Threads

bleephotography · Sep 13, 2013

So I've had the 24-70 II and 70-200 II for some time now and they are wonderful pieces of kit, but I simply can't get over this incessant longing to replace them with primes; they just feel more natural to me, and the weight/size/faster aperture are major factors in my decision.

Therefore, I've decided to replace these two zooms with the following lenses and I am hoping those of you with some experience can give me your honest feedback:

Option 1
Canon 24 f/1.4L II
Canon 40 f/2.8 STM
Canon 85 f/1.2L II
Canon 135 f/2L or Canon 200 f/2.8L II

or

Option 2
Canon 10-22 or Tokina 11-16 II
Sigma 18-35 f/1.8
Canon 40 f/2.8 STM
Canon 85 f/1.2L II
Canon 135 f/2L or Canon 200 f/2.8L II

or

Option 3
? ? ?

Eventually I'll upgrade the 135 or 200 f/2.8 to the 200 f/2 when funds warrant such a purchase, but for now I'll have to make do combined with the 1.4x III and 2x III teleconverters. I'll be using all of these lenses both on my two FF cameras and also on my 70D (with exception to the UWAs in Option 2, and the Sigma 18-35 would only be acceptable between 24-35).

Side note: I mostly do portraits and street photography, but I'll occasionally do an amateur sporting event as well. All casually.

Thanks in advance.

petach · Sep 13, 2013

6D +17-40L

Light Trails 12/09/2013 by petach123 (Peter Tachauer), on Flickr

petach · Sep 13, 2013

.....and a 17-40L.

First time poster here, but long time poster on Fuji, Ricoh and other sites.

All the world is a stage........ by petach123 (Peter Tachauer), on Flickr

All the world is a stage Pt2 by petach123 (Peter Tachauer), on Flickr

Exit stage right....... by petach123 (Peter Tachauer), on Flickr

JPlendPhoto · Sep 13, 2013

The information displayed in the viewfinder like the shutter speed and aperture is cut off at the bottom, for example, the battery level is showing as if the battery is flat but I know the battery is full. Or the bottom of say the number 0 just shows three sides.

Any idea what is happening here?
Thanks

DesignJinni · Sep 13, 2013

Hi,

I just got a new Canon 70-200 II and the box has a blue dot sticker on it in the top corner. Can any one please clarify what what does that blue dot really means?

:-\

gferdinandsen · Sep 13, 2013

Equipment Evaluation Loan Period
To allow for transit times, the period for equipment evaluation loans will be ten days, starting when the loaned product is shipped to you and ending when we receive the loaned product back.

yellowbull · Sep 13, 2013

What would you pay for a used 5D MK II. It's pretty much brand new. Maybe 300 pics taken with it. Is $1800.00 a good deal?

Dave

mkabi · Sep 13, 2013

Squishy shutter button?

Obviously, I'm coming from the rebel line...

So there are some things I miss, like the tilt-swivel screen, but I can live without it.

But I have to ask, whats up with the squishy shutter buttons on the 7D to Mark III.

Even when I tried out the 6D, it didn't have that squishiness... for me there has to be a certainty that I pressed it and it worked.

In the rebel line and the 6D, you push it and you hear a click and it stops.

But the pro line seems to have a spring of some sort, any specific reason?

Viggo · Sep 13, 2013

Hi guys,

Anyone else seen this in their 70-200 mk2, seems like the problem is with the new verisons, with the new lenscap?

http://www.lightingmods.blogspot.no/2013/08/halo-problems-on-canon-lens-70-200-l-is.html

Canon Rumors · Sep 13, 2013

HTML:

<div name="googleone_share_1" style="position:relative;z-index:5;float: right; /*margin: 70px 0 0 0;*/ top:70px; right:120px; width:0;"><g:plusone size="tall" count="1" href="http://www.canonrumors.com/2013/09/canon-succeeds-in-capturing-nighttime-video-of-yaeyama-hime-fireflies-using-dedicated-35-mm-full-frame-cmos-sensor-for-video-capture/"></g:plusone></div><div style="float: right; margin:0 0 70px 70px;"><a href="https://twitter.com/share" class="twitter-share-button" data-count="vertical" data-url="http://www.canonrumors.com/2013/09/canon-succeeds-in-capturing-nighttime-video-of-yaeyama-hime-fireflies-using-dedicated-35-mm-full-frame-cmos-sensor-for-video-capture/">Tweet</a></div>
<p><strong>TOKYO, Japan, September 12, 2013</strong>—Canon Inc. has successfully captured video footage of Yaeyama-hime fireflies flying in darkness, a feat made possible by the high-sensitivity 35 mm full-frame CMOS sensor developed by Canon for video capture that was announced in March 2013.</p>
<p><img alt="" src="http://www.canon.com/news/2013/img/sep12a.jpg" width="336" height="189" />

