Threads

Fleetie · Dec 15, 2013

http://www.ebay.co.uk/itm/Canon-f1-Ultra-FAST-XI-65mm-Lens-F1-0-Depth-of-Field-Rare-BOKEH-King-25297-/171186119468?pt=UK_Lenses_Filters_Lenses&hash=item27db7ce32c

Just found this on eBay. Doesn't seem to have an EF lens mount. Is it FD?

Anyway, it won't fit any camera I own.

But I'd never heard of it. Does anyone know about it?

pwp · Dec 15, 2013

On Friday I received a promotion from a local reseller for the Jinbie Discovery 600 flash, reviewed here at Lighting Rumors.
http://www.lightingrumours.com/jinbei-discovery-dc-600-review-1412
Out of curiosity I emailed them and asked if they had tested any of the Jinbei flash units for HSS capability.
To my amazement I actually got a reply, and he had done actual tests himself in response to my query.
Here's his reply:

I have taken four shots with a Jinbie Discovery 600 with a Yongnuo YN-622C HSS type wireless trigger that we stock and here are the results below straight out of Lightroom with the Meta data shown.

Shot with a 5D Mkiii quick and crusty (sorry) anyway, the first shot is 1/4 second no flash, 2nd shot 1/200 of a second (technically the actual flash sync of the camera), 3rd shot is 1/500 and the last is 1/8000. All synced fine as you can see

I did these four shots on 600 ws, and 400 ws settings and turned the 400 ws setting down 5 stops which is technically 12.5 watt seconds and it still synced at 1/8000. If i put the flash in the second socket which is 200ws it did not work as the flash duration is obviously becoming too slow, I think it would only handle 1/500 before sync issues.

So it's clear that we can add the Jinbeis to the HSS-capable studio-flash list, along with the Elinchrom D-Lite RX4. Good! Personally I'll probably pick up the Elinchroms for the HSS function. I know that they'll deliver HSS with Photix Odins, but has anyone successfully achieved HSS with the D-Lites with the Yongnuo YN-622C which I already have.

FWIW I have had a previously excellent experience with Jinbie flash gear. About ten years ago I bought a couple of high output Jinbie porty monos that ran off heavy lead-acid batteries (which were cheaply user-replaceable) They came with a 3 year warranty and were cheap. Zero street-cred, but they performed perfectly for years until I replaced them with Einsteins and PCB Mini-Lithium batteries. I gave them away and to my knowledge they are still going strong.

-pw

canon23 · Dec 15, 2013

Fellow Photogs, I really need your help! I'm fairly new to the wedding industry and have one year of experience under my belt, with 10 weddings done this year-one as a primary for a friend. My question is on lenses. Yes, the typical, but strategically important question (when funds are limited) on which lens to get next.

This past year, I've use mainly the Canon 70-200 f/2.8L IS II on my 5D Mark II & the Sigma 35 f/1.4 on my Mark III. I've just sold my never used Canon 50 f/1.8II & seldom used Canon 24-105 f/4. I can now mortgage another lens! I have 4 in mind, but can only get one at this time & wanted to get your more experienced insights. The 4 lenses I have in mind to get next is:

1) Canon 24-70 f/2.8 II
2) Canon 50 f/1.2
3) Canon 85 f/1.2 II
4) Canon 16-35 f/2.8 II

Which one should I go for?!?
Thanks for your input!

satanicsurferz · Dec 15, 2013

Hi everyone,

I have a little question for those owning the Canon S120.

I just bought it and I noticed that my camera is making funny sounds when I move it around. Those sounds seem to occur more often when I'm in the automatic mode. If I don't move the camera, it doesn't make any sound, but as soon as I move it, it does a little "toc-toc" sound (hard to describe, it's like the camera is adjusting something automatically when it moves). It seems to come from inside the camera and not from outside. I have owned my Canon cameras before and this is the first time I notice that.

Has anyone else noticed that?
If so, is it "normal" or have I received a defective unit?

Thanks for your help!

