Help please - Ideas to improve these photos

I am hoping someone can provide some ideas/direction on how to improve these photos. I took pictures of ~40 kids with company sponsors names against a grassy hill. This is a volunteer project so I know everyone will be happy with whatever I submit but I just can't get the pictures where I am happy with them (pay or not, I want to produce a great product). These will be displayed on a projected presentation in a large hall (seats dinner for ~400) and prints (8x11.5) will be made and given to each sponsor with their children.

The auction is for a school that specializes in Spanish, Japanese and Chinese immersion language programs. My kids have gone to this school since they were 3 years old (9 & 8 now) and my wife has worked here for 10+ years.

Any help or ideas would be greatly appreciated. I am good with Lightroom and get by with Photoshop (with the help of youtube and Lynda.com) but I am open to trying anything...

Thanks!

tom

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Iguanas Underwater

Hello Everyone,

Went diving in the Galapagos in August for the first time, and boy was that an interesting destination! We pretty much saw everything...Really a spectacular trip, above and below water.

One dive, which has to be one of the most unique I have ever done/heard of...is the Marine Iguana dive. During a certain hour of the day, the Marine Iguanas head to the ocean from the land and swim and eat the seaweed and algae. Hundreds of them are in the water. Really a fun dive...cold but fun! We lucked out with excellent visibility, which is not typically the case in this particular dive.

Here is a video I put together of it. Please feel free to Share or Like it. Also, any comments good or bad are welcome.
Enjoy,

Dustin

https://vimeo.com/78419332

Or YouTube

Marine Iguanas - Galapagos Islands

Studio light for model and products

Dear photography-enthousiasts,

I have a studio lighting question. Together with two friends I own a small clothing/lifestyle webshop. For our product and modelphotography we’ve been blessed that we can borrow a full studio set from a fellow photographer (of which I don’t the brand atm) .
Now we’ve been growing steadily, we’re looking for the option to buy our own little set. Mainly because it’s just very unpractical to use his set everytime we need to photograph something. His own set is a bit of a overkill imo, cause I usually don’t set the flash to its full potential. Want I wanted to ask here, is with what kind of budget one could arrange the following shots.
So, for the model shots, it was just 1 large (about little smaller than 5ft by 3ft) softbox and a silver reflector on the model right side.

hunting-ensemble-fw13-4-van-106-562x843.jpg


The productshots are bit more complex, a 3 light setup (1 small softbox, a snoot and a background light) on a producttable.

hunting-ensemble-schoenen-41-van-138-562x843.jpg


I’m still pretty new to studiophotography and I find it difficult to get a good grasp on the vast array of studiosets that there out there. I think we can achieve the model and productshots with a less expensive set. I always get the feeling that it’s always a bit of an overkill like I said!
So, we need to be able to get a full body shot and perhaps to be cooled with a motor, because we take hundreds of shots with every shoot.
I know it’s a bit too much to ask if anyone could point me towards the right direction, but at what price range should we think when we want to accomplish such shots?
Much obliged!

Future Who needs a 1dxii or 7diii?, Why Photo Cameras could become obsolete

So a bit dreamy today and thinking about the future
Not in the near future, but it could be closer then I think ( the point where it might be worth switching(for me) has just arrived) Btw (It's meant for sports/wildlife rather than portrait shooters!!!!)

When blackmagic announced the 4k production camera I got a feeling this could be the beginning of the end.

A 1dx is one of the best sports cameras around , giving 18mpix images.
The still images of the blackmagic 4k are 8mpix, RAW, now when you keep in mind that it has a 1.7 crop factor and apply this to the original image of the 1dx you are left with a 6.2mp image.
No doubt the raw file from the 1dx will look a lot better (but we're dreaming, and not thinking about iso etc)

The black magic shoots 24 fps, 8mp RAW photos without filling the buffer.
It does not have the auto focus system, but still I have read many photographers say 8mp is more than enough for them! ;)

Sure with increasing processing power and cheaper memory etc, one could argue that photo cameras will always have an edge in resolution over the video cameras.
But to what point will it be useful?

