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review the 5D3 reviews

sorry if this has already been hashed -- feel free to point to those threads. Whats your vote for the most objective and useful 5D3 review, and which reviews do you find less useful than others?

For example, in reading the dpreview piece, I came away wondering why the in-camera jpg conversion was given so much attention as a negative, or "con". Generally I wouldn't expect users of a $3500 camera body to depend that much on in-camera jpg conversion, but maybe its just me -- it doesn't seem all that critical to me: Interesting and important to know, to be sure, but just not critical.

I used to shoot raw+jpg, using the jpgs as proofs and to help me identify the keepers but then I discovered the CR2 conversion plug-in for Windows Photo Viewer and now I don't depend on my camera to produce jpgs at all.

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Audio on 5D Mark III - noisy in-camera pre-amp?

It seems that the 5D3's pre-amp can be quite noisy, at least when combined with my Beachtek DSA-XLR pre-amp. So, I sat down to try to see how to get the best results.

Here's a video I made of my tests. https://vimeo.com/47819373

The solution seems to be to set the 5D3's pre-amp as low as possible using the manual audio (microphone) controls. At zero, the audio is off. So, I set it to +1 click above off. To get a signal, though, I had to use the headphone out on my Beachtek, rather than the line out. The apparent (I don't know how to test this technically) signal-to-noise ratio defintely seems good, or at least better, in this configuration.

To get the same signal using the line out (rather than headphone out) on the Beachtek, I had to have the 5D3 set to about +1 or +2 clicks above center (50%). As you see (or hear) in the video, the pre-amp noise is really high at that setting.

Oddly, the pre-amp noise gets WORSE as you lower the manual control from +2 to +1 clicks above center.

My takeaway is to use as low a 5D3 audio setting as possible. However, I wonder if the unconventional headphone out from the Beachtek could cause problems that I haven't thought of or that don't show up (or sound off) in this test.

Any thoughts? Experiences? Suggestions for a better configuration?

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Chuck westfall on the sharpness of the 5dm3

Here is a video addressing firmware but also a few questioned asked by planet 5d.
@8:15
http://www.youtube.com/watch?feature=player_embedded&v=8EIdV4mAcpo#


One thing I thought interesting was that Chuck says in response to a question about the sharpness of the 5dm3 that a lot of data would be lost if the images were sharper because they are able to collect more data from an image without excessively sharp images and after adding sharpening later it sharpens up much nicer having more data. That was my take on what was said.

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Canon 1D MKIV VS 1DX Cameras

At the moment,I own a 1D MKIV and I am tempted and debating of upgrading to to the 1DX camera.Anyway,if I mainly shoot sports,would it be worth it to upgrade from the Canon 1D MKIV to the 1DX?Would I miss the reach factor a lot of 1D MKIV if I switched to the 1DX?How much bettter is the IQ of 1DX than that of the 1D MKIV and is there a big difference?I heard that the AF of 1DX is better than the 1D MKIV in low light shooting.How about in brighter light,how do both cameras AF and IQ compare to each other?And lastly,In what other areas is the 1DX better than the 1D MKIV?
Thanks a in advance.

new to portrait photography - any feed back would be great

So this weekend I had the opportunity to shoot some outdoor portraits. I'm fairly new to this and was wondering what everyone thinks. Any criticism, constructive or not, is greatly appreciated, whether it's composition, post processing, anything really. This is my first time shooting portrait using real amateur models.

All images were either shot with a 85mm f/1.8 or 100mm f/2.8L Macro w/ Canon 7D. The 85mm images were shot using a reflector, from 9am-Noon. The 100mm f/2.8L images were shot from 4pm-7:30pm with no reflector.

When processing the images, my philosophy was less is more. I tried to keep it as 'real' as possible without overdoing the vibrant/saturation.

http://www.flickr.com/photos/85388926@N06/show/

Thanks in advance

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A Canon NEX-VG20?

So, for those that aren't aware, the NEX-VG10 was a camera developed by Sony with the idea in mind, to get a DSLR style camera into a video body.
http://www.bhphotovideo.com/c/product/818266-REG/Sony_NEXVG20_NEX_VG20_Interchangeable_Lens_HD.html
And I personally think that it's a great idea. You basically get the brain of a DSLR, and tack on a Mic, mobileLCD, and buttons to fit a camcorder, and voila!
It goes into the prosumer category, lightweight, ready for narratives or documentary style films, for a pretty low budget and no need to expand into rigs and mics.
An easier way to visualize it, is to imagine the canon camcorder with interchangeable lens.

Now why hasn't canon caught up to this, is my question?
It would be a great entry level camera for up coming filmarkers, get consumers caught with using canon lens (teehee), but at the same time offering a true DSLR like camera that doesn't require the whole need of body's and mics, or external recorders...
Thing is, Sony kinda sucked at developing the NEX-VG10 at first. It wasn't well though out, but I think canon could pretty much pull it off.

What are you thoughts on the idea?
And why hasn't canon got into this 'new' market yet?