Yaeyama-hime fireflies amid jungle vegetation (Photomontage created from video footage)</p>
<p><img alt="" src="http://www.canon.com/news/2013/img/sep12b.jpg" width="260" height="189" />

35 mm full-frame CMOS sensor for Full HD video capture</p>
<p>The high-sensitivity, low-noise video-shooting capabilities of the dedicated 35 mm full-frame CMOS sensor1 for Full HD video capture were made possible not only through the integration of the high-performance sensor technologies employed in Canon’s digital SLR cameras, but also through the incorporation of new pixel and readout circuitry technologies that reduce noise.</p>
<p>Using a camera prototype equipped with the CMOS sensor, Canon, in cooperation with ZERO CORPORATION,2 succeeded in capturing video3 of the Yaeyama-hime fireflies that inhabit Japan’s Ishigaki Island, located off the northeastern coast of Taiwan. No artificial lighting was used during shooting, which took place after sunset amid the island’s mountains. Despite an exceptionally dark shooting environment4 of less than 0.01 lux, a level in which the naked eye would have difficulty discerning surrounding objects, the CMOS sensor was able to capture not only the color of the light emitted by the fireflies, each of which measures only a few millimeters in length, and their movements, but also the surrounding vegetation in which the species lives. Plans call for the footage to be used to benefit future research into the Yaeyama-hime firefly.</p>
<p>In addition to astronomical and natural observation, Canon is looking into applying this CMOS sensor to medical research purposes as well as surveillance and crime-prevention equipment. Through the further development of innovative CMOS sensors, Canon aims to expand the realm of photographic possibilities while cultivating the world of visual expression.</p>
<p><strong><a href="http://www.canon.com/news/2013/sep12e.html" target="_blank">Read the press release for example video</a></strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

J.R. · Sep 13, 2013

Truth be told, I purchased the 40mm pancake lens only because I found the lens to be "cute". The lens has been sitting idle since the purchase and has only been taken out of the dry-cabinet only when I know that I will need to hand over the 6D + 40mm combo to be used as a P&S in parties.

How much to you guys use the 40mm?

adhocphotographer · Sep 13, 2013

Hi all,

I got my wife (and by extension myself) the 100D + 40mm combo. She likes it and wants to keep it in her bag with some added protection. Do you think it would fit in a lowepro Dashpoint30? Anyone have any n for other suggestions of small pouch for protection of this compact combo?

Thanks,

John

Dylan777 · Sep 13, 2013

I plan to check out this lens tomorrow afternoon. What should I look for in used Telephoto lens?. Most importantly, what is the right price?

http://orangecounty.craigslist.org/pho/4062092020.html

Thanks guys,
Dylan

Zv · Sep 12, 2013

Hey guys I would like some advice on a job I'm doing at the end of the month. It's going to be a series of group shots of employees for a company. It's a busy schedule over 2 days and there will be two shots with 30 people. I have pretty much full creative control and the possibility of doing the shots outside the front entrance. They also want about 30 headshots / ID type shots. The images will them be used in a magazine.

I was wondering how you guys would approach this purely from a lighting perspective. Lenses and camera choice is already sorted, no shortages there! However in terms of lighting equipment I only have 2 shoot through umbrellas and 5 speedlites. (1 430exII, 2 YN-560II and just ordered 2 YN-560III)

I was thinking to try bouncing the speedlite off a wall or ceiling but then I keep coming up with more complex set ups with backlighting and all sorts. I think I'm over thinking this especially since the schedule is tight.

There will be about 30 mins max for set up and execution. Then I get driven to a different location - about 4 in total. Since it's multiple locations (all offices) i can't really scout them out and research so am going in blind.