When we arrive at a point where the resolution will be so great that the glass cannot cope with it, or that the ''need'' is no longer there ( Imagine in 10 years, 200-300 MP photos, it's great off course, but 8k (7680×4320 = 33,177,600 pixels) @ 120 FPS ( 8.4 gigabyte/second uncompressed )
I can also live with 24 fps, which should be around 1.6-1.7 gigabyte/second
Currently read speed max out @ 500MB/s for ssd disks?

Will be much more useful to me than a 300mp camera which can do 10fps with mirror box.
(750mb/photo @ 10fps = 7.5 gigabyte/second)
Not sure how they are going to keep the cf format alive


Btw if Computer speed or storage is an issues, you can always delete 99.99999% of the footage and keep the 1 second with 24 frames which has the picture/moment located that you need :P

Impractical atm? yes, but in 5-10-15 years? who knows .... DSLR's need to reinvent the CF card, and Maybe lose that mirror :(

So why not film everything in raw ? and enjoy the photos it also takes while doing so :P

What do you think?

Off Brand: Nikon Announces the Df

HTML:
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<p><strong>Yes, this is a Canon site

</strong>I realize this is a Canon site. However, every so often a camera announcement from another brand is important. This is one of those announcements. Nikon has introduced a small full frame photographers camera. Everything about it is for the photographer, there isn’t even a video feature.</p>
<p>I get a lot of questions from photographers asking why Canon seems to care more about the videographer than the photographer now. I have no good answers, just a hope that Canon will introduce some serious gear just for photographers.</p>
<p><strong>FALL IN LOVE AGAIN: NEW Df D-SLR IS UNDENIABLY A NIKON WITH LEGENDARY PERFORMANCE AND TIMELESS DESIGN</strong>

