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Canon U.S.A. Announces Canon In Action Tour 2014

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<p><i>Educational Roadshow Helps Photographers and Filmmaking Enthusiasts Build Their Skills and Unleash Their Creativity</i></p>
<p><b>MELVILLE, N.Y., May 29, 2014</b> – Canon U.S.A. Inc., a leader in digital imaging solutions, has kicked off its Canon In Action Tour, an educational roadshow ideal for advanced amateur DSLR users and filmmaking enthusiasts. The tour includes live-learning seminars and workshops in several major U.S. cities now through November 23, 2014.</p>
<p><center></center>Tour attendees will have the opportunity to take part in an in-depth Imaging Essentials Saturday seminar, and/or intensive Sunday training workshops for a nominal fee. The classes are taught by renowned professional image makers Jack Reznicki, Jim DiVitale and Amina Moreau. Reznicki and DiVitale are full-time professional photographers and members of Canon’s acclaimed Explorers of Light program, and Moreau is the co-founder of the Emmy® award-winning Stillmotion production company.</p>
<p><a href="http://www.canonrumors.com/wp-content/uploads/2014/05/20140528_canonaction.jpg"><img class="alignnone size-full wp-image-16591" alt="canoninaction" src="http://www.canonrumors.com/wp-content/uploads/2014/05/20140528_canonaction.jpg" width="300" height="232" /></a></p>
<p>Each Saturday seminar covers still-imaging topics ranging from lens selection and composition, to understanding histograms and flash photography with Canon’s versatile Speedlite system. Throughout the seminar, video recording topics and techniques will be incorporated, simultaneously introducing DSLR video to traditional still-image shooters, and providing insights for EOS photographers who have already begun to include video in their imaging.</p>
<p>The Canon In Action Tour Sunday workshop offers participants a choice of two all-day, hands-on workshops: Speedlite Intensive or Exploring DSLR Video. Speedlite Intensive participants will be instructed on wireless flash operation and using cost-effective light modifiers to create professional-quality images with depth, dimension and detail. In the Exploring DSLR workshop, attendees will learn DSLR video shooting techniques, discuss the application of various in-camera video settings and learn how to apply the concept of visual story-telling to transform their finished video. With attendance limited to 20 people per workshop to maximize hands-on opportunities, both Sunday workshops present participants with a wealth of opportunities to learn in-depth techniques and develop their craft.</p>
<p>Canon technical representatives will be on-hand at all seminars and workshops to demo equipment and answer questions on Canon products. A full schedule of cities and dates for the Canon In Action tour is available at: <a href="http://inactiontour.usa.canon.com/" target="_blank">inactiontour.usa.canon.com</a>.</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

5D3 manual focus confirmation question

I'm just getting used to a new 5D3. During manual focus in automatic AF point selection mode, the center point is the only one that will confirm focus. The instruction manual indicates that's normal. Is this the end of the story, or is there any way to use all 61 glorious AF points to assist manual focus? This behavior strikes me as strange, since most other bodies put all AF points to use in the same scenario, and the 5D3 has such a robust AF system otherwise. Any thoughts or tips? Thanks!

Sold all my canon gear . . . Then bought a 70d

So i bought a rebel xti in 2007 or so and bought only full frame lenses thinking gosh in 5, 6 years Canon will make a full frame camera I can afford. I like low light shooting, so I waited and waited. Didn't upgrade my xti. Well it never happened - Canon just never brought full frame down the line up. Will it ever happen? And maybe I could find a deal on the 6d but no flash is annoying since it's handy in a pinch. I started to feel like I made a mistake with my whole system (28 1.8, 50 1.4, 85 1.8, 28-135, 70-300). Limited wide angle, lenses bigger than I need, no affordable prosumer full frame in sight.

So I sold it all on ebay over the weekend. Bought the fuji x100s that I've drooled over for years for its high sync speed and awesome daylight fill flash. That's my new low light indoors camera, with higher ISO than I've ever had and will never have with the affordable full frame Canon won't make. And far smaller than lugging an SLR.

