PART 1:
Well..... Canon BETTER get Cookin' on a DCI 8K camera cuz
HERE IS THE FINAL BURNED-INTO-STONE SPECS for the one
coming out sooner than you think:
The manufacturer was CONVINCED to include all the following features
by a dedicated team of professional photographers/videographers and by
the leadership of the codec programmers and camera systems designers
to help Pro-level Still Photographers Cinematographers and various VFX,
Engineering and Science personnel make their lives so much easier!
This is a NEW GENERATION Image Capture System
that goes WAY BEYOND what it available today!
NEW CAMERA NEWS FLASH !!!!!!
---------------------------------
BRAND NEW Medium Format COMBINED Stills/Video Camera coming
sooner than you think from a famous worldwide multimedia company:
1) IP-68 ruggedized Magnesium Alloy Body Medium Format camera:
a) Mirrorless Combined Stills/Video Camera body with a custom
in-house built 50.3 megapixel (8192 x 6144 pixels) 4:3 aspect ratio
(Anamorphic-friendly) 70mm Global Shutter CMOS sensor
(i.e. No Jello Cam Anymore!)
Sensor Type: Global Shutter CMOS
Sensor Area: 56mm by 42 mm (70mm diagonal) 4:3 aspect ratio
Photosite Size: 6.8 Microns
Capture Pattern: Bayer
Native Resolution: 8192 x 6144 photosites
Lens Mount Type and Diameter: User-Swappable PL-Mount
and the other consumer-level still photo/video lens mount is Still A Secret!
b) ADC/DSP Type: 32 bits ADC where each colour sample is
Nyquist downsampled to 16-bits per RGBA/YCbCrA channel
for recorder side digital signal processing.
c) Alpha Transparency and/or Distance Channel sampled via
secondary RF and IR emitter/receiver reflectometry at 32-bits
per sample at input using Z-pattern scanned array reflectometry
with output samples downsampled to 16 bits or user-selectable
sample size. (i.e. used for VFX and Greenscreen personnel)
d) Output Pixel is user-selectable RGBA or YCbCrA type at 16-bits,
14-bits, 12-bits, 10-bits or 8-bits per channel at 4:4:4, 4:2:2 or 4:2:0
colour sampling.
User-selectable Rec.2020 and Rec.709 colour spaces and sampling.
e) Has very low-noise with extreme low-light sensitivity (ISO 204,800 extended
up to ISO 409,600) and an ASTOUNDING 17 Stops of dynamic range
(at 64-bit RGBA/YCbCrA colour) and very high signal-to-noise ratio (144 db)!
What THIS camera sees at ISO 51,200 is equivalent in low-noise and
colour accuracy as what the Canon 1Dx Mk2 sees at ISO 12,800 so
we are talking EXTREME low noise, great colour, sharp edges and
BEAUTIFUL Beyond-HDR photos and video.
2) Still Photo and Video Frame Specifications:
a) Still Photo Capture:
- 60 fps Burst Rate 8192 by 6144 pixels (50.3 megapixels) 64-bits per pixel
RGBA/YCbCrA (up to 16 bits per colour and alpha or distance channel) that
is user-selectable 16-bits, 14-bits, 12-bits, 10-bits, 8-bits per channel plus
custom pixel sample bit-widths. Output files are RAW, JPEG, HEIF, BMP, TIFF
- 120 fps Burst Rate 6144 by 4608 pixels (28.3 megapixel) up to 16 bits per channel
(User-selectable full frame capture and downsample or sensor crop mode capture)
- 240 fps Burst Rate 4096 by 3072 pixels (12.5 megapixel) up to 16 bits per channel
(User-selectable full frame capture and downsample or sensor crop mode capture)
b) Video Capture: (User selectable) from:
- 120 fps, 100 fps, 60 fps, 50 fps, 30 fps, 25 fps, 24 fps DCI 8k video (8192 x 4320 pixels) 4:4:4:4 RAW or InterFrame or Intraframe compressed.
- up to 240 fps DCI 4k video (4096 x 2160 pixels) 4:4:4:4 RAW or InterFrame or Intraframe compressed.
- up to 1000 fps DCI 2k video (2048 x 1080 pixels) 4:4:4:4 RAW or InterFrame or Intraframe compressed.
- up to 4000 fps DCI 1k video (1024 by 540 pixels) 4:4:4:4 RAW or InterFrame or Intraframe compressed.
- Multiple UHDTV, HDTV and Computer-friendly frame sizes and integer + fractional frame rates.
c) All output resolutions and colour sampling can be 4:4:4:4 FULL RAW or 4:2:2/4:2:0
at 16 bits, 14 bits, 12 bits, 10 bits and 8 bits per RGBA/YCbCrA pixel channel.
d) Has User-selectable Time Lapse intervals from X-frames per second to many minutes or hours per frame.
e) Records multiple files at same time with varying/user-selectable recorded frame rates
and aspect ratios, multiple file container formats including H.265/H.264, AVI2, MOV, MP4,
JPEG/HEIF/BMP/TIFF and legacy MPG/MPEG-2/MP3 video and audio codecs.
