Canon Tops in the ILC/DSLR Market for the 11th Straight Year

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<p>TOKYO, Japan, March 27, 2014—Canon Inc. today announced that the Company’s interchangeable-lens digital cameras (digital SLR and compact-system cameras) have maintained the No. 1 share worldwide in terms of volume within the interchangeable-lens digital camera market for the 11-year period from 2003 to 2013.</p>
<p>In addition to the interchangeable lenses, Canon also develops the key components—the CMOS image sensors and image processors—employed in its interchangeable-lens cameras. The most advanced of these technologies are incorporated in the Company’s flagship EOS-1D series. By applying these technologies to other models as well, Canon has successfully created a powerful product lineup that effectively responds to the needs of a wide range of users, from professionals to entry-level users, which has enabled Canon to maintain the top global share.

<!--more-->In 2003, the dawn of digital SLR cameras, Canon introduced its breakthrough EOS Kiss Digital (EOS Digital Rebel or EOS 300D Digital in other regions). This compact and lightweight user-friendly camera set the stage for growth in the digital SLR market and captured the top share of the global market. Since that time, Canon, in its ongoing pursuit of high image quality, has launched a number of models for advanced-amateur users that offer among the highest levels of performance for their class, including the EOS 5D series, which paved the way for digital SLR video recording.</p>
<p>In 2013, targeting entry-level users, Canon launched the EOS Kiss X7 (EOS Rebel SL1 or EOS 100D), which combines the world’s smallest and lightest digital SLR camera body with exceptional basic performance, and the EOS M2 compact-system camera, featuring significantly enhanced autofocusing performance. Also, within the advanced-amateur user segment, the Company introduced the EOS 70D, equipped with innovative Dual Pixel CMOS AF autofocus technology, which has earned high praise from the market. These robust products provided the driving force enabling Canon to achieve its 11th straight year as the world’s market leader.</p>
<p>Additionally, in February 2014, Canon realized another industry milestone as cumulative production of EOS-series film and digital cameras surpassed the 70-million unit mark. Furthermore, during the first half of 2014, cumulative production of Canon EF-series interchangeable lenses for EOS cameras is on track to reach 100 million units. Underpinning these achievements is the high market share that Canon has maintained, made possible through the long-standing support dating back to the film camera era that the Company has received from its wide user base.</p>
<p>With a history of producing cameras that dates back to the Company’s founding in 1937, Canon will continue refining its diverse imaging technologies based on its core optical technologies, striving to produce exceptional and reliable lenses and cameras that cater to the varying needs of photographers—from first-time users to advanced amateurs and professionals—while contributing to expanding the photographic and video imaging culture.</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Canon Celebrates the Production of 250 Million Digital Cameras

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<span style="line-height: 1.5em;">Another achievement by the world’s first camera manufacturer. The joint production of DSLRs and compact cameras surpassed 250 million units. Canon </span><a style="line-height: 1.5em;" href="http://www.canon.com/news/2014/mar27e-2.html">press release</a><span style="line-height: 1.5em;">:</span></p>
<p><strong>Canon celebrates production of 250 million digital cameras