MELVILLE, NY (November 4, 2013) The new Nikon Df is a modern classic designed for those who have felt a connection to their camera, who revel in the idea of going out to photograph an unfamiliar location, and who know the effort and ultimate satisfaction that is part of getting the shot. Announced today, the Nikon Df is a unique, advanced-level D-SLR that harmonizes Nikon heritage and modern performance in a lightweight and very capable FX-format camera. The new Df pays homage to the enduring style and controls of Nikon’s distinguished “F” series of 35mm film cameras, yet features technology similar to Nikon’s professional flagship D4 D-SLR. Released alongside the similarly styled AF-S NIKKOR 50mm f/1.8G Special Edition lens, Nikon’s newest FX-format D-SLR presents a versatile and reliable option to help passionate photographers truly achieve their creative vision.</p>
<p>“Nikon cameras have played an important role in documenting world history for the better part of 50 years, and have earned their position as a reliable tool that pros and enthusiasts can count on. The Nikon Df represents much more than a storied legacy of cameras; it’s more about giving the user a chance to truly enjoy the experience of taking amazing images,” said Masahiro Horie, Director of Marketing and Planning, Nikon Inc. “The design is unwavering, and the features are the latest in Nikon imaging technology. The Df brings together the best of yesterday and today for advanced full frame photographers.”</p>
<p><strong>Nikon Df DSLR Body: <a href="http://www.bhphotovideo.com/c/product/1013090-REG/nikon_1525_df_dslr_camera_black.html/BI/2466/KBID/3296" target="_blank">Black</a> | <a href="http://www.bhphotovideo.com/c/product/1013089-REG/nikon_1526_df_dslr_camera_silver.htmlBI2466/KBID/3296" target="_blank">Silver</a> | Nikon Df DSLR w/50 f/1.8: <a href="http://www.bhphotovideo.com/c/product/1013094-REG/nikon_1527_df_dslr_camera_with.html/BI/2466/KBID/3296" target="_blank">Black</a> | <a href="http://www.bhphotovideo.com/c/product/1013093-REG/nikon_1528_df_dslr_camera_with.html/BI/2466/KBID/3296" target="_blank">Silver</a></strong></p>
<p><strong>Nikon 50 f/1.8G Lens: <a href="http://www.bhphotovideo.com/c/product/1013096-REG/nikon_2214_af_s_nikkor_50mm_f_1_8g.html/BI/2466/KBID/3296" target="_blank">Black</a></strong></p>
<p><!--more--></p>
<p><strong>A Classically Styled, Thoroughly Modern Masterpiece</strong></p>
<p>From a robust feel, to mechanical dials and finely detailed craftsmanship, the Df embodies the very best of Nikon’s photographic legacy. The classically styled camera recalls design cues such as a recognizable pentaprism and top cover, which is now constructed of durable, lightweight magnesium alloy. The top of the camera features elegant yet sophisticated mechanical controls for settings, letting users feel the tactile reassurance of adjustments, such as a familiar click stop for shutter speed adjustment. Additional dedicated dials also control ISO, exposure compensation, release mode and exposure mode, while modern controls are also easily accessible. The intuitive control layout allows for quick and confident setting adjustment, yet retains a solid operational experience that “feels like a Nikon camera.”</p>
<p>The Df has been designed with an emphasis on familiar intricate details made famous from previous generations, including the leather-textured top and grip, along with the body mounted shutter button with a threaded release port. The design also recalls the slenderness of the previous generation’s cameras, making this the smallest and lightest FX-format camera in Nikon’s lineup.</p>
<p>It isn’t all about good looks though, as this enduring design is coupled with legendary performance to create a very capable and extremely appealing FX-format offering for professionals and enthusiasts. The 16.2-megapixel FX-format CMOS sensor of the Df is inherited from Nikon’s professional flagship D-SLR, the D4. The large 36 x 23.9mm CMOS sensor is praised for its ability to produce amazing image quality in a wide variety of lighting conditions. Whether shooting landscapes, wildlife or weddings, the frames captured with the Df exhibit amazing clarity, accurate color and a broad dynamic range. In addition, Nikon’s exclusive EXPEED 3 image processing engine helps propel image quality, yielding images with a natural color and depth, all while enhancing subtle and nuanced tones.</p>
<p>Additionally, like the professional Nikon D4, the Df performs well in a wide variety of challenging lighting conditions with an exceptionally wide ISO range from 100 to 12,800, expandable to a staggering ISO 204,800. The combination of low noise and wide range make this an appealing camera to take on the challenges faced by photojournalists and event photographers, as well as those who enjoy the pursuit of extracting otherwise impossible images using natural light.</p>
<p><strong>A Feature Set for Passionate Photographers</strong></p>
<p>The Nikon Df is engineered to enhance the experience of taking photos and represents a culmination of decades of experience and feedback from photographers in the field, the studio and the sidelines. From its proven AF system to modern connectivity and legacy lens compatibility, the Df contains the century’s best photographic features for an enjoyable all-day shooting experience.</p>
<p>AF System: The convenience and precision of Nikon’s 39-point AF system is proof-positive of the benefits of modern technology. With 39 selectable AF points throughout the frame for precise focus, the Df also features nine cross-type sensors, and seven AF points capable of working down to f/8. Users can also choose from a variety of AF area modes to match their shooting style: 9-point, 21-point, 39-point, 39-point with 3D Tracking and Auto Area AF.</p>
<p>Get the shot with 2016-Pixel 3D Matrix Metering and Scene Recognition System: This Nikon system analyzes each shooting scenario and determines proper camera settings, resulting in even exposures, accurate white balance and precise AF. To capture action sports, wildlife and other fast moving subjects, the Df has a continuous burst shooting rate of up to 5.5 frames-per-second (fps).</p>
<p>Compose with a 3.2-inch LCD Display and Glass Pentaprism Viewfinder: Users can easily compose through the high-resolution LCD screen or the bright optical viewfinder. The LCD screen has 921K-dot resolution, making it easy for users to adjust additional settings, review images or compose using Live View. Using the glass optical viewfinder, users will enjoy 100 percent accuracy and a bright field of view. What’s more, the shooting data presented through the viewfinder has also been updated and digitized.</p>
<p>Connect and Share Instantly: Another modern touch allows users to connect and share their images instantly using the optional WU-1a Wireless Mobile Adapter1. By connecting to a mobile device, users can download and share images or remotely fire the camera.</p>
<p>Features for Creativity: Photographing dramatic monochrome or vivid landscapes is easier with Nikon’s Picture Controls, which allow for the customization of color, saturation and tone. The Df also features built-in High Dynamic Range (HDR) to combine multiple shots with enhanced tonal range, and two to five-frame auto-bracketing. For maximum control, images can also be captured in JPEG, TIFF or RAW file formats.</p>
<p>Support for a Storied NIKKOR Legacy: In addition to being compatible with all current AF, AF-S, DX and AF-D NIKKOR lenses, the Df is also compatible with classic Ai and non-Ai NIKKOR glass. Thanks to a new metering coupling lever located on the bayonet, the user has the ability to once again enjoy their lens collections with renewed functionality. Full-aperture metering is also supported.</p>
<p>Accessory System Support: The Df is compatible with Nikon’s Creative Lighting System (CLS), letting users take advantage of i-TTL exposure or fire multiple units remotely using a Speedlight commander. To remotely trigger the shutter, the camera also supports the new WR remote system, as well as the threaded AR-3 cable release, which screws in to the shutter button in the traditional style.</p>
<p>A Classic FX-Format Special Edition NIKKOR Prime</p>
<p>The new AF-S NIKKOR 50mm f/1.8G Special Edition lens is the result of classic NIKKOR styling combined with today’s optics to create the ideal focal length companion lens for the Df. The design honors original NIKKOR Ai lenses, with colors, texture, and an aluminum mounting ring that is mated to the style of the Df. This lens is ideal for everyday portraiture, landscapes and casual photography, but offers a wide aperture and seven-blade diaphragm for natural image blur and a dramatic depth of field. Despite the timeless design, the 50mm f/1.8G is created with modern AF-S design benefits to give photographers rapid response, quiet operation and excellent sharpness and clarity throughout the frame.</p>
<p><strong>Price and Availability