[email protected] · Dec 15, 2013

Colleagues: I see the 5DIII intermittently sold by B&H, Adorama, or BuyDig for about $2900. Does anyone know whether a) these have fully-kosher Canon warranties that are recognized by CPSUSA; or b) whether these occasional sales may be available after the xmas buying season? Your thoughts gratefully appreciated.

adebrophy · Dec 15, 2013

So, my mother - a technophobe with a brilliant eye for a photo and G series addict - insisted against everyone's better judgement that she needed a DSLR. Despite our fears she would never read the manual and unlock all the joys of things like shallow DoF and RAW she bought a 100D, which I had the pleasure of trying out over a recent visit.

And you know when you pick up a product and suddenly realise its a class act.

That.

Despite all expectations, I was so impressed. The smaller size somehow gives the lighter consumer grade body a better feel - like the size and weight now match. The grippy soft touch rubber coating adds to the surprisingly premium feel.

But still. Unlike a real camera its not got enough dials. And then you use the utterly brilliant touchscreen to interact with the Q menus and realise that maybe you weren't so sure about consumer bodies being utterly crippled.

And then I put my 40mm pancake on it. And couldn't stop smiling. It's so cute. Yet so right.

So, overall, I'd not be trading my 5dii for one, but still. This was a camera many on this forum roundly panned when the specs were launched, and I think its worth a few positive shout outs. If I were going to use a smaller crop body, I think this would be a great option, and its so beautifully done that it made me more excited to be a Canon user.

The biggest flaw was making me wonder if I wouldn't rather wait longer to swap my mkii. Maybe a mkiv with a few more of the consumer refinements would be a nice thing to have instead.

Gino · Dec 15, 2013

I'm planning on purchasing the Sony RX100 MK II, and I'm looking for some advice on a LCD screen protector and lens filter.

I'd like to purchase a LCD screen protector, and I'm considering the Giottos SP83015 LCD screen protector, which is supposed to fit the RX100, but the reviews on the B&H website state that the SP83015 does not fit the LCD screen exactly. Is there a different Giottos model number that will fit the RX100 MK II better...how about the SP8306?

http://www.bhphotovideo.com/c/product/746398-REG/Giottos_SP83015_Aegis_Multi_Layer_Screen_Protector.html

Also, does anyone have a recommendation for a lens filter for the RX100 MK II, or should I go without one?

Thanks

Rich · Dec 15, 2013

I have an SX1 and love it dearly. Since it came out many other powershots have come out. I keep waiting, and ::sigh:: what I'd love to see may never happen. But, I think it is worth throwing out valid ideas, and here is a wish list for a SX1 Mk2.

1. A larger CMOS sensor. Not massive, but bigger.
2. The 50 times lens from the SX50, but, bigger diameter, so faster
(yes I know it means bigger and heavier, but if you had that 50x and one stop faster than the SX50 would you care?)
3. A new battery idea. Keep the proprietary battery, but shape it like 4 AA batteries. Now you would be able to put in 4 AA's in a pinch, and still enjoy the power of lithium.
4. HDR
5. Yes, keep my precious remote, but make it just a little bigger, just a little.
6. Keep the 1080p 30fps
7. Give it real threads up front for filters instead of needing an adapter.
8. Put a focusing ring on the lens for manual focusing. It could also kick in manual focusing just by turning the ring.
9. Spend a couple extra bux a camera on packaging that will protect the camera. The paper mache was split on my SX1.

Well that is a sweet wish list. But I'd like to say I'm still thanking Canon for my SX1.

tc,

Rich

Cory · Dec 15, 2013

I've been trying different upgrades to my Canon T1i and haven't yet found "it". Could it come at the hands of a 6D? I do it all with my T1i with a strong weight towards indoor volleyball.
I typically use a center focus point with my Rebel at ISO 6400 (and wide open at 2.0 or 2.8) and get very good results (especially after processing the RAW shots in LR4). I never use Continuous so does that reduce the need for more focusing capability? Also, is ultra-focusing capability more important with video as well (which I never use a DSLR for)?
As long as you're focusing correctly whether a single point or over 60 and using the correct shutter speed/aperture/ISO does it really matter? And is it possible that a single point is more reliable that multiple points anyway?
This may sound weird, but my current three options are a 6D, SL1 or keep the T1i. Simplicity is a huge factor.
Thanks for any insight into anything.

