Is this normal, or an issue? 7D mkii

Hi, I'm a videographer and have purchased my first DSLR to shoot video with (and take photos). I have the new 7D Mark ii. I shot for the very first time saturday night with it, and in one clip, it gave me a funny blurb of light. Is this normal? Or is it a ghost? lol It went away after a few seconds, but it left me wondering if its a sensor issue, or something.

Youtube link to a 12 second clip: http://youtu.be/iHhoW_soG3U

Thanks!
Lisa
PS: I know I'm blown out a bit on the keyboards, I hadn't gotten around yet to making adjustments.....

Did Canon Leak the EF 11-24mm f/4L?

HTML:
<p>Over at the German site for the Canon CPN network, we can see the Canon EF 11-24mm f/4L listed. <a href="http://www.canonrumors.com/2014/09/is-this-a-canon-ef-11-24-f4l/" target="_blank">This lens has been previously rumoured</a>, but no announcement date has been set. We’ve heard the price for this lens will be around $2899 USD and it will be a stellar performer.</p>
<div id="attachment_17881" style="width: 585px" class="wp-caption alignnone"><a href="http://www.canonrumors.com/wp-content/uploads/2014/11/1124leak1.jpg"><img class="size-medium wp-image-17881" src="http://www.canonrumors.com/wp-content/uploads/2014/11/1124leak1-575x512.jpg" alt="Click for Larger" width="575" height="512" /></a><p class="wp-caption-text">Click for Larger</p></div>
<p><strong>The Google Translated text reads</strong>

<em>“The EF11-24mm 1 : 4L USM is the longest ultra wide -angle zoom lens for Volformat cameras by Canon . It is characterized by the completely new design , new lens coating and its unrivaled performance .”</em></p>
<p><em>thanks Thomas</em></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Canon 100-400 mk ii (with/without 1.4 ext) vs sigma 150-600

hi :)

Had a sigma on preorder but going to cancel now with the announcement of the new 100-400. Just wondering what everyone's thoughts are about which you think will be the better lens. I love that the canon is about half the weight and can get close to 600mm using the 1.4 extender but will the sigma then be better at 600 ?

Looking forward to your thoughts :)

Hello everyone!

I'm new around these parts, shot Nikon for years, but i've just switched over to Canon. I guess I'm a little confused on lenses and what are the ones I should be looking at. I see "L" lenses, and other stuff...different from what I'm used to.

Is there a good source to start from to get up to speed? I have a T3 at the moment with a kit lens and a 70-300 Sigma. I'd like to get a prime and wide angle for landscapes.

Canon USA Introduces New Super-Telephoto Zoom Lens, The Compact & Highly Mobile Canon EF 100-400mm f