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Canon EOS 7D Mark II Specs? [CR1]

HTML:
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<strong>The 7D Mark II a go?


</strong>Below is a purported spec list for an upcoming EOS 7D Mark II.</p>
<p><strong>Specifications

</strong></p>
<ul>
<li>24MP – an all new sensor with phase AF on chip and noticeably lower noise than the current 18MP.</li>
<li>1Dx/5D3 based AF system.</li>
<li>10 FPS.</li>
<li>ISO 100-25600.</li>
<li>High speed video, with still capture.</li>
<li>Improved durability and sealing.</li>
<li>Available this year.</li>
</ul>
<p>I tend to agree with the source, I am not convinced such a camera is on the horizon. We’ve heard for a while that the 70D would move up a level and the 7D would be left alone. With the recent major firmware update for the 7D, replacing the camera directly this soon seems like a stretch.</p>
<p><strong>Source: [<a href="http://www.northlight-images.co.uk/cameras/Canon_7dmk2.html" target="_blank">NL</a>]</strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Trip to Montana, Landscapes

Went to Montana for a couple of weeks, had some great views and thought I should share. Shot with a Canon T1i and a 50mm 1.8 II or 17-40mm F/4L. I got a Neewer 52mm ND fader and feel in love with it, did not remove all that much sharpness and was only five dollars, also used a Dolica AX620 B100 Proline which I got for $40 and I would highly recommend it, it was light and had a great ball head. Please give feedback!


EiGWi.jpg


3BycD.jpg


gSW6M.jpg


hx4xl.jpg


VXMmY.jpg


hDCOu.jpg


jMXXf.jpg

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AF Assist for Canons 61/41 AF

I covered a major event in Trinidad this weekend - its called a carnival band launch, is a promotion for Mardi Gras 2013 held by all the major carnival promoters in Trinidad. It was an outdoor night amphitheater type environment where the conditions except for the main presentation are all low lighting conditions. I posted on
some of the challenges and summarized the shooting for what was my first major night event with the 5DM3 on my blog. I am amazed that you can get shots like this http://www.wilmark.johnatty.com/harts2013/h30876b03#h30876b03 at ISO25600, and there are many more at ISO25600. The biggest challenge is getting focus fast enough. Its a real pain. I wish somebody designed something to make the Canon 61/41 system perform better in dim light situations. Like a shoe mounted LED lamp. I know i can put a full flash and just maybe use the preflash, but this makes the set up heavier. And that issue with the black squares really messes things up too. You can only get focus when there is enough character in your framing with light in it. This really hampers your ability to use the low light capabilities of the new cams. What do you do to solve this issue? Are there any commercial products?



My blog here:
http://www.wilmark.johnatty.com/blog/2012/8/harts2013NightPhotography
The galleries shot are here:
http://www.wilmark.johnatty.com/harts2013/h356af3bf#h356af3bf
you can see the carnival presentation from here:
http://www.wilmark.johnatty.com/harts2013/h88fce06#h88fce06

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17 ts-e vs 24 ts-e

Hi all.

I want to buy the 17 or 24 ts-e, and I need some help which one to buy.

My photography besides portraits is landscape city scape architecture. I have a 5D mark III and mostly I use it when I shoot this kind of pictures the 17-40 with a Hoya ND 400 filter and a Hoya MC circular polarizer. And yeah even at f/8 f/11 is way to soft. I would like if it possible a sharpness close to my 70-200 2.8 IS II, thats why I chose this two lenses. Most of my shots are done within 20mm so, I like to shoot wide.

What I thought to buy is the 17mm, and if I need closer I will put a 1.4 TC III and if thats not enough I put it on a 7D.

My concerns are the lack of filters, the lack of hood.

Does anyone own(ed) both and tell me an opinion?

I tried to read everything what I found about tilt shift lenses but I still dont understand the following:
If I buy the 24 and I put my camera on a tripod, and I put let say a tall building in the picture, and it doesent fit in, and I would need a wider lens to cover the building, can I just tilt or shift the lens and take a few shots and than I put them in PS together as I would do with a panorama shot? Will it look exactly as it would have been taken with a 17 tse, or it will have bigger distortion?

Cheers

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Going to FF from APS-C, need lens advice

I'm looking at either a 28-300 or a 70-300 lens to use with a FF body. I use 70-200 f/2.8L IS that I use with my APS-C and I want to make up for what I lose on the long end. I'd like your answers to:

1. What are the pros and cons between the L and non-L versions of the 70-300 besides the cost?
2. Is the zoom mechanism of the 28-300 as much of a nuisance as the 100-400 that I used to have? Does the zoom range make it worthwhile? Is it overly heavy?
3. I have the 1.4x and 2X teleconverters, would using them on my 70-200 be better than going with either 70-300 or 28-300?

Thanks in advance.

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The Mirrorless Future

I was away from the site for a while and I see my profile, comments, and “karma” (good move CR) are all gone.