But I still needed an SLR. I thought about going Nikon for 15 minutes just because I'm mad at Canon. And it seems Canon has just been using the same crop sensors for years (one reason I never upgraded the xti)

But the 70D got me with the video focusing and the STM lenses. Got a 18-135 and 55-250. My iphone shoots great video but not far for kids soccer, family sports, etc. Sure I could buy a camcorder but then which do I bring to the event?

And boy those crop lenses are cheap and small. Wow I can even afford the new 10-18 IS STM coming out. I think I can live with the lack of full frame SLR.

yongnuo yn560-iii any good

i do mainly wildlife photography with a 1d3 so have no built in flash on camera ,i'm contemplating the yn560-iii as a simple fill in flash for the odd times it would be needed ,i realise its not a ttl speedlite quality wise .but as this would probably be used 6 or 7 times a year is it worth getting one or can you recommend another model .i.e i envisage using this on close focus insect shots as a fill in .and possibly some family pics at xmas etc

Canon 24-70mm f/2.8 II performance at minimum focus distance?

Thoughts on this, lens owners out there? I have yet to get a normal zoom for my 6D due to dithering about "which one". I would like to have decent performance at minimum focus distance for a walkaround zoom. I hear such good things about the f/2.8 II, but have seen one review stating that performance is so-so at close range. I wonder if I would be happier with the less stellar 24-70 f/4 IS with the close-to-macro performance or with the Sigma or Canon 24-105s or with a good copy of the Tamron f/2.8.

New Full Frame Camera in Testing? [CR1]

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<p>A <a href="http://www.northlight-images.co.uk/cameras/Canon_1Dx_mk2.html" target="_blank">mention on Northlight</a> about someone from Canon apparently visited a few studios in the New York City area recently with a “test” camera in an EOS-1D X body. Images had to be processed and viewed on a particular laptop and none of the images could be copied or kept.</p>
<p>The image files were very similar in size to the EOS 5D Mark III’s 22mp files, but exhibited “much” better colour accuracy and detail. This camera is supposedly for later this year or early next year.</p>
<p>Could this be a replacement to the EOS-1D X, or an introduction of a new camera such as the rumor favourite EOS 3D?</p>
<p>Source: [<a href="http://www.northlight-images.co.uk/cameras/Canon_1Dx_mk2.html" target="_blank">NL</a>]</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Price tag to sell a Canon 7D

Hi Canonites,
I would like to sell my 2+ years old Canon 7D in a local online marketplace, the cam has all the accessories, box and normal signs of use like a couple of minor scratches. It has done 44k clicks.

Here in NL the new bodies sell for 1000/1100 euros, so I was thinking to price it around 650.

How much would you ask for the camera?

Thanks!
B

Sigma 85mm f/1.4 DG Art in August? [CR2]

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<p>We’re told that Sigma will announce the 85mm f/1.4 DG Art series lens in late August, in time for Photokina in Germany. Availability may not be until early 2015. Perhaps this is to steal some of the thunder from the expected Zeiss 85mm f/1.4 OTUS lens that will be announced at Photokina.</p>
<p>It’s also possible that Sigma will announce something like a 300mm-600mm supertelephoto zoom lens. Although that may not come until 2015. There was no mention of whether or not the lens would have a constant aperture, or even what the aperture would be.</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Canon EOS M Vanishes from Canon USA Web Site

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<p>We were alerted to the fact that Canon USA has removed the EOS M camera from their web site. They still list two of the 3 EOS M lenses, but there doesn’t appear to be any reference at all to the EOS M camera.</p>
<p>Are we going to see a mirrorless from Canon back in North America? At this point, I wouldn’t think so. Unless they completely revamp the product concept, it seems to be a lame duck system for Canon shooters.</p>
<p>There’s the possibility we see an EF based mirrorless system, maybe an even smaller SL1 style DSLR. I love the SL1 and I think removing the prism and introducing a few more pancake style lenses with an EF mount would be welcomed.  I’m speculating, as I haven’t heard anything to actually support such a concept.</p>
<p>Or maybe Canon is going to concentrate on the prosumer level of cameras and lenses, as that appears to be where the money is for companies in this industry at this time.</p>
<p><em>thanks Tom</em></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Canon Announces the "Bring It" Marketing Campaign

