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Nikon's 2.300$ D750 said to best 5DIII

http://www.rossharvey.com/reviews/nikon-d750-review

Quite an excited review of the Nikon D750. Sample pictures look really great. Especially high iso looks impressive. Says he also worked with the 5DIII and that it does not compare for his work (weddings).

Agree with reviewer that Canon has work cut out for them selves trying to make the 5DIV competitive (either by slashing the price range or jumping the specs).

All the better for us that Canon is under stiff pressure to deliver this time around. This time there will no excuse that Nikon pulled a rabbit.

  • Poll Poll
POLL: Would have your earlier shots improved by better gear?

If I would have had better gear right from the start, it would ...

  • ... *not* have really mattered as I was learning

    Votes: 39 27.7%
  • ... have significantly improved *few* shots

    Votes: 34 24.1%
  • ... have significantly improved a *medium* amount of shots

    Votes: 32 22.7%
  • ... have resulted in *many* more keepers that are up to my current standard

    Votes: 36 25.5%

Looking at some posts about dslr beginners reasoning what camera bodies and lenses to buy, I'm asking myself: Does it really matter if you start with a 7d1 vs. 7d2 or 5d2 vs. 5d3? Do you need a 16-35L/4 instead of a 17-40L/4? Or isn't it smarter to save the money, learn a lot and then buy the next better model in a couple of years?

I know for me, "just" buying a 60d was a smart choice - a 5d2 would have been wasted. With the €1500 saved back then, I now bought a 6d basically for "free" and can even profit from it as my skill is up to it by now.

What about you? If you would have had top gear right from day one, would have it been "worth it"?

Why would Canon pick this combo?

Am considering Canon’s Canadian preorder offer for the 7D Mark II ( ie. Body @1899.99CAN ($1,696 USD), plus the option to buy the 24-70mm f/4 L for $399 CAN ($356 USD) if ordered together). The 24-70 is currently retailing for $1,100 CAN ($1,000 USD), so the deal looks good.
I own a 7D + the 17-55mm f 2.8 and feel this is a good, all purpose lens for this camera (except the often discussed build criticism). The 24-70 range seems to be better suited to a full frame, rather than an APS-C…so, why would Canon make this choice to go with the 7D MK II (apart from obvious better build)?
The DxO Score/Sharpness M-Pix for : 7D +17-55= 15/9
70D +17-55=16/11

7D + 24-70= 13/8
70D + 24-70= 14/10
Since the 7D Mk II’s sensor appears to be a ‘tweaked’ 70D sensor…. maybe the 7D Mk II +24-70 combo might score 15/12 (pure speculation). This doesn’t seem to be significantly different than either the 7D or 70D paired with a 17-55. Am I missing something? Other ‘still’ picture specs seem to be killer….…...so the 7D Mk II looks like a perfect ‘accessory’ for my 400 f5.6 and 500 f4. If I decide to take advantage of this offer, I will likely reserve the 24-70 f/4 for a planned future 6D purchase….or should I pass and hold out for the 24-70 f2.8 II?

G7X samples

Gordon Laing has posted some G7X samples over at cameralabs, I don't know if anybody posted them here before, but just for the sake of it ;)
http://www.cameralabs.com/reviews/Canon_PowerShot_G7X/sample_images.shtml

The left corners look pretty awful to me, if it is true what I'm seeing there, my fear that Canon didn't design a great lens for an otherwise great camera came true... *sigh*

First Flash

I need to pick up my first flash. So I have a 6D, I didn't like the pop up flash on my t2i and how it looked so i never got into flash photography. But now i know i need one. I rented the canon 580 ex II bc my friend wanted me to shoot his engagements and I realized i really need one.
The hard part is that my wife doesn't like me to buy camera stuff, so the 600 is out. I have been thinking about 430ex but I have been thinking out a third party flash.
I want something that will help me learn but also i can just make it do all the work when i am still learning when i just want the picture to come out.

How Soon We Forget!

With all the chatter today about needing more MP or DR, let's not forget where we were just 10-years ago. For those of you under 30-years-old, 10-years ago seems like a lifetime. For those of us over 60-years-old, 10-years ago seems like yesterday!