</strong>TOKYO, Japan, March 27, 2014—Canon Inc. today celebrated a camera-manufacturing milestone as combined production of the Company’s compact digital and interchangeable-lens digital cameras surpassed 250 million units on January 31, 2014.</p>
<p>Canon, a company that has continuously produced cameras since its founding in 1937, began producing and marketing digital cameras in the mid 1990s. In 1995, when film cameras were still the norm, Canon launched its first digital camera, the professional-model EOS DCS 3* digital SLR camera.</p>
<p>At the time, compact cameras were leading the digital shift within the camera industry. In 1996, Canon announced its market entry with the introduction of the PowerShot 600, the Company’s first compact digital camera. In 2000, amid the market’s rapid growth, Canon launched the IXY DIGITAL (PowerShot S100 or DIGITAL IXUS in markets outside of Japan), featuring a ground-breaking compact, stylish body design that set the trend for compact digital cameras.</p>
<p><!--more--></p>
<p>Subsequent models released by the Company reflected the diverse evolution of compact digital cameras with models becoming increasingly compact and lightweight, achieving higher sensitivity, incorporating more enhanced automatic functions, and realizing greater network connectivity. This evolution fueled robust growth as Canon’s cumulative production of compact digital cameras surpassed the 100-million-unit mark in 2008, and broke through the 200-million-unit threshold in December 2013. Aiming to further extend its production volume, in 2014 Canon launched a new lineup of compact digital cameras that let users enjoy high value-added photography, including the PowerShot G1 X Mark II, designed to deliver the highest levels of imaging performance, and the new-concept-model PowerShot N100.</p>
<p>As for interchangeable-lens digital cameras, while the market in the mid 1990s had consisted primarily of professional models, with the start of the 2000s, the segment rapidly took off. In 2000, Canon launched the EOS D30, developed as a “next-generation standard digital SLR camera” to satisfy the needs of a wide user base, from advanced photo enthusiasts to professional users. In 2003, Canon again led the market with the introduction of the entry-level-model EOS Kiss Digital (EOS Digital Rebel or EOS 300D), which set the stage for dramatic expansion of the market.</p>
<p>Since that time, Canon has successively launched innovative products that capitalize on the Company’s strengths in CMOS sensors, image processors and EF lenses, such as the professional-model EOS-1 series and EOS 5D series targeting advanced-amateur users, as well as the compact-camera-system EOS M series. As a result, in 2005, production of Canon interchangeable-lens digital cameras reached 25 million units and, in February 2014, surpassed 50 million units. Among the new products worthy of note that contributed to the realization of this milestone were the EOS 70D, featuring innovative Dual Pixel CMOS AF autofocus technology, and the entry-level EOS Kiss X7 (EOS Rebel SL1 or EOS 100D), which combines a ground-breaking compact, lightweight body design with advanced basic performance.</p>
<p>Canon will continue to refine its diverse imaging technologies based on its core optical technologies, striving to produce exceptional and reliable cameras and lenses that cater to the varying needs of photographers—from first-time users to advanced amateurs and professionals—while contributing to expanding the culture of photographic and video imaging.</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Off Brand: Sony Readying Branded Medium Format System?

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<p>There has been <a href="http://www.canonrumors.com/2013/08/canon-looking-to-medium-format/" target="_blank">a lot of rumors about Canon making a move into the medium format segment</a>, it’s even been suggested we’ll get a development announcement for such a camera at Photokina in September of this year. Canon has recently moved into security cameras and industrial cameras to find growth in new markets, it would make sense to give an EOS branded medium format system a go.</p>
<p>Sony, a big manufacturer of medium format sensors for the likes of Hasselblad are rumored to be readying a medium format system of their own. It would use the 50mp sensor currently found in the upcoming <a href="http://www.bhphotovideo.com/c/product/1034017-REG/hasselblad_h_3013668_h5d_50c_dslr_camera.html/bi/2466/kbid/3296" target="_blank">Hasselblad H5D-50C</a>.</p>
<p><strong>Sensor information:

</strong>Sensor Type:  50 Megapixels CMOS (8272 x 6200, 5.3 × 5.3 μm)

Sensor Dimensions:  32.9 x 43.8mm (sensor is physically 70% larger than a Full Frame sensor)

Image Size:  RAW 3FR capture 65MB on average. TIFF 8 bit: 154MB (on the Hasselblad H5D-50c).</p>
<p>It’s noted that Sony has no interest in competing with Hasselblad or Phase One and that their medium format camera would be something “completely different”. Perhaps a compact MF system?</p>
<p>Sony is being quite aggressive in trying to find new markets in still cameras, and if the system is priced affordably for medium format, they could have a winner if this true.</p>
<p>Source: [<a href="http://www.sonyalpharumors.com/sr3-surprising-rumor-first-hints-about-a-sony-medium-format-camera/" target="_blank">SAR</a>]</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Canon Features Interactive Booth at NAB 2014