Canon Rumors · Dec 15, 2013

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<strong>CP+ 2014 Camera & Photo Imaging Show


</strong>We’re told that Canon could possibly announce and show two new lenses at the CP+ 2014 show in Tokyo, Japan. The show runs from February 13, 2014 until February 16, 2014.</p>
<p>They will not be Cinema EOS lenses. New lenses for videographers will be held for NAB 2014 in Las Vegas, along with some new Cinema EOS camera(s).</p>
<p>It’s speculated that one lens will be an “L” and the other a consumer non-L prime. As with all lens announcements, things are very loose and rarely have a media event attached to them.</p>
<p>There is also a possibility of a development announcement on a camera body we’re told.</p>
<p>Hope to hear more soon…</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Canon Rumors · Dec 14, 2013

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<strong>A pro APS-C camera possible?


</strong>Earlier today we posted that there would be no Canon EOS 7D Mark II, we also have noticed this has appeared in a <a href="http://www.canonwatch.com/rumor/" target="_blank">few other places</a> on the web.</p>
<p>This got me thinking today whether or not it was possible that Canon would abandon this segment of the APS-C camera lineup. I came to the conclusion that they will not. It would simple not be a smart decision, however there could still be some truth to the “no 7D Mark II” statements passed around today.</p>
<p>What I do think is a possibility is that the camera will not be called the 7D Mark II, and be called something else. We have <a href="http://www.canonrumors.com/2013/10/eos-7d-mark-ii-talk-cr1/" target="_blank">previously been told</a> that a successor would have new and innovative video features. Perhaps we’re going to see something along the lines of an EOS 7D C? Canon is fully behind Cinema EOS and will continue to develop that product line.</p>
<p>The other possibility is perhaps Canon just doesn’t like the “7D” name and will simply rename it.</p>
<p>I, <a href="http://www.dslrbodies.com/newsviews/the-year-behind-the-year.html" target="_blank">and others</a> think Nikon will be releasing a replacement to the D300s and it only makes sense that Canon would do the same and replace the 7D. It’s possible that Canon is waiting for Nikon to play their hand first.</p>
<p>I’m looking forward to finding out what Canon has planned in 2014…..</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Northstar · Dec 14, 2013

I live in the north where it's regularly 20 degrees (-7 celsius) this time of year, and I'm regularly moving my gear from outside to inside.

I've seen many questions on how to avoid condensation / damage to your gear when doing this, so I did a little experiment last night. My gear sat in my car all night(12 hours) at 20 degrees. I brought it in this morning and left it in my camera bag, which was zipped up tight: (bag - Kata bug) (interior temp about 70)

1. checked on it 5 minutes later - no visible condensation - gear still very cold when touched
2. 20 minutes later - no vis condensation - gear still very cold to the touch
3. hour later - no vis cond. - slightly less cold to the touch but still noticeably cold
4. two hours later - no vis cond. - slightly less cold, but still cold
5. three hours later - still no condensation - slightly less cold, but still cold

After three hours I took the gear out of the bag and I transferred my files to Aperture...all is good….gear is still slightly cool. I was amazed that the gear was still so cool after being indoors for 3 hours, I had never noticed this before!

I should add that it's fairly low humidity inside my house…and I keep two 5gram silica gel packs in my bag at all times to encourage a dry environment. I put new packs in once a week - and usually leave a few of the old ones in the bag so there's usually 5-6 in the bag at all times.

I think this slow warm-up method is a good way to prevent damage. Leave the gear in your zipped tight camera bag and just remove your memory card for transfer to your computer.

I've seen other good advice from other members on this topic, but this is just my contribution/experience. I haven't had any problems from doing it this way. I thought some of you other cold weather shooters would find this little experiment of interest.