What is your tried and true lighting set up for groups of 8 and groups of 30. Plus what works best for employee head shots?

Any help or advice would be great!

Thanks!

ForumMuppet · Sep 12, 2013

For those of you with big white primes and the drop-in cpl. Do you leave the filter installed 24/7 and dial it in/out as needed for every shot, or do you take it out and only insert it when the shot dictates it?

transpo1 · Sep 12, 2013

Sadly, after having my 5DII for over 2 years and using it for stills and video (although I'm a filmmaker, so the video part is favored), I've noticed what appears to be burn in on the sensor.

I just did a video shoot today and noticed the pink spots in the lower right quadrant of the frame in my footage, and am now going through all of my footage to see exactly when the spots started.

Can anyone here confirm this as burn in?

And can Canon fix it (for a price) if it is indeed burn in?

I am turning to CanonRumors because I know I can trust you guys.

Thanks!

VitorMachado · Sep 12, 2013

Just picked up a brand new 24L ii for $1,350. I'm starting to think I shouldn't of went this wide.

First of let me start off with what I shoot. Automotive photography is what I do. The 135L is my sniper and that's almost 85% of my on-location lens. I do occasionally attend events/car shows which is the "prime" reason I got this lens. I am disappointed in the fact that 24mm is almost too wide for me. The distortion isn't much from afar, but the closer you get, the more you want to back up. I just started testing waters in portraiture, and this lens is the absolute last piece of glass I should be using for that type of work.

Also, I can honestly say I haven't seen the value of (retail) $1,500 in this lens. The image quality is great, but for some reason the lens doesn't POP like I'd expect it to.

My question to you guys: Should I sell for the same price I payed, and look into the Sigma 35mm? I'm not interested in the Canon model as of right now. I've seen plenty of comparisons and the Sigma wins my vote. I'd put the left over money into some other piece of glass, or maybe even a 600EX-RT.

Thanks a lot in advance for the feedback.

ajperk · Sep 12, 2013

Hello everyone,

I purchased a Canon 6D back in June and have been loving it! It's my first foray into full frame. Anyway, I've noticed that my viewfinder has really accumulated a lot of specs and dust. I never had this on the rebels I've owned before, and I change lenses less with this camera than I did with those (fewer lenses and I find the 24-105 works really well for my needs). The specs don't show up in any photos, just in the viewfinder. I'm not concerned about them, persay, but I was just curious if any one else who owns a 6D has noticed this or if it's unique to mine.

Thanks all!

chilakamarthi · Sep 12, 2013

I bought this Camera in late 2007 used condition. I just used with auto mode all the years till last year. Last year I started learning on my own and it is gr8 experience to come out of auto mode.

In the process I observed that I could update it to latest firmware and I did it.

Off late I observed a problem with my camera. When camera power is off and if I take out the memory card and leave camera as is, after some time, I see display turns on and couple of times, it drained out complete battery.

Anyone experienced this issue? Any suggestion?

Thanks

cayenne · Sep 12, 2013

I'm going to be helping do a shoot for a charity which involves a bar crawl here in New Orleans.

I'm using my 5D3....as per another thread I've had going, I may be renting a 50L f/1.2 lens to round out what I have:

70-200L f/288
85mm f/1.8
17-40L f/4

I have the 24-1-5L f/4 kit lens too. I was thinking of taking the first three if I don't get the 50L, which I might, if I did...I might drop the 85mm..maybe? I will need the 70-200 for earlier in the evening when shooting in daylight to balconies in Jackson Square...

Anyway, I'm going to try to get permission to shoot sample footage in the bars over the next week..but can someone give me some good numbers to try to shoot for so as to get good exposed footage, minimize noise?

I'm going for 24fps. Setting shutter speed to 50. I know ISO should be in multiples of 160..does that hold true in HIGH ISO's? What kind of ISO's am I looking for....at what fstops?

Again, this will be in various bars..some better lit than others, but none of them are going to be terribly bright, lots of neon signs, etc. I do want to get that ambiance a bit, but I want to also be able to see my people in these....

Again, I'm going to try to go scout and take notes, but looking for suggestions from others as to what settings worked for them in similar situations to give me a good starting point!!