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From Canon USA:</p>
<p><em>Highlights Include Shooting Galleries, Live Speaker Sessions, Extensive Lens Exhibits, Full On-Site DI Suite, Live 4K Broadcast Demonstrations, and the Canon Theater</em></p>
<p><b>MELVILLE, N.Y., March 26, 2014</b> - At the 2014 NAB Show in Las Vegas, Canon U.S.A., Inc., a leader in digital imaging solutions, will showcase its full line of professional, high definition imaging equipment for motion picture, television production, video content creation, and still photography at booth C4325. Within this year’s booth, Canon will feature a live 4K Workflow Demonstration where visitors will have the opportunity to interact with industry-leading colorists and editors in a 4K DI (Digital Intermediate) suite. Visitors will also have the opportunity to touch and try a range of Canon Cinema, HD Video and DSLR cameras and Broadcast HDTV lenses through various simulated shooting situations in three different shooting galleries centrally located in the Canon booth. Canon will also feature a 4K frame-grab demonstration where a professional photographer will utilize the Canon Cinema EOS-1D C camera to deliver still images from 4K video.</p>
<p>Canon will be showing a 4K Live Broadcast demonstration, highlighting how spectacular HD broadcast footage can be captured, digitally rendered and cropped for live-action broadcast coverage using Canon’s Cinema EOS equipment. Visitors to this demonstration will see, in real-time, the results and stunning coverage which have already been successfully used in the market in multiple high-speed productions, including live-action sports.</p>
<p><!--more-->

Throughout the 2014 NAB Show, Canon will host a series of unique stage presentations with renowned cinematographers, broadcast specialists, and filmmakers on the Live Learning Stage. These industry professionals will provide insight into the ever-changing field of optical and imaging technology and showcase their projects and works that were shot using Canon equipment, as well as share best practices and real-world applications for utilizing Canon technology.</p>
<p>Highlighting the Company’s strength and achievements in the realm of optical technologies, Canon will exhibit all 125 of its current EF, Cinema and BCTV lenses. This dedicated optics section of the booth will include technology displays to help educate visitors on the intricate systems that help make Canon lenses such powerful tools. Unique Canon lens applications and projects will also be highlighted, including such achievements as the Subaru telescope located in Hawaii. Visitors looking for a firsthand experience will be able to test and try various lenses on the Canon Lens Tower, a tiered platform allowing attendees to experience the power of Canon’s extensive lens lineup.</p>
<p>Exhibiting some of the recent artistry and award-winning footage shot on Canon Cinema EOS equipment, show attendees are welcome to enter a 90-seat Canon Theater to view spectacular footage and testimonials which illustrate HD, 2K and 4K projects including behind-the-scenes footage on how each project was captured.</p>
<p>Now available for purchase, the Canon DP-V3010 4K Reference Display will be featured throughout the booth, including the DI suite, where Canon will demonstrate how DP-V3010 4K Reference Displays match up to high-quality 4K projectors.</p>
<p>Professional cinematographers in need of a fast, easy way to print images for scene continuity or to preserve highlights of a recently completed project will appreciate the convenience and versatility of Canon’s photo-quality printers. Demonstrated in the Canon booth will be the 24-inch imagePROGRAF iPF6450 and the 44-inch imagePROGRAF iPF8400, large-format printers. The PIXMA PRO series of desktop inkjet printers will be on display, including the PIXMA PRO-1 Professional Inkjet Printer, PIXMA PRO-10, and PIXMA PRO-100 Wireless Professional Inkjet Printers. Also being shown is the SELPHY CP910 Wireless Compact Photo Printer.</p>
<p>Canon’s Pro Education Team will be hosting in-booth guest speaker seminars and off-floor workshops at the 2014 NAB Show. In-booth speakers will include cinematographer Suny Behar, Canon’s Larry Thorpe, director and photographer Vincent Laforet, Saturday Night Live DP Alex Buono, and filmmaker Amina Moreau. The aforementioned guest speakers have collaborated with Canon in the past to develop educational content, and will be conducting user-focused product and workflow demonstrations, as well as question and answer sessions with attendees.</p>
<p>On Tuesday, April 8th, Canon Live Learning (CLL) will be hosting two off-floor workshops in room N239. From 10:30am-12:30pm there will be the “Canon Small Chip Sensor Workshop.” Attendees will be invited to discover how to create and deliver near instant video production in the field and in the studio with the XA20, XA25 and VIXIA mini X video cameras. Then, from 2:00pm-5:00pm, CLL will be hosting the “Canon Cinema EOS Operational Training Workshop.” Technical advisors will be on-hand to demonstrate Canon’s Dual Pixel CMOS Autofocus technology, now available as an optional upgrade in both the Canon Cinema EOS C100 and Canon Cinema EOS C300 Digital Cinema Cameras.</p>
<p>After the success at the 2013 NAB Show, Canon’s Professional Services (CPS) will again be hosting the Canon Hospitality Suite. The Canon Hospitality Suite (Room C201) is open to all NAB tradeshow attendees with priority support for CPS Gold, Platinum, Cinema, and Enterprise members. After checking in at the CPS kiosk in the Canon Booth, visitors to the suite located just off of the tradeshow floor, can experience Canon’s commitment to service and support for the professional imaging community first hand.</p>
<p>For NAB 2014, CPS is announcing the addition of the Cinema Membership level to its program. This new Cinema level caters specifically to the cinema professional and in addition to the existing CPS Silver, Gold, Platinum and Enterprise levels, demonstrates Canon’s continued commitment to supporting the professional imaging industry.</p>
<p>Suite visitors will also be able to chat with Canon experts about Canon’s exciting developments in cinema, video and DSLR technology and Canon technical representatives will be on-hand to provide product consultations. Gold, Platinum, Cinema, and Enterprise CPS members can take advantage of the complimentary onsite Clean & Check Service (limited to two current* Canon DSLR bodies or lenses or one current* Cinema product or XF professional video camcorder registered to a member’s CPS account). Show attendees will also have the opportunity to sign up for Canon CPS membership. Product serial numbers for qualifying CPS equipment will be needed in order to process on-site membership applications. For information, please visit <a href="http://www.cps.usa.canon.com/" target="_blank" rel="nofollow">[url=http://www.cps.usa.canon.com]www.cps.usa.canon.com[/url]</a>.</p>
<p>The Canon Hospitality Suite hosted by CPS will be open April 7th through April 9th from 9:00am to 6:00pm and April 10th from 9:00am to 2:00pm.</p>

