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$2,700 5D III?!?

Saw this posted on DPReview today in their forums. The seller has good feedback, however the warranty looks like it could be an issue. It says Canon USA warranty at one point in the description, yet in another part it says no manufactured warranty. Are they even making money off of these?

http://www.ebay.com/itm/Canon-EOS-5D-Mark-III-22-3MP-Digital-SLR-Camera-Body-/300768503539?forcev4exp=true

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Great nightphotography comparisons: 1Dx, 1DIV, 5D3, 5D2

Hope you like it. I am privileged to pick up my 5D3 on Monday afternoon.
So seeing this, I am fascinated already...Can't wait to try it out 8)

http://www.uncagethesoul.com/night-photography/best-canon-night-camera/

Hope it wasn't posted before. No intention to post obsolete topics.

Cheers, Pedro

P.S. I hope the learning curve, as I am upgrading from a 30D, won't be too steep.

Here's my
http://www.flickr.com/photos/guatitamasluz/

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5D MK III Focus Hiccup

I bought my 5D MK III in early June. I haven't shot a ton of stuff yet - maybe about 2000 frames over 7 or 8 sessions. But in 3 or 4 of those sessions, AF just quit. I use back button focus and at some point in the session, I hit the AF button and....nothing. No lens movement, no light, no beep, zippo. These situations have all been in good light conditions. The only way I cleared the system and reestablished AF functionality was to power off the camera and then power back on. I don't typically shoot time-sensitive stuff like sports or weddings where I have to worry about missing "the" shot. But I'm still concerned about this hiccup. Anyone else seeing this anomaly?

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Zeiss Flektogon 2.8 m42 Need Help!

Hi,

recently i got a Zeiss Flektogon 2.8 "Zebra" version, m42 Mount /w adapter on my eos 1100D.

http://farm7.staticflickr.com/6188/6071754657_6531f96493_z.jpg

Im really happy with this lense, i got it for cheap and on my APS-C the field of view is quite standard.
I just got one problem and if i set the aperture to 2.8 and twist the focus ring out to the maximum so i can get really close to subjects. The aperture ring starts to shift a little. I wonder why its like that?
I first checked if its perhaps just loose but its not and when i set it to minimum focussing distance there is no way of moving the aperture ring back to 2.8.
I also tried holding the aperture ring in place and then just focussing to minimum distance but that doesnt work. The Focus ring will just block.

Ok i just checked again and it seems the aperture ring moves a little bit when im focussing. Any idea why?


*edit*

I found this online:

Let's start with the f-stop ring set at 2.8 and the focus ring set at infinity. Now I begin to turn the focus ring clockwise, getting closer to the shortest distance of 0.18m. As the focus ring passes the 0.3m mark, it begins to turn the f-stop ring counterclockwise. Ever so slightly. By the time the focus ring is at 0.18m, the f-stop ring has turned to position f/4.
What's more strange is that the aperture blades are still in the fully o

and the reply:



The lens is really designed to be used with a hand-held exposure meter; probably it was built in the days before through-the-lens metering was available (certainly the case for Exakta). As you move into to close focus, you need to open up the aperture some more to keep the same effective f-stop, so for example an f/2.8 aperture setting on a close focus might only give as much illumination as f/4 would at infinity. If you had a through the lens meter, it would see the reduced illumination, but a hand-held meter simply does not know the distance to the subject or the focal length of the lens, so it can't compenstate. The Flektogon had a built-in mechanical compensation as I remember it. As you focus to shorter distances, it opens the aperture up. Of course, if you start off at f/2.8, it has no where to go, so instead it rotates the aperture ring to at least tell you what its effective aperture really is.

Experiences? thanks already.

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5D Mk iii Error 02

Hi all,

My Mk iii is configured to write large RAW files to the CF card and large JPEG files to the SD card. Yesterday I was happily shooting a wedding when I suddenly got an Error 02 message relative to the SD card (message states "Card cannot be accessed, Reinsert/change card or format card with camera").

I have never experienced this problem before on any of my other cameras, ever. Now two things changes since my last shoot:

1) The SD card is brand new - Sandisk 16GB Extreme 45MB/s, Class 10. It was of course formatted in the camera prior to use.

2) I updated the firmware in the Mk iii from whatever it was when I received the camera back in March (1.0.x) to the latest 1.1.3 version.

Sandisk cards are very reliable in my experience, however I accept that I may possibly have a lemon in this instance.

My other lingering doubt is whether it is the firmware update which may be related to this issue, with this specific card?

Any similar experiences or thoughts would be most welcome. Thanks in advance.