</strong>The Nikon Df will be available in late November 2013, invoking classic Nikon silver and black color schemes. The suggested retail price (SRP) of the Df (body only) will be $2,749.95*, while the Df and 50mm f/1.8 Special Edition lens kit will have a SRP of $2,999.95*. The AF-S NIKKOR 50mm f/1.8G lens will be sold separately for a SRP of $279.95*. For an additional flair of nostalgic style, Nikon is also offering black or brown leather carrying cases, the CF-DC6B and CF-DC6S (pricing and availability to be announced).</p>
<p><strong>Nikon Df DSLR Body: <a href="http://www.bhphotovideo.com/c/product/1013090-REG/nikon_1525_df_dslr_camera_black.html/BI/2466/KBID/3296" target="_blank">Black</a> | <a href="http://www.bhphotovideo.com/c/product/1013089-REG/nikon_1526_df_dslr_camera_silver.htmlBI2466/KBID/3296" target="_blank">Silver</a> | Nikon Df DSLR w/50 f/1.8: <a href="http://www.bhphotovideo.com/c/product/1013094-REG/nikon_1527_df_dslr_camera_with.html/BI/2466/KBID/3296" target="_blank">Black</a> | <a href="http://www.bhphotovideo.com/c/product/1013093-REG/nikon_1528_df_dslr_camera_with.html/BI/2466/KBID/3296" target="_blank">Silver</a> | Nikon 50 f/1.8G Lens: <a href="http://www.bhphotovideo.com/c/product/1013096-REG/nikon_2214_af_s_nikkor_50mm_f_1_8g.html/BI/2466/KBID/3296" target="_blank">Black</a></strong></p>
<p> </p>

6D: Should I wait or not?