HTML:
<p><em>New Super-Telephoto Zoom Lens Delivers an Enhanced IS System Providing Four Shutter Speed Steps of Correction, a Rotation-Type Zoom Ring, and New Optical Element Formula to Help Maximize Image Quality</em></p>
<p><strong>MELVILLE, N.Y., November 10, 2014 ─</strong> Canon U.S.A., a leader in digital imaging solutions, today announced the highly anticipated  Canon EF 100-400mm f/4.5-5.6L II USM lens, a second generation compact super-telephoto zoom lens featuring significant advancements in optical quality, image stabilization performance up-to-four steps, and rotating-zoom-ring design. This new L-series super- telephoto zoom lens features Canon L-series weather resistance and rugged magnesium housing to meet the needs of wildlife and sports photographers or photojournalists working out in the elements. Fully compatible with all EOS cameras, the EF 100-400mm f/4.5-5.6L II USM features a completely redesigned optical formula containing one Fluorite and one Super UD lens element ─ a combination unique to lenses in this focal range ─ to help deliver sharp images with high resolution and contrast. This combination of elements helps thoroughly suppress chromatic aberration throughout the entire zoom range.</p>
<div id="attachment_17867" style="width: 510px" class="wp-caption aligncenter"><a href="http://www.canonrumors.com/wp-content/uploads/2014/11/1092636.jpg"><img class="wp-image-17867 size-full" src="http://www.canonrumors.com/wp-content/uploads/2014/11/1092636.jpg" alt="ET-83D Lens Hood which allows easy access to your filters such as a Circular Polarizer." width="500" height="500" /></a><p class="wp-caption-text">ET-83D Lens Hood which allows easy access to your filters such as a Circular Polarizer.</p></div>
<p>“The Canon EF 100-400mm f/4.5-5.6L II USM is the logical evolution of the very popular EF 100-400mm f/4.5-5.6L IS USM introduced 16 years ago,” said Yuichi Ishizuka, President and COO of Canon U.S.A., Inc., “This long awaited, next generation lens was developed to be a highly portable and adaptable telephoto zoom lens for today’s modern professional and advanced amateur photographers.”</p>
<p>For photographers who want to work as closely as possible to their subjects, the minimum focusing distance of the lens has been reduced to just 3.2 ft. (0.98m), resulting in maximum magnification of 0.31x.  The original EF  100-400mm f/4.5-5.6L IS USM was well known for its push-pull zoom adjustment, but the EF 100-400mm f/4.5-5.6L II USM uses a rotation-type zoom ring similar to the one found on the EF 70-300mm f/4-5.6L IS USM lens that allows for more precise adjustments, easier handling, and consistently excellent weight balance during handheld photography. In addition, the lens features an improved zoom torque adjustment ring that allows for the easy setting of zoom tension based on personal shooting preferences. The Canon EF 100-400mm f/4.5-5.6L II USM also features an inner focusing system, a powerful yet quiet Ring USM, a high-speed CPU and optimized auto focus (AF) algorithms for fast and accurate autofocusing in various shooting situations.</p>
<div id="attachment_17872" style="width: 390px" class="wp-caption aligncenter"><a href="http://www.canonrumors.com/wp-content/uploads/2014/11/1004002mtf.jpg"><img class="wp-image-17872 size-medium" src="http://www.canonrumors.com/wp-content/uploads/2014/11/1004002mtf-380x575.jpg" alt="Canon EF 100-400mm f/4.5-5.6L IS II MTF Chart - Click for Larger" width="380" height="575" /></a><p class="wp-caption-text">Canon EF 100-400mm f/4.5-5.6L IS II MTF Chart – Click for Larger</p></div>
<p>The Canon EF 100-400mm f/4.5-5.6L II USM features three Image Stabilization (IS) modes ─ standard, panning, and during exposure only.  Each IS mode is individually engineered to help provide outstanding results in a wide variety of shooting situations, and all serve to satisfy the personal preferences of photographers based on the type of IS they desire. The optical IS provides up to four shutter speed steps of correction, increased from 1.5 steps in the previous model<span class="green">*</span>. In addition, the EF 100-400mm f/4.5-5.6L II USM features Canon’s newly developed Air Sphere Coating (ASC) which helps to reduce backlit flaring and ghosting significantly, as well as a 9-bladed circular aperture Electro-Magnetic Diaphragm that helps to enhance beautiful, softly blurred backgrounds.</p>
<p>As with all L-series lenses, the Canon EF 100-400mm f/4.5-5.6L II USM is highly resistant to dust and water, with excellent durability in even harsh conditions, ideal for wildlife photographers even in rainforest environments, or sports photographers on the sideline grabbing action shots of the big game. Fluorine coating on the front and rear surfaces of the lens can repel dust particles and water droplets. It also makes smears and fingerprints easy to remove without the use of lens cleaning fluid. Included with the lens is the new ET-83D lens hood, that features a cleverly placed and convenient side window allowing the user to easily adjust specialty filters while the lens hood remains in place. In addition, the EF 100-400mm f/4.5-5.6L II USM is equipped with a newly designed detachable tripod mount which can be removed to reduce weight during handheld operation.</p>
<p><strong>Pricing and Availability </strong></p>
<p>The Canon EF 100-400mm f/4.5-5.6L II USM Super-Telephoto Zoom Lens is scheduled to be available in December 2014 for an estimated retail price of $2,199.00</p>
<p><strong>Canon EF 100-400 f/4.5-5.6L IS II $2199: <a href="http://www.bhphotovideo.com/c/product/1092632-REG/canon_9524b002_ef_100_400mm_f_4_5_5_6l_is.html/bi/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/CA1004002U.html?KBID=64393" target="_blank">Adorama</a> | <a href="http://www.amazon.com/gp/product/B00PF39PEY/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00PF39PEY&linkCode=as2&tag=canorumo-20&linkId=DR7JYMNZQZ4LVBHE" target="_blank">Amazon</a></strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Preorder: Canon EF 100-400mm f/4.5-5.6L IS II