Thanks, Northstar

surapon · Dec 14, 2013

Dear Friends.
Yes, I am very excite as young boy , who just get the new toy yesterday. Yes, My Order from Amazon just come, First round = Canon EOS-M with Lens EF-m 22mm F- 2.0 STM = $ 333.59 US Dollars, just come.
But, The Second round = Canon EOS-M Mount Adapter = $ 119 US Dollars, Battery Canon LP-E12= $ 45.95, 2- Wasabi Power Battery ( 2 Pack-for EOS-M) with Charger = $ 28.99 US Dollars, and Fotodiox Pro, All Metal Black Camera Hand Grip fpor EOS-M = $ 49.95 ---Are not come yet---Should be next 3-4 days, and I will report back to you.
Yes, All Items are Buy from AMAZON, with out sales tax , and No Delivery cost= Cheap for this Great Tiny Camera.
Thanks for all of my dear friends who recommend, and post the Cautions for me to make decition to buy this Tiny camera for big pocket point and shoot camera plus the spare camera for the big Canon EF, EF-L lenses
Have a great week end.
Surapon

Canon Rumors · Dec 14, 2013

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<p><strong>No EOS 7D Mark II?

</strong>We received an odd bit of information in regards to the future of the EOS 7D.</p>
<p>We were plainly told “No 7D II – a friend”.</p>
<p>This goes against what Canon itself has said and what we’ve heard for a long while. It is possible that plans have changed, as lots of products get started and never actually reach market.</p>
<p>Does Canon feel there’s no future in the APS-C segment?  Has the production costs of full frame sensors come down enough to do away with APS-C at the $1500 price point? Is the <a href="http://www.bhphotovideo.com/c/product/986389-REG/canon_8469b002_canon_eos_70d_dslr.html/bi/2466/kbid/3296" target="_blank">EOS 70D</a> all you need as an APS-C shooter?</p>
<p>What is apparent is that both Nikon and Canon appear to have abandoned the “prosumer” DSLR segment. The D7100 and the <a href="http://www.bhphotovideo.com/c/product/986389-REG/canon_8469b002_canon_eos_70d_dslr.html/bi/2466/kbid/3296" target="_blank">70D</a> are both very capable cameras. However, they don’t scream “pro” in feature sets or build quality.</p>
<p>I’m sure we’ll hear more soon….</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Canon Rumors · Dec 14, 2013

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<p><span><b><span><span>HANDEVISION  —  December 12, 2013</span></span></b>

A mutual passion for photography and the art of image capture between two companies’ owner has led two special firms, Shanghai Transvision and German IB/E Optics, to collaborate on an industry-shaking new innovation. By merging Geman high-quality engineering standards with Chinese cost-effective production infrastructure, the new camera lens brand Handevision (“Han” means China in Mandarin and “De” is the word for Germany).</span></p>
<p><span>After many months of collaboration between engineering and production teams, final quality control assessments have concluded and the <b>IBELUX 40mm f0.85 high-speed lens</b>, the <i>fastest</i> <i>lens</i> in the world, is nearly ready for release. Available for sale by February, 2014, this lens will be available for Sony NEX, Fuji X, Canon EOS M and Micro 4/3 digital mirrorless camera mounts (MSRP is $2,080 USD).</span></p>
<p><span>While risky to start our launch with this ground-breaking high-speed lens, we hope to gain the attention and confidence of photographers around the world with our expanding new lenses. Our mission is to manufacture high-grade lenses of metallic construction with a clean, aesthetic finish. As a new player in the lens market, we believe we can expand our new brand internationally as our engineers, uninhibited by production costs nor by material restrictions, will be free to work creatively in seeking optimal image quality and artistic design.</span></p>
<p><span>We are currently working on our next project, the wide-angle IBEGON lens. With Sony releasing the new full-frame mirrorless A7/A7R camera, we have designed a high-speed telephoto APO mirror lens called the IBECAT, named for its sharp image capture, its lightweight construction and fast glass. Additional lenses are in development for full frame mirrorless cameras, including a tilt-shift lens and a compact fixed focal length lens.</span></p>
<p><span>We are focusing our efforts at expanding our line of full-frame mirrorless and DSLR detachable lenses in 2014 and are constantly developing ways to satisfy demand of professional photographers for faster, sharper lenses.</span></p>
<p><strong><a href="http://kipon.com/en/articledetail.asp?id=60" target="_blank">Read the full press release</a></strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Canon Rumors · Dec 14, 2013