I'm thinking of getting a 6D, but I've been waiting for a price drop, which usually comes by when a new successor comes out. However, after dabbling in this forum, it seems like everyone is saying that the next entry level FF Canon is not going to come out anytime soon. What do you guys think? I was expecting it to come out by Q1 of 2014, but if this is the case I might get it whenever I find a deal.

Need to upgrade my eos- 1dsmark3 but to what???

Hi all,
I have been shooting with the eos 1ds mark3 since 2008/9 (which I've loved) but.. I think I am quite overdue for an upgrade, but to what???

I've heard terrible things about the 1dx, plus it would be a downgrade in megapixels.

So does that just leave me with the 5dmark3? And is that really more of a sidestep than an upgrade? Thoughts? Advice?

Is there a better camera that I just don't know about? Is the nikon d800 worth the switch?

Canon 70D $1,099 on Amazon.

Anyone else notice that the price for the 70D dropped $100 on Amazon?

I'll probably still wait to see what kind of deals will appear for Black Friday, but I thought I'd mention it in case anyone else is in the market for a 70D.

Cheers...

*** Update ***

Looks like B&H, Adorama and likely other retailers have followed suit. Sale ends 11/23/2013. What are the odds that Black Friday sales a week later will have a better price?

Canon 70-200mm f/2.8 II vs Canon 24-70mm f/2.8 II

I recently bought a Canon 5D Mark I and I'm not sure which lens to buy. They are both about the same price but have completely different focal lengths. I've read reviews on both and they seem to be Canon's top lenses. If any of you who have either of these lens could you please give me some pros and cons and what kind of photography matches the lens. Thanks in advance.

Ashy Thrush (Geokichla cinerea)


Ashy Thrush (Geokichla cinerea) by alabang, on Flickr

The Ashy Thrush (Geokichla cinerea) is a species of bird in the Turdidae family. It is endemic to the Philippines.
Its natural habitats are subtropical or tropical moist lowland forests and subtropical or tropical moist montane forests. It is threatened by habitat loss.

Source: http://en.wikipedia.org/wiki/Ashy_Thrush

Location: http://en.wikipedia.org/wiki/La_Mesa_Ecopark

Settings: 1/100 ƒ/4 ISO 640 500mm

===========

Story behind the photo:

I arrived late in the morning at La Mesa Ecopark to take more photos of the Indigo Banded Kingfisher (IBKF) this time with my father. At the site of the IBKF we saw fellow bird photogs Steve, Professor Reuel and his cousin Speedy who told us that the IBKF has already fed and flew off elsewhere. We chatted a bit talking shop and my father left to look for other birds up the trail. 10 mins later Speedy saw an Ashy Trush (the bird photographed above) so nearing to us that I thought he misidentified it.

What I found unusual was that the Ashy Trush was so out in the open and near a well traveled dirt trail. Taking advantage of the extra light by the bird's decision to forage for earthworms out in the open we pictured the young one there. We were all pleasantly surprised that it decided to jump onto the stick with its prey. My good friend Steve got it with food in mouth, sadly I wasn't. But I did get the shot above. :)

Time was Ashy Trush were a very difficult bird to find much less photograph but thankfully with time and people being respectful to the bird they have become more accommodating to people's desire to see them in the eco park.

Nikon D600 vs. Pentax K-3 Image Comparison: Pentax Sweeps Nikon Hope for 7D mk2

Found this really interesting in saying how APC sensors can never be good.
Just goes to show 99% of people on this site don't have a clue what they are talking about.
Who knows the 7D mk2 may turn out really good.


http://www.digitalcamerareview.com/default.asp?newsID=5438&news=pentax+K-3+Nikon+D600+head+to+head+comparison+Pentax+wins

Share your Funniest Street Photo

Here's my favorite. I'm walking down the street in South Beach, Miami, FL in 2007 when some guy pulls up in his yellow Lamborghini Gallardo and steps out with his "escort". A moment later, a cop walks up and starts writing a ticket because, as he says to me, "Can you believe this clown parked in a crosswalk?" I asked him if I could take a photo, and here's how it turned out of my little SD-110. As he was writing the ticket, the driver's personal assistant, an effeminate man with a lisp, asked the cop to wait until he could move the car, but it was too late. Such a stereotypical SoBe moment, but hilarious all the same.