New Full Frame Camera in 2014? [CR1]

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<p><a href="http://www.northlight-images.co.uk/cameras/Canon_rumours.html" target="_blank">Northlight has received word</a> that Canon will be releasing a high resolution big brother to the EOS 5D Mark III in the fall. This is another reference to an EOS 3D type of camera (it’s been going on since this site started). The higher resolution camera would also shoot 4K video and have an abundance of video features. Pricing for the camera would come above the EOS 5D Mark III.</p>
<p>There’s always mentions of high resolution sensors showing up in Canon DSLRs for testing around the globe, and I don’t doubt that it’s going on. We were told back in the fall that Canon would be releasing 3 new DSLRs in 2014, and we’ve already seen one in the 1200D. The other will most definitely be the followup to the EOS 7D, the third camera is unknown. I’d like to think it won’t be a replacement to the EOS Rebel T5i.</p>
<p>Source: [<a href="http://www.northlight-images.co.uk/cameras/Canon_rumours.html" target="_blank">NL</a>]</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Much Ado About Nothing at NAB 2014 From Canon

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<p><a href="http://www.canonrumors.com/2014/03/canons-plans-for-nab-2014-next-month-cr1/" target="_blank">Recent reports about Canon releasing two camera bodies for NAB 2014</a> in Las Vegas next month look like they were recycled rumors from a long while back.</p>
<p>We’re told by various folks that Canon will make some announcements of non camera items that won’t be a big deal to most people. It looks like a quiet NAB from Canon for the second year in a row.</p>
<p>Again, that means no Cinema EOS camera and no DSLR style video camera. The firmware update for the EOS-1D C is still on the table, and I expect to see a cinema lens or two.</p>
<p>More to come..</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Oppo Find 7 - World's First Phone That Can Take 50MP Photos

Screen measures 5.5-inches with a resolution of 2560 x 1440 pixels. The pixel density of the 5.5-inch display is 538ppi.

The phone features a 13MP 1/3.06-inch Sony Exmor CMOS sensor and F2.0 aperture, and what Oppo calls Super Zoom, a software feature which crosses Nokia’s PureView tech with a traditional burst mode. The camera takes 10 pictures in rapid succession, keeps the four best images, then stitches them together into one 50-megapixel shot.