HTML:
<p><strong>Canon EF 100-400 f/4.5-5.6L IS II $2199: <a href="http://www.bhphotovideo.com/c/product/1092632-REG/canon_9524b002_ef_100_400mm_f_4_5_5_6l_is.html/bi/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/CA1004002U.html?KBID=64393" target="_blank">Adorama</a> | <a href="http://www.amazon.com/gp/product/B00PF39PEY/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00PF39PEY&linkCode=as2&tag=canorumo-20&linkId=DR7JYMNZQZ4LVBHE" target="_blank">Amazon</a></strong></p>

Canon 1.4x III causing shutter lag?

I'm in the field in Montana with a new Canon 1.4x III. I'm pairing it with a 300 F4 L IS. Across multiple camera bodies and numerous, varied settings, I notice I'm either getting shutter lag or what sounds like shutter lag. It's totally random, but you can definitely tell.

I bought the TC new from Amazon, but it didn't come with the soft pouch. Images seem okay, not much different from my Canon 1.4 II.

I'm wondering if this is standard behavior with the new 1.4x III?

Solid DPReview video (20+ min) with a wildlife photographer

DPReview just put out a very nicely produced 7d2 hands on with a wildlife photographer, using the 16-35 f/4L IS, 70-200 f/2.8L IS II, and ever-so-affordable 200-400 f/4L IS 1.4x. Mountain lions, wolves and landscapes were shot, as well as some intervalometer and video work (note: the pro in question is a wildlife stills shooter and not a video pro).

A very nice watch if you have 22 minutes to spare:
https://www.youtube.com/watch?v=ThNJm14cSkk

I want to see more 'big picture' reviews like this in the field after a week filled with minutiae and lab tests. Nicely done, DPReview.

- A

Tough LARGE group photo

One of the hardest shots I've been asked to take to date:
I had a bride this summer request to do a photo of ALL THE GUESTS during cocktail hour. I told her we'd try. I didn't make any promises. The wedding was at the Art Institute of Chicago and there is a huge atrium where cocktail hour is held. I knew I would need all the light I could get to even have a chance at getting a shot they'd be happy with. So I shot wide open with my 17-40mm at F/4.0 - then I bumped my ISO to 3200 - on the Canon 6D. I knew I could get good shots at that ISO on that camera. Then I put three Speedlites on full power in manual mode and aimed them straight up, next to me, so they could bounce off the ceiling. I use Godox VING 860C ; about equal to Canon 600EX. Keep in mind; it was pretty much DARK in the atrium at this hour. I should have taken a before/after; next time.

Here is the shot that resulted.

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Breakthrough Photography Announces a New Line of Professional Filters