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What is the "sweetspot" for the 100mm f/2.8L IS Macro & the 70-200mm f/4L USM

I bought two lenses and I prefer to take most of my shots near or on the mythical sweetspot in regards to aperture. With the presumption of sufficient light, for my 50mm f/1.4 I try to stay between 2.8 and 4.0. For my 24-105mm f/4 I make an effort to approach f/8, but that isn't always an option.

So that raises the aforementioned question. What aperture range is the 100mm and the 70-200 the sharpest? And don't hesitate to tell me that I was wrong about the 50 and 24-105... if indeed I'm way off.

Thanks a bunch.

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What lens/es for holiday with a family

Hello CR friends

I live in Adelaide, South Australia (have done for 5 years) and I've arranged to go on an interstate holiday for a week with some good friends of mine (we go to the same church and have known each other for 5 years). They are a family of five: dad (44), mum (42), 15yo daughter, 13 yo daughter and 8yo son. I'm 37 (turning 38 next week ;) ) and I have a good friendship with all the family: sort of like a 'fun uncle' to the children, and have a close friendship with both parents. We will be travelling in their 7 (or 8?) seater van, us 3 adults sharing the driving.

We are going to Australia's island state of Tasmania (where I grew up) - which is known for it's beautiful landscapes: particularly mountains & coastlines which are more dramatic than many other parts of Australia. (Tasmania's weather is cooler than South Australia, though by some standards in the world, no part of Australia is VERY cold!) No one in this family has been to Tasmania before, though they have visited some other parts of Australia. I lived in Europe for about a decade before I lived in South Australia. That means I haven't been to many of the places in Tasmania that we hope to visit for years, ie since I got into serious (DSLR) photography several years ago. (I go back annually to visit my family - parents, brothers and their families). :D

So... my question to you is: what gear would you take, specifically lenses. We will be quite tight for space in the van (though based most of the time at my retired parents' farm). I already have an idea what gear / lenses I will take- but before I spill my beans, I'd like your take on it. The main reason that I'm going is to go as a friend, and also to be their 'unofficial' tour guide (as I did a lot of travelling, walking and sight-seeing around Tasmania when I was in my teens and early 20's). All the family love the outdoors (ie we are hoping to see rainforests, waterfalls, cliffs & coastlines, go up some mountains, possibly see some wildlife, etc). But we'll also do some 'tourist' visiting, eg historical sites, museums, chocolate factory, etc.

My plan is to take quite a few photos while we visit places, see things - and present an online album to the family afterwards as a momento of this special holiday; particularly saying thanks to my friends - the parents - who invited me to join them. The 2 teenage girls are sweet, humble girls - who are not too self-conscious - that is, they are very happy for me to take their photo, but they're not vain (as in, they wouldn't want hundreds of 'posed photos'). Eg if we were at a waterfall and all I did is take photos of them, they would say "Paul... you should take photos of the waterfall, not just of me... I already know what I look like!") The parents really appreciate my photography, they have seen many of the photos I've taken in Europe and in Australia. The 8 year old boy is a bundle of energy and tends to show off at times, a balance between quite demanding of attention, yet he can be sensitive at times too. 8)

The gear I currently have is:
Canon 7D (with 2 batteries)
Canon 350D (with 3 batteries)
Sigma 10-20mm HSM EX
Canon 15-85mm USM IS
Canon 18-55mm
Canon 100mm USM
Canon 70-300mm L USM IS
Several filters (eg 3x CPL, 2xND, 2xUV, etc)
Manfrotto tripod (2 heads: ball head & 3-way)
Nissin Di866mkII pro flash (with 1 set of recharge batteries)
Hahnel wireless timer remote
CF cards: 32GB, 16GB, 2x4GB, 3x1GB (and several smaller)
Lowepro Nova 170AW shoulder bag
Lowepro Slingshot 300 AW '1 strap' backpack

Please don't say "Take it all along" - as this would present a problems for 2 main reasons:
1) There is not going to be much spare room in their van - and it would be both selfish and impractical
2) It would be too cumbersome / awkward for me to take and be changing all my lenses (not to mention other gear) during the time we're 'out and about'.

My main question is... what lenses would you take - and why?
And of the other gear, what would be your selection - and why?

After several posts have been made (I hope several people will present opinions) - I'll share my thoughts and reflections.

Thanks in advance for your comments, thoughts and posts! :)

Paul

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Funny thing happening across the camera world

Within the camera/dslr world, based on the rumor sites, Canon-Sony-Nikon seem pretty active.