Here's a look back to 2004:

Canon EOS-10D, 6.3 MP 1.6x crop sensor, 3 FPS, $1,499

Nikon D100, 6.1 MP 1.5x crop sensor, 3 FPS, $1,499

Canon EOS-1D II, 8.2 MP 1.3x crop sensor, 8.5 FPS, $4,495

Nikon D2H, 4.1 MP 1.5x crop sensor, 8 FPS, $3,199

Nikon D1X, 5.3 MP 1.5x crop sensor, 3 FPS, $3,899

Canon EOS-1DS, 11.1 MP full frame sensor, 3 FPS, $7,999

Kodak DCS-14N, 13.8 MP full frame sensor, 8 FPS, $9,000+

So, what's my point! Just this, what we thought was fantastic back then, is "not so much" today. However, there are millions of great images from back then! And in 10-years from now, we'll probably still be arguing about needing more MP and DR, yet we'll still have tons of great images from right now! Life is short my friends, get out and enjoy what you have right now! The future will be here starting tomorrow, and with it, undoubtably more of everything you could ever wish for or imagine!

  • Poll Poll
Canon EF 70-200 f2.8L IS II pricing and feedback

Pricing for the lens during Black Friday?

  • $1799 like Black Friday last year

    Votes: 19 59.4%
  • $1599 cheaper due to Canon's recent pricing change

    Votes: 5 15.6%
  • $2299 standard retail price

    Votes: 5 15.6%
  • Other

    Votes: 3 9.4%

I would like some feedback on how low you think the price will drop during Black Friday? Seeing that the standard price has dropped from $2499 down to $2299, will that affect the discounted pricing this year?

Additionally, any feedback from those of you that own this lens would be highly appreciated!

5DIII focusing screen for manual focus

The 5DIII does not have exchangeable focusing screens supported from Canon. I have previously tried the Eg-S screen, made for 5DII and 6D, but that is not a mechanical fit. I found an instruction video on youtube, showing how to install it, but it did not work well over time. After a couple of weeks I got a focus offset (appeared as a +75 AFMA offset). Using AF still worked, but the visual appearance in the view finder, when the subject was in focus, was anything but in focus.

I have since only used my 1DX with the Ec-S screen for manual focus lenses. I hardly ever use a tripod, so I must be able to focus through the viewfinder. I am not able to focus with handheld live view.

A couple of weeks back I ordered a custom made S-type focusing screen for the 5DIII, from Focusing Screen in Taiwan (www.focusingscreen.com). It arrived today and I have installed it (only takes about 5 minutes) and played with it. Mechanically identical to the original and fit perfectly. Initial impression is very good. I have only used it indoors, in rather dim light, but my keeper rate (Otus 55mm @f1.4) is very high (still subjects) and equal to what I am able to get with the 1DX.

I have not done a very thorough testing of the need for exposure compensation. But as far as I can see from the images I have, there does not seem to be a need for any adjustments. But the viewer does get a bit darker, so it is best used with f2.8 or faster lenses. I tried the 600 f4L IS II, but (for dim indoor shots) then the viewer turned too dark. That was expected though.

So, for those of you who are happy with your 5DIII, but would like to also use manual focus lenses, this is clearly a good option.

iPhone 6 gets an Exmor

I found this the other day:

http://image-sensors-world.blogspot.com/2014/09/chipworks-iphone-6-plus-teardown-finds.html

Looks like even iPhone has moved to Exmor. Excerpt form Chipworks (their page doesn't seem to be loading at the moment):

"The iPhone 6 Plus iSight camera chip is housed in a camera module measuring 10.6 mm x 9.3 mm x 5.6 mm thick. Fabricated by Sony, the iSight camera chip is a stacked (Exmor RS), back-illuminated CMOS image sensor (CIS) featuring 1.5 µm generation pixels (introduced for the iPhone 5s). The die size is 4.8 mm x 6.1 mm (29.3 mm2). The phase pixel pairs have all been implemented in the green channel and cover the majority of the active pixel array."

"Our speculation of Sony winning the FaceTime sockets, though, turned out to be correct. We’ve just confirmed the iPhone 6 Plus FaceTime camera is a stacked Sony CIS and will provide more details in a future update."

My new toy, Best of monopod in my Idea.