Thanks in advance,

cayenne

Don Haines · Sep 12, 2013

It seems that Olympus was now completely abandoned four-thirds for the mirror less micro four thirds.... I think everyone knew it would happen, but now it is official.

Interestingly enough, the OM-D EM-1 uses on chip phase detection for focusing (shades of 70D, but only 37 points) and a 2.3 megapixel EVF. Kind of makes one wonder if the Rebel line will slowly be replaced by the EOS-M line.... Mirrorless is steadily getting better...

cellomaster27 · Sep 12, 2013

I've been wondering for a while at which direction canon is going with the newer STM tech lenses. I really can't say anything negative on how the STM lenses perform but there are advantages to the older USM lenses. Such as ring able to focus the lens without power. But then, I'm not sure exactly which is better per se. Maybe you guys know about this? Will we see L glass with STM?? Or is it just an "APS-C" thing. Maybe we'll see dual pixel af thing in all future camera bodies thus STM L lenses? Maybe this is too vague/not important. Opinions? Know-abouts? ???

JohnQ · Sep 12, 2013

Hi All,

I've been reading CR for about a year and decided to post for the first time today. I mainly shoot landscapes and some occasional portraiture, as well as faster moving subjects like horses and softball.

I have a 7D and 50D which I have generally been very happy with in good lighting, but am considering the move up to a 5D III, mainly for its low light capabilities. I tried out a 6D at a local camera store and just wasn't impressed with it's auto focus coming from a 7D. I'm sure Canon did this on purpose to up-sell 5D III.

So here's my major question: What (if anything) is different between new and refurbished gear, and why would such a new camera already be available as a refurbished product through Canon's website? Is this mainly due to the light leak problem?

Probably I would sell the 50D and my f/1.4 24mm II and go after the FF body by the end of the year.

Many thanks!

You can see my pics at www.soyscapes.com

cayenne · Sep 12, 2013

I hear about the great Zeiss lenses, and read the great reviews on them.

My question is, why do they ONLY seem to do manual focus lenses? Could they not really clean up on the high end market by making them work with the Canon/Nikon AF systems???

Thanks in advance,

cayenne

adebrophy · Sep 12, 2013

Hi,

I have a 5Dii and use it for shooting conferences and events. I do need to get a second body as an insurance - and to let me use a couple of primes in fast moving situations - and was considering the 6D.

I had a look at one in store and was very impressed by its solidity and quality feel. However, I tried it with my 135L straight off the 5Dii and after taking test shots for a few minutes noticed the smaller body, which I thought would be appealing, meant my little finger felt a bit cramped at the base.

This was after a few minutes which I found a bit unexpected. Thinking back I don't know if it was because I was holding the thing awkwardly while trying to use the pad (alas no joystick). Anyone else try a 5 series body and 6 and care to comment based on longer term usage?

Naturally a grip would circumvent the issue, I guess.

Overall though the 6D does seem exceptional value so awfully tempting (although a WiFi 5D mk IV would be ideal if that lottery win comes through...)

Thanks all!

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Locked What does Blue Dot on a box means?

Locked Canon partially relented

Locked Buying a 5D MKII

Locked Whats up with the....

Locked 70-200 Halo issue?

Locked Canon succeeds in capturing nighttime video of Yaeyama-hime fireflies using dedicated 35 mm full-fra

Locked How much are you using the 40mm pancake?

Locked 100D+40mm pouch

Locked Used: Canon 400mm f2.8 IS USM - your thoughts

Locked Lighting large groups, help needed!

Locked Supertele + drop-in cpl

Locked 5DII Sensor Damage

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Locked Did I make the wrong decision?

Locked Canon 6D Viewfinder Junk Accumulation

Locked Whats wrong with my XTi

Locked 5D3 Shooting in a bar at night: What ISO, Fstop would you guess?

Locked Olympus OM-D EM-1

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Whats up with the....

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70-200 Halo issue?

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Canon succeeds in capturing nighttime video of Yaeyama-hime fireflies using dedicated 35 mm full-fra

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100D+40mm pouch

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Supertele + drop-in cpl

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Canon 6D Viewfinder Junk Accumulation

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Whats wrong with my XTi

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Olympus OM-D EM-1

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