Nikon Rumors has D600 updates, Sony Alpha Rumors has FF mirrorless and camcorder updates, while Canon Rumors has Canon printers updates? And CR1-rated "EOS 3D" Buzz about low priced FF? No knock of CR, but is it that hard to get Canon info?

Either Canon is really good at keeping secrets, or they are asleep at their wheels.

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CPS Membership - Gold vs Platinum

I didn't realize I've qualified for CPS platinum and have been a gold member. Any thoughts on upgrading from Gold to Platinum? The 6 clean and check coupons are the big plus as Canon's service has been great in maintaining my cameras but I'd like to keep my 200 f/2L, 100 f/2.8L Macro, 8-15 f/4L, and 70-200 f/2.8L maintained annually as well. Is the extra $400 cost worth it? Can I rotate my equipment maintenance around the 2 free clean and check I get with Gold?

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Lens issues; what replacement options do I have?

So a while ago I bought a sigma 24-60 2.8, for about £150. It's never been hugely sharp, but it let me down massively at a wedding recently. I ran it through a moire based AF test and it's all over the place.
Long story short, it doesn't focus consistently across the zoom (not so much a problem) nor consistently when you are closer/further away from a subject. That's a huge problem; I can't ask everything I take pictures of to stand at exactly 3.5m and hope for the best.

Anyways, I'm looking for a replacement. With this lens and a couple of other cheapies, I can get about £200 trade in and can save a little money to go towards something else.
I've got a 7D, and I've found the 24 to be a little too zoomed for me, but I love the 2.8

Locally, one of my camera shops is selling a 17-40L for £449, and that seems like the best option to me. It's nice and wide and the L glass is always good.

I was wondering if anyone had any good suggestions? I'm not adverse to third party options but if possible I'd like to avoid Sigma.
Thanks,
Elliot

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Filters for lenses that are not designed to accept filters

Saw this at the The Digital Picture this morning and found this interesting. Not being able to filter a 17TSE drove me to the 24TSE-ii which is the sharpest lens in my bag given the focal length.

Here is the article link:
http://www.the-digital-picture.com/News/News-Post.aspx?News=2906

I personally doubt whether you'd achieve uniform filtering due to the curvature of the lens.

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5D2 new kit vs 5D2 refurb + what lens? Caution math involved!!

So as I have been reading on here Canon has the 5D2 refurb for 1700 or if you get the loyalty program I hear it's like 1500. So you can buy a new 5D2 kit with 24-105 for 2600 and you get a 1000 dollar lens meaning the camera is like 1600. So do you buy a kit or do you buy a refurb and a lens? But a new 5D2 is 2000 so if you get the kit you get a 1000 dollar lens for 600. Does anyone see these numbers the same as me? I'm very confused but I really want a full frame and I tried the 5d2 with 24-105 and it was better than my 50d with 17-55 2.8 IS!!! My 50d is so grainy at ISO 800.

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Patent: Canon EF 300 f/4L IS II

HTML:
<div name="googleone_share_1" style="position:relative;z-index:5;float: right; /*margin: 70px 0 0 0;*/ top:70px; right:120px; width:0;"><g:plusone size="tall" count="1" href="http://www.canonrumors.com/2012/08/patent-canon-ef-300-f4l-is-ii/"></g:plusone></div><div class="tweetmeme_button" style="float: right; margin:0 0 70px 70px;"><a class="tm_button" rel="&style=normal&b=2" href="http://www.canonrumors.com/2012/08/patent-canon-ef-300-f4l-is-ii/"></a></div>
<strong>New Patent


</strong>Canon has filed a patent for the optical formula of a new EF 300 f/4L IS II.</p>
<p><strong>Patent Publication No. 2012-159726</strong></p>
<ul>
<li>2012.8.23 Release Date</li>
<li>2011.2.1 filing date</li>
</ul>
<p><strong>Example 3</strong></p>
<ul>
<li>F = 300mm focal length</li>
<li>Fno. 4.0</li>
<li>Tele ratio 0.68</li>
<li>Inner Focus</li>
<li>φr = 68.8mm</li>
<li>φg1 = 67.8mm</li>
<li>φg2 = 70.2mm</li>
</ul>
<div><strong><a href="http://www.bhphotovideo.com/c/product/129188-USA/Canon_2530A004_Telephoto_EF_300mm_f_4_0L.html/bi/2466/kbid/3296" target="_blank">Canon EF 300 f/4L IS at B&H Photo</a></strong></div>