In addition, the Oppo Find 7 is also the first Android device to offer Raw capture. In video mode you can capture 4K footage and 120 fps slow motion video at 720p resolution. For self-portraits and video-calls there is a 5MP F2.0 front camera.

The Android OS is powered by a quad core Snapdragon 801 SoC and 3GB RAM. Rapid Charge technology will let you charge the Find 7's 3000mAh battery to 75% in only 30 minutes.

Sexy specs indeed.

More at dpreview: http://connect.dpreview.com/post/3690130016/oppo-find-7-features-qhd-display-and-50mp-images

24-105 vs 24-70 2.8 ii

I have had the 24-105 for about 2 years now. I have never been pleased with the quality which is somewhat contradictory to what the general consensus is on this lens.
I recently just purchased the BH deal for the 24-70, and have been eagerly looking forward to this lens. Reviews have been showing this lens to resolve a great amount of detail.
At 1/200 f/4 100 i can get nearly identical results from these two lens. Now it is no where near what pro are testing with but i used tripod, multiple shots picked the sharpest from each lens, and had flash to provide pretty consistent lighting.
Does anyone have these two lens? or also make the upgrade? what are your thoughts?
I will say the color and in camera rendering on the 24-70 is amazing. i love that but worth $1800? i dont feel like its worth is at this point. To be honest i love my two other 2.8 zooms lens but i dont feel like this one stacks up the same.

after looking over the picture samples on the digital picture (http://www.the-digital-picture.com/Reviews/ISO-12233-Sample-Crops.aspx?Lens=355&Camera=453&Sample=0&FLI=0&API=0&LensComp=787&CameraComp=453&SampleComp=0&FLIComp=0&APIComp=2) it seems as though i am only looking at the center and the really "upgrade" of this lens will be at the edges.

Hasselblad worth of almost a million $

Hasselblad 500, a medium format camera, which was used by astronauts to photograph the Moon, was sold for almost one million dollars! It's the ONLY camera that was actually brought back by astronauts, as the other cameras were left on the Moon, and only film was brought back to Earth. James Irwin, the Apollo-15 astronaut, used this camera to take 299 pictures on the Moon and 96 pictures during the flight.

More to read here http://www.dailytech.com/Camera+Used+by+Astronauts+on+Moon+Pulls+940+Gs+at+Auction/article34582.htm

AI Servo AF Versus One-Shot AF For Stationary Subjects

Having read several posts discussing the pros and cons of using AI Servo AF versus One-Shot AF for stationary subjects, I thought I'd ask the one guy who could best address this issue for us.

He was kind enought to allow me to post his reply to my questions here:

Hi, Steve:

There are no differences in focusing speed, focusing accuracy, or focusing point selection algorithms between One-Shot AF and AI Servo AF with EOS DIgital SLR cameras, period.

The basic difference between them is that One-Shot AF locks focus as soon as it is complete, whereas AI Servo AF continues to track focus as long as it is active. This is why One-Shot AF is recommended for stationary subjects, while AI Servo AF is recommended for most types of moving subjects, especially those that move towards or away from the camera as opposed to lateral movement across the frame.

There are other differences between One-Shot AF and AI Servo AF that can affect some kinds of photography:

1) AI Servo AF allows photographers to release the shutter at will, regardless of whether focusing has been completed or not. This is intentional, in order to allow the photographer to prioritize capturing the peak moment regardless of focusing status. The trade-off is the fact that there is no guarantee that the focus will be sharp on a stationary subject in AI Servo AF, especially during handheld photography at close range with shallow depth of field. Under these specific conditions (one more time for emphasis, I am saying Stationary Subject, handheld photography at close range with shallow depth of field), One-Shot AF is a more reliable focusing method because it locks focus while AI Servo does not.

2) As light levels diminish, eventually AI Servo AF will cease to function before One-Shot AF does. This is because One-Shot AF allows a longer sampling period for AF measurement in low light than AI Servo does. (The AF measurement sampling period is analogous to a shutter speed for the AF sensor. The longer the sampling period, the greater the sensitivity.) Remember that the AF sensor in the camera has a low light threshold, typically EV -1 or -2 depending on the camera; this figure is quoted specifically for the center AF point with One-Shot AF. It's usually about 2 stops less than than with AI Servo AF, and even lower with off-center focusing points. Therefore, if maximum sensitivity for AF in low light is your priority, we strongly recommend One-Shot AF with the center focusing point.

