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  • Poll Poll
5D3 Light Leak Issue - Did you send yours in???

If you are a 5D3 owner with the light leak issue

  • I have already sent it in for repair

    Votes: 1 5.9%
  • I will be sending it in to Canon

    Votes: 2 11.8%
  • Meh, it doesn't really bother me - I'm not sending it in for repair

    Votes: 5 29.4%
  • It doesn't affect me right now but if it does I'll take send it in

    Votes: 5 29.4%
  • Mine is not in the affected serial range so not an issue for me

    Votes: 4 23.5%

I am considering sending mine in, not because it is affecting my images just because I think it should be updated. I don't intend to sell it any time soon but I am sure it helps in that regard. I saw number 5Dc sellers mention the mirror fix and 1D3 owners talk about the fix for AF being performed.

They say it will be 7-10 days to perform the repair.

What are your thoughts on this?

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40mm f/2.8 or 50mm f/1.4

Hi,

I want to buy a new fixed focal lens and i can,t decide between 40mm f/2.8 or 50mm f1.4. i mention that i will use the lens on a APS-C body ( Canon 7D) only for people and portraits.

Wat is your experience with those two lenses? there is a significant difference in IQ at 2.8 , difference in AF speed etc. I use L zooms and the only fixed focal lens i currently use is 100mm f/2.8 USM.

I am not interested in weight or dimensions of the lens ... only in IQ. The price difference between 40mm and 50mm is worth it???

Thanks,
Nik

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Question for Kirk L-Plate users

I'm after a bit of advice about getting a new QR bracket that will properly fit the Kirk L-plate I got recently. I've illustrated the problem below but in simple terms, the base of the L-plate has a thicker (1.5mm) vertical rise than either of my current (Giotto's) Arca-Swiss-style QR brackets can properly accommodate, causing an offset that leaves the L-plate (and my camera) less securely attached than it should be. I have to say that it feels solid when locked down but I have doubts about how much of an accidental knock would dislodge it.

QRBracket.jpg


What I'm not clear about is whether it is the L-plate or my Giotto's QR brackets that are deviating from the Arca-Swiss standard. Must I get Kirk QR brackets or will I find that other makers' Arca-Swiss brackets are more generous in their accommodation than my Giotto's items? I don't think Kirk QR brackets are sold in the UK so I'd prefer a more widely available brand if possible.

Thanks for any advice.

Edit: I just re-read my post and in case of confusion, the 1.5mm height refers to the lowermost part of the L-bracket's base, below the 45 degree slope. That dimension is only 0.5mm on my Giotto's QR plates so they obviously fit with the Giotto's QR brackets perfectly.

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No 24-70 F2.8 on sale in New Zealand

I cannot seem to find any stores with the 24-70 in stock. Two authorised dealers don't even have the lens listed, another has the lens listed as awaiting new model. I can't even find second hand models for sale, this is crazy.

One of them has the 24-70 F2.8 II listed at NZD$3599 which is approx USD$2850 at the moment! That price is pretty crazy though, its more than the 70-200 F2.8 II by $100 NZD.

Do other countries have similar issues at the moment? Does this mean we can expect the new lens to start shipping?

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Best lense for bird shots

I already have a canon 70-200EF L 1:4 IS USM which I love but lately I'm moving towards more bird photography and unless the bird is relatively close in the first place the above lense let's me down. So I'm now researching the best next lense up and will appreciate advise. I have also the 1.4canon extender.
Hope to hear from you soon.
Camera body 7D

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5D Mark III HDR Mode "issue"

When shooting in HDR mode, sometimes the camera will automatically crop the resultant HDR image.

It's really inconvenient to shoot a seemingly perfectly framed photograph when you find out it's been cropped. After this happens (as I don't check the images immediately), I usually have to go back to where I took the shot and pan down so more is showing from the bottom of the frame.

Is this normal with the HDR mode in the 5D Mark III, or does this need to be fixed?

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EF-M 22mm pancake, 18-55 IS STM

These lenses are the same ones I want for my T4i. The 18-135 is huge, and the 40mm is a bit long for everyday use on an APS-C. I like my traditional lenses fine for photos, but the T4i's movie/live view focusing abilities are completely useless with the non-STM lenses... hunt and seek, hunt and seek.

I wonder - will Canon give us similar lenses with EF or EF-S mount? Or, is there any physical possibility someone will hack together an adapter mount to retrofit EF-M on EF-S APS-C cameras?

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Video Resolution Comparison: 5D Mark III vs. Nikon D800

A colleague lent me his new Nikon D800, so I shot video of my resolution chart with it to compare to my (okay, my wife's) 5D Mark III.

https://vimeo.com/46242792

My take is that there are some aspects of the D800 video PQ that make it appear sharper, but on closer inspection, its true resolution looks to be perhaps 50 lines or so more than the 5D Mark III? The aliasing issues are clear, even (especially?) on the resolution chart. As with the 5D Mark III, the D800 is a nice cam.