Dear Friends.
For long time that I am looking for the Great Monopod which can stand alone for muti-function usage. Yes, I have 6 Monopods already, From the Tiny one and up to the Biggest one that can carry my 1DS with EF 600 MM.
Yesterday , I went to peek around my friend's Local Camera store, And At that time, The Sale man from the company, Mogopod, CO. come to sell/ Stock of his Brand name Monopod = MOGOPOD", And I listen to his sale pitch, And Fell in love with this MOGOPOD= American design, Made in China.---Yes, Regular price Mogopod + Tri Feet( MK III )=$ 200 US Dollars----I get the introduction price $ 160 US Dollars---Yes, I buy one -----May be stupid hot head Surapon.
Yes, After that in yesterday afternoon, I just try with all of my Lens---BUT This Mogopod is design for carry the max. load = 11 pounds only( 5 KILOGRAMS)---Not Good for 12.5 Pounds of EF 600 MM + 3 Pounds of Canon 1DS.----BUT, In the future, I will drill tiny holes and put the tiny nail to stop the slide action of this monopod , and can increase to 20 pounds carry dead load for my 600 mm. Lens.
Yes, This Mogopod can use as extension for shoot the photo 5 feet above my head too.
YES, The EXTENSION ACTION, This Company Copy from 'SHUR-LINE' Painter's pole( $ 15 US Dollars ) that sell by home depot or Lowes----Ha, Ha, Ha.
Here is the Link=

http://mogopod.com/

http://www.amazon.com/Mogopod-Monopod-Height-11lbs-Capacity/dp/B00H1CR166



Enjoy.
Surapon

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Moving Abroad with Photography Equipment (Norway in my case)

Good day. Going to be relocating at the end of this month from continental US to Stavanger, Norway. Seeking advice from experienced travelers on best way to move equipment.

Planning to take my most essential pieces as carry-on with me (5D3, 300mm ii, etc.). But looking for good advice on how to safely/securely transport the rest of my glass and equipment. Of course, the equipment will be insured, but I would like to avoid the hassle of having to replace or repair large amounts of expensive equipment. And I'm sure replacing in Norway would be much more expensive than replacing equivalent equipment in the US.

I can imagine with the worldly group we have here, i can get some decent advice. Would you suggest putting equipment in locked pelican cases for transport? I would think that only makes them stick out even more for thieves who may come in contact with equipment. But doing anything less would seem to be irresponsible to me.

Again, any advice you all can offer would be greatly appreciated. Thanks!

Can I use all my old Sunpak 522 Flashes with Canon EOS

Back in the 70s and 80s, my father and I used to listen to the police scanner, chase everything nearby, shoot it and sell it to the newspapers. I had Canon AE-1's, AE-1 Programs, A-1's and he was a medium to large format guy. Over time I had acquired 3 Sunpak 522's with all the TTL adapters, batteries, belt packs, if they sold it, I have it still. I can remember going out in the middle of the night to an accident scene or fire, setting these up and firing them all at once, lighting everything in sight. To this day, I still have them all, everything still appears to work as designed, except, now I have multiple EOS cameras, XTi, T3i, T5i and 70D. I can turn them on, hit the test button, all the stuff I bought for them, they all fire together, light up my whole back yard in the middle of the night.
I realize Canon sells some awesome flashes now, with all kinds of equipment to bond them together, but remembering using all 3 when doing wedding portraits, a car accident at 2am, you name it, I want to use them all still today. I am afraid to attach any of it to my camera and hit the button to fire it fearing I may see a puff of smoke come out of the camera, or otherwise, rendering my new Canon gear useless.
Call it partial sentiment to the past, or if I sold it all on Ebay or whatever, I could afford a new lens cap and cap keeper cord. I know those old film cameras synced at 1/60th, I can control them manually for power, I can calculate the difference, or test the heck of it for results, but does anyone know how I can still use this gear today?

No EOS-1D X Replacement in 2014 [CR2]

HTML:
<p>There’s been some talk about an EOS-1D X replacement some time in 2014, and it has been discussed even more with the <a href="http://www.canonrumors.com/2014/09/deal-canon-eos-1d-x-body-4799/" target="_blank">apparent price drop on the camera through grey market retailers</a>.</p>
<p>I have it from a good source that the EOS-1D X won’t be replaced in 2014, but should see an update in 2015. This is a pretty safe bet, especially judging by the EOS 7D Mark II features. That brand new 65 point AF system should be making its way to the EOS 5D Mark IV and EOS-1D X Mark II within the next 12-18 months.</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Review: Canon EF 16-35 f/4L IS by Dustin Abbott