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<p><strong>From The-Digital-Picture

</strong>Bryan at The Digital Picture has completed his review of the new <a href="http://www.bhphotovideo.com/c/product/1009621-REG/sigma_635_101_24_105mm_f4_dg_os.html/bi/2466/kbid/3296" target="_blank">Sigma 24-105 f/4 DG OS Art series lens</a>. This lens retails for around $899 USD, and by the looks of the review, that’s a bargain of a price. This lens has already begun shipping for the Canon mount.</p>
<p><strong>Says Bryan

</strong><em>“I’ve tested a lot of lenses that made me anxious to move on. This is not one of them. I would have no problem making this my primary general purpose lens.</em></p>
<p><em>The Sigma 24-105mm f/4.0 DG OS HSM Art Lens’ long focal length range will take a broad swath out of your angle of view needs. This great-looking lens is a joy to use and the results from it are even exciting to view. For a reasonable price, the Sigma 24-105mm f/4.0 DG OS HSM Art Lens reliably delivers the excellent image quality you are looking for from your DSLR camera.”</em></p>
<p><strong><a href="http://www.the-digital-picture.com/Reviews/Sigma-24-105mm-f-4.0-DG-OS-HSM-Art-Lens.aspx" target="_blank">Read the full review</a> | <a href="http://www.bhphotovideo.com/c/product/1009621-REG/sigma_635_101_24_105mm_f4_dg_os.html/bi/2466/kbid/3296" target="_blank">Sigma 24-105 f/4 DG OS $899</a></strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Canon Rumors · Dec 14, 2013

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<p><strong>Tamron 150-600 f/5-6.3 VC

</strong>The Tamron 150-600 f/5-6.3 VC lens will be available in the USA on January 17, 2014. Pricing hasn’t yet been confirmed, however we have heard it would be under $1100.</p>
<p><em>Thanks Johnathon</em></p>
<p><strong>Tamron Press Release</strong></p>
<p><em><strong>December 13, 2013, Commack, N.Y.</strong></em> - Tamron Co., Ltd. (President & CEO: Morio Ono), a leading manufacturer of precision optics, has announced the release of an innovative ultra-telephoto zoom lens with a focal length range of 150mm to 600mm for full-frame and APS-C format DSLR cameras. The SP 150-600mm Di VC USD lens will be available in the USA on January 17, 2014.</p>
<p>Tamron’s current 200-500mm (Model A08) is a popular, compact, easy-to-use ultra-telephoto zoom lens, but customers have shown great interest in having a lens that provides an even greater focal length range</p>
<p><!--more--></p>
<p>This all-new ultra-telephoto zoom lens features VC (Vibration Compensation) image stabilization, speedy, precise USD (Ultrasonic Silent Drive)(3), state-of-the-art eBAND (Extended Bandwidth & Angular-Dependency) Coating, which significantly reduces the unwanted light reflections that cause flare and ghosting, and a sophisticated and stylish new external finish.</p>
<p>Its 4x ultra-telephoto zoom capabilities, with a focal length range from 150mm to 600mm, enhance the creative potential of telephoto photography, a captivating feature for all photographers, particularly nature, wildlife, and sports shooters.</p>
<p><strong>Product Highlights</strong></p>
<ul>
<li><strong>4x ultra-telephoto zoom lens with a focal length range of 150mm to 600mm</strong><strong> </strong>

The focal length range of this lens was extended by 50mm on the wide-angle side and 100mm on the telephoto side compared to the existing model A08, making it possible to take even more striking photographs of birds, wildlife, sports, and other distant subjects. Mounted on APS-C DSLR cameras, it has a stunning near1000mm telephoto equivalent focal length range of 233mm to 930mm.</li>
<li><strong>World class image quality</strong>