Full Resolution Video/Audio/Metadata can be output to SSDs and/or sent out
to high-speed ports and the lower resolution Proxy Video/Audio/Metadata
can be sent to CFe Cards and/or External recording devices and connections.
f) Has continuous pre-roll where imagery is continuously captured within a 15 second
rotating 8K buffer or a 60 second rotating 4K buffer for instantaneous capture of
stills and video once record button is pressed.
3) Shutter Type: Global Electronic Shutter at up to 1/32,000th of a second.
a) Time Lapse and Shutter Control can be via external computer trigger
over USB, RJ-45 or 802.11 control protocols AND can be set to X-Frames
per second to Multi-Hour intervals per frame grab.
b) Low-speed still photo and video image capture at 1, 2, 3, 4, 5, 6, 10, 15 and 20 fps
c) Industry standard integer and fractional still photo and video frame rates
of 23.976, 24, 25, 29.97, 30 fps, 50 fps, 59.97 60, fps, 72 fps, 100 fps and 120 fps
d) High speed menu-selectable 200 fps, 240 fps, 300 fps, 360 fps, 500 fps, 600 fps,
1000 fps, 2000 fps and 4000 fps (depends upon resolution or sensor crop mode).
Allows user-selectable full-frame capture that is downsampled or a crop-mode sensor capture.
e) 10-position user-selectable Neutral Density Filter set via dial on camera body.
f) High performance, full-frame-size real-time 3D-XYZ SOBEL edge-detection-based
autofocus for Video and Stills with auto-face and auto-eye detection and user-selectable
ON/OFF auto-detection/auto-recognition of vehicles, vessels, aircraft, animals and
buildings or terrain. Vector Objects Database can be upgraded via online update.
Auto-focus is better and faster than than DPAF and QPAF!
Has user selectable window-of-auto-focus and window-of-auto-recognition
that can be set ANYWHERE on-screen at any user-desired area size!
4) Shutter Speed: Standard menu-based selections and then
Increments of 10ths of a second up to 1/32,000th of a second shutter speed.
-
Continued below ......
-
Well..... Canon BETTER get Cookin' on a DCI 8K camera cuz
HERE IS THE FINAL BURNED-INTO-STONE SPECS for the one
coming out sooner than you think:
The manufacturer was CONVINCED to include all the following features
by a dedicated team of professional photographers/videographers and by
the leadership of the codec programmers and camera systems designers
to help Pro-level Still Photographers Cinematographers and various VFX,
Engineering and Science personnel make their lives so much easier!
This is a NEW GENERATION Image Capture System
that goes WAY BEYOND what it available today!
NEW CAMERA NEWS FLASH !!!!!!
---------------------------------
BRAND NEW Medium Format COMBINED Stills/Video Camera coming
sooner than you think from a famous worldwide multimedia company:
1) IP-68 ruggedized Magnesium Alloy Body Medium Format camera:
a) Mirrorless Combined Stills/Video Camera body with a custom
in-house built 50.3 megapixel (8192 x 6144 pixels) 4:3 aspect ratio
(Anamorphic-friendly) 70mm Global Shutter CMOS sensor
(i.e. No Jello Cam Anymore!)
Sensor Type: Global Shutter CMOS
Sensor Area: 56mm by 42 mm (70mm diagonal) 4:3 aspect ratio
Photosite Size: 6.8 Microns
Capture Pattern: Bayer
Native Resolution: 8192 x 6144 photosites
Lens Mount Type and Diameter: User-Swappable PL-Mount
and the other consumer-level still photo/video lens mount is Still A Secret!
b) ADC/DSP Type: 32 bits ADC where each colour sample is
Nyquist downsampled to 16-bits per RGBA/YCbCrA channel
for recorder side digital signal processing.
c) Alpha Transparency and/or Distance Channel sampled via
secondary RF and IR emitter/receiver reflectometry at 32-bits
per sample at input using Z-pattern scanned array reflectometry
with output samples downsampled to 16 bits or user-selectable
sample size. (i.e. used for VFX and Greenscreen personnel)
d) Output Pixel is user-selectable RGBA or YCbCrA type at 16-bits,
14-bits, 12-bits, 10-bits or 8-bits per channel at 4:4:4, 4:2:2 or 4:2:0
colour sampling.
User-selectable Rec.2020 and Rec.709 colour spaces and sampling.
e) Has very low-noise with extreme low-light sensitivity (ISO 204,800 extended
up to ISO 409,600) and an ASTOUNDING 17 Stops of dynamic range
(at 64-bit RGBA/YCbCrA colour) and very high signal-to-noise ratio (144 db)!