HTML:
<p><strong>Breakthrough Photography announces a new line of professional Neutral Density and UV filters with ‘Traction’ frame designs, glass from Germany and Japan and more</strong></p>
<p><em>SAN FRANCISCO, CALIFORNIA – Nov. 10, 2014 –</em> Breakthrough Photography announced a new line of 3.2mm ultra-slim ‘Traction’ filters featuring glass from Germany and Japan, advanced coatings and weather-sealed construction.</p>
<p>Aimed at professional as well as amateur photographers, the new X-Series filter lineup features a new ‘Traction’ frame design with state-of-the-art optics and coatings.</p>
<p>The X-Series filters are immediately available for pre-order on <a href="https://www.kickstarter.com/projects/breakthrough/x-series-traction-filters">Kickstarter</a> with a December 2014 delivery schedule. Pre-ordering and product information can be found by visiting the companies website at <a href="http://www.breakthrough.photography/">http://www.breakthrough.photography/</a></p>
<p><!--more--></p>
<p><em><strong>THE X-SERIES FILTERS</strong></em></p>
<p>The X-Series filter lineup consists of 3 different models:</p>
<ol>
<li><strong><em>X3 Traction Filter</em></strong> features the companies signature 3.2mm ‘Traction’ frame CNC machined from brass, SCHOTT B270 glass from Germany, MRC16 and dual nano coating layers. Available in 3-stop, 6-stop Neutral Density and UV.</li>
<li><strong><em>X2 Traction Filter</em></strong> features a 3.5mm ‘Traction’ frame CNC machined from aluminum, AGC glass from Japan, MRC8 and dual nano coating layers. Available in 3-stop, 6-stop Neutral Density and UV.</li>
<li><strong><em>X1 Flat Black Filter</em></strong> features an ultra-slim 3.5mm standard flat black frame with and MRC4. Available in UV.</li>
</ol>
<p>All X-Series filters are double-threaded, weather-sealed and backed by a 25 Year Ironclad Guarantee.</p>
<p><em><strong>TRACTION FRAME DESIGN</strong></em></p>
<p>“We really tried to take the legacy standard flat black filter design back to the drawing board to really understand what it was that photographers needed in order for a filter to be most effective. Of all the various prototypes and frame materials, the ones with texture in the metal were the clear winners among photographers” said founder and photographer Graham Clark.</p>
<p>The X2 and X3 filters feature a new filter design which incorporates texture in the metal achieved by CNC machining brass and environmentally friendly aluminum.</p>
<p>“When I first felt these traction filters I thought, ‘Why don’t all filters have this?’ It makes getting filters on and off a whole lot easier.” said acclaimed outdoor and nature photographer Art Wolfe.</p>
<p><em><strong>DESIGNED FOR WIDE-ANGLE FULL-FRAME SETUPS</strong></em></p>
<p>“During our extensive field tests we found 4mm filters on 16mm lenses produced on average +1 stop of light falloff. At 3.7mm the vignetting was entirely eliminated on our full-frame setups. Our standard flat black X1 and X2 traction filters have 3.5mm, whereas our X3 traction filters are machined down to 3.2mm.” says Clark.</p>
<h4><strong>Worldwide Pricing and Availability</strong></h4>
<p>The X-Series filters will be available for pre-order on <a href="https://www.kickstarter.com/projects/breakthrough/x-series-traction-filters">Kickstarter</a> on November 6th, 2014.</p>
<p>Breakthrough Photography will be offering a one-time launch price of 50% off MSRP. The X-Series filter lineup will be sold through B&H, Adorama and Amazon.com in December, 2014.</p>
<p><strong>Pricing & </strong><b>Availability</b></p>
<ul>
<li>$109 <strong>X3 Traction ND</strong> in 3-stop or 6-stop (Available in January 2015)</li>
<li>$79 <strong>X3 Traction UV</strong> (Available in December 2014)</li>
<li>$59 <strong>X2 Traction ND</strong> in 3-stop or 6-stop (Available in January 2015)</li>
<li>$39 <strong>X2 Traction UV</strong> (Available in December 2014)</li>
<li>$25 <strong>X1 UV Standard Flat Black</strong> (Available in December 2014)</li>
</ul>
<p><a href="http://breakthrough.photography/">Click here</a> to learn more information about the X-Series filters: http://breakthrough.photography</p>
<h3>Tech Specs</h3>
<p><strong>X3 Traction Filter</strong></p>
<ul>
<li>3.2mm Traction frame CNC Machined from brass</li>
<li>SCHOTT B270 optical glass made in Germany</li>
<li>State-of-the-art 16-Layer Multi-Resistant Coating</li>
<li>nanotec® Nano Coating Layers to repel dirt and water</li>
<li>Weather-sealed construction</li>
<li>Available in either 3-stop or 6-stop Neutral Density and UV</li>
<li>Available in 49mm, 52mm, 55mm, 57mm, 62mm, 67mm, 72mm, 77mm and 82mm</li>
</ul>
<h4>X2 Traction Filter</h4>
<ul>
<li>3.5mm Traction frame CNC Machined from aluminum</li>
<li>AGC glass made in Japan</li>
<li>State-of-the-art 8-Layer Multi-Resistant Coating</li>
<li>nanotec® Nano Coating Layers to repel dirt and water</li>
<li>Weather-sealed construction</li>
<li>Available in either 3-stop or 6-stop Neutral Density and UV</li>
<li>Available in 49mm, 52mm, 55mm, 57mm, 62mm, 67mm, 72mm, 77mm and 82mm</li>
</ul>
<h4>X1 Flat Black</h4>
<ul>
<li>3.5mm Standard Flat Black aluminum frame</li>
<li>State-of-the-art 4-Layer Multi-Resistant Coating</li>
<li>Weather-sealed construction</li>
<li>Available in UV</li>
<li>Available in 49mm, 52mm, 55mm, 57mm, 62mm, 67mm, 72mm, 77mm and 82mm</li>
</ul>
<h4>Media Contact</h4>
<p>Name: Graham Clark</p>
<p>Company: Breakthrough Photography</p>
<p>Phone: +1 707 702-2116</p>
<p>Email: <a href="mailto:[email protected]">[email protected]</a></p>
<p>Company website: <a href="http://breakthrough.photography/">http://breakthrough.photography</a></p>
<p>Press Info & Product Images: <a href="http://breakthrough.photography/press-info-product-images-media/">http://breakthrough.photography/press-info-product-images-media/</a></p>
<p>Kickstarter Campaign: <a href="https://www.kickstarter.com/projects/breakthrough/x-series-traction-filters">https://www.kickstarter.com/projects/breakthrough/x-series-traction-filters</a></p>
<p> </p>