Oddly, the HDMI output appeared to switch to 720p when I hit record. Perhaps I didn't have a setting right, as I thought it was supposed to have "clean" (full resolution) output via HDMI.

Attached is a frame grab of the 200% zoom with light sharpening.

Attachments

  • 5DvsD800.jpg
    5DvsD800.jpg
    381.8 KB · Views: 5,956

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More Coverage of the Canon EOS M

HTML:
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<strong>Lots of information out there


</strong>Since you have to wait until October to actually buy one, at least you can kill some time reading about it.</p>
<p><strong>From CNET

</strong></p>
<blockquote><p>Overall, the EOS M, with its slim form factor and large image sensor, would likely appeal to compact upgraders looking for dSLR-like quality minus the bulk as well as dSLR, users who have already invested in a stable of Canon glass.</p></blockquote>
<p><strong><a href="http://asia.cnet.com/product/canon-eos-m-46728081.htm" target="_blank">Read more at CNET</a></strong></p>
<p><strong>From Digital Camera Info

</strong></p>
<blockquote><p>The EOS M is a camera for the masses, a simple-to-use interchangeable lens camera that won’t intimidate, but doesn’t skimp on the components or build quality. Its similarity to the Canon T4i is going to make for some tough buying decisions for many people in the sub-$1000 camera market; for just $799.99 this October, you can likely get all of the T4i’s performance in a smaller package.</p></blockquote>
<p><strong><a href="http://www.digitalcamerainfo.com/content/Canon-EOS-M-First-Impressions-Review.htm" target="_blank">Read more at Digital Camera Info</a></strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

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What should I buy? 7D or wait for entry level FF?

Hi,

I've been considering buying a 7D for sometime and nearly did so over the weekend. That was until I heard the rumor of a FF. FF digital has always been something I'd never considered given the price tag however if there is an entry level then it might be an option. I'm really just an enthusiast - just take lots of pictures on holiday and of our kids. I've currently got a 400D and use the following lenses 70-200L F4, 15-85, 50mm 1.8. While I like the 400D I'm looking for more features and find the body a bit small a sometimes cumbersome to use - I use to love the wheel on my old Canon 50 film.

Any advice appreciated.

thanks.

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Canon EOS M Hands On Via Tech Radar

HTML:
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<p><strong>More Canon EOS M Coverage

</strong>The folks at Tech Radar have posted a video and article hands-on of the new Canon EOS M System. It doesn’t appear that Canon has allowed any journalist to save and examine images taken by the Canon EOS M.</p>
<p><strong>Early Verdict from Tech Radar

</strong></p>
<blockquote><p>On the whole the Canon EOS M impresses. It’s a nice, solid-feeling camera that offers plenty of control to the enthusiast, without daunting its more novice target market.</p>
<p>We think that Canon has made the right move by using an APS-C sized sensor, and inevitably this means creating a new lens mount if the camera is to reap the size benefits of being mirrorless.</p></blockquote>
<p><a href="http://www.techradar.com/reviews/cameras-and-camcorders/cameras/digital-slrs-hybrids/canon-eos-m-1089580/review" target="_blank"><strong>Read the entire article</strong></a></p>
<p><strong>Tech Radar Video Hands On</strong></p>
<p><iframe width="500" height="281" src="http://www.youtube.com/embed/Sa_9kNAMcIw?fs=1&feature=oembed" frameborder="0" allowfullscreen></iframe></p>
<p><strong></strong><strong><span style="color: #ff00ff;">c</span>r</strong></p>

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Canon EOS M System Announced

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<strong>Put Your Creativity Into Motion With The New EOS M Digital Camera