What THIS camera sees at ISO 51,200 is equivalent in low-noise and
colour accuracy as what the Canon 1Dx Mk2 sees at ISO 12,800 so
we are talking EXTREME low noise, great colour, sharp edges and
BEAUTIFUL Beyond-HDR photos and video.
2) Still Photo and Video Frame Specifications:
a) Still Photo Capture:
- 60 fps Burst Rate 8192 by 6144 pixels (50.3 megapixels) 64-bits per pixel
RGBA/YCbCrA (up to 16 bits per colour and alpha or distance channel) that
is user-selectable 16-bits, 14-bits, 12-bits, 10-bits, 8-bits per channel plus
custom pixel sample bit-widths. Output files are RAW, JPEG, HEIF, BMP, TIFF
- 120 fps Burst Rate 6144 by 4608 pixels (28.3 megapixel) up to 16 bits per channel
(User-selectable full frame capture and downsample or sensor crop mode capture)
- 240 fps Burst Rate 4096 by 3072 pixels (12.5 megapixel) up to 16 bits per channel
(User-selectable full frame capture and downsample or sensor crop mode capture)
b) Video Capture: (User selectable) from:
- 120 fps, 100 fps, 60 fps, 50 fps, 30 fps, 25 fps, 24 fps DCI 8k video (8192 x 4320 pixels) 4:4:4:4 RAW or InterFrame or Intraframe compressed.
- up to 240 fps DCI 4k video (4096 x 2160 pixels) 4:4:4:4 RAW or InterFrame or Intraframe compressed.
- up to 1000 fps DCI 2k video (2048 x 1080 pixels) 4:4:4:4 RAW or InterFrame or Intraframe compressed.
- up to 4000 fps DCI 1k video (1024 by 540 pixels) 4:4:4:4 RAW or InterFrame or Intraframe compressed.
- Multiple UHDTV, HDTV and Computer-friendly frame sizes and integer + fractional frame rates.
c) All output resolutions and colour sampling can be 4:4:4:4 FULL RAW or 4:2:2/4:2:0
at 16 bits, 14 bits, 12 bits, 10 bits and 8 bits per RGBA/YCbCrA pixel channel.
d) Has User-selectable Time Lapse intervals from X-frames per second to many minutes or hours per frame.
e) Records multiple files at same time with varying/user-selectable recorded frame rates
and aspect ratios, multiple file container formats including H.265/H.264, AVI2, MOV, MP4,
JPEG/HEIF/BMP/TIFF and legacy MPG/MPEG-2/MP3 video and audio codecs.
Full Resolution Video/Audio/Metadata can be output to SSDs and/or sent out
to high-speed ports and the lower resolution Proxy Video/Audio/Metadata
can be sent to CFe Cards and/or External recording devices and connections.
f) Has continuous pre-roll where imagery is continuously captured within a 15 second
rotating 8K buffer or a 60 second rotating 4K buffer for instantaneous capture of
stills and video once record button is pressed.
3) Shutter Type: Global Electronic Shutter at up to 1/32,000th of a second.
a) Time Lapse and Shutter Control can be via external computer trigger
over USB, RJ-45 or 802.11 control protocols AND can be set to X-Frames
per second to Multi-Hour intervals per frame grab.
b) Low-speed still photo and video image capture at 1, 2, 3, 4, 5, 6, 10, 15 and 20 fps
c) Industry standard integer and fractional still photo and video frame rates
of 23.976, 24, 25, 29.97, 30 fps, 50 fps, 59.97 60, fps, 72 fps, 100 fps and 120 fps
d) High speed menu-selectable 200 fps, 240 fps, 300 fps, 360 fps, 500 fps, 600 fps,
1000 fps, 2000 fps and 4000 fps (depends upon resolution or sensor crop mode).
Allows user-selectable full-frame capture that is downsampled or a crop-mode sensor capture.
e) 10-position user-selectable Neutral Density Filter set via dial on camera body.
f) High performance, full-frame-size real-time 3D-XYZ SOBEL edge-detection-based
autofocus for Video and Stills with auto-face and auto-eye detection and user-selectable
ON/OFF auto-detection/auto-recognition of vehicles, vessels, aircraft, animals and
buildings or terrain. Vector Objects Database can be upgraded via online update.
Auto-focus is better and faster than than DPAF and QPAF!
Has user selectable window-of-auto-focus and window-of-auto-recognition
that can be set ANYWHERE on-screen at any user-desired area size!
4) Shutter Speed: Standard menu-based selections and then
Increments of 10ths of a second up to 1/32,000th of a second shutter speed.
-
Continued below ......
-
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