I saw the Canon product road map and chuckled a bit. Yes, Canon will put out more of the single reflex systems with hefty prisms, slap-down mirrors that “lock up”….with incremental tweaks to what is essentially last century ideas…to squeeze out profits with what they already have to the very last, wheezing, painful, breath. This is how companies work; this is how Canon will work, as long as they possibly can.

They will tease; introduce smaller mirrorless “systems”, just to keep a Canon-head like myself from jumping ship to a full frame competitor with less-storied lenses. We complain, we moan, write long comments on blogs for other Canon-heads, but at the end, we are like those vacant-eyed calves they put on the conveyer belt… helplessly, meekly, bleating, we go down the “road map” to become yummy veal for Canon ;)

But the future is now… some of what Canon does will depend on what the competitors do and what the market demands. I say “some” as one can never underestimate the sheer optimism (naïveté?) of a diehard fan who will hang on tooth and nail even if the platform is being overtaken, not in steps, but in bounds.

I am happy with my Canon gear for now, as with everything, it is a balance; no one is perfect. I am sure Miss America has one tit smaller than the other if you look hard enough ;) Only a pedantic fool will expect his Canon SLR to bring his beer in high resolution at 90 fps with a DR of 2 million ;). For the size of the sensor, the resolution, the quality of lenses, and the “I am used to it” factor… Canon is good. They are delivering at a slow, steady, dollar-squeezing pace.

But to get back to the product road map, some of this will be dictated by the market forces. Full frame mirrorless in a decent form-factor will have to come at a faster pace than I glean from that road map picture CR posted. And I predict it will … it has to.

Because, as with everything, there is an end to even the mindless optimism and naïveté of the diehard fan. Canon is likely to drag it out for another 4 to 5 years… with “almost there” teases to keep you buying… we will have to wait and see.

But here is a sacred promise I make in the presence of other vacant-eyed calves on the conveyer belt… ID-X is my last miorred SLR… I do not plan on buying anymore “intermediate”…incremental flagships.

Enjoy your veal! ;)

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Cleaning Camera - some questions

I do take care of my camera (and lenses)
I am curious how you do that.


1. What do you clean on your camera (what parts)
2. Do you detach parts of your camera for cleaning? If so, what?
3. And what do you use for cleaning for what parts of the camera?
4. How often a year do you clean your camera (or after what kind of shooting) ?


And, how often do you replace your memory cards? Or do you continue to use them until they start to show errors?

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Just bought the shorty 40mm...

Headed to England next week on a 2 week trip... I thought this lens would come in handy on my old XSi for my wife to use. Should basically turn it into a "P&S" that she can walk around with easily. I'll probably stick it on my 7D every now and again too when I don't want to pack much gear for an outing...

Has anyone used this on an XSi? Any pictures of it on an XSi?

When it comes in I'll definitely post a few ;-)

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More Big Megapixel Talk

HTML:
<div name="googleone_share_1" style="position:relative;z-index:5;float: right; /*margin: 70px 0 0 0;*/ top:70px; right:120px; width:0;"><g:plusone size="tall" count="1" href="http://www.canonrumors.com/2012/08/more-big-megapixel-talk/"></g:plusone></div><div class="tweetmeme_button" style="float: right; margin:0 0 70px 70px;"><a class="tm_button" rel="&style=normal&b=2" href="http://www.canonrumors.com/2012/08/more-big-megapixel-talk/"></a></div>
<strong>The next EOS-1


</strong>While Canon called the EOS-1D X an amalgamation of the EOS-1 line, I don’t think everyone truly believed that the 1D-X was going to be the only flagship level camera in the lineup forever. It may have bought them some time while they got the EOS-1D X to market and worked on getting the EOS-1D C to market as well.</p>
<p><strong>New Camera at the Olympics


</strong>I received two reports from the London Olympics that a 40mp+ camera was being tested by a couple of select photographers. The cameras housing was that of the EOS-1D X. It was also mentioned the camera had a significant framerate  for a resolution that high, one mentioned it at 8fps in RAW. There were other unspecified “new features and technology” in the camera body.</p>
<p>A seperate source has said it is <em>possible </em>that Canon will announce a big megapixel camera in 2012 for release sometime in 2013, however that has yet to be decided within Canon.</p>
<p><strong>Just for the fun of it</strong>


Below is an image received by <a href="http://www.northlight-images.co.uk/rumours.html" target="_blank">Northlight Images</a> showing the Canon EOS lineup, Keith put some markers on it showing some interesting spaces and flow of the chart. Use it for entertainment purposes only.</p>
<div id="attachment_10983" class="wp-caption alignnone" style="width: 585px"><a href="http://www.canonrumors.com/wp-content/uploads/2012/08/img_01-over.jpeg"><img class="size-medium wp-image-10983 " title="img_01-over" src="http://www.canonrumors.com/wp-content/uploads/2012/08/img_01-over-575x431.jpeg" alt="" width="575" height="431" /></a><p class="wp-caption-text">Image from Northlight Images | http://www.northlight-images.co.uk/cameras/Canon_rumours.html</p></div>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

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