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Teasers are over: new retro Nikon FF Body finally outed

Here it is:
http://nikonrumors.com/2013/11/04/this-is-the-nikon-df.aspx/

They've been hyping the balls out of this. If you've been hiding under a rock and missed all the teaser videos, in five words or less, this new body is:

SLR
Full-Frame
Digital
Retro
Stills (only)

I just don't get it. It's got a prism and optical viewfinder, so it will not be small. It's just a vintage film camera hiding modern tech beneath. This is a fashion-skinned DSLR.

It's like they are going after (a) film users and (b) Fuji users who still want to look cool but with a larger sensor. Or -- big reach here -- Leica users who really want autofocus? (Surely they'd go with the new Sony rigs, right?)

I live in California, and I know a ton of arty kids with photography classroom experience who shoot old film SLRs partly for the craft of it and partly for the style of the old tech. But these kids don't have the coin for an FF DSLR.

I'm lost here. Unless the stills-only / no frills aspect of the design gets the price way down, I just don't get what they're aiming for here.

- A

ISO Poll

I thought it might be interesting to take a poll to get an idea of how people shoot most of the time with regard to ISO settings. With all the talk of new tech, it's advantages and disadvantages, I was just wondering if people could look through their galleries and figure out what ISO range they used the most and which range the least. I also figured this exercise might help some people around here determine what is most important to them for their style of shooting.

I for one find that roughly 85% of the time, am between 800-3200 and between 100-800 the rest of the time.

Wasn't sure which other category to post this in so I figured general would work. My apologies if there was in fact a better place for it.

Gateway drug: 600 RT + ST E3

OK. So my new secondhand ST-E3 turned up in the post and I just tried it out with the 600 RT. It just works. Ridiculously simple to use and at less than £200 (used) seems a steal.

But I think I've realised why we've not yet seen a 430 exii replacement. When you try the new radio set up you just want to buy more RT enabled flashes for the sheer simplicity and the price seems far less of an obstacle compared to the convenience. I'm seriously considering selling on my two 430s and just buying two more 600s now.

I think Canon's marketing guys have this sussed. Once you've had a taste of the RT system you're hooked.

Why are DSLRs so Big?

I've been reading with interest the many comments here about the desirability of a mirrorless system, with small size being one of the desired traits.

Well, recently I took a look at my old Canon F1 (which is on semi-permanent loan to my daughter as a decorating accessory in her apartment). I had forgotten how tiny it is compared to a 7D or a 5DIII. And, that got me wondering why are DSLRs so big?

The F1 used a reflex mirror, so we can't blame the size on the mirror housing alone. It was a "full frame" camera, so it's not the sensor. Perhaps the electronics require more space. But, then again, the F1 had to have two cavities, one for the film cassette and one for the exposed film. That was wasted space that DSLRs don't need. Yes, the DSLR battery is much larger than the little dime-sized battery that powered the F1 for decades. But, a DSLR doesn't require any of the mechanics needed by a film camera for advancing the film.

The new SL1 shows that Canon can pack most of these electronics into a smaller body.

So, I'm just wondering how we ended up with these supersized DSLRs. Is it just a styling convention – people expect a bigger camera for the price? Maybe it makes people feel more like a "pro" if they have a big camera body?

Will we see DSLRs start to shrink in the coming years? I wonder if Nikon's new retro camera will be the same size as their old SLRs.

Just some random thoughts and questions thrown out there for discussion.

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