Employing 20 elements in 13 groups and boasting an advanced optical design, the lens delivers a superior balance of resolution and contrast for sharp, clear images. The front group contains three LD (Low Dispersion) glass elements (two in the first group, one in the third) for enhanced optical correction effectiveness, enabling the lens to thoroughly compensate for on-axis aberrations at the telephoto end. The lens also adopts eBAND Coating, developed from state-of-the-art coating technologies, and conventional BBAR (Broad-Band Anti-Reflection) Coating to greatly suppress ghosting and flare even when shooting under adverse lighting conditions.</li>
</ul>
<ul>
<li><strong>Achieves a 600mm focal length in a compact easy-to-handle package</strong>

Ingenious optical design features minimize the movement of lens groups within the lens when zooming. This reduces the amount of barrel extension needed to cover the complete focusing range, making the entire lens more compact.</li>
</ul>
<ul>
<li><strong>Beautiful background blur effects </strong>

Adopting a 9 blade circular diaphragm enables users to create beautiful background blur effects (Bokeh), which provide even greater potential for creative expression. This circular diaphragm retains a nearly circular shape even at two stops down from its maximum aperture.</li>
</ul>
<ul>
<li><strong>VC (Vibration Compensation) mechanism creates greater opportunities for sharper handheld photography</strong>

Tamron’s proprietary VC (Vibration Compensation) image stabilization system uses a three-coil system, delivering significantly sharper images and creating greater opportunities for handheld ultra-telephoto photography.</li>
</ul>
<ul>
<li><strong>Comfortable autofocus</strong>

Tamron’s new SP 150-600mm F/5-6.3 Di VC USD features a USD (Ultrasonic Silent Drive) ultrasonic motor drive for swift and accurate AF response, it delivers high torque, very fast response times, and very low noise. The full-time manual focus mechanism allows users to make fine manual focus adjustments at any time even when AF is engaged.</li>
</ul>
<ul>
<li><strong>New elegant, high-class external finish</strong>

Tamron has upgraded the cosmetic design and finish of this lens to create a more sophisticated, high-end look in keeping with the demands of discerning full-frame DSLR users. Employing a sophisticated linear pattern rubber grip on the zoom and focus rings and an attractive and stylish tungsten silver brand ring, this newly designed model accentuates its visceral presence with understated elegance and class.</li>
</ul>
<ul>
<li><strong>Easy-to-use tripod mount</strong>

The tripod mount has been completely redesigned to provide superior stability, durability, ease of use, and portability.</li>
</ul>
<ul>
<li><strong>Comes with “SILKYPIX Developer Studio for Tamron”, RAW image development processing software for Tamron’s SP lenses</strong>

The SILKYPIX Developer Studio software can develop high-quality images from RAW data, incorporating adjustments that can express the personal style and taste of the photographer. These include white balance, color, sharpness, and the tonal curves recorded by digital cameras. The SILKYPIX Developer Studio for Tamron provides a range of functions, in addition to the basic adjustment capabilities, such as correcting aberrations (chromatic aberrations of magnification, distortion, peripheral light fall-off), based on the optical data. Used in tandem with Tamron’s SP series lenses – renowned for their high-depiction capability – this advanced technology efficiently produces images that meet photographers’ most exacting demands.</li>
</ul>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

nda · Dec 13, 2013

this will be an amazing lens for low light photogs, will be available in eos m mount + fuji-x and others!

http://www.fujirumors.com/worlds-fastest-lens-for-fuji-x-mount-announced-the-ibelux-f0-85/

http://kipon.com/en/articledetail.asp?id=60

Anthonyhnj · Dec 13, 2013

Hi, just purchased a new canon 70d body. after the first few shots I noticed a dark spot in the upper portion each photo. OK, dust on the sensor, maybe when putting on the lens, i get it. I have had my share of dslr's over the years, so i know what sensor dust is. Just take my rocket blower and all gone, never a issue.

So after noticing the the dark spot, i took out the blower, blasted a few times, reattached the lens and shot. Guess what, dark spot still there. I put the camera in manual cleaning mode, mirror lifted and the exposed sensor shows no dust that can be seen with the naked eye.