</strong>The Newest Camera in Canon’s Lineup Delivers Exceptional EOS Full HD Video Quality with Continuous Autofocus and an Expansive Selection of Lenses</p>
<p><strong>LAKE SUCCESS, N.Y., July 23, 2012</strong> – Combining the perfect blend of advanced video features and excellent still image quality in a convenient size, Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the EOS M Digital Camera. Canon has made significant advancements in the realm of professional-quality HD video capture, from advanced CMOS sensor technology to smooth, quiet continuous autofocus. Inspired by EOS technology, the EOS M leverages these core technologies and distills them down to provide outstanding video capture capabilities while retaining high-quality still image capture. When shooting still images, the EOS M camera’s 18-megapixel APS-C-sized CMOS image sensor provides a shallow depth of field, incredible low-light image quality and a wide dynamic range to capture rich gradation and detail.</p>
<p>This new addition to the EOS family offers a great solution to videographers and photographers of all levels, with two new lenses designed specifically for Canon’s new camera format – the EF-M 22mm f/2 STM kit lens and the optional EF-M 18-55mm f/3.5-5.6 IS STM lens– and the ability to use the full line of Canon EF and EF-S lenses through the optional Mount Adapter EF-EOS M.</p>
<p>“The EOS M includes a unique feature set making it an ideal movie-making tool while offering incredible still image quality on its APS-C-sized CMOS sensor. The camera’s size, image quality, advanced video capabilities and the versatility of Canon’s full lineup of lenses make the EOS M another great option to help our customers record and capture their creative vision,” said Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A.</p>
<p>Product Specifications and Features:</p>
<p>• EOS Full HD Movie mode with Movie Servo AF for continuous focus tracking of moving subjects also includes:</p>
<p>• Manual exposure control</p>
<p>• Multiple resolution frame rates</p>
<p>• Built-in stereo microphone</p>
<p>• Manual audio level adjustment</p>
<p>• Video Snapshot mode with touch-screen editing</p>
<p>• 18.0-megapixel APS-C CMOS sensor</p>
<p>• ISO 100–6400 (expandable to 12800 in H mode) for video recording, ISO 100 – 12800 (expandable to 25600 in H mode) for still image shooting from bright to dim light and high performance Powerful DIGIC 5 Image Processor for exceptional image quality video and photos</p>
<p>• Hybrid CMOS AF delivers fast autofocus speed for video and photos</p>
<p>• Touch Screen 3.0-inch Clear View LCD monitor II (approximately 1,040,000 dots) with smudge-resistant coating features multi-touch operation allowing photographers to use familiar gestures such as “pinch-to-zoom” and “swiping” to scroll between pictures and Touch AF for an easy and intuitive video capture experience</p>
<p>• Scene Intelligent Auto mode delivers expertly optimized photos and scene detection for amazing results even when shooting at night</p>
<p>• Advanced imaging features like Handheld Night Scene mode, HDR Backlight Control mode, and seven Creative Filters provide added versatility</p>
<p>• Multi-shot Noise Reduction helps preserve precious detail in photos at high ISO speeds</p>
<p>• Compatible with SD/SDHC/SDXC memory cards, including new Ultra High Speed (UHS-I) cards</p>
<p>• Compatible with all Canon Speedlite accessories including the new Speedlite 600EX and Speedlite Transmitter ST-E3-RT</p>
<p>• Compatible with Canon’s GPS Receiver GP-E2</p>
<p><strong>An Advanced Video Capture Device

</strong>The EOS M utilizes Canon’s Hybrid CMOS AF system to deliver fast autofocus speed for both video and photos. The Hybrid CMOS AF system truly shines when shooting video with EOS Full HD Movie mode including Movie Servo AF for continuous autofocus and tracking of moving subjects. The Hybrid CMOS AF system is located on the CMOS sensor itself and combines phase-difference AF and contrast AF to achieve operational stability, speed and precision. The Movie Servo AF function on the EOS M is enabled by default which keeps images on the rear screen in constant focus, even before the shutter is pressed. This continual focus makes for sharp video capture in a snap or to help reduce shutter lag due to focusing when still images want to be shot. The camera employs three AF methods for video and photos, Face Detection & Tracking AF, Multi-Point AF for automatics selection and Single-Point AF, where users select one of 31 AF points. Through the camera’s touch-panel operation, subject recognition and tracking is engaged at the touch of a finger, allowing users to track subjects accurately and focus on intended subjects with ease. In addition to subject tracking, the touch-panel LCD allows for simple, intuitive operation, menu navigation and touch features making it easy to shoot video and photos.</p>
<p>Thanks to Canon’s new Stepping Motor (STM) technology, when using either of the newly announced M-series lenses – the EF-M 22mm f/2 STM kit lens or the optional EF-M 18-55mm f/3.5-5.6 IS STM lens – the AF system remains silent, helping ensure users only capture the sound of the scene being recorded. The EOS M also features manual audio level control to 64 levels, a built-in stereo microphone, which includes a wind filter and an attenuator function to reduce audio distortion in extra loud situations. The EOS M records MPEG-4 AVC H.264 video as an .MOV file in a range of NTSC and PAL professional frame rates, including 1080p Full HD video at 30p (29.97), 24p (23.976) and 25p, 720p HD video at 60p (59.94) or 50p and Standard Definition video at 30p (29.97) or 25p.</p>
<p>In addition to the creativity afforded by over 70 compatible lenses, the EOS M also includes Picture Style settings – including custom Picture Styles – when shooting video, allowing users to adjust color settings the same as when shooting still images. The camera also includes Canon’s Video Snapshot mode for an easy way to record and create a fun highlight reel that can be easily shared. Video Snapshot mode combines a series of short video clips into a single file, all in-camera. Through the camera’s touch-screen controls users can delete, cut or re-order the clips in-camera for quick and easy editing.</p>
<p><strong>Optical Diversity: New M-Series Lenses and Accessories

