acclaimed among the photo enthusiasts around the globe. Now, we have developed SP 15-30mm F/2.8 Di VC USD (Model A012) to expand the world of imaging possibilities in the wide-angle range.</p>
<p><strong>Preorder the Tamron 15-30mm f/2.8 VC $1199: <a href="http://adorama.evyy.net/c/60085/51926/1036?u=http://www.adorama.com/results/Tamron1530LensRelease" target="_blank">Adorama</a> | <a href="http://www.bhphotovideo.com/c/buy/Cameras/N/0/Ntt/TA153028*/bi/2466/kbid/3296" target="_blank">B&H Photo</a></strong></p>
<p><!--more--></p>
<p><strong>Superior, class leading imaging performance using an innovative XGM lens element</strong>

With an optical construction consisting of 18 elements in 13 groups, including, for the first time, an XGM (eXpanded Glass Molded Aspherical) lens element placed in the front group, and several Molded-Glass Aspherical elements and LD (Low Dispersion) elements used throughout the optical system, aberrations such as geometrical distortion and lateral color are efficiently corrected enabling the zoom lens to deliver outstanding image quality throughout its entire zoom range from corner to corner.</p>
<p><strong>Enhanced sharpness with exclusive VC image stabilization when shooting handheld in low light or at night</strong>

In response to popular demand, Tamron has created the world’s first F/2.8 ultra-wide- angle zoom lens with VC (Vibration Compensation)*4. The VC allows shooting at slow shutter speeds and in low light conditions, and effectively compensates for minor camera shake, whilst maintaining class leading optimal performance.</p>
<p><strong>eBAND Coating provides superior anti-reflection properties</strong>

In addition to further optimizing Tamron’s acclaimed BBAR (Broad-Band Anti-Reflection) Coating, the eBAND (Extended Bandwidth & Angular-Dependency) Coating has also been employed in this lens. This combination offers superior anti-reflection properties especially important in ultra-wide-angle lenses which are particularly susceptible to flare and ghosting due to their wide angle of view, and provides superior quality and crystal-clear images by minimizing unwanted light reaching the sensor.</p>
<p><strong>15-30mm zoom covers both ultra-wide and semi-wide-angle focal lengths</strong>

At its ultra-wide-angle settings this lens can capture, in a single photograph, broad landscapes that cannot be taken in fully by the human eye. At its semi-wide-angle focal lengths, it’s ideal for travel and street photography. In short, this unique lens utilizes the zoom function to provide maximum shooting flexibility with a wide range of subjects.</p>
<p><strong>Fascinating background “bokeh” throughout the wide-angle range due to its fast constant F/2.8 aperture</strong>

Utilizing its shallow depth of field at F/2.8, it enables users to capture beautiful bokeh effects even at wide coverage angles. Its advanced optical formula and 9-bladed circular diaphragm are designed with defocused photography in mind – perfect for creating images where subjects stand out from their natural, blended backgrounds.</p>
<p><strong>Proven fluorine coating utilizing Tamron’s industrial lens expertise is used on the front element</strong>

Fluorine coating, with an established track record in Tamron’s industrial lenses, such as those used in automotive cameras, has been applied to the front element. It repels water and dirt, and makes it easier to remove smudges.</p>
<p><strong>Flexible, high-performance focusing with USD</strong>

USD (Ultrasonic Silent Drive)*5 delivers high torque, high precision, and virtually silent autofocus action. A full-time manual focus mechanism permits fine focus adjustments instantly without needing to exit AF mode.</p>
<p><strong>Lens hood designed to prevent light from striking lens at all focal lengths</strong>

This unique lens hood provides effective shading of the front lens surface over the entire zoom range to minimize flare. It utilizes the unique characteristics of the optical system in which the front lens group recedes as you zoom in from 15 mm to 30 mm.</p>
<p><strong>Double-hood structure provides additional strength</strong>

A double-hood structure has been incorporated into the lens design to improve the durability of the zoom mechanism.</p>
<p><strong>Comes with “SILKYPIX Developer Studio for Tamron”, RAW image processing software customized for Tamron SP lenses</strong>

The SILKYPIX Developer Studio software can develop high-quality images from RAW data, incorporating adjustments that can express the personal style and taste of the photographer. These include white balance, color, sharpness, and the tonal curves recorded by digital cameras.

The SILKYPIX Developer Studio for Tamron provides a range of functions in addition to the basic adjustment capabilities, such as correcting aberrations (chromatic aberrations, distortion, peripheral light fall-off), based on the optical data. Used in tandem with Tamron’s SP series lenses – renowned for their crisp, high-resolution imaging – this advanced technology efficiently produces images that meet photographers’ most exacting demands.</p>
<p>*1 The XGM (eXpanded Glass Molded Aspherical) lens element is capable of efficiently correcting aberrations in the angle of view that changes significantly with an ultra-wide-angle zoom lens. Furthermore, it has an especially significant impact on minimizing distortion and enhancing sharpness of the image at its periphery.

*2 eBAND (Extended Bandwidth&& Angular-Dependency) Coating is a new nanotechnology-based coating technique developed by Tamron to reduce unwanted reflections.

*3 The Sony mount version does not include VC since Sony digital SLR bodies incorporate built-in image stabilization functionality. The name of the Sony mount model is “SP 15-30mm F/2.8 Di USD” without the VC designation.

*4 VC (Vibration Compensation) is Tamron’s proprietary image stabilization mechanism.

*5 USD (Ultrasonic Silent Drive) is Tamron’s proprietary ring-type ultrasonic motor.</p>
<p><strong><a href="http://www.tamron.co.jp/en/lineup/a012/index.html" target="_blank">Visit Tamron</a></strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Sigma 35mm 1.4 - Great on 5dmk2 but not 6D - Normal?

Hi,

I got the Sigma 35mm f/1.4 last week, tested it on my 6D... hmmm, really front focuses, using micro adjustment has more or less sorted it out. But, when I tried it on my 5Dmk2... spot on! No micro adjustment needed!

Is this normal? Can a lens front focus on one camera body but not on another?

Just curious if this has happened to anyone else?

Cheers

Filter

Forum statistics

Threads
37,480
Messages
975,426
Members
24,816
Latest member
GLBDD

Gallery statistics

Categories
1
Albums
29
Uploaded media
372
Embedded media
1
Comments
25
Disk usage
1 GB