Going back to point 1, current professional EOS models like the 1D C, 1D X and 5D Mark III give photographers more control over shutter release priority in AI Servo AF than older models. You'll notice that there are menu settings in the AF menu section for 'AI Servo 1st Image Priority' and 'AI Servo 2nd Image Priority.' These settings let you control how long the camera waits before releasing the shutter in AI Servo, which is better than older cameras like the 1D Mark IV or 5D Mark II. But it still lets the camera shoot when it is out of focus in AI Servo AF if you insist. In other words, shutter release in AI Servo AF is always a matter of "when," it is never a matter of "if" the subject is in focus.

The bottom line is simply this: AI Servo AF is *not* equivalent to One-Shot AF for stationary subjects in terms of shutter release priority, especially for handheld shots with shallow depth of field, and we never claimed that it was. That's why we offer both focusing modes. This doesn't mean that AI Servo *can't* get it right. It means that One-Shot AF is more reliable under these specific conditions.

Hope that helps.


Chuck Westfall
Advisor, Technical Information
ITCG Prof Client Relations Division
Canon U.S.A., Inc.
One Canon Park, Melville, NY 11747

Compact cameras - do everything but good fotos

My GF's getting a compact digital camera (sub 250€) for travelling, as she doesn't want to take her 550D/50 f1.8. When reading reviews, I made a mistake by trying to duplicate the noise level in some review's test shots with my 6D and comparing the ISO difference. Result: I didn't have enough ISO on the 6D to go beyond 200/400 ISO on the compact camera.

Why is there no inexpensive compact camera with OK image quality? Is the low-end compact camera market dying because of cellphones, or because it's filled with crap trying to pack more megapixels & zoom just for the sales pitch? They seem to be in a downward spiral, trying to differentiate themselves from cellphones with more zoom & megapixels, but becoming crappier in the process and letting people take better photos with that phone.

Sony Medium Format Camera

According to Sonyalpharumors, Sony may announce a Medium Format camera ... that' interesting ... they are also running a vote if one would buy a Sony Medium Format Camera if it came with a fixed lens (like Sony RX1) for $5000 ... I voted No, but would you buy a $5000 RX camera with fixed lens and Sony's new medium format sensor?

http://www.sonyalpharumors.com/sr3-surprising-rumor-first-hints-about-a-sony-medium-format-camera/

Mountains and city

Hi guys,
I'd like to share links to four galleries of photos submitted for festival 'Hory a Mesto' (in translation Mountains and city) organized in Bratislava, Slovakia, devoted to all outdoor enthusiasts. Today I was browsing in these galleries and realized there are lots of great photos nobody (or almost nobody) voted for.

That's why I'm asking you guys, if you have time, feel free to view some nice images and also to vote. I think it would be nice and more objective for competition if you - photographers share your opinions and votes. Right now it seems only everyones FB friends voted.

There are four galleries

I'm sorry, it seem that whole page is only in slovak, but I think you can still enjoy photos and use star rating ;)

Disclaimer: I hope I'm not breaching some forums rules, if yes, please remove this post. I'm not organizing the event and I have completely no connection to it except of interest in photography. To be fair, I submitted two photos for this competition.