</strong>Along with the EOS M, Canon is also introducing two new M-series lenses – with new EOS M mounts –that include STM technology allowing for smooth and silent focusing when paired with Hybrid CMOS AF.</p>
<p>The EF-M 22mm f/2 STM kit lens is ideal for shooting video and still images. The fixed focal length lens has a great capacity for gathering light with an incredible aperture of f/2 and when combined with the camera’s APS-C image sensor, provide beautiful bright images and background blur for both video and stills. For more focal range versatility, Canon is also introducing the new EF-M 18-55mm f/3.5-5.6 IS STM, which provides videographers and photographers with a variable zoom range for general use with video recording or photographing. Both lenses are designed specifically for use with the EOS M digital camera.</p>
<p>In addition to the two lenses, any of Canon’s EF and EF-S lenses can be used with the EOS M with the optional Mount Adapter EF-EOS M. The EOS M camera’s strong magnesium and stainless steel frame provide the durability and rigidity to support the full line of EF and EF-S Lenses in a lightweight convenient design. Using the adapter allows the camera to be fully integrated into the EOS ecosystem of lenses, adding creative options and versatility to this powerful camera.</p>
<p>Ideal for use with the EOS M, Canon is also announcing a new compact and lightweight flash unit, the Speedlite 90EX, designed for the photographer on the go. The Speedlite 90EX is capable of coverage for 24mm wide angle lenses (35mm equivalent) with maximum guide numbers of 30 feet (9 meters) at ISO 100. The flash unit can be controlled wirelessly for creative multiple flash shoots and uses the standard Canon EOS hot shoe mount for compatibility with all EOS DSLR cameras and PowerShot digital cameras that include a hot shoe.</p>
<p><strong>Availability

</strong>The EOS M Digital Camera bundled with the new EF-M 22mm f/2 STM kit lens will be available in October for an estimated retail price of $799.99. Also a white version of the EOS M Digital Camera bundled with the new EF-M 22mm f/2 STM kit lens will be exclusively available through the Canon Online store, shop.usa.canon.com.</p>
<p>The new EF-M 18-55mm f/3.5-5.6 IS STM lens, Mount Adapter EF-EOS M and Speedlite 90EX will all be available in October at an estimated retail price of $299.99, $199.99 and $149.99 respectively.</p>
<p> </p>
<div id="attachment_10746" class="wp-caption alignnone" style="width: 585px"><a href="http://www.canonrumors.com/wp-content/uploads/2012/07/canon_EOS-M_with_70-200mm.jpeg"><img class="size-medium wp-image-10746" title="canon_EOS-M_with_70-200mm" src="http://www.canonrumors.com/wp-content/uploads/2012/07/canon_EOS-M_with_70-200mm-575x431.jpeg" alt="" width="575" height="431" /></a><p class="wp-caption-text">Canon EOS M with the Canon EF 70-200 f/2.8L IS II</p></div>

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Is it my camera, my flash or just me?

Hello, I hope someone can direct me. I'm new to DSLR's & accessories and recently ran into the the following situation.

I have a canon t3/1100D and a Vivitar DF-186 external flash and the auto focus/red eye assist beam does not function. When I access the c.fn menu within the camera I get a message saying the flash isn't compatible or not turned on. However everything I read before purchase and the customer service representative at B&H said it is compatible.

My question is this...is this a user/camera or flash error? As a side note this function works perfectly with the internal flash.

I've read both the camera's and Flash's user manuals and followed the directions given in them. In addition, I searched the web and this forum for a similar topic and came up empty handed.

Any help would be appreciated.

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Why 18MP???

OK guys, I am open minded but with the release of the Canon EOS M we now have yet another APS-C 18MP sensor.

Beginning with the 7D in 2009 (with the exception of the 5D3 and T3) each new Canon camera body released has been 18MP! Now unless I have missed something, is 18MP a "magical" number? Now, mind you, I am not worried about Nikon or higher MP cameras, but I just find it very odd that yet another 18MP sensor has been released.

Thoughts as to why? Did Canon over produce 7D sensors and now they have to get rid of them all?

D

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Hands-on Video of the Canon EOS M (Italy)

HTML:
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<p><strong>From Italy

</strong>Here’s a video in Italian showing the Canon EOS M.</p>
<p>Lots of fun colors to choose from! I do like the red camera, but I’ll probably buy a black one. I’m boring that way.</p>
<p>I don’t speak Italian, so I cannot translate this video.</p>
<p><iframe width="500" height="281" src="http://www.youtube.com/embed/bPyhM2x9gT8?fs=1&feature=oembed" frameborder="0" allowfullscreen></iframe></p>
<p><em>Thanks Craig (a different Craig)</em></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

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