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<p>New Campaign Includes TV, Theater and Digital Advertising as Well as New Consumer-centric “Bring It” Microsite</p>
<p><b>MELVILLE, N.Y., May 27, 2014</b> – Canon U.S.A., Inc., a leader in digital imaging solutions, is proud to announce a new marketing campaign, “Bring It,” designed to enlighten consumers to a new perspective of telling better stories with higher quality images and video. The campaign, scheduled to roll out this month, features Canon’s line of EOS digital SLR cameras and lenses with a rallying cry for everyone to bring their best images and videos to be shared on the Canon “Bring It” microsite.</p>
<p>With a history dating as far back as the 1930s, Canon brought high-quality photography to market. Then, the heritage brand was the first to bring Hollywood caliber HD video to its digital SLR cameras. Today, Canon builds on its legacy by bringing a movement designed to show the public the value a Canon camera can bring to capture outstanding images and videos. Consumers should not settle for good enough, when they can have great. The new ‘Bring It’ campaign asks the masses to bring their talent, bring everything they have to the art of creating inspiring still and video images.</p>
<p><iframe width="500" height="281" src="http://www.youtube.com/embed/S6vFwq6Zuhw?feature=oembed" frameborder="0" allowfullscreen></iframe></p>
<p>Through a series of TV, in-cinema and digital spots, “Bring It” pays homage to Canon’s past and future as a leader in digital imaging technology, including scenes from the recent film Need for Speed, as well as personal home videos conveying the impact Canon has had from Hollywood to the general public. Consumers are also encouraged to be part of this social movement using the hashtag #BringIt every time they upload their creative HD videos and still images on social media sharing sites like Facebook, Twitter, and YouTube. Consumer submitted content shared online with #BringIt may be featured and celebrated on the campaign microsite, bringit.usa.canon.com, beginning in July.</p>
<p>“We want this new ad campaign to inspire everyone who is passionate about photography to show us the talents they possess,” said Yuichi Ishizuka, president and COO, Canon U.S.A. “The idea behind ‘Bring It’ is to encourage people to strive to not only take better pictures and videos, but to take their cameras wherever they go, allowing them to tell their unique visual stories -stories that will stand out from the crowd and last a lifetime.”</p>
<p><b>Bring It Microsite</b>

In addition, the “Bring It” microsite will serve as a gallery for consumer-submitted images and video, visitors to the <a href="http://bringit.usa.canon.com/" target="_blank" rel="nofollow">bringit.usa.canon.com</a> microsite will get a behind-the-scenes view of the inspiration behind each contribution and information on the products and methods used to produce what is being showcased. The microsite will also feature interactive content about Canon products, as well as educational tools to help inspire and guide consumers as they embark on their own journeys of producing still images and Hollywood caliber HD videos.</p>
<p>For the latest news and announcements related to Canon’s “Bring It” campaign, follow @CanonUSAImaging on Twitter and join the conversation with #BringIt.</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Return policy on lenses/equipment?

Hi, huge fan of this site - long time reader, first time poster.

I wanted to share a recent experience, and hoping to find out if this is common to many stores.

Over the last couple years my wife and I have purchased a lot of equipment for her studio. As of late, we have purchased all our equipment at B&H and some of the larger stores (non-chains) in Toronto with great experiences. We recently purchased the Canon 24-70 f/2.8 II, however, changed our minds the following day and decided to return the lens (we converted to all primes 2 years ago, but considered adding the 24-70 to her kit). I should note the box was never opened, and returned to the store the next business day. When we arrived at the store (a large national chain in Canada with 6 locations), we were informed that their policy is no refunds or exchanges on "professional gear over $1000". When I bought the lens I was never informed that it was final sale, and it only appeared in the fine print on the receipt (which I only received after the lens was purchased and they had my money).