Engagement Session from Saturday 11/8/14

We had an e-session with a 2015 wedding client this past Saturday morning here in Chicago. It was fairly cold; not much can be done about that. They insisted because they wanted to use some pictures for their save-the-date. So, we obliged. When I was post processing, I left the images a bit 'cool' intentionally. It was mostly overcast for starters, so I didn't want to fake in any 'warmth' and I liked the coloring against their skin.

Thoughts are of course welcome.

Details:
All three shots on Canon 6D with 70-200mm F/2.8 II
For the first two shots, I did use a speedlight, and for the last shot; just a reflector.
Shot 1: F/2.8
Shot 2: F/9.0
Shot 3: F/2.8

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I took the cheap road to FF

This weekend I purchased a used 5D off of ebay with battery grip, batteries, memory cards, etc. for $445. I have tried a FF once before and wasn't sure that the price tag was for me at the time. I realize this camera is old and that there are risks to purchasing a used piece of equipment, but I wanted to better analyze for myself the IQ difference between the 5D and my 60D. Even if I don't keep the 5D, I could resell it an make most (if not all) of my money back, so this was a better option than renting right now.

Most members here say that the IQ will be quite evident and I'm looking forward to seeing for myself. I had been contemplating moving up from my 60D to a 7D Mk II, but I also didn't want to rule out a FF option (most likely 6D). So why not buy an older FF and have both FF and crop for a while. I do have a few compatible lenses - 35-80, 50 1.8, 85 1.8, 70-200 f2.8 mk II, 70-300 IS USM - to get me started.

Regarding the 5D, is there anything I should consider getting for general maintenance? I've not cleaned a sensor before and am not sure what I need for that, or for anything else that might require more manual attention on this camera.

Thanks!

-wes

Sekonic C-700(R)

I've just read a short press-release/article about the Sekonic Spectromaster C-700. (The R-version has built in radio transmitter by Pocket Wizard for remote firing of flashes.)
Is this as new as it seem to me, or have I not paid enough attention to light meters?
Never heard of light meters before that actually show how the light frequencies are distributed. Useful even outside of studio environments?

Canon EF Film Photography Bodies (amongst others) in the 202nd Decade, AD!

Heya guuuiz!

Picking up on thoughts and efforts I made in around Summer 2012 I'm wondering what everyone's thoughts & opinions, approach, application of, workflow etc. is regarding Canon's EF system as developed for film photography in the present day or relatively recent times?

Also, any thoughts on other systems and how we use them in today's camera-climate are welcomed!

Rewinding back to 2012 I was considering The EOS 5D Mark III or 6D (I think around the time of pre-release speculation and/or announcement?) as my first FF digital camera, after shooting the 60D since around release, and having the cash available to invest come September/October... but I was itching to produce some images of my own with that FF look going on!

Obsessing over knowing everything ever I soon learnt that Canon had been producing 35mm film cameras way into the new millennium and that they're compatible with all my EF lenses - How cool is that?! A little more obsessing down the line I found myself considering the latest models, which were sadly to be the last models, in the forms of Canon's Pro, Enthusiast-ish and Entry models (1 series, ELAN/something about the number 7(?) and Rebel lines, respectively) - and if I recall correctly was a little surprised to see that their very latest design before abandoning ship was the EOS Rebel T2, aka EOS 300x, and it had pretty current and advanced technology, including lots of the modern taken-for-granteds of digital SLRs, squished in there!