My question is, could it be something other than dust causing the dark spot, it only shows up against the blue sky, which i shoot a lot of landscapes. Should i return the camera in exchange for a new one.

Your thoughts?

Best,
Anthony

WPJ · Dec 13, 2013

OK, so here is my shooting style.

kids & Adult sports
nature not a heavy birder
landscapes
candid's
family stuff.

I have 2 X 7D, love them, probably get the mark II if when it comes out.

One day I can see myself going full frame a 1Dx, but presently I loving my 7D

I have the following lenses.

17-40L
24-105L
50Mii
18-200
100L Macro
100-400L
70-200L Mii IS
300f2.8 IS

so I have a possible opportunity to get a big guy.

I am thinking about either a 400f2.8 Mark II or the 200-400.

I can't see myself owning both as I'm non pro. However I would use either enough to have them vs renting them.

I will be renting both over the next few months to figure which one works in my hands better.

my personal opinion is I will get more versatile use out of the 200-400.

open to thoughts

will.

mackguyver · Dec 13, 2013

$2,080, but wow f/0.85 - check it out:
http://kipon.com/en/articledetail.asp?id=60

Zlyden · Dec 13, 2013

Hello Dear All CR Forum Regulars and Readers,

I think I need some advice/suggestion from those with experience in shooting at freezing temperatures.

The quick question is:

Do filters help to prevent condensation on lens (or inside lens/camera)?

Now to the details:

I normally do not use filters at all (all my lenses are relatively cheap). Nor do I shoot a lot of outdoor pictures in winter (after discovering that most such images are just a lot gray snow with black skeletons of trees).

But, since I already have two weeks trip to Iceland booked for me for this New Year season, I will have no other choice but to use a camera (and probably a better scenery — there should be just snow without trees).

When I used old 400D/XTi I knew what to expect: light and mostly plastic camera with EF-S lens will warm up/cool down in 5 minutes. I also could put it (with 10-22 lens attached) under my coat while outside.

6D is a new thing to me: I did not make a lot of tests (just 1 so far and I did not plan it), but it looks like the camera + 17-40 lens takes much longer time to warm up and evaporate all fog at room temperature. I would like to avoid going back into freezing cold with condensation still in/on lens/camera. And it's too big and heavy to keep under the coat (I will need a new coat 1-2 sizes larger than I am).

So:

Will it help if I will mount some filter onto my 17-40 or 24-105? Will it reduce condensation by some degree or will it make it worse? Both lenses are supposed to be more ‘sealed’ with filter (6D is supposed to be not weather-sealed though). If it will make no change I would prefer not to use filters...

PS: Yes, I plan to wrap camera into a plastic bag before putting into normal bag.

And I will probably ask few more ‘winter questions’ in next couple of weeks (unless I find existing specific answer with search). Sorry about this!

Richard8971 · Dec 13, 2013

I can't seem to find an answer. I am looking for an inexpensive FF and the 5D seems to be exactly what I am looking for. Does anyone know if the 5DC has a 12 bit color processor or 14 bit? thanks!

Oh, and to anyone who wants to suggest that the 5D2 or 5D3 is a better choice, feel free to either donate one or send me the funds. I have a budget and I don't use FF cameras very much. But there are times I would like one and the images from the 5DC are fantastic and the 12.8MP is more than enough resolution. I am not a "more MP is better" kind of shooter. I believe the 5DC will be a perfect FF camera for what I need.

D

purry · Dec 12, 2013

I want to get some photos of the sky during the upcoming meteor shower this friday I have a 60D with a 50 mm 1.8 and a 24-105 f4 will my lenses be able to get good photos during the night? First time ever attempting astrophotography

Capnbooboo · Dec 12, 2013

So i am suprised anyone with a FF 5diii/ii 6D would rather sell and get a 70D for video,
I understand that if a person does more video then portraits, has no need for portraits or a studio they should get a video camera, but why a 70d if its not a FF and there are other video camera options out there that do so much more?

Can anyone share a good comparison with video cameras at the same price range, are there not video cameras even cheaper now that exchange lenses like the 70d, Sony, Canon etc???

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