<div><!--more--><strong>Technical background</strong></div>
<ul>
<li>When the miniaturization of the optical system, longitudinal chromatic aberration, chromatic aberration of magnification is remarkable</li>
<li>As the focal length becomes longer, the telephoto lens system, chromatic aberration is noticeable</li>
<li>There is a method of correcting the aberrations of a material having an anomalous dispersion resin, the resin is difficult to produce high-precision thick</li>
<li>There is a method of sandwiching a thin glass resin material, the bonding peeling distortion problem bonding at high temperature</li>
</ul>
<p><strong>Canon patent</strong></p>
<ul>
<li>Joining three or more optical elements</li>
<li>The outer diameter of the resin is increased to reduce the distortion at the time of bonding</li>
<li>Not adhere to each other resin outer glass element</li>
<li>Between the optical element of the outside is gone, adhesive, the thickness of the adhesive distribution occurs</li>
<li>Using a sealing agent to prevent change in shape of the resin and the refractive index change due to moisture absorption</li>
<li>Do the black outer peripheral portion of the glass element</li>
<li>Prevent flare and ghosting resin at the outer periphery</li>
<li>Surface resin glue is not good</li>
</ul>
<p><strong>Source: [<a href="http://egami.blog.so-net.ne.jp/2012-08-24" target="_blank">EG</a>]</strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

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Canon EOS-1D C Available?

HTML:
<div name="googleone_share_1" style="position:relative;z-index:5;float: right; /*margin: 70px 0 0 0;*/ top:70px; right:120px; width:0;"><g:plusone size="tall" count="1" href="http://www.canonrumors.com/2012/08/canon-eos-1d-c-availability/"></g:plusone></div><div class="tweetmeme_button" style="float: right; margin:0 0 70px 70px;"><a class="tm_button" rel="&style=normal&b=2" href="http://www.canonrumors.com/2012/08/canon-eos-1d-c-availability/"></a></div>
<strong>Update….


</strong>Here’s a Canon EOS-1D C in someones lucky hands.It is a preproduction model, and not the retail version.</p>
<p>I do think it’s a good sign that more people are getting their hands on the camera, as we should start to see lots of 4K footage from the EOS-1D C. As for retail availability, the EOS-1D C will start shipping to customers sometime before the end of 2012.</p>
<p>The camera is <a href="http://www.bhphotovideo.com/c/product/855962-REG/Canon_EOS_1D_C_EOS_1D_C_4K_Cinema.html/bi/2466/kbid/3296" target="_blank">still listed at $14,999USD</a> and not yet available for preorder.</p>
<div id="attachment_11045" class="wp-caption alignnone" style="width: 585px"><a href="http://www.canonrumors.com/wp-content/uploads/2012/08/photo.jpg"><img class="size-medium wp-image-11045" title="1dcunboxed" src="http://www.canonrumors.com/wp-content/uploads/2012/08/photo-575x428.jpg" alt="" width="575" height="428" /></a><p class="wp-caption-text">Canon EOS-1D C Unboxed – 4K Wedding Shoot This Weekend – Click for larger</p></div>
<p><strong>Already shipping?


</strong>I have received two reports of people buying retail versions of the Canon EOS-1D C, one of them in Australia. I haven’t yet seen pictures to confirm this.</p>
<p>If you have received an EOS-1D C, I’d love to see an unboxing.</p>
<p><strong><span style="color: #ff0000;">c</span>r </strong></p>

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EOS BODY FOR ARCHITECTURE

HI
i am an architect and i love taking pictures of buildings ( especially historic buildings) exterior and interior .... for some years i had a power shot s2is which was not bad , but had some serios weakness like lack of wide focal length , or low iso and mp ....
now i want to change to dslr , so i need advice .... i need high mp and great details but at the same time , i need to take pictures of interior , so i need your advice on 2 subjects .
first do you think i must go ff ?
do you think i must take 5d3 or wait for high megapixel that is coming .


one thing i forgot to say : frame rate per secound is not impotant to me .....

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Why pick 16-35 f2.8 over 17-40 f4

I have a 17-40 f4 on my 5d3 and i truly love this lens, little bit of corner softness but other than i love it.

I always have it on my tripod when shooting landscape, i don't shoot portrait with this lens- exclusively for landscape, i must say it is worth every penny but i have never used the 16-35 f2.8 and curious of the performance, i wanted to know in which ways it is better than the 17-40 and is it worth paying double the price?

If anyone of you used 16-35 or have both lenses that can share some of your experiences and benefits of have 16-35 over 17-40 aside from aperture because i always have it on f8-f11.

many thanks
Brian

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