Patent: Tamron 10mm f/2.8 Fisheye

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<p>Tamron has filed a patent for a 10mm f/2.8 fisheye lens</p>
<p><strong>Patent Publication No. 2014-52503</strong></p>
<ul>
<li>Publication date 2014.3.20</li>
<li>Filing date 2012.9.6</li>
</ul>
<p><strong>Example 1</strong></p>
<ul>
<li>Focal length f = 9.712</li>
<li>Fno. = 2.85</li>
<li>Half angle ω = 90.00 °</li>
<li>10 pieces of 8-group lens configuration</li>
<li>Two four-sided aspherical</li>
<li>Three LD glass</li>
<li>Three-group structure of the positive and negative positive</li>
<li>Inner focus</li>
<li>Vibration control</li>
<li>Video support</li>
</ul>
<div id="attachment_16149" style="width: 276px" class="wp-caption alignnone"><a href="http://www.canonrumors.com/wp-content/uploads/2014/03/Tamron-10mm-f2.8-fisheye-lens-patent.png"><img class="size-full wp-image-16149" alt="Tamron 10mm f/2.8 Fisheye" src="http://www.canonrumors.com/wp-content/uploads/2014/03/Tamron-10mm-f2.8-fisheye-lens-patent.png" width="266" height="214" /></a><p class="wp-caption-text">Tamron 10mm f/2.8 Fisheye</p></div>
<p>Source: [<a href="http://egami.blog.so-net.ne.jp/2014-03-25" target="_blank">EG</a>] via [<a href="http://photorumors.com/2014/03/24/tamron-patents-a-10mm-f2-8-fisheye-lens/" target="_blank">PR</a>]</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Review: Canon EF 200-400 f/4L IS 1.4x

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Dan Carr has created quite an extensive ebook review of the <a href="http://www.bhphotovideo.com/c/product/973129-REG/canon_5176b002_ef_200_400mm_f_4l_is.html/bi/2466/kbid/3296" target="_blank">Canon EF 200-400 f/4L IS 1.4x lens</a>. The ebook is free to download and looks great on your Microsoft, Android or Apple tablet.</p>
<p>Please read the instructions below.</p>
<p><strong>Get It For Free, Or Make A Donation

</strong>If you want to get it for free, just enter a 0 in the pricing section and the credit card form will disappear. We’ll just need your e-mail to send you the download links and any future Shutter Muse updates but we will never share it with anyone else. We hate spam just as much as you do. There’s also the option to make a small donation through Gumroad’s 100% secure system if you want to. $3 to $5 is the suggested amount and all donations go right back into the website to help me bring you more great content like this.</p>
<p><a href="http://www.canonrumors.com/wp-content/uploads/2014/03/200-400-spread-small800.jpg"><img class="alignnone size-medium wp-image-16144" alt="200-400-spread-small800" src="http://www.canonrumors.com/wp-content/uploads/2014/03/200-400-spread-small800-575x352.jpg" width="575" height="352" /></a></p>
<p><strong>What You’ll Get:

</strong></p>
<ul>
<li>PDF eBook version of the review – Includes images not in the online review</li>
<li>Downloadable version of the video review</li>
<li>4 X Full resolution sample images (200mm, 400mm, 560mm, 784mm)</li>
</ul>
<p><strong><a href="http://shuttermuse.com/canon-200-400-review-ebook/" target="_blank">Download the ebook Review</a> | <a href="http://www.bhphotovideo.com/c/product/973129-REG/canon_5176b002_ef_200_400mm_f_4l_is.html/bi/2466/kbid/3296" target="_blank">Canon EF 200-400 f/4L IS 1.4x</a></strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Should I buy the 35L now or wait for the price drop?

There was the rumor not long ago that Canon has patented a new formula for a 35mm 1.4.
I want to buy a used 35mm 1.4, but I'm not sure if I should risk loss of value, in case a new one comes out shortly after.
Of course, there is also the Sigma option, but I'm scared of focusing problems which I have had before with Sigma. I also like the lighter weight of the Canon.
What do you think and what would you do?

Thanks!

How much will I use the 135L if I already have the 70-200 F/2.8 IS II?

All,

with all the great Canon Store refurb deals doing on of late, I thought about picking up the 135 F/2L. With the sale, it would be $696 including shipping, which is a terrific deal.

That lens has a stellar reputation: this forum and the tests/reviews I've read agree that this lens is an impressive performer.

My only pause in snatching one up is that I already own the stellar 70-200 F/2.8L IS II, and I have to wonder. Is being one stop quicker really that valuable? Is the bokeh that magical? Is it that extra-bit sharper over one of the sharpest zooms made?

Thoughts? Knowing that I have the 70-200, if I picked the 135 up, would it just sit in my bag for dedicated portraiture work?

If it helps with your answer:
  • Besides the 70-200, I use a 5D3 with a 24-70 F/4 IS, 28 F/2.8 IS, 40 F/2.8, 50 F/1.4, 100 F/2.8L IS and a 2x T/C.
  • Enthusiast only -- not a pro.

I appreciate the guidance!

- A

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