HTML:
<p>The extensive reviews of the Canon EF 16-35 f/4L IS continue to roll on. This time Dustin Abbot has posted his review of the Canon EF 16-35 f/4L IS.</p>
<p>This is another review that is quite glowing about the Canon EF 16-35 f/4L IS. It looks to be a good upgrade if you have an EF 17-40 f/4L and a great choice if you need a fill frame wide angle zoom don’t need the extra stop of light that the EF 16-35 f/2.8L II provides. I have yet to seriously shoot with the lens, but I hope to change that soon.</p>
<p><strong>From Dustin’s Conclusion

</strong><em>“This lens is good…really, really good. It is so competent that you have to stretch to find criticisms. What is even more true is that this lens is going to serve hundreds of thousands of photographers around the world very, very well.”</em><strong>

</strong></p>
<p><strong><a href="http://dustinabbott.net/2014/09/canon-ef-16-35mm-f4l-is-usm-review/" target="_blank">Read the full review</a> | </strong><strong>EF 16-35 f/4L IS: <a href="http://www.amazon.com/gp/product/B00K8942SO/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00K8942SO&linkCode=as2&tag=canorumo-20&linkId=6AVWEQKBYJ7TXPHU" target="_blank">Amazon</a> | <a href="http://www.bhphotovideo.com/c/product/1051475-USA/canon_9518b002_ef_16_35mm_f_4l_is.html/BI/2466/KBID/3296" target="_blank">B&H Photo</a> | <a href="http://adorama.evyy.net/c/60085/51926/1036?u=http://www.adorama.com/CA16354.html?kbid=64393" target="_blank">Adorama</a></strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Patent: Tamron 10-50 f/3.5-5.6 VC Fisheye for APS-C

HTML:
<p>Tamron looks to be continuing their set of VC wide angle zoom lenses. This time with a 10-50mm f/3.5-5.6 VC fisheye lens for APS-C cameras. This would <a href="http://www.canonrumors.com/2014/09/tamron-announces-development-of-full-frame-15-30mm-f2-8-vc/" target="_blank">follow the very well received 15-30mm f/2.8 VC</a> that was shown at Photokina this month in Germany.</p>
<div id="attachment_17500" style="width: 333px" class="wp-caption alignnone"><a href="http://www.canonrumors.com/wp-content/uploads/2014/09/tamron1050fisheye.png"><img class="size-full wp-image-17500" src="http://www.canonrumors.com/wp-content/uploads/2014/09/tamron1050fisheye.png" alt="Tamron 10-50 f/3.5-5.6 VC Fisheye" width="323" height="281" /></a><p class="wp-caption-text">Tamron 10-50 f/3.5-5.6 VC Fisheye</p></div>
<p><strong>Patent Publication No. 2014-178388 (Google Translated)</strong></p>
<ul>
<li>Published Date 2014.9.25</li>
<li>Filing date 2013.3.13</li>
</ul>
<p><strong>Example 1</strong></p>
<ul>
<li>Focal length f = 10.302-21.15-47.803mm</li>
<li>Fno. 3.53-5.05-5.62</li>
<li>Half angle ω = 90.00-39.00-17.00 °</li>
<li>Maximum image height Y = 14.200mm</li>
<li>(L131 part of the third group) anti-vibration</li>
<li>Inner Focus (L134 part of the third group)</li>
</ul>
<p>Source: [<a href="http://egami.blog.so-net.ne.jp/2014-09-29" target="_blank">EG</a>]</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Video Editing Work Flow?

I am beginner on taking video / film making / videography (i dont know if these terms can be use interchangeably).

After recording a video using my 6D. The SD card shows .mov file.

1. What is usually the next step? should I convert it to other format prior to video editing?
2. What are the usual video editing that needs to be done? cutting/rejecting portions of the video?
3. What is the usual final format (for still, its jpeg).

Thanks.

Site trolling

Do Canon owners traditionally go to other camera fanatic sites ie... nikonrumor or fujiforums or sonyfans whatever they might be... and troll and deride those members for their equipments faults and shortcomings.

You cannot ask a question on this site anymore without someone saying go buy a sony because Canon sucks...

Is this what Canon owners did when the Nikon was an inferior product? is this our payback?

It is really bad right now... what gives?

You would think that Nikon . Sony owners would haunt there side of the interwebs...

*** this is not a post about capabilities of camera manufactures and their individual products ****
please restrain yourselves

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