It's essentially a 300D/Rebel-whatever which you can bang a roll of film in the back of... and I wonder how many people who would appreciate these things realise that?! Decent metering, 7 AF points, IR Remote Triggering & Cable release, all kinds of custom functions, bracketing, multi-exposure, illuminating screen(!!) - and the image quality is as good as the film you put in it and the lenses you slap on the front, including any L glass!
This thing is stupid-lightweight and pretty small - giving you the option to "just bring it along anyway" and have it be no real hindrance, which the other series' bodies may be (best camera's the one with you, blah...)
They only produced it in Silver. Lame. I soon painted mine with a discount store's "Blackboard Paint", which turned out to be a weird, rubbery, grippy black coating - which I love! For me, I now have an ideal 35mm film camera! (Cost around £20 on eBay Vs., I don't know, around £600-£900 at the time for the cheapest second-hand FF, 5DC?)

Also, here in the UK I pick up AGFA Vista Plus 200 for £1 a roll in Poundland and my last lot of CR2 batteries I picked up being sold off for 9p each in a drug store which I think was quite baffled about how to sell these things and to whom - ASDA (Walmart) process for £2 a roll and stick them all (up to 4) on to a CD for £1 (ie. £7 for 3 rolls and scans) though the scans are kinda' websized, around 2mp.

So is anyone still shooting film? Enjoying the quirks of it and the whole process in this modern age?! Finding any benefits over digital? What's your set-up and why, or maybe just because that's what you have?

Interested in hearing thoughts on the EF/EOS cameras and how you make use of them, autofocusing, custom-feature-ing or otherwise - Indulge me, indulge us all... type away :D

- Drew

7D Mark II Sensor Noise & banding comparison to 7D, subjective first look

OK, so I still don’t have ACR or DNG converter that’ll work with the 7d2’s raw files so I can do my standard performance check WITH A LENS CAP ON SHOT. ;)

WELL, HOLY COW, I THINK THEY’VE REALLY DONE IT THIS TIME!

Using the Iridient Developer beta version 3 to process the raw files, the usual 4 stop push shows NONE OF THE VERTICAL STRIPES THAT PLAGUED THE ORIGINAL 7D and many other Canon bodies. (to do this properly you also have to reduce IrD’s DEEP SHADOW FINE TUNE to NO Tint correction.)

www.iridientdigital.com

This doesn’t provide me with a direct comparison vs my usual Adobe-based process but it’s enough to provide much optimism that the major vertical-stripe FPN issue is likely solved.

WAY TO GO CANON GANG! :)

Not all wine and roses tho, there’s still quite a bit of red channel noise and there’s even horizontal and vertical banding patterns that show up at mid ISO levels but they’re of a much larger and smoother nature and will be less likely to cause issues for most pushed shots compared to what Canon users have had to endure for a long time.

I’ve attached some screen shot crops from Iridient 4 processing for a quick comparison, data's in the file name.

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Canon 6D takes a lot of black pictures at a time

This is a bit unnerving but when I pop my card into the computer, I see a lot of black stills. This isn't the first time this has happened but it's like a span of around 400 photos at a time. just black stills. I didn't lose any photos. I just have an additional ~400. I pop the card back in my camera and yeah I see those black stills on the playback. What is going on?

7D Mark II Reported Issues

Thought I would start a thread today for issues noticed with the 7D Mark II.

I will start with one issue I discovered today shooting a Soccer game. First of all my setup:

7D MKII with 300mm F2.8L IS II [ AFMA +8 :( ] Ok got that taken care of. The one issue I noticed is a lag from the time the shutter button is pressed to when the AF locks on. No hunting just a noticeable lag in acquiring initial focus. Most may not notice but in sports it can make the difference between getting the shot and not. This condition does not exist on my 5DIII so it's something specific to the 7DII.

I was using center AF point only (though the condition exists on all of the AF area settings I tried).

Hopefully this is something that can be resolved in a firmware update. Hopefully someone here may have discovered a setting which minimizes this issue.

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