This experience has caught me off guard. In an era where everything is becoming "pro" or "prosumer", what is included in "professional gear" is very vague and pretty much includes all camera bodies and all high-quality lenses.

While I haven't returned lenses in the past, I appreciate the option, or the store should be explicit in stating final sale. Has anyone had a similar experience? Is this common practise at many stores? At the very least, I won't be shopping local for cameras or lenses again.

Thanks.

5d III AF in LV on 800mm f5.6+2xTC works!

I may just be announcing my ignorance here, but I was quite surprised to find that in live view only, my 5d III autofocuses perfectly when mounted to my Sigma 300-800 f5.6 paired with a 2x teleconverter. As soon as I switch back to regular shooting without LV, it hunts continuously without locking AF, which is what I expected in the first place. I was working with a stationary subject and mounted the 2x and switched to LV to zoom in and manually focus as best I could only to find the AF working perfectly, albeit a tad slowly. I would certainly not use such for action subjects.

I don't know if this is a known plus and I've just been living in a box, but if there is anyone else out there using big glass on a Mark III who also didn't know this, this combination is working for me.

7d2 IQ thoughts.

Most of you have been using Canon for long and have been following its progress.

I realize 7d2 it will be fast, responsive etc etc. but do you think the IQ will be noticeably better than Canon's latest 70D say at ISO 1200?

I am wondering when (and if ever) the latest crop cameras will be able to compare with 5d2. Is 6 years enough for technology to reach a point where new crop camera's catch up to full frame?

I would be very happy if the new 7D2 quality would be close to 5d2. Wondering if that is too much to hope for considering the frame size difference?

I was shooting in the rain forest today...

...there's no punch line... sounds like a joke, but no.

My point is that it was rally liberating to know that the gear I was shooting with is weather resistant. It rained... It cleared up... It rained again and I couldn't have cared less. I didn't have to rush to put a sleeve over the lens and the body. I didn't have to put my gear into its bag. I didn't have to run and find shelter... which there really wasn't any.

I seriously mulled over the new sigma 50 art... and while I went another direction, having the weather sealing is a joy.

And before y'all start asking for amazing shots from the rain forest... there weren't any. It's all green on green on green...

My initial impression of the 6D and a pretty major issue I had

I'm a total laymen on the decisions canon makes to balance making a high performance camera vs marketing but my impression is marketing is the higher concern and honestly I can't blame them for that. But boy would I love to see the best features from the 6D and the 5D3 all in one camera.

For me, the worst problems with equipment are the ones that work sometimes and not others.

A quick background on my initial impressions of the 6D
In January I bought a 6D it just seemed like the best value for what you get wifi and gps seemed like nice features bundled with the center cross type focus point that really performs well. In reality the gps doesn't turn off when the camera is off (this seems like the camera is intentionally Nerf'd).

Overall, I like the camera, its a little tough as a wedding photographer carrying two camera bodies (5dMk2 is my main) that are controlled a little different but that's where I am.

My 6D Issue
At a wedding in march I had an assistant with one of my 600ex-rt flash on her camera as a slave to my Flash giving me the ability to backlight a bit. And her the ability to switch to master and fire a third 600EX-RT slave if she had the angle and I didn't. That's when my flash stopped firing on the 6d. I checked the image meta data and it indicated the flash fired but it didn't. Additionally the flash switched to TTL from ETTL-II. On my 6D menu settings some of the flash functions were inaccessible. I sent the camera in for repairs (which sucked because its a busy time of year for me to only have one full frame camera.) Canon was great, they got my camera back quickly and apparently fixed the problem (I haven't been home yet as I was on a destination gig) I did call the support line they told me the hot shoe was malfunctioning. It was in in-warranty repair no charge (thank you canon).

Has anyone else have this issue? I get the impression its not too common. Is there anything I can do to prevent it from happening again?

The worst part about it was for a while sometimes the 6D would allow ETTL and communicate with my flash and sometimes it would just stop. I couldn't make sense of it.

I am looking forward to trying it out again when I get back home.

Shawn

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